Songs like Heartbroken, in Disrepair by Dan Auerbach
Based on a tempo of (+/- 10%) and a similar genre
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Patrick Sweany
Every Gun
78 bpm • F Maj • 03:17 • -8db
24% Popularity • 62% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
24% Popularity • 62% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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The Arcs
Fools Gold
78 bpm • C Maj • 04:02 • -5.85db
32% Popularity • 47% Danceability • 73% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
32% Popularity • 47% Danceability • 73% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
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Black Rebel Motorcycle Club
Fault Line
78 bpm • C Maj • 02:57 • -10.35db
42% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Dan Auerbach
Heartbroken, In Disrepair
78 bpm • F min • 03:21 • -8.43db
57% Popularity • 60% Danceability • 90% Energy • 27% Liveness
30% Instrumentalness • 92% Positiveness
57% Popularity • 60% Danceability • 90% Energy • 27% Liveness
30% Instrumentalness • 92% Positiveness
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Anders Osborne
Fools Gold
78 bpm • B min • 05:12 • -8.98db
36% Popularity • 59% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
36% Popularity • 59% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Lake Street Dive
Better Than
78 bpm • C Maj • 03:35 • -12db
70% Popularity • 79% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
70% Popularity • 79% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Nathaniel Rateliff & The Night Sweats
Wasting Time
78 bpm • D Maj • 03:44 • -5.7db
52% Popularity • 30% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 30% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Radio Moscow
250 Miles
78 bpm • A min • 04:52 • -11.08db
44% Popularity • 46% Danceability • 42% Energy • 10% Liveness
17% Instrumentalness • 58% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 10% Liveness
17% Instrumentalness • 58% Positiveness
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Damien Jurado
Hello Sunshine
77 bpm • D Maj • 03:04 • -8.64db
37% Popularity • 57% Danceability • 41% Energy • 10% Liveness
45% Instrumentalness • 53% Positiveness
37% Popularity • 57% Danceability • 41% Energy • 10% Liveness
45% Instrumentalness • 53% Positiveness
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The Stone Foxes
I'm A King Bee
79 bpm • A# min • 03:19 • -8.11db
51% Popularity • 47% Danceability • 53% Energy • 10% Liveness
19% Instrumentalness • 48% Positiveness
51% Popularity • 47% Danceability • 53% Energy • 10% Liveness
19% Instrumentalness • 48% Positiveness
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The White Stripes
Ball and Biscuit
77 bpm • A Maj • 07:18 • -7.21db
54% Popularity • 51% Danceability • 66% Energy • 10% Liveness
17% Instrumentalness • 61% Positiveness
54% Popularity • 51% Danceability • 66% Energy • 10% Liveness
17% Instrumentalness • 61% Positiveness
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Dr. Dog
Listening In
79 bpm • A min • 04:55 • -9.16db
37% Popularity • 64% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 64% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Alabama Shakes
Dunes
77 bpm • G# Maj • 04:17 • -6.08db
36% Popularity • 40% Danceability • 60% Energy • 14% Liveness
2% Instrumentalness • 45% Positiveness
36% Popularity • 40% Danceability • 60% Energy • 14% Liveness
2% Instrumentalness • 45% Positiveness
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Patrick Sweany
First Of The Week
79 bpm • A# Maj • 03:51 • -13.85db
27% Popularity • 68% Danceability • 32% Energy • 11% Liveness
25% Instrumentalness • 54% Positiveness
27% Popularity • 68% Danceability • 32% Energy • 11% Liveness
25% Instrumentalness • 54% Positiveness
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Black Joe Lewis & The Honeybears
She's So Scandalous
77 bpm • C# min • 04:34 • -6.2db
33% Popularity • 70% Danceability • 80% Energy • 24% Liveness
44% Instrumentalness • 38% Positiveness
33% Popularity • 70% Danceability • 80% Energy • 24% Liveness
44% Instrumentalness • 38% Positiveness
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The Dead Weather
I Can't Hear You
79 bpm • C min • 03:35 • -3.17db
50% Popularity • 53% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
50% Popularity • 53% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Fruit Bats
You're Too Weird
80 bpm • G Maj • 03:46 • -7.9db
53% Popularity • 68% Danceability • 84% Energy • 32% Liveness
32% Instrumentalness • 88% Positiveness
53% Popularity • 68% Danceability • 84% Energy • 32% Liveness
32% Instrumentalness • 88% Positiveness
