Songs like Head Over Heels - Diesel Mix by The Washboard Union
Based on a tempo of (+/- 10%) and a similar genre
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The Washboard Union
Head Over Heels
165 bpm • A# Maj • 03:16 • -4.35db
21% Popularity • 47% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 47% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Jade Eagleson
Count The Ways
165 bpm • F# Maj • 03:15 • -5db
44% Popularity • 61% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 61% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Hot Country Knights
Pick Her Up - Radio Edit
165 bpm • G Maj • 02:48 • -3.28db
22% Popularity • 47% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 47% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Ryan Robinette
Tailgate Down Town
164 bpm • G Maj • 02:55 • -3db
35% Popularity • 56% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 56% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Holly Tucker
Take Me Fishin'
166 bpm • D Maj • 02:49 • -4.67db
18% Popularity • 49% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 49% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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High Valley
Country Music, Girls & Trucks
166 bpm • E Maj • 02:49 • -5db
36% Popularity • 48% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 48% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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The Washboard Union
Head Over Heels (Diesel Mix)
165 bpm • A# Maj • 03:15 • -4.11db
24% Popularity • 48% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 48% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Bobby Wills
Wash My Truck
164 bpm • E Maj • 02:52 • -5.58db
15% Popularity • 50% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 50% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Travis Denning
Where That Beer's Been
164 bpm • G# Maj • 02:50 • -5.06db
25% Popularity • 48% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Hinterland
Treating Me Good
166 bpm • F# min • 02:54 • -2.41db
35% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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LOCASH
Beers to Catch Up On
164 bpm • F# Maj • 03:00 • -3.47db
34% Popularity • 45% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 45% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Cold Creek County
Homemade
164 bpm • A# Maj • 03:19 • -4.01db
25% Popularity • 44% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 44% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Washboard Union
I Run On Country
165 bpm • C# Maj • 03:08 • -4.33db
31% Popularity • 38% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 38% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Tyler Reeve
Bud-Wiser
164 bpm • C# Maj • 03:12 • -3.93db
23% Popularity • 52% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 52% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Eric Paslay
Nice Guy
166 bpm • C Maj • 02:50 • -4.8db
12% Popularity • 60% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 60% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Matt Stillwell
I'm a Vol for Life Y'all
166 bpm • F Maj • 03:38 • -4.27db
28% Popularity • 50% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 50% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby Wills
Down By The River
164 bpm • C Maj • 03:45 • -4db
28% Popularity • 50% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 50% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Shawn Austin
What Do I Know
164 bpm • C# Maj • 03:00 • -5db
34% Popularity • 48% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 48% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Washboard Union
One More One More
164 bpm • A Maj • 02:45 • -2.81db
11% Popularity • 55% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 55% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Chad Brownlee
The Way You Roll
163 bpm • C Maj • 02:55 • -5db
38% Popularity • 55% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 55% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Jade Eagleson
Rather Be Single
167 bpm • C# Maj • 02:49 • -3db
31% Popularity • 50% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 50% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Davisson Brothers Band
PO' Boyz
167 bpm • G# Maj • 03:27 • -5.06db
25% Popularity • 57% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 57% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Jimmie Allen
Livin’ Man
168 bpm • F Maj • 03:26 • -2.84db
23% Popularity • 44% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 44% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Jason Blaine
Rock It Country Girl
168 bpm • A# Maj • 03:52 • -4.67db
17% Popularity • 46% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 46% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Washboard Union
Be Mine
168 bpm • G Maj • 04:03 • -6.75db
8% Popularity • 56% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 56% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Trea Landon
A Little Bit
168 bpm • C# Maj • 03:12 • -4db
25% Popularity • 57% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 57% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Jade Eagleson
Got Your Name On It
162 bpm • C# Maj • 03:09 • -4.81db
53% Popularity • 59% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 59% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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LOCASH
Feels Like a Party
168 bpm • E Maj • 02:48 • -4.67db
49% Popularity • 56% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 56% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 74% Positiveness
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Emerson Drive
A Good Man
168 bpm • C# Maj • 03:04 • -6db
29% Popularity • 53% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 53% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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The Dirt Rich Band
Headed for a Goodtime
162 bpm • D Maj • 03:01 • -3.99db
10% Popularity • 58% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 58% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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The Washboard Union
Be Mine - Commentary
167 bpm • D Maj • 00:45 • -12.7db
2% Popularity • 42% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
2% Popularity • 42% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Andrew Hyatt
Neverland
162 bpm • D Maj • 03:26 • -8.33db
28% Popularity • 47% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 47% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Jade Eagleson
Good Country People
162 bpm • C Maj • 03:23 • -5.06db
