Songs like Heart Song Avec Cello (feat. David Darling) by Elise Lebec
Based on a tempo of (+/- 10%) and a similar genre
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Sebastian Zawadzki
Norn
75 bpm • B min • 06:04 • -19.1db
8% Popularity • 13% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Elise Lebec
Silence
75 bpm • A min • 03:33 • -17.62db
7% Popularity • 42% Danceability • 16% Energy • 6% Liveness
83% Instrumentalness • 7% Positiveness
7% Popularity • 42% Danceability • 16% Energy • 6% Liveness
83% Instrumentalness • 7% Positiveness
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David Hicken
Ishtar
75 bpm • D# Maj • 06:20 • -29.67db
4% Popularity • 32% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
4% Popularity • 32% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Paul Collier
A Peaceful Life
75 bpm • G# Maj • 09:14 • -31.08db
11% Popularity • 25% Danceability • 1% Energy • 4% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 25% Danceability • 1% Energy • 4% Liveness
84% Instrumentalness • 4% Positiveness
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Miljan Minic
Sax Cyclone
75 bpm • A min • 02:28 • -23.33db
10% Popularity • 23% Danceability • 3% Energy • 15% Liveness
36% Instrumentalness • 7% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 15% Liveness
36% Instrumentalness • 7% Positiveness
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Heartsense
Buddha's Hands
75 bpm • G Maj • 03:32 • -13.57db
12% Popularity • 30% Danceability • 14% Energy • 11% Liveness
72% Instrumentalness • 11% Positiveness
12% Popularity • 30% Danceability • 14% Energy • 11% Liveness
72% Instrumentalness • 11% Positiveness
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Karen Marie Garrett
Lake EWOK Muse (Piano & Cello)
74 bpm • D Maj • 04:36 • -20.11db
26% Popularity • 21% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
26% Popularity • 21% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Benjy Wertheimer
Gentle Embrace of Spring
74 bpm • A min • 04:12 • -14.63db
11% Popularity • 35% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
11% Popularity • 35% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Kathryn Kaye
The Bricklayer's Beautiful Daughter
76 bpm • G# Maj • 04:21 • -26.6db
9% Popularity • 29% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
9% Popularity • 29% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Omar Akram
Angel of Hope
76 bpm • D min • 03:33 • -14.43db
35% Popularity • 29% Danceability • 16% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
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Kerani
Garden of Dreams
76 bpm • F Maj • 04:53 • -12.17db
9% Popularity • 31% Danceability • 26% Energy • 11% Liveness
64% Instrumentalness • 21% Positiveness
9% Popularity • 31% Danceability • 26% Energy • 11% Liveness
64% Instrumentalness • 21% Positiveness
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Marc Enfroy
The Magic Garden
74 bpm • G# Maj • 03:35 • -9.5db
8% Popularity • 14% Danceability • 28% Energy • 20% Liveness
28% Instrumentalness • 13% Positiveness
8% Popularity • 14% Danceability • 28% Energy • 20% Liveness
28% Instrumentalness • 13% Positiveness
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Nadama
Dance of the Waves
74 bpm • D# Maj • 06:30 • -20.51db
35% Popularity • 40% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
35% Popularity • 40% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Michael Logozar
Finding Hope
76 bpm • D Maj • 04:45 • -20.27db
9% Popularity • 33% Danceability • 6% Energy • 18% Liveness
86% Instrumentalness • 12% Positiveness
9% Popularity • 33% Danceability • 6% Energy • 18% Liveness
86% Instrumentalness • 12% Positiveness
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Deuter
Hands of Love
74 bpm • D min • 04:32 • -20.43db
49% Popularity • 27% Danceability • 9% Energy • 7% Liveness
93% Instrumentalness • 13% Positiveness
49% Popularity • 27% Danceability • 9% Energy • 7% Liveness
93% Instrumentalness • 13% Positiveness
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Judah Cooper
The Ancient Mast
74 bpm • D Maj • 03:28 • -17.37db
15% Popularity • 16% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
15% Popularity • 16% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Juan Manuel Nigretti
Soothing
74 bpm • B Maj • 02:25 • -17.64db
10% Popularity • 18% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
10% Popularity • 18% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Marc Enfroy
The Forest Awakens
74 bpm • G Maj • 04:11 • -13.81db
7% Popularity • 15% Danceability • 16% Energy • 9% Liveness
83% Instrumentalness • 6% Positiveness