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Flo Morrissey
Look At What the Light Did Now
80 bpm • E Maj • 03:21 • -8db
45% Popularity • 62% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 62% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Alabama Shakes
Future People
77 bpm • F# min • 03:21 • -4.33db
43% Popularity • 46% Danceability • 77% Energy • 10% Liveness
25% Instrumentalness • 52% Positiveness
43% Popularity • 46% Danceability • 77% Energy • 10% Liveness
25% Instrumentalness • 52% Positiveness
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7Horse
Meth Lab Zoso Sticker
80 bpm • C Maj • 03:41 • -3db
51% Popularity • 39% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 39% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Broken Bells
The High Road
80 bpm • C Maj • 03:52 • -6.57db
65% Popularity • 61% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 61% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Portugal. The Man
People Say
80 bpm • C Maj • 02:59 • -5.91db
55% Popularity • 54% Danceability • 77% Energy • 78% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 54% Danceability • 77% Energy • 78% Liveness
0% Instrumentalness • 68% Positiveness
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Fruit Bats
As I Rise
80 bpm • C Maj • 02:20 • -9db
56% Popularity • 75% Danceability • 53% Energy • 14% Liveness
5% Instrumentalness • 26% Positiveness
56% Popularity • 75% Danceability • 53% Energy • 14% Liveness
5% Instrumentalness • 26% Positiveness
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Nathaniel Rateliff & The Night Sweats
Hey Mama
76 bpm • F Maj • 04:00 • -8.45db
57% Popularity • 50% Danceability • 55% Energy • 10% Liveness
9% Instrumentalness • 52% Positiveness
57% Popularity • 50% Danceability • 55% Energy • 10% Liveness
9% Instrumentalness • 52% Positiveness
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Night Beats
That's All You Got
80 bpm • C# Maj • 04:17 • -6.78db
31% Popularity • 23% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 32% Positiveness
31% Popularity • 23% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 32% Positiveness
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The Felice Brothers
Love Me Tenderly
80 bpm • F# Maj • 03:40 • -7db
38% Popularity • 59% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 59% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Smooth Hound Smith
California Sway
76 bpm • E Maj • 04:53 • -8db
41% Popularity • 64% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 45% Positiveness
41% Popularity • 64% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 45% Positiveness
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Portugal. The Man
So Young
76 bpm • E min • 04:06 • -7.84db
62% Popularity • 67% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
62% Popularity • 67% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Blitzen Trapper
Black River Killer
80 bpm • G# min • 03:28 • -10.55db
56% Popularity • 62% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 67% Positiveness
56% Popularity • 62% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 67% Positiveness
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Bahamas
Lost In The Light
76 bpm • D Maj • 03:56 • -8.8db
68% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
68% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jack White
I'm Shakin'
81 bpm • B min • 03:00 • -10.05db
52% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Anders Osborne
Life Don't Last That Long
75 bpm • F Maj • 04:37 • -14.97db
42% Popularity • 62% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 62% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Marcus King Band
Homesick
81 bpm • A Maj • 06:24 • -8db
50% Popularity • 51% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
50% Popularity • 51% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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The Shouting Matches
Milkman
75 bpm • E Maj • 03:20 • -9.04db
30% Popularity • 53% Danceability • 69% Energy • 12% Liveness
88% Instrumentalness • 87% Positiveness
30% Popularity • 53% Danceability • 69% Energy • 12% Liveness
88% Instrumentalness • 87% Positiveness
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Luke Winslow-King
I'm Glad Trouble Don't Last Always
82 bpm • D Maj • 04:17 • -7.12db
49% Popularity • 58% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
49% Popularity • 58% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Patrick Sweany
Them Shoes
82 bpm • C Maj • 05:48 • -8db
48% Popularity • 40% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
