Songs like Heading in the Right Direction by Renee Geyer
Based on a tempo of (+/- 10%) and a similar genre
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Peter Blakeley
Crying In The Chapel
120 bpm • G# Maj • 03:42 • -14db
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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L.A.B.
Alright
120 bpm • G Maj • 03:06 • -6.82db
39% Popularity • 88% Danceability • 52% Energy • 40% Liveness
1% Instrumentalness • 84% Positiveness
39% Popularity • 88% Danceability • 52% Energy • 40% Liveness
1% Instrumentalness • 84% Positiveness
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Renee Geyer
Heading in the Right Direction
120 bpm • G Maj • 04:01 • -8.03db
35% Popularity • 51% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 51% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Viola Wills
Starry Eyed
120 bpm • G# min • 02:47 • -10.09db
19% Popularity • 83% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 83% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Robert Cray
Foul Play
120 bpm • F min • 04:06 • -15.48db
35% Popularity • 78% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 78% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Bunny Walters
Looking Through the Eyes of Love
120 bpm • G# Maj • 02:33 • -9.86db
18% Popularity • 42% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 42% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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DD Smash
She Loves Me Back
120 bpm • G Maj • 04:10 • -11.89db
20% Popularity • 63% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 63% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Mark Williams
A House For Sale
120 bpm • A min • 04:03 • -9.13db
16% Popularity • 59% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 59% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Leo Sayer
How Much Love
120 bpm • C min • 03:39 • -12.91db
16% Popularity • 75% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 75% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Renee Geyer
Dust My Blues
120 bpm • A Maj • 03:03 • -13.09db
23% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Brian Cadd
Let Go
121 bpm • F Maj • 04:20 • -10.11db
30% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Andy Gibb
Will You Love Me Tomorrow
119 bpm • C# min • 04:40 • -7db
36% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Dr. Hook
Storms Never Last
119 bpm • C# Maj • 03:23 • -10.59db
47% Popularity • 62% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 62% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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STARS
Look After Yourself
119 bpm • G Maj • 04:00 • -10.48db
21% Popularity • 71% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 71% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Patea Maori Club
He Tangata Tini Hanga
121 bpm • C Maj • 02:28 • -12.07db
17% Popularity • 71% Danceability • 66% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 71% Danceability • 66% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
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PAUA
Coming Home
121 bpm • G Maj • 05:31 • -7.93db
47% Popularity • 89% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 89% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Wendy Matthews
If Only I Could - 2007 Remastered
121 bpm • F Maj • 04:39 • -7db
18% Popularity • 66% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 66% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Mark Williams
Show No Mercy - Remastered
122 bpm • C min • 04:25 • -9db
33% Popularity • 69% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 69% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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The Spinners
Working My Way Back to You / Forgive Me,...
122 bpm • A min • 04:05 • -9.39db
50% Popularity • 84% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 84% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Toni Childs
Stop Your Fussin'
118 bpm • F Maj • 04:40 • -13.73db
43% Popularity • 82% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 82% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Pointer Sisters
Fire
118 bpm • C# Maj • 03:30 • -9db
55% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Hello Sailor
Lying In The Sand
122 bpm • C Maj • 02:26 • -16.1db
20% Popularity • 66% Danceability • 45% Energy • 13% Liveness
62% Instrumentalness • 64% Positiveness
20% Popularity • 66% Danceability • 45% Energy • 13% Liveness
62% Instrumentalness • 64% Positiveness
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Renee Geyer
If Loving You Is Wrong (I Dont Want to B...
118 bpm • F min • 04:19 • -6.68db
26% Popularity • 58% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 58% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Mark Williams
Show No Mercy
122 bpm • C min • 04:24 • -6.67db
18% Popularity • 56% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 56% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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PEKING MAN
Room That Echoes
122 bpm • G min • 03:53 • -10.68db
25% Popularity • 82% Danceability • 57% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 82% Danceability • 57% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
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The Drifters
You're More Than a Number in My Little R...
