Songs like Heavy Water/I'd Rather Be Sleeping by Grouper
Based on a tempo of (+/- 10%) and a similar genre
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Micah Preite
Their name sticks out
106 bpm • A min • 01:15 • -16.01db
49% Popularity • 73% Danceability • 33% Energy • 12% Liveness
91% Instrumentalness • 54% Positiveness
49% Popularity • 73% Danceability • 33% Energy • 12% Liveness
91% Instrumentalness • 54% Positiveness
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Grouper
Heavy Water/I'd Rather Be Sleeping
106 bpm • D Maj • 02:53 • -14.19db
50% Popularity • 46% Danceability • 31% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
50% Popularity • 46% Danceability • 31% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Mazzy Star
Halah
106 bpm • C Maj • 03:16 • -10.71db
65% Popularity • 62% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 62% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Car Seat Headrest
High to Death
106 bpm • C Maj • 07:39 • -11db
52% Popularity • 50% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
52% Popularity • 50% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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Flatsound
By Your Side
106 bpm • D# Maj • 03:19 • -15.42db
54% Popularity • 92% Danceability • 46% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
54% Popularity • 92% Danceability • 46% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
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Elliott Smith
Pitseleh
106 bpm • D Maj • 03:22 • -18.66db
55% Popularity • 45% Danceability • 21% Energy • 10% Liveness
15% Instrumentalness • 51% Positiveness
55% Popularity • 45% Danceability • 21% Energy • 10% Liveness
15% Instrumentalness • 51% Positiveness
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Dirty Beaches
True Blue
107 bpm • C Maj • 02:51 • -10.31db
43% Popularity • 64% Danceability • 59% Energy • 10% Liveness
96% Instrumentalness • 98% Positiveness
43% Popularity • 64% Danceability • 59% Energy • 10% Liveness
96% Instrumentalness • 98% Positiveness
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Grouper
Cover the Long Way
106 bpm • D Maj • 04:05 • -16.86db
27% Popularity • 45% Danceability • 24% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
27% Popularity • 45% Danceability • 24% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Songs: Ohia
Blue Chicago Moon
107 bpm • A min • 06:47 • -8.17db
33% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Big Thief
Mythological Beauty
107 bpm • A# Maj • 05:06 • -9db
57% Popularity • 63% Danceability • 58% Energy • 12% Liveness
21% Instrumentalness • 47% Positiveness
57% Popularity • 63% Danceability • 58% Energy • 12% Liveness
21% Instrumentalness • 47% Positiveness
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Planning For Burial
Warmth of You
105 bpm • A Maj • 03:33 • -6.51db
41% Popularity • 45% Danceability • 71% Energy • 11% Liveness
79% Instrumentalness • 16% Positiveness
41% Popularity • 45% Danceability • 71% Energy • 11% Liveness
79% Instrumentalness • 16% Positiveness
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Lowertown
The Gaping Mouth
107 bpm • F Maj • 04:38 • -9.71db
44% Popularity • 59% Danceability • 46% Energy • 11% Liveness
29% Instrumentalness • 18% Positiveness
44% Popularity • 59% Danceability • 46% Energy • 11% Liveness
29% Instrumentalness • 18% Positiveness
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Slowdive
No Longer Making Time
107 bpm • F# Maj • 05:48 • -7.6db
49% Popularity • 56% Danceability • 50% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
49% Popularity • 56% Danceability • 50% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
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Airiel
In Your Room
105 bpm • B Maj • 09:26 • -6.35db
45% Popularity • 44% Danceability • 94% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
45% Popularity • 44% Danceability • 94% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
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Chad VanGaalen
Peace on the Rise
107 bpm • F min • 04:28 • -6db
35% Popularity • 65% Danceability • 61% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