27% Popularity • 64% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 64% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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James Barker Band
Lawn Chair Lazy
162 bpm • C# Maj • 03:16 • -5db
41% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
41% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Clay Walker
Rock the Radio
162 bpm • G# Maj • 03:30 • -5.79db
16% Popularity • 53% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 53% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Ryan Montgomery
Drop a Tailgate
170 bpm • C# Maj • 02:41 • -3.72db
16% Popularity • 45% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 45% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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The Washboard Union
Sometimes You Don't Need A Plan
162 bpm • C Maj • 02:55 • -4.65db
24% Popularity • 54% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 54% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Willie Tate
King of Killin Time
170 bpm • E Maj • 02:46 • -4.42db
36% Popularity • 50% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 50% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Shawn Austin
Get Me There
170 bpm • E Maj • 03:22 • -7db
21% Popularity • 45% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 45% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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William Michael Morgan
Workin'
170 bpm • F Maj • 03:51 • -4.37db
19% Popularity • 53% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 53% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Tiona Campbell
Country Club
170 bpm • G Maj • 02:56 • -6.36db
21% Popularity • 70% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 70% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Jake Owen
I Like You a Lot
170 bpm • D Maj • 03:38 • -5db
32% Popularity • 40% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 40% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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The Washboard Union
Nothin' On You
168 bpm • F Maj • 03:36 • -5.09db
9% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Mathews
Just Like a Country Song
160 bpm • E Maj • 03:15 • -2.96db
13% Popularity • 54% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 54% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Jade Eagleson
Got Your Name On It - Acoustic
160 bpm • C# Maj • 02:58 • -6.53db
23% Popularity • 72% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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The Prairie States
Low Life
160 bpm • F# Maj • 03:30 • -3.66db
16% Popularity • 58% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 58% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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The Reklaws
Feels Like That
170 bpm • F Maj • 03:30 • -6db
41% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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James Barker Band
Summer Time
160 bpm • A Maj • 03:06 • -3.92db
39% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Shawn Austin
Settle For A Drink
160 bpm • G# Maj • 03:06 • -4.57db
38% Popularity • 57% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 57% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Emerson Drive
Just Got Paid
172 bpm • A# Maj • 03:00 • -5.82db
34% Popularity • 61% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 61% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Jade Eagleson
Hackin' Darts
170 bpm • E Maj • 02:58 • -6.22db
31% Popularity • 41% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 41% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Kyle Park
Ain't Nobody Hotter
172 bpm • G# Maj • 02:33 • -3.83db
29% Popularity • 46% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 46% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Nate Haller
Grew Up On
158 bpm • G Maj • 03:01 • -3.58db
19% Popularity • 48% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 48% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Chancey Williams
She Loves Me Anyway
158 bpm • B Maj • 03:03 • -5.31db
26% Popularity • 54% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 54% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Doc Walker
I'm Gonna Make You Love Me
158 bpm • C Maj • 02:57 • -6.19db
17% Popularity • 57% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 57% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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The Washboard Union
Hasn't Hit Me Yet
158 bpm • E Maj • 04:42 • -5.39db
11% Popularity • 48% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 48% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Jade Eagleson
Close
158 bpm • F Maj • 03:04 • -4db
41% Popularity • 43% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 43% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Ryan Hurd
Payback
158 bpm • D Maj • 03:27 • -3.71db
34% Popularity • 38% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 38% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Meghan Patrick
Country Music Made Me Do It
156 bpm • D Maj • 03:20 • -4.34db
29% Popularity • 47% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 47% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Sean Stemaly
If This Truck Could Talk
174 bpm • A# Maj • 03:12 • -4.2db
30% Popularity • 42% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 42% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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The Reklaws
Not Gonna Not
156 bpm • F Maj • 03:26 • -2.94db
35% Popularity • 52% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 52% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Shawn Austin
Paradise Found
156 bpm • A# Maj • 03:15 • -6.48db
30% Popularity • 58% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 58% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Jade Eagleson
Lucky
158 bpm • C# Maj • 03:18 • -5.71db
38% Popularity • 61% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 61% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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River Town Saints
Woke up Like This
156 bpm • B Maj • 03:25 • -4.37db
24% Popularity • 51% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 51% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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LOCASH
Chillionaire
156 bpm • C# Maj • 02:51 • -6.13db
20% Popularity • 68% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 68% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Ryan Robinette
Everything Under the Sun
176 bpm • G# Maj • 03:02 • -3.41db