7% Popularity • 15% Danceability • 16% Energy • 9% Liveness
83% Instrumentalness • 6% Positiveness
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David Buchs
Mercy
76 bpm • G Maj • 04:59 • -21.26db
14% Popularity • 17% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
14% Popularity • 17% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Karen Marie Garrett
Tally's Lullaby
74 bpm • C Maj • 06:38 • -23db
26% Popularity • 21% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
26% Popularity • 21% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Jonny Southard
Floating
73 bpm • A# min • 05:17 • -22.16db
33% Popularity • 36% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
33% Popularity • 36% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Thomas Howe
Love Wins
77 bpm • G Maj • 02:06 • -18.84db
10% Popularity • 14% Danceability • 8% Energy • 15% Liveness
30% Instrumentalness • 10% Positiveness
10% Popularity • 14% Danceability • 8% Energy • 15% Liveness
30% Instrumentalness • 10% Positiveness
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Gary Schmidt
The Beauty We Love
73 bpm • D Maj • 03:37 • -18.06db
9% Popularity • 22% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
9% Popularity • 22% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Jami Sieber
Dancing With Tinkerbell
73 bpm • C Maj • 05:59 • -17.93db
15% Popularity • 16% Danceability • 12% Energy • 8% Liveness
84% Instrumentalness • 5% Positiveness
15% Popularity • 16% Danceability • 12% Energy • 8% Liveness
84% Instrumentalness • 5% Positiveness
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Alessandra Celletti
Little Indian Child
73 bpm • D Maj • 04:07 • -13.74db
12% Popularity • 56% Danceability • 21% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
12% Popularity • 56% Danceability • 21% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Erik The Viking
Cellos Of Avalon
77 bpm • A min • 03:21 • -16.12db
10% Popularity • 20% Danceability • 14% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Denean
My Heart
77 bpm • F Maj • 04:39 • -26.32db
20% Popularity • 27% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
20% Popularity • 27% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Flowpiano
Alas de Mariposa
77 bpm • C# Maj • 02:13 • -22.88db
22% Popularity • 52% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
22% Popularity • 52% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Riccardo Rossini
The Rest of the Dogs - Pt. 1
77 bpm • A Maj • 02:59 • -24.57db
9% Popularity • 9% Danceability • 8% Energy • 10% Liveness
81% Instrumentalness • 8% Positiveness
9% Popularity • 9% Danceability • 8% Energy • 10% Liveness
81% Instrumentalness • 8% Positiveness
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2002
Bliss
77 bpm • A Maj • 04:07 • -20.29db
44% Popularity • 26% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
44% Popularity • 26% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Deuter
Monarda
77 bpm • E min • 05:32 • -23.47db
30% Popularity • 7% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Karen Marie Garrett
Daydreams
73 bpm • D# Maj • 03:58 • -23db
30% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
30% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Neil Tatar
Gentle Steps
73 bpm • F# Maj • 04:38 • -16.67db
10% Popularity • 28% Danceability • 15% Energy • 12% Liveness
78% Instrumentalness • 10% Positiveness
10% Popularity • 28% Danceability • 15% Energy • 12% Liveness
78% Instrumentalness • 10% Positiveness
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Richard Goldsworthy
Heartspace
77 bpm • G Maj • 05:35 • -25.53db
22% Popularity • 49% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
22% Popularity • 49% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Starr Parodi
Hardly Touching
77 bpm • D min • 03:53 • -20db
22% Popularity • 32% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
22% Popularity • 32% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Gary Girouard
Love
73 bpm • A min • 03:54 • -22.66db
37% Popularity • 34% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
37% Popularity • 34% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Ethan Lipton
The Arrival
73 bpm • G Maj • 04:46 • -22.74db
10% Popularity • 26% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 26% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Henning Fuchs
Miracle of Life
77 bpm • D Maj • 04:53 • -13.07db
10% Popularity • 13% Danceability • 26% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 26% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Deuter
East of the Full Moon
78 bpm • A min • 08:33 • -26.11db