35% Popularity • 65% Danceability • 61% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Big Thief
Simulation Swarm
105 bpm • C# Maj • 04:12 • -9db
66% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Dean Blunt
the rot
105 bpm • F# Maj • 03:43 • -8.24db
50% Popularity • 34% Danceability • 78% Energy • 12% Liveness
28% Instrumentalness • 47% Positiveness
50% Popularity • 34% Danceability • 78% Energy • 12% Liveness
28% Instrumentalness • 47% Positiveness
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Carissa's Wierd
To Be There Now
107 bpm • G# Maj • 04:49 • -13db
20% Popularity • 43% Danceability • 30% Energy • 10% Liveness
15% Instrumentalness • 7% Positiveness
20% Popularity • 43% Danceability • 30% Energy • 10% Liveness
15% Instrumentalness • 7% Positiveness
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salvia palth
i was all over her
105 bpm • G Maj • 02:41 • -12.77db
78% Popularity • 54% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
78% Popularity • 54% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Hana Stretton
The Thrill Of Loneliness
105 bpm • A Maj • 02:55 • -20.47db
49% Popularity • 31% Danceability • 13% Energy • 20% Liveness
96% Instrumentalness • 13% Positiveness
49% Popularity • 31% Danceability • 13% Energy • 20% Liveness
96% Instrumentalness • 13% Positiveness
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Teen Suicide
no, the moon
108 bpm • A min • 02:32 • -12.81db
52% Popularity • 36% Danceability • 28% Energy • 27% Liveness
84% Instrumentalness • 21% Positiveness
52% Popularity • 36% Danceability • 28% Energy • 27% Liveness
84% Instrumentalness • 21% Positiveness
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Slowdive
Slomo
108 bpm • G Maj • 06:53 • -7.22db
51% Popularity • 19% Danceability • 70% Energy • 13% Liveness
3% Instrumentalness • 35% Positiveness
51% Popularity • 19% Danceability • 70% Energy • 13% Liveness
3% Instrumentalness • 35% Positiveness
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Sparklehorse
Sea Of Teeth
104 bpm • C# Maj • 04:29 • -16db
35% Popularity • 87% Danceability • 20% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
35% Popularity • 87% Danceability • 20% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Broadcast
Tender Buttons
108 bpm • D# Maj • 02:52 • -11db
41% Popularity • 66% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
41% Popularity • 66% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
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Grouper
We've All Gone to Sleep
104 bpm • D Maj • 03:03 • -21.93db
30% Popularity • 31% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 31% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Giles Corey
The Haunting Presence
108 bpm • C# Maj • 07:57 • -9.89db
34% Popularity • 24% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 24% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Ana Roxanne
I'm Every Sparkly Woman
109 bpm • G# Maj • 02:23 • -16db
42% Popularity • 34% Danceability • 34% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
42% Popularity • 34% Danceability • 34% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
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Drop Nineteens
Kick The Tragedy
103 bpm • F Maj • 08:55 • -14.68db
51% Popularity • 41% Danceability • 40% Energy • 12% Liveness
43% Instrumentalness • 16% Positiveness
51% Popularity • 41% Danceability • 40% Energy • 12% Liveness
43% Instrumentalness • 16% Positiveness
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Elliott Smith
Speed Trials
103 bpm • C Maj • 03:02 • -13.14db
48% Popularity • 64% Danceability • 37% Energy • 11% Liveness
63% Instrumentalness • 31% Positiveness
48% Popularity • 64% Danceability • 37% Energy • 11% Liveness
63% Instrumentalness • 31% Positiveness
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The Clientele
Reflections After Jane
103 bpm • A# Maj • 03:21 • -16db
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
12% Instrumentalness • 62% Positiveness
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
12% Instrumentalness • 62% Positiveness
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Grouper
Fishing Bird (Empty Gutted in the Evenin...
