Songs like Heaven Knows by Five For Fighting
Based on a tempo of (+/- 10%) and a similar genre
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Mike Waters
Them Dirty Bones
98 bpm • G# Maj • 03:45 • -8.22db
34% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Clay Finnesand
Courage
98 bpm • A Maj • 03:25 • -10db
23% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Tim Be Told
One Chance
98 bpm • C# Maj • 03:40 • -7db
23% Popularity • 72% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 72% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Five For Fighting
Song for the Innocents
98 bpm • G# Maj • 04:09 • -9.99db
15% Popularity • 26% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
15% Popularity • 26% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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4 Door Theatre
Porcelain Face
99 bpm • G Maj • 03:03 • -6db
42% Popularity • 59% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 59% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 59% Positiveness
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Train
Play That Song
99 bpm • C min • 04:03 • -2.07db
63% Popularity • 39% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 39% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Minor Soul
Nothing at All
99 bpm • E Maj • 03:01 • -6.11db
22% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Truslow
Adhd
97 bpm • F Maj • 03:13 • -2.77db
50% Popularity • 64% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 64% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Andy Grammer
Co-Pilot
97 bpm • F# Maj • 03:04 • -4.59db
12% Popularity • 57% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 57% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Five For Fighting
Heaven Knows
98 bpm • A# Maj • 03:30 • -7.08db
52% Popularity • 60% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 60% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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The Heydaze
New Religion - Acoustic
97 bpm • D Maj • 03:25 • -9db
29% Popularity • 57% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 57% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Train
Hey, Soul Sister
97 bpm • C# min • 03:36 • -4.44db
85% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
85% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Shane Filan
Knee Deep In My Heart
99 bpm • A Maj • 03:06 • -6db
38% Popularity • 63% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 63% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Chester See
If We Were Vampires
97 bpm • F Maj • 03:12 • -10.16db
33% Popularity • 68% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 68% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Andy Grammer
Back Home
100 bpm • B Maj • 03:19 • -6.5db
40% Popularity • 62% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 62% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Five For Fighting
Stand Up
99 bpm • G Maj • 02:51 • -6db
34% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jonathan Blake Salazar
What If I Told You
96 bpm • A# Maj • 03:06 • -7.43db
21% Popularity • 57% Danceability • 61% Energy • 56% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 57% Danceability • 61% Energy • 56% Liveness
0% Instrumentalness • 67% Positiveness
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WILD
It Only Gets Better
100 bpm • C# min • 03:25 • -4.73db
52% Popularity • 65% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 65% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Barenaked Ladies
Odds Are
96 bpm • A# Maj • 03:04 • -5.59db
53% Popularity • 63% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 63% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Drew Holcomb & The Neighbors
End of the World
100 bpm • A# Maj • 03:24 • -5db
39% Popularity • 58% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 58% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Imagine Dragons
Walking The Wire
100 bpm • E Maj • 03:52 • -5.34db
69% Popularity • 54% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
69% Popularity • 54% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Five For Fighting
If God Made You
100 bpm • C Maj • 04:15 • -7db
31% Popularity • 52% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 52% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Fly Away Hero
Hercules
96 bpm • E Maj • 03:58 • -7.24db
34% Popularity • 62% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 62% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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WILD
I Believe in Us
100 bpm • C Maj • 02:48 • -5.46db
39% Popularity • 71% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 71% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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WALK THE MOON
One Foot
100 bpm • C Maj • 04:21 • -4.86db
59% Popularity • 58% Danceability • 82% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
59% Popularity • 58% Danceability • 82% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
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Copperlily
Map to Your Heart
96 bpm • D# Maj • 03:18 • -9db
29% Popularity • 66% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 66% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Virginia To Vegas
We Are Stars
100 bpm • B Maj • 03:54 • -7db
40% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Kevin Rudolf
Here's To Us
96 bpm • G Maj • 03:57 • -6db
33% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Imagine Dragons
Mouth Of The River
96 bpm • G# Maj • 03:41 • -7.02db
57% Popularity • 48% Danceability • 91% Energy • 15% Liveness
5% Instrumentalness • 30% Positiveness
57% Popularity • 48% Danceability • 91% Energy • 15% Liveness
5% Instrumentalness • 30% Positiveness
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The Federal Empire
Never Saw It Coming
100 bpm • G# min • 03:38 • -3.67db
32% Popularity • 58% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 58% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Parachute