122 bpm • A Maj • 03:15 • -13.08db
35% Popularity • 73% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 73% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Toni Childs
Walk And Talk Like Angels
122 bpm • D Maj • 05:47 • -15.66db
26% Popularity • 72% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 72% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Hello Sailor
Lyin' in the Sand
122 bpm • C Maj • 02:26 • -14.41db
25% Popularity • 65% Danceability • 56% Energy • 33% Liveness
2% Instrumentalness • 62% Positiveness
25% Popularity • 65% Danceability • 56% Energy • 33% Liveness
2% Instrumentalness • 62% Positiveness
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Sherbet
Cassandra
117 bpm • G min • 03:19 • -8.35db
24% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Mark Williams
Show No Mercy - Alternate Extended
122 bpm • A# Maj • 03:42 • -9db
7% Popularity • 70% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 70% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Patea Maori Club
Aku Raukura
117 bpm • E Maj • 04:01 • -12.17db
34% Popularity • 77% Danceability • 52% Energy • 58% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 77% Danceability • 52% Energy • 58% Liveness
0% Instrumentalness • 69% Positiveness
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Dragon
Are You Old Enough
123 bpm • D Maj • 04:08 • -14.39db
50% Popularity • 69% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 69% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Bunny Walters
We'll Sing in the Sunshine
123 bpm • G Maj • 02:51 • -12.87db
18% Popularity • 58% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 58% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Margaret Urlich
Where Is The Love
117 bpm • F min • 02:54 • -7.21db
20% Popularity • 52% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 52% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Graham Bonnet
It's All Over Now, Baby Blue
123 bpm • F Maj • 04:11 • -9.58db
40% Popularity • 71% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 71% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Tony Orlando & Dawn
Knock Three Times
123 bpm • C# Maj • 02:57 • -10.08db
58% Popularity • 77% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 77% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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The Koi Boys
Let Her Go
117 bpm • G Maj • 03:58 • -5.8db
13% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Richard Clapton
Girls on the Avenue
123 bpm • C min • 04:02 • -13.94db
50% Popularity • 64% Danceability • 53% Energy • 11% Liveness
8% Instrumentalness • 84% Positiveness
50% Popularity • 64% Danceability • 53% Energy • 11% Liveness
8% Instrumentalness • 84% Positiveness
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Dynamic Hepnotics
Soul Kind of Feeliing
123 bpm • B Maj • 03:54 • -11.06db
30% Popularity • 77% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 77% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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The Stylistics
Rockin' Roll Baby
124 bpm • D Maj • 03:16 • -9.17db
30% Popularity • 83% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 83% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Kenny Dale
Shame Shame On Me
124 bpm • G Maj • 02:55 • -10.38db
32% Popularity • 52% Danceability • 32% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 52% Danceability • 32% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
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Annie Crummer
Seven Waters
124 bpm • E Maj • 04:39 • -8.81db
18% Popularity • 67% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 67% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Leo Sayer
Dancing the Night Away - 2010 Remastered...