109 bpm • B min • 03:51 • -14.04db
32% Popularity • 51% Danceability • 40% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
32% Popularity • 51% Danceability • 40% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
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Mojave 3
Tomorrow's Taken
103 bpm • D# Maj • 05:37 • -18.17db
40% Popularity • 39% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
40% Popularity • 39% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Boris
The Sinking Belle (Blue Sheep)
102 bpm • F Maj • 07:37 • -11.54db
36% Popularity • 29% Danceability • 24% Energy • 8% Liveness
83% Instrumentalness • 5% Positiveness
36% Popularity • 29% Danceability • 24% Energy • 8% Liveness
83% Instrumentalness • 5% Positiveness
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Duster
Earth Moon Transit
102 bpm • G Maj • 04:23 • -5.74db
47% Popularity • 35% Danceability • 89% Energy • 17% Liveness
75% Instrumentalness • 26% Positiveness
47% Popularity • 35% Danceability • 89% Energy • 17% Liveness
75% Instrumentalness • 26% Positiveness
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Elliott Smith
Ballad Of Big Nothing
109 bpm • C Maj • 02:48 • -10.24db
51% Popularity • 65% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 65% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Lush
Sweetness and Light
110 bpm • E Maj • 05:17 • -8db
44% Popularity • 46% Danceability • 88% Energy • 10% Liveness
81% Instrumentalness • 34% Positiveness
44% Popularity • 46% Danceability • 88% Energy • 10% Liveness
81% Instrumentalness • 34% Positiveness
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Dean Blunt
100
102 bpm • A# min • 03:20 • -6.47db
61% Popularity • 61% Danceability • 81% Energy • 27% Liveness
6% Instrumentalness • 48% Positiveness
61% Popularity • 61% Danceability • 81% Energy • 27% Liveness
6% Instrumentalness • 48% Positiveness
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Mojave 3
My Life in Art
103 bpm • G Maj • 07:21 • -15db
48% Popularity • 48% Danceability • 24% Energy • 11% Liveness
62% Instrumentalness • 12% Positiveness
48% Popularity • 48% Danceability • 24% Energy • 11% Liveness
62% Instrumentalness • 12% Positiveness
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Sprain
Anything
110 bpm • D Maj • 05:50 • -17.75db
41% Popularity • 37% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 37% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Birth Day
Suicide Cleanup
110 bpm • A Maj • 02:21 • -24db
65% Popularity • 79% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
65% Popularity • 79% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Slint
Washer
110 bpm • E min • 08:50 • -24.13db
44% Popularity • 43% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
44% Popularity • 43% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
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Broadcast
Poem Of Dead Song
110 bpm • F min • 02:31 • -10db
40% Popularity • 43% Danceability • 54% Energy • 36% Liveness
85% Instrumentalness • 46% Positiveness
40% Popularity • 43% Danceability • 54% Energy • 36% Liveness
85% Instrumentalness • 46% Positiveness
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Radiohead
How to Disappear Completely
102 bpm • F# min • 05:56 • -11.64db
68% Popularity • 17% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 19% Positiveness
68% Popularity • 17% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 19% Positiveness
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Mazzy Star
Blue Flower
102 bpm • D Maj • 03:35 • -9.56db
53% Popularity • 42% Danceability • 56% Energy • 8% Liveness
2% Instrumentalness • 48% Positiveness
53% Popularity • 42% Danceability • 56% Energy • 8% Liveness
2% Instrumentalness • 48% Positiveness
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Dean Blunt
MOLLY & AQUAFINA
110 bpm • F Maj • 04:06 • -15.9db
40% Popularity • 42% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
40% Popularity • 42% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
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Duster
Constellations
110 bpm • D Maj • 03:43 • -12.61db
69% Popularity • 86% Danceability • 33% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
69% Popularity • 86% Danceability • 33% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
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Slowdive
Alison
102 bpm • E Maj • 03:50 • -11.43db
