Songs like Heart To Hart by Kathy Fitzgerald and Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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Lewis Flinn
Where Am I Now?
83 bpm • A# Maj • 04:09 • -8.85db
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Jonathan Pryce
Reviewing the Situation - Reprise
83 bpm • F min • 01:03 • -17.08db
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
36% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Hugh Jackman
People Will Say We're in Love (Reprise)
84 bpm • D Maj • 01:32 • -9.97db
30% Popularity • 33% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 33% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Quentin Earl Darrington
And the God's Heard Her Prayer / Rain
82 bpm • C# min • 04:26 • -13.87db
29% Popularity • 39% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 39% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Dee Hoty
Can You Find It in Your Heart?
84 bpm • C# Maj • 02:28 • -19.73db
27% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Andrew Lloyd Webber
Rainbow High
82 bpm • C min • 02:42 • -4.02db
25% Popularity • 40% Danceability • 66% Energy • 64% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 40% Danceability • 66% Energy • 64% Liveness
0% Instrumentalness • 42% Positiveness
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Kathy Fitzgerald and Ensemble
Heart To Hart
83 bpm • E Maj • 04:17 • -9.02db
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
25% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Alice Ripley
Touch-A-Touch-A-Touch Me
85 bpm • G Maj • 02:29 • -9db
24% Popularity • 62% Danceability • 45% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 62% Danceability • 45% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Stephanie J. Block
Holding to the Ground
81 bpm • B Maj • 02:34 • -10db
36% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Solea Pfeiffer
I'm Not Afraid of Anything
81 bpm • D Maj • 04:49 • -9.13db
31% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Lloyd Webber
Rainbow High - New Broadway Cast Recordi...
81 bpm • G min • 02:36 • -6.75db
10% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Kenita R. Miller
A Part of Us
84 bpm • E Maj • 02:56 • -13.65db
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
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Katie Rowley Jones
The Life I Never Led - Reprise
81 bpm • D Maj • 01:09 • -6.87db
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Heidi Blickenstaff
Not Myself Today
85 bpm • C Maj • 03:42 • -5.95db
25% Popularity • 56% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 56% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Nancy Opel
Why Did I Listen to That Man?
85 bpm • G min • 03:08 • -10.17db
29% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Julie Atherton
Wait A Bit
81 bpm • A Maj • 04:06 • -14.62db
19% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Derek Klena
Dreamer in Disguise - Reprise
80 bpm • F Maj • 01:48 • -13.86db
25% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Sheila Hancock
Here Within These Walls
80 bpm • G# Maj • 04:04 • -9.25db
29% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Margo Seibert
I'm Done - Rocky Broadway Cast Recording
80 bpm • A Maj • 01:58 • -7.87db
24% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
32% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
28% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Marcia Lewis
When You're Good to Mama
80 bpm • C# Maj • 03:22 • -12.88db
33% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him
86 bpm • C# Maj • 01:49 • -20db
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Nick Blaemire
Some Kinda Time - Reprise
79 bpm • G Maj • 02:57 • -8.46db
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jeanna de Waal
The World According to Chris
80 bpm • G# Maj • 04:40 • -6.02db
39% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Hunter Parrish
Tower of Babble
79 bpm • A Maj • 04:30 • -12.59db
29% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
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Sierra Boggess
A Little Bit Less Than
88 bpm • D Maj • 03:11 • -6.37db
17% Popularity • 41% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 41% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Adrianna Hicks
At The Old Majestic Nickel Matinee
78 bpm • E min • 04:26 • -13.33db
22% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Why We Like Spelling
88 bpm • F Maj • 02:51 • -8.67db
27% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Phillipa Soo
On The Steps Of The Palace
78 bpm • D Maj • 02:26 • -11.72db
40% Popularity • 59% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 59% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Andy Karl and Allison Janney
Let Love Grow
78 bpm • D# Maj • 02:38 • -12.08db
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Laura Bell Bundy
Find My Way / Finale
89 bpm • G# Maj • 05:03 • -10db
42% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Victoria Clark
Make a Wish
78 bpm • D# Maj • 05:08 • -11.29db
26% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Molly Ranson
Evening Prayers
87 bpm • F Maj • 04:23 • -7.12db
29% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Alan H. Green
Vows
78 bpm • D Maj • 02:08 • -10.35db
22% Popularity • 26% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 26% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Unfortunate Erection (Chip's Lament)
78 bpm • C# Maj • 02:38 • -8db
34% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Stephanie J. Block, Marc Kudisch and Ensemble
The Dance o' Death
89 bpm • D Maj • 03:35 • -8.71db
27% Popularity • 44% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 44% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
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Stephen Lee Anderson
Heaven Help Me
77 bpm • A Maj • 01:51 • -12.58db
29% Popularity • 53% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 53% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Kevin Del Aguila
Poor Little Millionaire
90 bpm • F# Maj • 04:13 • -8.51db
25% Popularity • 52% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 52% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Marin Mazzie
When There's No One