116 bpm • D Maj • 04:21 • -6.9db
25% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Nolans
Gotta Pull Myself Together
124 bpm • G Maj • 02:43 • -5.49db
36% Popularity • 90% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 90% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Margaret Urlich
Only My Heart Calling
116 bpm • G# Maj • 05:39 • -11.81db
25% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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David Lindley
She Took off My Romeos
124 bpm • A# Maj • 03:00 • -12.4db
30% Popularity • 82% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 82% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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The Koi Boys
Cry To Me
116 bpm • E Maj • 03:06 • -4.07db
28% Popularity • 75% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 75% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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TJ & Huri
Shama Lama Ding Dong
116 bpm • B Maj • 03:39 • -12.03db
30% Popularity • 79% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 79% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Nesian Mystik
It's On
116 bpm • G min • 03:35 • -6.12db
41% Popularity • 79% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 79% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Richard Clapton
Capricorn Dancer
124 bpm • E Maj • 03:51 • -14.62db
40% Popularity • 62% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 62% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Phoebe Snow
Love Makes a Woman
116 bpm • A Maj • 03:23 • -8.64db
17% Popularity • 56% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 56% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Air Supply
Love and Other Bruises
116 bpm • A Maj • 03:43 • -11.85db
25% Popularity • 47% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 47% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Brian Cadd
Ginger Man
116 bpm • E Maj • 04:06 • -12.34db
33% Popularity • 40% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
33% Popularity • 40% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Renee Geyer
Just The Thought Of You
125 bpm • A min • 04:56 • -15db
7% Popularity • 59% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 59% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Hello Sailor
Blue Lady
125 bpm • C Maj • 03:53 • -11.73db
38% Popularity • 44% Danceability • 70% Energy • 30% Liveness
54% Instrumentalness • 57% Positiveness
38% Popularity • 44% Danceability • 70% Energy • 30% Liveness
54% Instrumentalness • 57% Positiveness
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DD Smash
Magic What She Do
125 bpm • D Maj • 03:49 • -13.71db
36% Popularity • 68% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
36% Popularity • 68% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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Patea Maori Club
Poi E
115 bpm • E Maj • 03:49 • -4.7db
48% Popularity • 67% Danceability • 96% Energy • 85% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 67% Danceability • 96% Energy • 85% Liveness
0% Instrumentalness • 66% Positiveness
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The Pointer Sisters
He's so Shy
115 bpm • C min • 03:38 • -7.9db
53% Popularity • 87% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
53% Popularity • 87% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Toni Childs
Don't Walk Away
115 bpm • B Maj • 04:01 • -11.66db
35% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Renee Geyer
Say I Love You
115 bpm • D Maj • 03:33 • -6.52db
41% Popularity • 67% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 67% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Margaret Urlich
Number One (Remember When We Danced All ...
125 bpm • G# Maj • 04:08 • -11.43db
28% Popularity • 75% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 75% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Sherbet
Silvery Moon
115 bpm • A Maj • 03:25 • -8.15db
28% Popularity • 45% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 45% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Captain & Tennille
Keepin' Our Love Warm
115 bpm • A# min • 02:55 • -8.14db
18% Popularity • 59% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 59% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Pointer Sisters
He's so Shy (Re-Recorded Version)
115 bpm • C min • 03:44 • -17.79db
19% Popularity • 92% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 92% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Nash Chase
Spanish Eyes - Bonus Track
115 bpm • A Maj • 03:02 • -11.28db
11% Popularity • 50% Danceability • 57% Energy • 73% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 50% Danceability • 57% Energy • 73% Liveness
0% Instrumentalness • 64% Positiveness
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Rob Ruha
Paremata MÄ“ne
126 bpm • C Maj • 03:42 • -5.06db
31% Popularity • 71% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 71% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Ted Mulry Gang
Falling in Love Again
114 bpm • G Maj • 03:48 • -6.01db
25% Popularity • 50% Danceability • 63% Energy • 34% Liveness
4% Instrumentalness • 63% Positiveness
25% Popularity • 50% Danceability • 63% Energy • 34% Liveness
4% Instrumentalness • 63% Positiveness
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TJ & Huri
She Took Off My Romeos
126 bpm • A Maj • 02:49 • -10.17db
38% Popularity • 85% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
38% Popularity • 85% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Paul Nicholas
Heaven on the 7th Floor - 2021 Remaster
126 bpm • F min • 02:50 • -6db
21% Popularity • 76% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 76% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Walter Egan
Magnet and Steel (Re-Recorded)
114 bpm • C# min • 03:26 • -17.41db
26% Popularity • 76% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 76% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Ronnie McDowell
Shama Lama Ding Dong
126 bpm • D# min • 03:03 • -9.88db
28% Popularity • 73% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 73% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Johnny Nash
Halfway to Paradise
126 bpm • F Maj • 03:00 • -12.57db
13% Popularity • 64% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 64% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Robert Cray
More Than I Can Stand
126 bpm • E min • 02:57 • -12.35db
32% Popularity • 85% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 85% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Jenny Morris
Break in the Weather
127 bpm • G min • 04:31 • -14.18db
35% Popularity • 72% Danceability • 41% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
35% Popularity • 72% Danceability • 41% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Modern Maori Quartet
Don't Fall in Love
114 bpm • G Maj • 03:36 • -5.94db
36% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Dr. Hook
When You're In Love With A Beautiful Wom...