20% Popularity • 38% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 38% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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A Thousand Horses
Drinking Song
155 bpm • C Maj • 03:39 • -4.61db
30% Popularity • 34% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 34% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Granger Smith
They Were There
176 bpm • B min • 03:24 • -4.6db
34% Popularity • 45% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 45% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Jojo Mason
Red Dress
176 bpm • G Maj • 03:29 • -5db
15% Popularity • 48% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 48% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Tim & The Glory Boys
Float
176 bpm • G Maj • 03:34 • -5db
33% Popularity • 52% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 52% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Meghan Patrick
Walls Come Down
176 bpm • G# min • 03:25 • -5db
27% Popularity • 38% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 38% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Waterloo Revival
Slice of Heaven
154 bpm • G# Maj • 02:51 • -5.26db
23% Popularity • 59% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 59% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Steven Lee Olsen
Hello Country
154 bpm • D# Maj • 02:53 • -3.46db
31% Popularity • 58% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 58% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Chad Brownlee
Dear Drunk Me
177 bpm • C Maj • 02:56 • -5.19db
33% Popularity • 52% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 52% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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Jojo Mason
It's All Good
176 bpm • C Maj • 03:13 • -5db
21% Popularity • 50% Danceability • 88% Energy • 45% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 50% Danceability • 88% Energy • 45% Liveness
0% Instrumentalness • 67% Positiveness
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Cold Creek County
Our Town
178 bpm • D# Maj • 03:16 • -3.48db
31% Popularity • 39% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 39% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Scotty McCreery
Move It on Out
178 bpm • G# min • 02:55 • -5.8db
28% Popularity • 52% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 52% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The Washboard Union
If She Only Knew
178 bpm • A Maj • 02:53 • -4.15db
34% Popularity • 52% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 52% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Chancey Williams
Down with That
152 bpm • G Maj • 03:04 • -4.37db
28% Popularity • 53% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 53% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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River Town Saints
You Get to Me
152 bpm • E Maj • 02:55 • -4.57db
21% Popularity • 58% Danceability • 84% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 58% Danceability • 84% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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Dan Davidson
I Do
180 bpm • C Maj • 03:19 • -9.04db
24% Popularity • 46% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 46% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Rob Pennington
Brooks & Dunn
180 bpm • F Maj • 03:03 • -3.95db
13% Popularity • 45% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 45% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Doc Walker
Beautiful Life
181 bpm • D Maj • 03:39 • -5db
24% Popularity • 41% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 41% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Washboard Union
What We're Made Of
180 bpm • E Maj • 02:52 • -6.09db
25% Popularity • 50% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 50% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Walker Montgomery
Like My Daddy Done It
150 bpm • C Maj • 03:27 • -4.54db
25% Popularity • 39% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 39% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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River Town Saints
A Little Bit Goes a Long Way
150 bpm • A Maj • 03:16 • -2.28db
24% Popularity • 58% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 58% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Matt Lang
Getcha
150 bpm • F# Maj • 03:15 • -6.1db
43% Popularity • 57% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
43% Popularity • 57% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Dan Davidson
Unkiss Her
151 bpm • G Maj • 03:33 • -3.49db
26% Popularity • 49% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 49% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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Cooper Alan
Warm Beer
150 bpm • G# Maj • 03:07 • -5.43db
32% Popularity • 51% Danceability • 78% Energy • 2% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 51% Danceability • 78% Energy • 2% Liveness
0% Instrumentalness • 85% Positiveness
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Kenton Bryant
Boys Like That
150 bpm • D# Maj • 02:56 • -4.95db
28% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Brian Kelley
Don't Take Much
150 bpm • D# Maj • 02:55 • -6.22db
32% Popularity • 58% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 58% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Emerson Drive
The Road
148 bpm • C# Maj • 03:35 • -4.15db
26% Popularity • 55% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 55% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Drew Gregory
Better in a Bar
149 bpm • E Maj • 03:54 • -4.08db
12% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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David Lee Murphy
No Zip Code
148 bpm • F# Maj • 03:05 • -4.8db
25% Popularity • 52% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 52% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Cold Creek County
Trucker Hat
148 bpm • C# Maj • 02:45 • -4.14db
14% Popularity • 53% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 53% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jojo Mason
As If We Won't
184 bpm • G# Maj • 03:38 • -6.81db
24% Popularity • 50% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 50% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Washboard Union
Livin Outta Livin
148 bpm • G Maj • 03:34 • -5.5db
11% Popularity • 64% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 64% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Elvie Shane
Sundays In The South
147 bpm • F# Maj • 03:15 • -3.45db
29% Popularity • 66% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 66% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
