Songs like Heart of Courage by London Music Works
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Bergersen
Heart of Courage
135 bpm • C# Maj • 02:13 • -13db
51% Popularity • 42% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
51% Popularity • 42% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
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Trailerhead
Glory Seeker
135 bpm • D min • 03:21 • -8.26db
29% Popularity • 48% Danceability • 83% Energy • 12% Liveness
83% Instrumentalness • 16% Positiveness
29% Popularity • 48% Danceability • 83% Energy • 12% Liveness
83% Instrumentalness • 16% Positiveness
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Thomas Wander
This Is For The Pearl
136 bpm • A min • 02:11 • -13db
21% Popularity • 19% Danceability • 43% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
21% Popularity • 19% Danceability • 43% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Veigar Margeirsson
Inner Strength
134 bpm • B min • 02:14 • -12.65db
30% Popularity • 35% Danceability • 61% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 35% Danceability • 61% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
I Can't Hear You
136 bpm • E min • 02:54 • -16.41db
31% Popularity • 15% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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London Music Works
Mutiny
136 bpm • G min • 02:52 • -10.03db
27% Popularity • 38% Danceability • 82% Energy • 10% Liveness
98% Instrumentalness • 23% Positiveness
27% Popularity • 38% Danceability • 82% Energy • 10% Liveness
98% Instrumentalness • 23% Positiveness
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Trailerhead
Journey to Glory
133 bpm • G min • 02:44 • -11.5db
29% Popularity • 35% Danceability • 43% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
29% Popularity • 35% Danceability • 43% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
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Epic Score
This Is Our Land
133 bpm • C Maj • 03:54 • -12.78db
38% Popularity • 23% Danceability • 46% Energy • 34% Liveness
92% Instrumentalness • 8% Positiveness
38% Popularity • 23% Danceability • 46% Energy • 34% Liveness
92% Instrumentalness • 8% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Graeme Revell
Tomb Raider Main Titles
133 bpm • C min • 03:14 • -17.73db
15% Popularity • 31% Danceability • 33% Energy • 15% Liveness
81% Instrumentalness • 16% Positiveness
15% Popularity • 31% Danceability • 33% Energy • 15% Liveness
81% Instrumentalness • 16% Positiveness
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Rupert Gregson-Williams
A Miraculous Return
136 bpm • E min • 02:50 • -17.77db
30% Popularity • 15% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Dario Marianelli
First Trek: Base Camp
138 bpm • G Maj • 02:30 • -14.28db
25% Popularity • 42% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
25% Popularity • 42% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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London Music Works
Strength and Honor
136 bpm • B Maj • 02:20 • -12.99db
27% Popularity • 32% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
27% Popularity • 32% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Audiomachine
Guardians At the Gate
138 bpm • F min • 02:05 • -9.64db
57% Popularity • 49% Danceability • 73% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
57% Popularity • 49% Danceability • 73% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
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Murray Gold
Vale Decem
138 bpm • F# Maj • 03:19 • -12.07db
40% Popularity • 18% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Steve Jablonsky
The Battle Room
138 bpm • G min • 03:03 • -17db
42% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Harald Kloser
Tornado Warning
139 bpm • C# Maj • 02:00 • -21.71db
32% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
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Q-Factory by Robert Etoll
Quest for Glory
131 bpm • C# min • 01:37 • -9db
31% Popularity • 52% Danceability • 63% Energy • 15% Liveness
96% Instrumentalness • 16% Positiveness
31% Popularity • 52% Danceability • 63% Energy • 15% Liveness
96% Instrumentalness • 16% Positiveness
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London Music Works
The Cantina Band
132 bpm • C Maj • 02:58 • -5.72db
39% Popularity • 70% Danceability • 50% Energy • 16% Liveness
22% Instrumentalness • 74% Positiveness
39% Popularity • 70% Danceability • 50% Energy • 16% Liveness
22% Instrumentalness • 74% Positiveness
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Rupert Gregson-Williams
I Could Have Killed Him
139 bpm • B min • 02:20 • -23.4db
41% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
41% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Ingo Ludwig Frenzel
Main Theme Title Sequence (Bonus Track)
140 bpm • F Maj • 02:05 • -21.47db
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Ilan Eshkeri
Centurion
130 bpm • E min • 03:05 • -21db
43% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
43% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Jo Blankenburg
Illumielle
140 bpm • F Maj • 02:41 • -11.91db
38% Popularity • 41% Danceability • 48% Energy • 14% Liveness
78% Instrumentalness • 27% Positiveness
38% Popularity • 41% Danceability • 48% Energy • 14% Liveness
78% Instrumentalness • 27% Positiveness
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Johan Söderqvist
Battlefield One
140 bpm • A# min • 03:20 • -14db
42% Popularity • 45% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
42% Popularity • 45% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Epic Score
Time Will Remember Us
140 bpm • B min • 02:45 • -8db
43% Popularity • 44% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
43% Popularity • 44% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Tyler Bates
To Victory
140 bpm • C# Maj • 02:33 • -11.78db
43% Popularity • 44% Danceability • 83% Energy • 26% Liveness
84% Instrumentalness • 28% Positiveness
43% Popularity • 44% Danceability • 83% Energy • 26% Liveness
84% Instrumentalness • 28% Positiveness
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Sonic Machine
Age Of Dragons - from 'The Hobbit: Desol...
140 bpm • D min • 02:39 • -15db
29% Popularity • 38% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
29% Popularity • 38% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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George Frideric Handel
Handel: Sarabande - Re:scored
140 bpm • D min • 03:40 • -9.51db
13% Popularity • 41% Danceability • 55% Energy • 23% Liveness
4% Instrumentalness • 27% Positiveness
13% Popularity • 41% Danceability • 55% Energy • 23% Liveness
4% Instrumentalness • 27% Positiveness
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Audiomachine
Above and Beyond
130 bpm • C Maj • 02:51 • -12.6db
43% Popularity • 44% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 44% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Nicholas Hooper
Professor Umbridge
140 bpm • E min • 02:32 • -17.34db
47% Popularity • 48% Danceability • 27% Energy • 34% Liveness
72% Instrumentalness • 11% Positiveness
47% Popularity • 48% Danceability • 27% Energy • 34% Liveness
72% Instrumentalness • 11% Positiveness
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Ilan Eshkeri
47 Ronin
130 bpm • G Maj • 02:42 • -15.92db
48% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
48% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Future World Music
Aqua Vitae
130 bpm • C min • 02:35 • -7.26db
49% Popularity • 25% Danceability • 79% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
49% Popularity • 25% Danceability • 79% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Andrew Lockington
San Andreas End Credits
130 bpm • D Maj • 02:57 • -11.02db
21% Popularity • 25% Danceability • 67% Energy • 29% Liveness
67% Instrumentalness • 47% Positiveness
21% Popularity • 25% Danceability • 67% Energy • 29% Liveness
67% Instrumentalness • 47% Positiveness
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London Music Works
Forbidden Friendship
130 bpm • F# Maj • 04:08 • -15.57db
22% Popularity • 31% Danceability • 19% Energy • 13% Liveness
61% Instrumentalness • 24% Positiveness
22% Popularity • 31% Danceability • 19% Energy • 13% Liveness
61% Instrumentalness • 24% Positiveness
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Audiomachine
Deceit and Betrayal
140 bpm • G min • 02:37 • -15db
38% Popularity • 51% Danceability • 45% Energy • 10% Liveness
66% Instrumentalness • 23% Positiveness
38% Popularity • 51% Danceability • 45% Energy • 10% Liveness
66% Instrumentalness • 23% Positiveness
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Takeshi Furukawa
Prologue & Main Title
141 bpm • A min • 01:30 • -13.42db
38% Popularity • 18% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
38% Popularity • 18% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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Sound Adventures
Magnificent Journey
141 bpm • F min • 02:28 • -15db
32% Popularity • 14% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
32% Popularity • 14% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Thomas Wander
Midway End Titles
129 bpm • C Maj • 04:03 • -14db
20% Popularity • 17% Danceability • 47% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 47% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Blake Neely
The Fastest Man Alive (Always Late)
129 bpm • A Maj • 03:05 • -17.13db
39% Popularity • 27% Danceability • 30% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
39% Popularity • 27% Danceability • 30% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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Henry Jackman
X-Training
129 bpm • C min • 04:26 • -15db
32% Popularity • 28% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 21% Positiveness
32% Popularity • 28% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 21% Positiveness
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London Music Works
Is She With You?