63% Popularity • 28% Danceability • 45% Energy • 11% Liveness
78% Instrumentalness • 28% Positiveness
63% Popularity • 28% Danceability • 45% Energy • 11% Liveness
78% Instrumentalness • 28% Positiveness
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Broadcast
Accidentals
110 bpm • F# Maj • 03:28 • -12.83db
35% Popularity • 24% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
35% Popularity • 24% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Whereisdemi
Alone
102 bpm • A Maj • 01:53 • -15.51db
6% Popularity • 62% Danceability • 26% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
6% Popularity • 62% Danceability • 26% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
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Dear Nora
The Lonesome Border, Pt. 1
111 bpm • E Maj • 01:31 • -16.83db
40% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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![aisatsana [102] cover art](https://i.scdn.co/image/ab67616d00001e026ea96ba633bead24af562890)
Aphex Twin
aisatsana [102]
101 bpm • E min • 05:21 • -33db
60% Popularity • 26% Danceability • 1% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
60% Popularity • 26% Danceability • 1% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
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Teen Suicide
haunt me (x 3)
111 bpm • F Maj • 02:45 • -10.12db
65% Popularity • 57% Danceability • 61% Energy • 8% Liveness
80% Instrumentalness • 22% Positiveness
65% Popularity • 57% Danceability • 61% Energy • 8% Liveness
80% Instrumentalness • 22% Positiveness
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Grouper
Poison Tree
111 bpm • B Maj • 03:16 • -22.59db
77% Popularity • 22% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
77% Popularity • 22% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Broadcast
Before We Begin
111 bpm • F Maj • 03:22 • -6.7db
45% Popularity • 51% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 51% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Carissa's Wierd
Silently Leaving the Room
101 bpm • B Maj • 03:19 • -6db
33% Popularity • 35% Danceability • 58% Energy • 12% Liveness
88% Instrumentalness • 57% Positiveness
33% Popularity • 35% Danceability • 58% Energy • 12% Liveness
88% Instrumentalness • 57% Positiveness
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Duster
Gold Dust
111 bpm • D# Maj • 02:05 • -11.92db
60% Popularity • 58% Danceability • 47% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
60% Popularity • 58% Danceability • 47% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
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Cocteau Twins
Know Who You Are At Every Age - Remaster...
112 bpm • E min • 03:37 • -7.75db
46% Popularity • 58% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 58% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Linda Perhacs
Chimacum Rain
112 bpm • C Maj • 03:24 • -20db
41% Popularity • 31% Danceability • 7% Energy • 10% Liveness
23% Instrumentalness • 10% Positiveness
41% Popularity • 31% Danceability • 7% Energy • 10% Liveness
23% Instrumentalness • 10% Positiveness
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Grouper
Lighthouse
111 bpm • A# min • 05:44 • -24.29db
34% Popularity • 33% Danceability • 8% Energy • 38% Liveness
93% Instrumentalness • 9% Positiveness
34% Popularity • 33% Danceability • 8% Energy • 38% Liveness
93% Instrumentalness • 9% Positiveness
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Tram
Nothing Left to Say
112 bpm • D Maj • 04:31 • -10.11db
39% Popularity • 46% Danceability • 46% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
39% Popularity • 46% Danceability • 46% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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salvia palth
girl
100 bpm • C Maj • 02:37 • -9.35db
54% Popularity • 54% Danceability • 71% Energy • 11% Liveness
81% Instrumentalness • 12% Positiveness
54% Popularity • 54% Danceability • 71% Energy • 11% Liveness
81% Instrumentalness • 12% Positiveness
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Eiafuawn
No More Like That
100 bpm • G Maj • 02:05 • -12db
62% Popularity • 83% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 87% Positiveness
62% Popularity • 83% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 87% Positiveness
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Spiritualized
Ladies and gentlemen we are floating in ...