88 bpm • C Maj • 03:16 • -9.3db
24% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Tom Wopat
Little Boy, Be a Man
90 bpm • C# Maj • 03:23 • -10.16db
24% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Pandemonium
89 bpm • D Maj • 02:52 • -7db
37% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Stephanie J. Block
Get Out And Stay Out
77 bpm • C# Maj • 04:19 • -8.6db
39% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Kristin Chenoweth
The Worst Brats in Town
90 bpm • F Maj • 01:24 • -8.34db
22% Popularity • 74% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 74% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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David Aaron Baker
An Opening for a Princess
77 bpm • G min • 02:37 • -10.38db
22% Popularity • 39% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 39% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Christy Altomare
Do Me a Favor
78 bpm • G Maj • 03:18 • -6.37db
32% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Faith Prince
Entr'acte / Take Back Your Mink
77 bpm • C min • 05:20 • -15.45db
25% Popularity • 42% Danceability • 24% Energy • 61% Liveness
2% Instrumentalness • 53% Positiveness
25% Popularity • 42% Danceability • 24% Energy • 61% Liveness
2% Instrumentalness • 53% Positiveness
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Lilli Cooper
Gone, Gone, Gone
90 bpm • B Maj • 02:55 • -9.55db
16% Popularity • 75% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 75% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Once On This Island Storytellers
We Dance
90 bpm • A# Maj • 05:32 • -12.32db
31% Popularity • 60% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 60% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Rachel Bay Jones
Kind of Woman
90 bpm • D Maj • 02:55 • -9db
30% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Original Cast of Amélie
A Better Haircut
76 bpm • D Maj • 04:35 • -7.51db
19% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Carrie: The Musical Ensemble
A Night We'll Never Forget
90 bpm • F Maj • 04:49 • -7db
31% Popularity • 50% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 50% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
30% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Cast Recording
All Grown Up
76 bpm • C# min • 04:11 • -11.46db
28% Popularity • 41% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 41% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Ann Harada
He's a Queer One, That Man o' Mine
76 bpm • F Maj • 02:19 • -12.18db
19% Popularity • 31% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 31% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Kelli O'Hara
Honey Bun
91 bpm • D# Maj • 02:35 • -13.28db
17% Popularity • 67% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 67% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
NaTasha Yvette Williams
Some Like It Hot
91 bpm • G Maj • 05:18 • -6.86db
28% Popularity • 52% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 52% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Carrie: The Musical Ensemble
In
91 bpm • E min • 04:30 • -5.88db
38% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Alice Ripley
Make up Your Mind / Catch Me I'm Falling
75 bpm • F# Maj • 03:58 • -10.01db
33% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Douglas Lyons
A Rumblin’ and a Rollin’
75 bpm • C Maj • 03:31 • -7.14db
26% Popularity • 47% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 47% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Faith Prince
Adelaide's Lament (Reprise)
92 bpm • F# Maj • 01:26 • -19.44db
24% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Kenita R. Miller
Ti Moune
92 bpm • A# Maj • 04:31 • -16.03db
23% Popularity • 40% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 40% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Emma Hunton
No More Fear
92 bpm • A Maj • 03:04 • -6db
29% Popularity • 57% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 57% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Joel Grey
Mister Cellophane
92 bpm • A Maj • 04:23 • -18db
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
33% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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Mia Williamson
Some Say
92 bpm • C# Maj • 03:04 • -8.65db
23% Popularity • 69% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 69% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Bonnie Milligan
How to Wash a Check
93 bpm • C Maj • 04:30 • -7.49db
27% Popularity • 68% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 68% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
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Megan Hilty and Ensemble
Backwoods Barbie
74 bpm • B Maj • 02:27 • -9db
29% Popularity • 44% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 44% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Michael McGrath
Sounds While Selling
92 bpm • E Maj • 02:02 • -8db
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Erika Henningsen
More Is Better
74 bpm • C Maj • 03:20 • -8.07db
46% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Jeanine Tesori
Come to the Fun Home
93 bpm • G Maj • 02:56 • -10.35db
29% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Premiere Cast
Why Not Me?
93 bpm • A Maj • 03:18 • -7db
25% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Samantha Massell
Far from the Home I Love
93 bpm • C Maj • 02:48 • -9.48db
25% Popularity • 31% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 31% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Caroline Innerbichler
Walls
74 bpm • C# Maj • 02:41 • -9.39db
28% Popularity • 51% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 51% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Stephanie J. Block, Megan Hilty and Allison Janney
I Just Might
94 bpm • A Maj • 03:56 • -9.86db
32% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Stephen Flaherty
How Lucky You Are (Mayzie's Reprise) - O...
94 bpm • D# Maj • 01:36 • -15.34db
30% Popularity • 68% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 68% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Benj Pasek
Hometown Hero's Ticker Tape Parade
94 bpm • F min • 03:17 • -4.31db
29% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