142 bpm • C# min • 05:48 • -12.54db
14% Popularity • 18% Danceability • 47% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 47% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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The Hollywood LA Soundtrack Orchestra
Theme from "Sherlock Holmes"
142 bpm • A min • 02:25 • -11.44db
20% Popularity • 73% Danceability • 55% Energy • 9% Liveness
96% Instrumentalness • 56% Positiveness
20% Popularity • 73% Danceability • 55% Energy • 9% Liveness
96% Instrumentalness • 56% Positiveness
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Zack Hemsey
See What I've Become
128 bpm • E min • 03:54 • -9db
54% Popularity • 40% Danceability • 77% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
54% Popularity • 40% Danceability • 77% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Jeff Russo
Main Title (Extended)
142 bpm • A# Maj • 02:10 • -13db
29% Popularity • 38% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
29% Popularity • 38% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Soundtrack/Cast Album
Speed (Movie Main Theme)
143 bpm • E min • 02:20 • -5db
20% Popularity • 14% Danceability • 58% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 58% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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London Music Works
Discombobulate
142 bpm • G min • 02:22 • -12db
30% Popularity • 63% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
30% Popularity • 63% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Veigar Margeirsson
Road to Victory
143 bpm • B Maj • 02:49 • -9.59db
32% Popularity • 49% Danceability • 58% Energy • 12% Liveness
61% Instrumentalness • 16% Positiveness
32% Popularity • 49% Danceability • 58% Energy • 12% Liveness
61% Instrumentalness • 16% Positiveness
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Future World Music
Passion of Victory
127 bpm • F min • 02:20 • -9db
33% Popularity • 22% Danceability • 82% Energy • 18% Liveness
66% Instrumentalness • 18% Positiveness
33% Popularity • 22% Danceability • 82% Energy • 18% Liveness
66% Instrumentalness • 18% Positiveness
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Jo Blankenburg
Ascencia
143 bpm • F Maj • 02:08 • -10.43db
27% Popularity • 40% Danceability • 55% Energy • 11% Liveness
63% Instrumentalness • 27% Positiveness
27% Popularity • 40% Danceability • 55% Energy • 11% Liveness
63% Instrumentalness • 27% Positiveness
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Hans Zimmer
New York City Surprise
127 bpm • A# Maj • 03:06 • -10.08db
25% Popularity • 30% Danceability • 36% Energy • 19% Liveness
84% Instrumentalness • 11% Positiveness
25% Popularity • 30% Danceability • 36% Energy • 19% Liveness
84% Instrumentalness • 11% Positiveness
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Marc Streitenfeld
Destiny
144 bpm • A min • 03:36 • -17db
45% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
45% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
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Henry Jackman
Civil War
144 bpm • F Maj • 04:25 • -12.63db
37% Popularity • 24% Danceability • 30% Energy • 58% Liveness
66% Instrumentalness • 6% Positiveness
37% Popularity • 24% Danceability • 30% Energy • 58% Liveness
66% Instrumentalness • 6% Positiveness
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Edward Shearmur
The World Of Tomorrow
126 bpm • F Maj • 01:07 • -10db
24% Popularity • 51% Danceability • 39% Energy • 25% Liveness
50% Instrumentalness • 13% Positiveness
24% Popularity • 51% Danceability • 39% Energy • 25% Liveness
50% Instrumentalness • 13% Positiveness
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London Music Works