38% Popularity • 28% Danceability • 4% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
38% Popularity • 28% Danceability • 4% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
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Stephen Peppos
To Watch a Pond
78 bpm • C Maj • 04:33 • -22.23db
24% Popularity • 12% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 12% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 7% Positiveness
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Joseph Akins
An Inspiration
72 bpm • C# Maj • 05:38 • -21db
34% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
34% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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David Davidson
Anois Feicim Do Bhrón
72 bpm • D Maj • 01:44 • -16.57db
11% Popularity • 8% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
11% Popularity • 8% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Anton Strandh
Melancholia
72 bpm • G Maj • 01:38 • -25.72db
13% Popularity • 36% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 21% Positiveness
13% Popularity • 36% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 21% Positiveness
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Louis Colaiannia
Sailing
72 bpm • C Maj • 04:08 • -19.51db
8% Popularity • 31% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 16% Positiveness
8% Popularity • 31% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 16% Positiveness
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Kerani
To the Heavens
78 bpm • A# Maj • 04:30 • -16.65db
10% Popularity • 19% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
10% Popularity • 19% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Bernward Koch
Touched by Love
72 bpm • F# min • 03:25 • -18.7db
44% Popularity • 14% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
44% Popularity • 14% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Gandalf
Sacred River
78 bpm • C# min • 06:15 • -18.2db
36% Popularity • 15% Danceability • 21% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
36% Popularity • 15% Danceability • 21% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
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Jan Uve
For When It Rains
72 bpm • F Maj • 05:12 • -22.98db
30% Popularity • 15% Danceability • 18% Energy • 21% Liveness
96% Instrumentalness • 12% Positiveness
30% Popularity • 15% Danceability • 18% Energy • 21% Liveness
96% Instrumentalness • 12% Positiveness
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Daniel Kobialka
Braveheart
72 bpm • A min • 04:21 • -20.42db
23% Popularity • 13% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
23% Popularity • 13% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Steven Vrancken
Sansula Dreams I: An Invitation to Nurtu...
72 bpm • A min • 03:15 • -27.28db
14% Popularity • 34% Danceability • 14% Energy • 38% Liveness
38% Instrumentalness • 3% Positiveness
14% Popularity • 34% Danceability • 14% Energy • 38% Liveness
38% Instrumentalness • 3% Positiveness
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Roger Saint-Denis
Ease and Release
72 bpm • G min • 03:45 • -21.9db
25% Popularity • 33% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
25% Popularity • 33% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Joe Alexander Shepherd
Beautiful Girl - Piano Solo
78 bpm • F min • 05:47 • -22.52db
29% Popularity • 36% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
29% Popularity • 36% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Dave Eggar
Brittle Cloud
72 bpm • E min • 03:31 • -20.15db
9% Popularity • 48% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
9% Popularity • 48% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
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2002
Soulmate
78 bpm • F Maj • 04:53 • -14.61db
17% Popularity • 25% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Kevin Keller
Moonlit Headlands
72 bpm • A Maj • 04:09 • -25db
8% Popularity • 42% Danceability • 3% Energy • 33% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 42% Danceability • 3% Energy • 33% Liveness
92% Instrumentalness • 4% Positiveness
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Kenio Fuke
Summer's Love
78 bpm • A# Maj • 04:57 • -15.86db
18% Popularity • 21% Danceability • 11% Energy • 20% Liveness
81% Instrumentalness • 6% Positiveness
18% Popularity • 21% Danceability • 11% Energy • 20% Liveness
81% Instrumentalness • 6% Positiveness
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Dave Lewis
Unseen Green
78 bpm • G min • 03:18 • -19.81db
12% Popularity • 16% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