Without You
96 bpm • E Maj • 03:48 • -5.12db
49% Popularity • 56% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 56% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Daughtry
Gone Too Soon
96 bpm • D# Maj • 03:36 • -6.89db
49% Popularity • 52% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 52% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Josh Wilson
How To Fall
96 bpm • F# Maj • 03:15 • -6db
35% Popularity • 52% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 52% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Rachel Platten
Better Place
100 bpm • C Maj • 02:56 • -8.16db
57% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Andy Grammer
Crazy Beautiful
100 bpm • B min • 03:28 • -3.8db
21% Popularity • 62% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 62% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Five For Fighting
Love Song
95 bpm • G# Maj • 04:36 • -11.56db
5% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
5% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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David Archuleta
Invincible
101 bpm • F# min • 03:56 • -6.12db
27% Popularity • 73% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 73% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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SAINT PHNX
Happy Place
95 bpm • C# Maj • 03:06 • -7.32db
43% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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RIVVRS
I Will Follow You
95 bpm • C Maj • 03:27 • -6.3db
42% Popularity • 61% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 61% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Raynes
Lemon Drop
95 bpm • E Maj • 03:40 • -4.99db
53% Popularity • 61% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 61% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Phillip Phillips
So Will I
95 bpm • F# Maj • 02:53 • -5.14db
44% Popularity • 60% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 60% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Smith & Thell
Garden of Eden
95 bpm • G Maj • 03:27 • -9.39db
29% Popularity • 54% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 54% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Colony House
Moving Forward
95 bpm • C# Maj • 03:37 • -6db
45% Popularity • 41% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 41% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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SAINT PHNX
Happy Place
95 bpm • C# Maj • 03:06 • -7.48db
45% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Five For Fighting
Wise Man
95 bpm • C# Maj • 05:41 • -7.79db
3% Popularity • 46% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
3% Popularity • 46% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Cody Fry
Go
95 bpm • C# Maj • 03:14 • -6db
46% Popularity • 66% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 66% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Ed Sheeran
Nancy Mulligan
102 bpm • G Maj • 02:59 • -4.35db
66% Popularity • 68% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
66% Popularity • 68% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Jake Scott
Dancing in the Dawn
102 bpm • E Maj • 02:56 • -4.89db
47% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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The Goo Goo Dolls
Boxes
102 bpm • C# min • 04:22 • -7.55db
41% Popularity • 52% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 52% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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The Script
Breakeven
94 bpm • A# Maj • 04:21 • -4.5db
77% Popularity • 63% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 63% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Five For Fighting
All for One Ohana
102 bpm • B Maj • 03:31 • -21db
23% Popularity • 58% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 58% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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The Cab
Lock Me Up
94 bpm • C min • 03:29 • -6.31db
48% Popularity • 69% Danceability • 86% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 69% Danceability • 86% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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Ross Copperman
We Should Plant a Tree
94 bpm • F# Maj • 03:06 • -6db
37% Popularity • 52% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 52% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jake Scott
The Man I Want to Be
102 bpm • F# Maj • 03:21 • -4db
33% Popularity • 68% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 68% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 68% Positiveness
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Anders Sohn
I Got You
94 bpm • B Maj • 02:45 • -8.72db
42% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Howie Day
Collide
94 bpm • B Maj • 04:09 • -8db
51% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Five For Fighting
Superman (It's Not Easy)
102 bpm • C Maj • 03:41 • -9.3db
67% Popularity • 38% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 38% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Parachute
Young
94 bpm • E min • 03:43 • -5.91db
32% Popularity • 68% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 68% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Imagine Dragons
Rise Up
94 bpm • D# Maj • 03:51 • -6.61db
66% Popularity • 45% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
66% Popularity • 45% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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The Summer Set
Figure Me Out
94 bpm • F Maj • 03:17 • -4db
40% Popularity • 56% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 56% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Jamie Scott
Unbreakable
103 bpm • G Maj • 04:25 • -10db
45% Popularity • 63% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 63% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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O.A.R.