Time
126 bpm • E min • 04:35 • -15db
35% Popularity • 32% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
35% Popularity • 32% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Johan Söderqvist
The War To End All Wars
126 bpm • C Maj • 03:23 • -10.67db
34% Popularity • 17% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
34% Popularity • 17% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
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Hans Zimmer
Dream Within a Dream
126 bpm • D min • 05:05 • -14.67db
23% Popularity • 44% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 44% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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John Paesano
The Maze Runner
145 bpm • D min • 02:49 • -14.33db
43% Popularity • 18% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
43% Popularity • 18% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Murray Gold
The Majestic Tale (Of A Madman In A Box)
145 bpm • D min • 04:01 • -11db
40% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
40% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
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Future World Music
Anthem of the World
125 bpm • F Maj • 01:55 • -9.61db
38% Popularity • 44% Danceability • 78% Energy • 9% Liveness
98% Instrumentalness • 21% Positiveness
38% Popularity • 44% Danceability • 78% Energy • 9% Liveness
98% Instrumentalness • 21% Positiveness
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London Music Works
Dream Is Collapsing
126 bpm • G# Maj • 02:24 • -14db
37% Popularity • 62% Danceability • 32% Energy • 15% Liveness
93% Instrumentalness • 7% Positiveness
37% Popularity • 62% Danceability • 32% Energy • 15% Liveness
93% Instrumentalness • 7% Positiveness
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Jo Blankenburg
Kingdom of Avillion
125 bpm • G min • 02:41 • -8.33db
30% Popularity • 37% Danceability • 58% Energy • 16% Liveness
22% Instrumentalness • 17% Positiveness
30% Popularity • 37% Danceability • 58% Energy • 16% Liveness
22% Instrumentalness • 17% Positiveness
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Hans Zimmer
Mombasa
145 bpm • A min • 04:54 • -11.51db
20% Popularity • 22% Danceability • 84% Energy • 22% Liveness
81% Instrumentalness • 39% Positiveness
20% Popularity • 22% Danceability • 84% Energy • 22% Liveness
81% Instrumentalness • 39% Positiveness
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Tyler Bates
Guardians of the Frickin' Galaxy
146 bpm • C Maj • 00:59 • -10db
38% Popularity • 13% Danceability • 76% Energy • 39% Liveness
97% Instrumentalness • 4% Positiveness
38% Popularity • 13% Danceability • 76% Energy • 39% Liveness
97% Instrumentalness • 4% Positiveness
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Junkie XL
Immortan's Citadel
124 bpm • G# Maj • 08:41 • -11.25db
20% Popularity • 17% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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John Debney
Mowgli and the Pit
146 bpm • C min • 03:24 • -21.68db
15% Popularity • 13% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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London Music Works
Moments
126 bpm • F min • 04:42 • -12.62db
22% Popularity • 32% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
22% Popularity • 32% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Marc Streitenfeld
Ambush
147 bpm • E min • 01:15 • -12.82db
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
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Basil Poledouris
Chopper
124 bpm • F Maj • 02:53 • -21.42db
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Bear McCreary
Theme from da Vinci’s Demons (Extended...