48% Popularity • 40% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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Heartless Bastards
Only for You
82 bpm • A# Maj • 05:08 • -5.92db
57% Popularity • 68% Danceability • 64% Energy • 10% Liveness
7% Instrumentalness • 76% Positiveness
57% Popularity • 68% Danceability • 64% Energy • 10% Liveness
7% Instrumentalness • 76% Positiveness
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Andrew Bird
Bloodless
82 bpm • E min • 06:29 • -5.2db
45% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Allah-Las
Star
74 bpm • C Maj • 04:08 • -9.53db
43% Popularity • 66% Danceability • 67% Energy • 13% Liveness
54% Instrumentalness • 94% Positiveness
43% Popularity • 66% Danceability • 67% Energy • 13% Liveness
54% Instrumentalness • 94% Positiveness
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Ty Segall
My Lady's On Fire
83 bpm • D# Maj • 03:52 • -9.11db
51% Popularity • 32% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 32% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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St. Paul & The Broken Bones
I'll Be Your Woman
83 bpm • G# min • 03:56 • -7.55db
44% Popularity • 60% Danceability • 50% Energy • 23% Liveness
2% Instrumentalness • 31% Positiveness
44% Popularity • 60% Danceability • 50% Energy • 23% Liveness
2% Instrumentalness • 31% Positiveness
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Kevin Morby
Farewell Transmission
84 bpm • C# Maj • 06:57 • -10db
42% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Ray LaMontagne
Three More Days
84 bpm • A# Maj • 03:36 • -8.36db
53% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Andrew Bird
Capsized
83 bpm • G Maj • 03:41 • -10db
47% Popularity • 74% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 74% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Black Pumas
Old Man
84 bpm • C Maj • 03:17 • -7.79db
46% Popularity • 65% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 65% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Dan Auerbach
Whispered Words (Pretty Lies)
84 bpm • A Maj • 04:06 • -7db
41% Popularity • 43% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 43% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Hanni El Khatib
You Rascal You
85 bpm • F Maj • 02:21 • -7.98db
44% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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RodrÃguez
Crucify Your Mind
85 bpm • A Maj • 02:32 • -7.77db
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Taj Mahal
Lovin' in My Baby's Eyes
85 bpm • A# Maj • 02:40 • -8.87db
50% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Andrew Bird
Sisyphus
83 bpm • C min • 04:07 • -4.36db
59% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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The Raconteurs
Top Yourself
86 bpm • G Maj • 04:25 • -5db
44% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Dan Auerbach
The Prowl
85 bpm • G# Maj • 03:16 • -6db
50% Popularity • 37% Danceability • 76% Energy • 66% Liveness
3% Instrumentalness • 60% Positiveness
50% Popularity • 37% Danceability • 76% Energy • 66% Liveness
3% Instrumentalness • 60% Positiveness
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Matt Duncan
Beacon
86 bpm • G# Maj • 03:34 • -7.37db
63% Popularity • 72% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 72% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Cass McCombs
There Can Be Only One
86 bpm • A Maj • 04:17 • -13.59db
39% Popularity • 61% Danceability • 69% Energy • 24% Liveness
22% Instrumentalness • 86% Positiveness
39% Popularity • 61% Danceability • 69% Energy • 24% Liveness
22% Instrumentalness • 86% Positiveness
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Black Joe Lewis & The Honeybears
I'm Gonna Leave You
87 bpm • G Maj • 03:51 • -7.28db
30% Popularity • 79% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
30% Popularity • 79% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
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Shakey Graves
Dearly Departed
87 bpm • G Maj • 03:32 • -5.92db
64% Popularity • 58% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 58% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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The Marcus King Band
Rita Is Gone
87 bpm • F Maj • 04:25 • -8.22db
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
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Charles Bradley
The World (Is Going Up in Flames)
87 bpm • F min • 03:22 • -8db
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Langhorne Slim
House Of My Soul (You Light The Rooms)
69 bpm • A# Maj • 02:53 • -7.44db
57% Popularity • 55% Danceability • 62% Energy • 30% Liveness