12% Popularity • 16% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Bernward Koch
Golden October
79 bpm • D# Maj • 04:49 • -14.22db
40% Popularity • 19% Danceability • 18% Energy • 16% Liveness
93% Instrumentalness • 6% Positiveness
40% Popularity • 19% Danceability • 18% Energy • 16% Liveness
93% Instrumentalness • 6% Positiveness
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mark thirlwell
Blossom
72 bpm • D min • 01:54 • -9.7db
18% Popularity • 50% Danceability • 23% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 50% Danceability • 23% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Jan Uve
Very Young Old Man
71 bpm • A min • 03:29 • -19.87db
14% Popularity • 33% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 33% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Michel Pépé
Fleur de Lys
79 bpm • G min • 05:18 • -17.05db
32% Popularity • 19% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Demian Dorelli
Theory Of Three
71 bpm • F min • 07:30 • -18db
8% Popularity • 16% Danceability • 12% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 12% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Prayer Pray
Heaven's Instruments
79 bpm • C Maj • 04:01 • -23.83db
11% Popularity • 19% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
11% Popularity • 19% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Arash Behzadi
Frozen
71 bpm • F min • 03:49 • -17.84db
26% Popularity • 30% Danceability • 19% Energy • 17% Liveness
93% Instrumentalness • 7% Positiveness
26% Popularity • 30% Danceability • 19% Energy • 17% Liveness
93% Instrumentalness • 7% Positiveness
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Dean Evenson
Resonant Wave
71 bpm • D Maj • 05:35 • -16.69db
42% Popularity • 13% Danceability • 20% Energy • 35% Liveness
90% Instrumentalness • 7% Positiveness
42% Popularity • 13% Danceability • 20% Energy • 35% Liveness
90% Instrumentalness • 7% Positiveness
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Elise Lebec
Ghost Ships
79 bpm • C Maj • 04:01 • -17.51db
0% Popularity • 14% Danceability • 14% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 14% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Elijah Bossenbroek
Ep. 1 - Song 2
71 bpm • E min • 05:14 • -17.15db
7% Popularity • 16% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Deuter
Escape from Gravity
79 bpm • E min • 08:20 • -21.37db
48% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
48% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Gary Malkin
Letting Yourself Be Loved
71 bpm • B Maj • 05:41 • -18.34db
27% Popularity • 32% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
27% Popularity • 32% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Joe Alexander Shepherd
Beautiful Girl
79 bpm • F min • 05:47 • -18.45db
31% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
31% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Kathryn Toyama
Hope
71 bpm • E Maj • 01:53 • -17.17db
40% Popularity • 36% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
40% Popularity • 36% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Tron Syversen
Flow of Life
80 bpm • C min • 09:08 • -16.53db
23% Popularity • 12% Danceability • 18% Energy • 13% Liveness
99% Instrumentalness • 12% Positiveness
23% Popularity • 12% Danceability • 18% Energy • 13% Liveness
99% Instrumentalness • 12% Positiveness
► Preview
David Hicken
Sedna
80 bpm • A Maj • 03:47 • -22.8db
12% Popularity • 28% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
12% Popularity • 28% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
► Preview
Riley Lee
Dance of the Tea Leaves
71 bpm • C Maj • 05:33 • -20.11db
13% Popularity • 21% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
13% Popularity • 21% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Bernward Koch
Little Moritz
80 bpm • F Maj • 03:06 • -16.93db
36% Popularity • 25% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
► Preview
Michael Whalen
Your Eyes In The Candlelight
70 bpm • B Maj • 05:48 • -26.5db
25% Popularity • 20% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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David Sun
Morning's Promise
70 bpm • A# min • 03:39 • -25db
32% Popularity • 27% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
32% Popularity • 27% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Kenio Fuke
The Spirit of the Water
80 bpm • D min • 05:07 • -20.09db
18% Popularity • 34% Danceability • 13% Energy • 41% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 34% Danceability • 13% Energy • 41% Liveness
92% Instrumentalness • 4% Positiveness
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Steyl