114 bpm • A Maj • 05:14 • -11.66db
37% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Eric Carmen
Baby I Need Your Lovin'
113 bpm • D min • 03:16 • -10.68db
41% Popularity • 68% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 68% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Renee Geyer
Set Me Free
127 bpm • C Maj • 03:56 • -11.99db
9% Popularity • 78% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 78% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Annie Whittle
Tequila Sunrise
113 bpm • B Maj • 03:14 • -13.78db
24% Popularity • 75% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 75% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Jenny Morris
Body & Soul
127 bpm • C Maj • 03:18 • -7.72db
30% Popularity • 62% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 62% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Richard Clapton
Deep Water - 2009 Remaster
128 bpm • A Maj • 05:28 • -6.09db
38% Popularity • 50% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 50% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Dr. Hook
In Over My Head
113 bpm • A Maj • 03:41 • -10.19db
18% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Robert Cray
I Guess I Showed Her
128 bpm • G Maj • 03:38 • -11.93db
37% Popularity • 82% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 82% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Renee Geyer
Everything Good Is Bad
113 bpm • C Maj • 04:21 • -16.75db
5% Popularity • 83% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 94% Positiveness
5% Popularity • 83% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 94% Positiveness
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Jon Stevens
Montego Bay
113 bpm • G# Maj • 02:48 • -14.64db
25% Popularity • 76% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 76% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
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The Yandall Sisters
Sweet Inspiration
113 bpm • F Maj • 03:03 • -7.71db
43% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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The Drifters
Down on the Beach Tonight
128 bpm • D Maj • 03:03 • -13.04db
30% Popularity • 71% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 71% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Shona Laing
(Glad I'm Not) a Kennedy
112 bpm • C Maj • 03:27 • -12.67db
31% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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D. Pritzker
(Lover) You Don't Treat Me No Good
112 bpm • B Maj • 04:07 • -12.41db
53% Popularity • 89% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
53% Popularity • 89% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Anika Moa
Dreams In My Head - Single Version
129 bpm • A Maj • 03:35 • -5.68db
33% Popularity • 64% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 64% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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John Rowles
Cheryl Moana Marie
112 bpm • G Maj • 03:12 • -8.49db
27% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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The Yandall Sisters
Polynesian Love Song
113 bpm • G Maj • 02:32 • -12.16db
22% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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UB40
She Caught The Train
112 bpm • A# min • 03:17 • -14.38db
35% Popularity • 82% Danceability • 53% Energy • 8% Liveness
22% Instrumentalness • 97% Positiveness
35% Popularity • 82% Danceability • 53% Energy • 8% Liveness
22% Instrumentalness • 97% Positiveness
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Graham Bonnet
Warm Ride
112 bpm • C min • 03:22 • -7.99db
34% Popularity • 52% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 52% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Renee Geyer
The Thrill Is Gone
129 bpm • C min • 06:55 • -13.6db
12% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Cooper Brothers
Know Her When I See Her
129 bpm • C# min • 03:41 • -8.47db
18% Popularity • 73% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 73% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Ry Cooder
Little Sister
129 bpm • A# Maj • 03:52 • -18.3db
41% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Yandall Sisters
Broken Hearted Melody - Bonus Track
128 bpm • E Maj • 03:02 • -10.25db
26% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