1% Instrumentalness • 71% Positiveness
57% Popularity • 55% Danceability • 62% Energy • 30% Liveness
1% Instrumentalness • 71% Positiveness
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Black Pistol Fire
Hipster Shakes
88 bpm • C Maj • 02:50 • -4.81db
49% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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John Craigie
Don't Ask
88 bpm • C Maj • 03:14 • -7.15db
45% Popularity • 63% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 63% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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St. Paul & The Broken Bones
Is It Me
69 bpm • D# Maj • 02:13 • -13db
50% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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White Denim
At Night in Dreams
88 bpm • C# Maj • 04:04 • -5.05db
43% Popularity • 54% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 54% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Shakey Graves
Ready Or Not
89 bpm • F min • 03:12 • -9.6db
61% Popularity • 72% Danceability • 58% Energy • 11% Liveness
5% Instrumentalness • 62% Positiveness
61% Popularity • 72% Danceability • 58% Energy • 11% Liveness
5% Instrumentalness • 62% Positiveness
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Charles Bradley
Stay Away
89 bpm • A min • 03:11 • -5db
48% Popularity • 77% Danceability • 71% Energy • 7% Liveness
6% Instrumentalness • 64% Positiveness
48% Popularity • 77% Danceability • 71% Energy • 7% Liveness
6% Instrumentalness • 64% Positiveness
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The Shouting Matches
House Call
68 bpm • F# Maj • 04:52 • -12.29db
33% Popularity • 68% Danceability • 50% Energy • 13% Liveness
14% Instrumentalness • 72% Positiveness
33% Popularity • 68% Danceability • 50% Energy • 13% Liveness
14% Instrumentalness • 72% Positiveness
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The Raconteurs
Old Enough
89 bpm • G Maj • 03:57 • -5db
42% Popularity • 33% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 33% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Blitzen Trapper
Thirsty Man
89 bpm • C Maj • 03:41 • -6db
37% Popularity • 72% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 72% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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The Dead Weather
Hustle and Cuss
90 bpm • A Maj • 03:45 • -3.38db
38% Popularity • 48% Danceability • 89% Energy • 25% Liveness
3% Instrumentalness • 49% Positiveness
38% Popularity • 48% Danceability • 89% Energy • 25% Liveness
3% Instrumentalness • 49% Positiveness
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Justin Townes Earle
If I Was The Devil
90 bpm • F Maj • 02:34 • -12.44db
41% Popularity • 55% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
41% Popularity • 55% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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North Mississippi Allstars
Up and Rolling
90 bpm • D Maj • 05:03 • -7.47db
42% Popularity • 81% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 81% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Fruit Bats
Absolute Loser
90 bpm • G Maj • 03:51 • -10.39db
40% Popularity • 52% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
40% Popularity • 52% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
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The Texas Gentlemen
Habbie Doobie
90 bpm • D Maj • 06:16 • -6.72db
31% Popularity • 51% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 51% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Matt Duncan
Everlong
90 bpm • B min • 03:35 • -7.48db
49% Popularity • 78% Danceability • 39% Energy • 16% Liveness
7% Instrumentalness • 62% Positiveness
49% Popularity • 78% Danceability • 39% Energy • 16% Liveness
7% Instrumentalness • 62% Positiveness
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St. Paul & The Broken Bones
Flow with It (You Got Me Feeling Like)
90 bpm • A# min • 03:16 • -5db
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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R.L. Burnside
Someday Baby
90 bpm • C Maj • 03:16 • -3.8db
52% Popularity • 71% Danceability • 87% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
52% Popularity • 71% Danceability • 87% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
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The White Stripes
The Denial Twist
90 bpm • A# min • 02:35 • -7.99db
58% Popularity • 51% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 51% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Ron Gallo
Kill the Medicine Man
90 bpm • A Maj • 02:33 • -6.24db