Tears on a Lonely Bridge
80 bpm • C Maj • 02:11 • -15.33db
10% Popularity • 33% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 33% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Enam
The Ground You Never Reached Beneath
70 bpm • E min • 03:39 • -23.03db
26% Popularity • 25% Danceability • 10% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
26% Popularity • 25% Danceability • 10% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Andrew Trotter
Dance des morts
70 bpm • D Maj • 02:12 • -31.41db
10% Popularity • 9% Danceability • 0% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
10% Popularity • 9% Danceability • 0% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
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Seth Highland
Merciful
70 bpm • G Maj • 03:34 • -22.65db
10% Popularity • 51% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
10% Popularity • 51% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
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Riccardo Rossini
When the Sled
80 bpm • F Maj • 02:23 • -25.88db
11% Popularity • 39% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
11% Popularity • 39% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
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Ian Maksin
Respiro
80 bpm • G min • 04:04 • -14.51db
7% Popularity • 31% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
7% Popularity • 31% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Karen Marie Garrett
The Piano Called
70 bpm • F min • 03:17 • -23.7db
24% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
24% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Amir_cello
My Sad Beauty
80 bpm • A min • 01:00 • -19.26db
9% Popularity • 35% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 12% Positiveness
9% Popularity • 35% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 12% Positiveness
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Dirk Freymuth
My Lagan Love
70 bpm • E Maj • 09:11 • -20.68db
31% Popularity • 12% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Flowpiano
Elogio a Lo Simple
70 bpm • D min • 02:35 • -27.19db
18% Popularity • 47% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 17% Positiveness
18% Popularity • 47% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 17% Positiveness
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Kathryn Kaye
Mountain Laurel
80 bpm • C Maj • 03:44 • -22db
18% Popularity • 51% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
18% Popularity • 51% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Ian Maksin
Per me, per te...
80 bpm • A Maj • 04:18 • -13.96db
14% Popularity • 25% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
14% Popularity • 25% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Kathryn Toyama
As Times Change
70 bpm • E Maj • 03:12 • -19db
39% Popularity • 42% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
39% Popularity • 42% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Kenio Fuke
Canto das OrquÃdeas
80 bpm • C min • 06:29 • -19.85db
11% Popularity • 23% Danceability • 12% Energy • 53% Liveness
50% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 53% Liveness
50% Instrumentalness • 4% Positiveness
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Tracy Bartelle
Mist over Mulholland
70 bpm • C Maj • 05:03 • -22.26db
17% Popularity • 35% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
17% Popularity • 35% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Gretchen Yanover
Greener
70 bpm • C# min • 04:31 • -18.57db
7% Popularity • 22% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
7% Popularity • 22% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Denise Young
You Were Always There
70 bpm • A min • 02:47 • -16.47db
42% Popularity • 21% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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David Tolk
Eternity
81 bpm • A Maj • 05:45 • -15.5db
31% Popularity • 23% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
31% Popularity • 23% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
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Jami Sieber
River of Sky
81 bpm • E min • 04:25 • -18.85db
29% Popularity • 18% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 20% Positiveness
29% Popularity • 18% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 20% Positiveness
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Mars Lasar
Ten Thousand Miles Between Us
70 bpm • A# Maj • 04:27 • -22.81db
12% Popularity • 32% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 32% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