123 bpm • G# Maj • 02:09 • -13.4db
24% Popularity • 23% Danceability • 39% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 39% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Junkie XL
Let Them Up
123 bpm • C Maj • 02:36 • -11.11db
28% Popularity • 17% Danceability • 46% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
28% Popularity • 17% Danceability • 46% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Atli Örvarsson
The Last Confederate - Main Title
122 bpm • D min • 01:26 • -19db
26% Popularity • 22% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
26% Popularity • 22% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Rupert Gregson-Williams
Rescue Continues
122 bpm • E min • 03:46 • -15db
39% Popularity • 32% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
39% Popularity • 32% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Sound Adventures
Bourne
150 bpm • C# Maj • 01:53 • -11.19db
18% Popularity • 55% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 55% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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X-Ray Dog
Choose Your Destiny
150 bpm • B min • 02:31 • -11db
33% Popularity • 39% Danceability • 47% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 39% Danceability • 47% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Bear McCreary
Da Vinci's Demons Main Title Theme
122 bpm • C min • 01:08 • -12db
32% Popularity • 37% Danceability • 52% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
32% Popularity • 37% Danceability • 52% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Future World Music
Voyage to Atlantis
150 bpm • E min • 03:00 • -9.94db
31% Popularity • 38% Danceability • 68% Energy • 11% Liveness
98% Instrumentalness • 18% Positiveness
31% Popularity • 38% Danceability • 68% Energy • 11% Liveness
98% Instrumentalness • 18% Positiveness
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Atli Örvarsson
Flight To Nome
150 bpm • F Maj • 03:07 • -18.22db
13% Popularity • 15% Danceability • 45% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 45% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Optimus
150 bpm • G min • 03:15 • -17db
48% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
48% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Epic Score
Their Fight Is Our Fight
150 bpm • A# Maj • 02:14 • -8.89db
42% Popularity • 34% Danceability • 54% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
42% Popularity • 34% Danceability • 54% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
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London Music Works
The All Spark
150 bpm • D min • 03:38 • -16.26db
16% Popularity • 20% Danceability • 34% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
16% Popularity • 20% Danceability • 34% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Junkie XL
Storm Is Coming
121 bpm • G# Maj • 05:36 • -10.32db
29% Popularity • 48% Danceability • 78% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
29% Popularity • 48% Danceability • 78% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Mark Mothersbaugh
Thor: Ragnarok
151 bpm • A min • 01:09 • -9.17db
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
37% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Steve Jablonsky
The All Spark
150 bpm • D min • 03:34 • -17db
49% Popularity • 35% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 30% Positiveness
49% Popularity • 35% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 30% Positiveness
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Hans Zimmer
What Are You Going To Do When You Are No...
121 bpm • C Maj • 05:21 • -14.64db
20% Popularity • 18% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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M83
Fearful Odds
120 bpm • F min • 03:09 • -12.85db
47% Popularity • 40% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
47% Popularity • 40% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Murray Gold
A Good Man? - Twelve's Theme
120 bpm • A min • 07:33 • -11db
35% Popularity • 38% Danceability • 57% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
35% Popularity • 38% Danceability • 57% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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John Dreamer
Rise
120 bpm • G Maj • 02:18 • -12.31db
12% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 6% Positiveness
12% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 6% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Epic Score
Battle For All Time
120 bpm • D Maj • 03:03 • -9.48db
47% Popularity • 56% Danceability • 58% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
47% Popularity • 56% Danceability • 58% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Kevin Kiner
Ahsoka - End Credits
120 bpm • E min • 03:43 • -13.82db
38% Popularity • 20% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Hans Zimmer
Mind If I Cut In?
120 bpm • D min • 03:25 • -21.22db
24% Popularity • 27% Danceability • 10% Energy • 12% Liveness
21% Instrumentalness • 3% Positiveness
24% Popularity • 27% Danceability • 10% Energy • 12% Liveness
21% Instrumentalness • 3% Positiveness
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Murray Gold
This Is Gallifrey: Our Childhood. Our Ho...
120 bpm • F min • 03:17 • -7.88db
38% Popularity • 38% Danceability • 52% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
38% Popularity • 38% Danceability • 52% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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London Music Works
Cops or Criminals
120 bpm • A# min • 01:59 • -14.57db
28% Popularity • 85% Danceability • 39% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
28% Popularity • 85% Danceability • 39% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
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Future World Music
New Beginnings
120 bpm • C Maj • 03:29 • -5db
28% Popularity • 67% Danceability • 81% Energy • 5% Liveness
97% Instrumentalness • 93% Positiveness
28% Popularity • 67% Danceability • 81% Energy • 5% Liveness
97% Instrumentalness • 93% Positiveness