I Go Through
103 bpm • A# Maj • 04:00 • -5.98db
44% Popularity • 50% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 50% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Of Monsters and Men
Little Talks
103 bpm • C# Maj • 04:26 • -5.18db
81% Popularity • 46% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
81% Popularity • 46% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Train
Bruises
103 bpm • D Maj • 03:51 • -4.5db
53% Popularity • 63% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 63% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Willow City
Cool With Being Crazy
103 bpm • B Maj • 03:27 • -5db
39% Popularity • 60% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 60% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 70% Positiveness
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Oh Gravity
Welcome
93 bpm • A Maj • 03:14 • -8.6db
23% Popularity • 62% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 62% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Hot Chelle Rae
Don't Say Goodnight
93 bpm • A# Maj • 03:31 • -4.98db
42% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Matt Nathanson
Wedding Dress
103 bpm • C# Maj • 03:54 • -5.75db
37% Popularity • 52% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 52% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Andrew Simple
You Shine
93 bpm • G min • 03:12 • -7db
26% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Dean Lewis
Falling Up
104 bpm • D Maj • 03:26 • -3.59db
54% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Strumbellas
I’ll Wait
93 bpm • D Maj • 02:56 • -6.08db
39% Popularity • 53% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 53% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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The Fray
Changing Tides
104 bpm • C Maj • 03:29 • -4.85db
31% Popularity • 49% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 49% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Zach Berkman
Where the Wind Blows
104 bpm • A Maj • 02:47 • -7db
39% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Plain White T's
Hey There Delilah
104 bpm • D Maj • 03:52 • -10.57db
79% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
79% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Snow Patrol
Chasing Cars
104 bpm • A Maj • 04:27 • -4.53db
82% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
82% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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You Me At Six
Take on the World
104 bpm • D Maj • 04:31 • -6.46db
62% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
62% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Matt Nathanson
Used To Be
92 bpm • G Maj • 03:10 • -5db
44% Popularity • 56% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 56% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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The Goo Goo Dolls
Come to Me
92 bpm • C Maj • 03:45 • -5db
53% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Five For Fighting
I Just Love You
92 bpm • A# Maj • 04:00 • -7db
31% Popularity • 60% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 60% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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fun.
Sight of the Sun - Single Version
92 bpm • B Maj • 03:30 • -5.25db
46% Popularity • 63% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 63% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Young Rising Sons
Carry On - Acoustic
92 bpm • G min • 03:27 • -13.47db
40% Popularity • 68% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 68% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Parachute
Jennie
92 bpm • B min • 04:31 • -8db
33% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Nathanson
Come On Get Higher
92 bpm • A Maj • 03:35 • -5.7db
66% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
66% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Austin Plaine
Never Come Back Again
105 bpm • G# Maj • 03:16 • -8.87db
48% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Five For Fighting
Something About You
92 bpm • G Maj • 04:00 • -7db
27% Popularity • 59% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 59% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Switchfoot
Let It Out
105 bpm • E Maj • 03:19 • -4.92db
43% Popularity • 60% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 60% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Young Rising Sons
Carry On
92 bpm • G min • 03:29 • -5db
42% Popularity • 64% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 64% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Imagine Dragons
West Coast
105 bpm • C Maj • 03:37 • -6.18db
64% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
64% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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WILD
Keeps Me Coming Back
105 bpm • E Maj • 02:49 • -6.94db
47% Popularity • 69% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
47% Popularity • 69% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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O.A.R.
Shattered (Turn The Car Around)
106 bpm • B Maj • 04:15 • -6db
58% Popularity • 57% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 57% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Evan Blum
Lovely to Love You
106 bpm • D Maj • 03:27 • -9.23db
26% Popularity • 54% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 54% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Rixton
Hotel Ceiling
105 bpm • A# Maj • 03:10 • -7.76db
50% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Daughtry
Waiting for Superman
106 bpm • C Maj • 04:26 • -5.71db
59% Popularity • 56% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 56% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Imagine Dragons
It's Time
105 bpm • D Maj • 04:00 • -4.75db
74% Popularity • 66% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
74% Popularity • 66% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Gavin DeGraw
You Got Me
106 bpm • F# Maj • 03:47 • -8.9db
40% Popularity • 32% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 32% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Andrew McMahon in the Wilderness
Fire Escape
106 bpm • E Maj • 03:24 • -4.39db
45% Popularity • 58% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 58% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Company Ghost
Keep the Fire
106 bpm • G Maj • 03:18 • -12.17db
19% Popularity • 56% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 56% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Rixton
Appreciated
106 bpm • C# Maj • 03:52 • -6.39db
43% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