100 bpm • D Maj • 03:54 • -11.45db
53% Popularity • 38% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
53% Popularity • 38% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Grimes
Rosa
100 bpm • A min • 03:12 • -8.35db
49% Popularity • 76% Danceability • 44% Energy • 12% Liveness
4% Instrumentalness • 39% Positiveness
49% Popularity • 76% Danceability • 44% Energy • 12% Liveness
4% Instrumentalness • 39% Positiveness
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Have A Nice Life
I Don't Love
100 bpm • F Maj • 06:06 • -7.46db
51% Popularity • 37% Danceability • 48% Energy • 50% Liveness
89% Instrumentalness • 12% Positiveness
51% Popularity • 37% Danceability • 48% Energy • 50% Liveness
89% Instrumentalness • 12% Positiveness
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Dean Blunt
9
113 bpm • F min • 01:27 • -15db
54% Popularity • 49% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
54% Popularity • 49% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Suicide
Surrender ('88 Version) (2023 Remaster)
112 bpm • F# min • 03:47 • -6.96db
47% Popularity • 28% Danceability • 59% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
47% Popularity • 28% Danceability • 59% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
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Adrianne Lenker
ingydar
113 bpm • A# min • 04:08 • -16db
58% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Sonic Youth
I Love You Golden Blue
113 bpm • B Maj • 07:02 • -10db
44% Popularity • 47% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 23% Positiveness
44% Popularity • 47% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 23% Positiveness
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Sibylle Baier
The End
99 bpm • D# Maj • 02:27 • -15db
42% Popularity • 57% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 57% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Bark Psychosis
Absent Friend
113 bpm • G# min • 08:20 • -18.48db
34% Popularity • 32% Danceability • 23% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
34% Popularity • 32% Danceability • 23% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
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Hope Sandoval & The Warm Inventions
Butterfly Mornings
99 bpm • G Maj • 03:33 • -19db
37% Popularity • 38% Danceability • 9% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
37% Popularity • 38% Danceability • 9% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
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Deerhoof
Midnight, The Stars and You
114 bpm • E Maj • 03:44 • -10db
41% Popularity • 46% Danceability • 45% Energy • 35% Liveness
40% Instrumentalness • 48% Positiveness
41% Popularity • 46% Danceability • 45% Energy • 35% Liveness
40% Instrumentalness • 48% Positiveness
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Horse Jumper of Love
Orange Peeler
114 bpm • D Maj • 06:28 • -10.64db
43% Popularity • 34% Danceability • 54% Energy • 15% Liveness
77% Instrumentalness • 14% Positiveness
43% Popularity • 34% Danceability • 54% Energy • 15% Liveness
77% Instrumentalness • 14% Positiveness
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The American Analog Set
A Good Friend Is Always Around
114 bpm • G Maj • 02:32 • -22db
32% Popularity • 56% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
32% Popularity • 56% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Grouper
Holofernes
114 bpm • D min • 01:32 • -23.89db
35% Popularity • 48% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
35% Popularity • 48% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Animal Collective
Banshee Beat
114 bpm • A Maj • 08:22 • -13db
37% Popularity • 35% Danceability • 49% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
37% Popularity • 35% Danceability • 49% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
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LSD and the Search for God
Starting Over
114 bpm • E Maj • 05:04 • -9.32db
60% Popularity • 22% Danceability • 51% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
60% Popularity • 22% Danceability • 51% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Julie Byrne
Love's Refrain
98 bpm • G# Maj • 04:25 • -8.95db
19% Popularity • 25% Danceability • 51% Energy • 12% Liveness
32% Instrumentalness • 42% Positiveness
19% Popularity • 25% Danceability • 51% Energy • 12% Liveness
32% Instrumentalness • 42% Positiveness
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Broadcast
I Found The F
98 bpm • A min • 02:21 • -6db
54% Popularity • 60% Danceability • 72% Energy • 34% Liveness
2% Instrumentalness • 20% Positiveness
54% Popularity • 60% Danceability • 72% Energy • 34% Liveness
2% Instrumentalness • 20% Positiveness
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Horse Jumper of Love
Sun Poisoning
115 bpm • B Maj • 05:49 • -10db
38% Popularity • 25% Danceability • 47% Energy • 15% Liveness
15% Instrumentalness • 18% Positiveness
38% Popularity • 25% Danceability • 47% Energy • 15% Liveness
15% Instrumentalness • 18% Positiveness
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Grouper
A Cover Over
98 bpm • E min • 02:48 • -15.64db
33% Popularity • 49% Danceability • 46% Energy • 10% Liveness
98% Instrumentalness • 56% Positiveness
33% Popularity • 49% Danceability • 46% Energy • 10% Liveness
98% Instrumentalness • 56% Positiveness
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Radiohead
Glass Eyes
114 bpm • G# Maj • 02:52 • -15.72db
54% Popularity • 24% Danceability • 11% Energy • 14% Liveness
56% Instrumentalness • 6% Positiveness
54% Popularity • 24% Danceability • 11% Energy • 14% Liveness
56% Instrumentalness • 6% Positiveness
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Slowdive
Sugar for the Pill
98 bpm • G Maj • 04:30 • -7.68db
60% Popularity • 53% Danceability • 54% Energy • 11% Liveness
84% Instrumentalness • 43% Positiveness
60% Popularity • 53% Danceability • 54% Energy • 11% Liveness
84% Instrumentalness • 43% Positiveness
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The Sundays
You're Not The Only One I Know
98 bpm • C Maj • 03:51 • -12.23db
55% Popularity • 56% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 56% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Broadcast
Come On Let's Go
115 bpm • D Maj • 03:17 • -10db
53% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
53% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
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Mount Eerie
Soria Moria
98 bpm • B min • 06:33 • -22db
27% Popularity • 42% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
27% Popularity • 42% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Galaxie 500
Flowers
115 bpm • G Maj • 04:28 • -9db
11% Popularity • 45% Danceability • 70% Energy • 13% Liveness
85% Instrumentalness • 23% Positiveness
11% Popularity • 45% Danceability • 70% Energy • 13% Liveness
85% Instrumentalness • 23% Positiveness
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The Radio Dept.