38% Popularity • 41% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 41% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Desert Sessions
I Wanna Make It Wit Chu
91 bpm • A Maj • 03:41 • -5.43db
43% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Leon Bridges
Smooth Sailin'
67 bpm • B min • 03:03 • -6.79db
59% Popularity • 64% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 64% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Langhorne Slim
Alligator Girl
67 bpm • G Maj • 03:59 • -10.46db
34% Popularity • 52% Danceability • 30% Energy • 10% Liveness
62% Instrumentalness • 40% Positiveness
34% Popularity • 52% Danceability • 30% Energy • 10% Liveness
62% Instrumentalness • 40% Positiveness
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The Record Company
On The Move
91 bpm • F min • 04:08 • -3.83db
38% Popularity • 56% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
38% Popularity • 56% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Kurt Vile
Pretty Pimpin
91 bpm • G# Maj • 04:58 • -9.07db
59% Popularity • 57% Danceability • 66% Energy • 9% Liveness
29% Instrumentalness • 76% Positiveness
59% Popularity • 57% Danceability • 66% Energy • 9% Liveness
29% Instrumentalness • 76% Positiveness
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Charles Bradley
Heart of Gold
91 bpm • E min • 03:03 • -7.62db
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Dan Auerbach
King of a One Horse Town
92 bpm • A min • 03:46 • -5.06db
48% Popularity • 57% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 57% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Tedeschi Trucks Band
Don't Know What It Means
92 bpm • B min • 06:00 • -9.2db
45% Popularity • 65% Danceability • 62% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
45% Popularity • 65% Danceability • 62% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
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Blitzen Trapper
Furr
92 bpm • D Maj • 04:07 • -10.66db
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Record Company
Off The Ground
92 bpm • G Maj • 04:13 • -4.57db
54% Popularity • 54% Danceability • 70% Energy • 38% Liveness
22% Instrumentalness • 85% Positiveness
54% Popularity • 54% Danceability • 70% Energy • 38% Liveness
22% Instrumentalness • 85% Positiveness
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Ryan Adams
To Be Young (Is to Be Sad, Is to Be High...
93 bpm • G Maj • 03:04 • -6db
54% Popularity • 49% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 49% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Cold War Kids
Hang Me Up To Dry
92 bpm • A min • 03:38 • -2.82db
68% Popularity • 51% Danceability • 92% Energy • 50% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 51% Danceability • 92% Energy • 50% Liveness
0% Instrumentalness • 64% Positiveness
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Dan Auerbach
Undertow
93 bpm • G min • 03:23 • -5.48db
44% Popularity • 43% Danceability • 73% Energy • 48% Liveness
29% Instrumentalness • 70% Positiveness
44% Popularity • 43% Danceability • 73% Energy • 48% Liveness
29% Instrumentalness • 70% Positiveness
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Natural Child
Out In The Country
93 bpm • D Maj • 02:54 • -10.01db
44% Popularity • 42% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 81% Positiveness
44% Popularity • 42% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 81% Positiveness
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Cotton Jones
Blood Red Sentimental Blues
93 bpm • A# Maj • 04:36 • -6.25db
55% Popularity • 56% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 56% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Fruit Bats
Gold Past Life
94 bpm • C Maj • 03:29 • -8db
48% Popularity • 80% Danceability • 63% Energy • 8% Liveness
4% Instrumentalness • 72% Positiveness
48% Popularity • 80% Danceability • 63% Energy • 8% Liveness
4% Instrumentalness • 72% Positiveness
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Jack White
Love Interruption
94 bpm • A Maj • 02:37 • -11db
49% Popularity • 58% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 58% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Black Joe Lewis & The Honeybears
I'm Broke
94 bpm • E min • 04:07 • -6.74db
39% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
39% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
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Dan Auerbach
When I Left The Room
93 bpm • C# Maj • 04:01 • -6.79db
28% Popularity • 34% Danceability • 55% Energy • 29% Liveness
1% Instrumentalness • 22% Positiveness
28% Popularity • 34% Danceability • 55% Energy • 29% Liveness
1% Instrumentalness • 22% Positiveness