I Wanted You to Feel the Same
115 bpm • C Maj • 02:31 • -12.46db
44% Popularity • 63% Danceability • 44% Energy • 29% Liveness
31% Instrumentalness • 28% Positiveness
44% Popularity • 63% Danceability • 44% Energy • 29% Liveness
31% Instrumentalness • 28% Positiveness
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Cat Power
Metal Heart
115 bpm • F# Maj • 04:02 • -11.21db
45% Popularity • 44% Danceability • 34% Energy • 11% Liveness
9% Instrumentalness • 5% Positiveness
45% Popularity • 44% Danceability • 34% Energy • 11% Liveness
9% Instrumentalness • 5% Positiveness
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Sun Kil Moon
Carry Me Ohio
97 bpm • F# Maj • 06:21 • -9db
47% Popularity • 59% Danceability • 51% Energy • 11% Liveness
10% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 51% Energy • 11% Liveness
10% Instrumentalness • 52% Positiveness
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Grouper
Cloud in Places
97 bpm • D Maj • 04:05 • -16db
25% Popularity • 50% Danceability • 28% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
25% Popularity • 50% Danceability • 28% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Horse Jumper of Love
i love you very much forever
116 bpm • D# Maj • 03:16 • -17.26db
42% Popularity • 48% Danceability • 37% Energy • 17% Liveness
56% Instrumentalness • 24% Positiveness
42% Popularity • 48% Danceability • 37% Energy • 17% Liveness
56% Instrumentalness • 24% Positiveness
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Galaxie 500
Tugboat
115 bpm • G Maj • 03:54 • -8.16db
25% Popularity • 28% Danceability • 88% Energy • 16% Liveness
59% Instrumentalness • 39% Positiveness
25% Popularity • 28% Danceability • 88% Energy • 16% Liveness
59% Instrumentalness • 39% Positiveness
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Inca Ore
Baby Tiger, I Went Far Away
116 bpm • F Maj • 01:30 • -16.78db
26% Popularity • 34% Danceability • 19% Energy • 34% Liveness
99% Instrumentalness • 4% Positiveness
26% Popularity • 34% Danceability • 19% Energy • 34% Liveness
99% Instrumentalness • 4% Positiveness
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Hope Sandoval & The Warm Inventions
Wild Roses
116 bpm • G Maj • 03:38 • -12db
35% Popularity • 41% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 13% Positiveness
35% Popularity • 41% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 13% Positiveness
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Blonde Redhead
Girl Boy
116 bpm • A# min • 01:48 • -22.41db
54% Popularity • 81% Danceability • 17% Energy • 11% Liveness
71% Instrumentalness • 48% Positiveness
54% Popularity • 81% Danceability • 17% Energy • 11% Liveness
71% Instrumentalness • 48% Positiveness
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Sibylle Baier
Forget About
97 bpm • A# Maj • 02:31 • -17.25db
49% Popularity • 59% Danceability • 11% Energy • 11% Liveness
65% Instrumentalness • 28% Positiveness
49% Popularity • 59% Danceability • 11% Energy • 11% Liveness
65% Instrumentalness • 28% Positiveness
