Songs like Heine-Lieder: Part I: Ich hab im Traum: Allnachtlich im Traume seh ich dich by Wilhelm Killmayer
Based on a tempo of (+/- 10%) and a similar genre
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アントニーン・ドヴォルザーク
Romantic Pieces, Op. 75, Allegro moderat...
137 bpm • A# Maj • 03:06 • -21.72db
15% Popularity • 18% Danceability • 12% Energy • 14% Liveness
52% Instrumentalness • 12% Positiveness
15% Popularity • 18% Danceability • 12% Energy • 14% Liveness
52% Instrumentalness • 12% Positiveness
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Ludwig van Beethoven
12 Variations on "See the conqu'ring her...
137 bpm • G Maj • 03:18 • -30.16db
12% Popularity • 25% Danceability • 1% Energy • 23% Liveness
89% Instrumentalness • 22% Positiveness
12% Popularity • 25% Danceability • 1% Energy • 23% Liveness
89% Instrumentalness • 22% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: VIIIb. Con mo...
137 bpm • F# Maj • 02:19 • -36.18db
20% Popularity • 24% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Huw Watkins
Piano Trio No. 1: II. Lento
136 bpm • F# Maj • 07:07 • -27.36db
0% Popularity • 23% Danceability • 2% Energy • 7% Liveness
46% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 2% Energy • 7% Liveness
46% Instrumentalness • 4% Positiveness
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Máire Carroll
Piano Sonata No. 1: I. Allegro marcato
137 bpm • G Maj • 04:35 • -19.06db
12% Popularity • 39% Danceability • 21% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
12% Popularity • 39% Danceability • 21% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
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Johannes Brahms
Intermezzos, Op. 117: No. 1 in E-Flat Ma...
138 bpm • G# Maj • 05:11 • -34.86db
2% Popularity • 45% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
2% Popularity • 45% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Variations on a Theme of Co...
136 bpm • D Maj • 01:39 • -34.58db
12% Popularity • 37% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
12% Popularity • 37% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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アントニーン・ドヴォルザーク
Romantic Pieces, Op.75, Allegro appassio...
138 bpm • A# Maj • 02:12 • -18.01db
14% Popularity • 20% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
14% Popularity • 20% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Wilhelm Killmayer
Hölderlin-Lieder: I. Wenn aus dem Himme...
136 bpm • F Maj • 06:14 • -25.89db
0% Popularity • 40% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 40% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Alexander Scriabin
PROLOGUE (Quasi Niente from Piano Sonata...
136 bpm • D# min • 01:28 • -47.56db
21% Popularity • 48% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
21% Popularity • 48% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 5, Eusebius
136 bpm • G min • 02:23 • -33.26db
8% Popularity • 38% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
8% Popularity • 38% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Edvard Grieg
5 Songs, Op. 26 (Transcr. D. Müller-Sch...
136 bpm • B min • 01:22 • -22.97db
13% Popularity • 27% Danceability • 14% Energy • 9% Liveness
13% Instrumentalness • 13% Positiveness
13% Popularity • 27% Danceability • 14% Energy • 9% Liveness
13% Instrumentalness • 13% Positiveness
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Julius Isserlis
Memories of Childhood, Op. 11: II. In th...
136 bpm • A min • 01:17 • -34.99db
23% Popularity • 28% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
23% Popularity • 28% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
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Darius Milhaud
Scaramouche pour 2 pianos: Vif
136 bpm • C Maj • 02:47 • -18.79db
8% Popularity • 46% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 37% Positiveness
8% Popularity • 46% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 37% Positiveness
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Béla Bartók
For Children, Sz. 42 (Revised Edition, J...
139 bpm • F min • 01:18 • -32.02db
18% Popularity • 40% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
18% Popularity • 40% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Amy Beach
Out of the Depths in B Minor, Op. 130
135 bpm • B min • 02:44 • -21.63db
8% Popularity • 46% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 46% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Russell Bennett
Hexapoda: No. 5, Till Dawn Sunday
135 bpm • G min • 02:06 • -19.89db
8% Popularity • 46% Danceability • 17% Energy • 9% Liveness
73% Instrumentalness • 16% Positiveness
8% Popularity • 46% Danceability • 17% Energy • 9% Liveness
73% Instrumentalness • 16% Positiveness
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Gabriel Fauré
Violin Sonata No. 1 in A Major, Op. 13: ...
139 bpm • B min • 04:12 • -22.8db
8% Popularity • 38% Danceability • 14% Energy • 19% Liveness
63% Instrumentalness • 29% Positiveness
8% Popularity • 38% Danceability • 14% Energy • 19% Liveness
63% Instrumentalness • 29% Positiveness
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Henry Love
Das alte Lied (Arr. Hough)
135 bpm • C# min • 02:26 • -37.07db
14% Popularity • 30% Danceability • 0% Energy • 7% Liveness
80% Instrumentalness • 10% Positiveness
14% Popularity • 30% Danceability • 0% Energy • 7% Liveness
80% Instrumentalness • 10% Positiveness
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Igor Stravinsky
Concerto for 2 Pianos, K058: IV. Preludi...
135 bpm • C Maj • 04:59 • -19.2db
15% Popularity • 46% Danceability • 19% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
15% Popularity • 46% Danceability • 19% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
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Wilhelm Killmayer
Heine-Lieder: Part III: Die alte Geschic...
135 bpm • A Maj • 01:29 • -33.35db
0% Popularity • 35% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 35% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Sergei Prokofiev
10 Pieces from Romeo and Juliet, Op. 75:...
139 bpm • A# Maj • 02:22 • -21.04db
7% Popularity • 58% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
7% Popularity • 58% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
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Franz Schubert
Fantasie in C Major, D. 934: I. Andante ...
135 bpm • C Maj • 03:13 • -30.92db
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Barcarolle No .7 in D Minor, Op. 90
134 bpm • A# Maj • 03:14 • -28.98db
8% Popularity • 35% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
8% Popularity • 35% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
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Maurice Ravel
Miroirs, M.43: No. 1, Noctuelles
134 bpm • C# Maj • 04:49 • -26.45db
7% Popularity • 35% Danceability • 5% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
7% Popularity • 35% Danceability • 5% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 71: No. 2, Sommeraften...
134 bpm • C# Maj • 02:24 • -28.71db
10% Popularity • 46% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
10% Popularity • 46% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Wilhelm Killmayer
Eichendorff-Lieder: IV. Im Walde
135 bpm • F Maj • 01:48 • -22.1db
0% Popularity • 38% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 38% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Claude Debussy
La damoiselle élue L. 69b: Prélude (Ar...
134 bpm • F Maj • 05:56 • -29.81db
9% Popularity • 21% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Rahel Senn
Song Of A Magnolia
134 bpm • C min • 01:13 • -31db
18% Popularity • 29% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 15% Positiveness
18% Popularity • 29% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 15% Positiveness
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Béla Bartók
Rhapsody No. 1 for Violin and Piano, Sz....
134 bpm • G min • 04:31 • -17.67db
13% Popularity • 45% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
13% Popularity • 45% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Giya Kancheli
33 Miniatures for Piano (Excerpts): No. ...
134 bpm • G min • 01:02 • -35.3db
7% Popularity • 61% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 0% Positiveness
7% Popularity • 61% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 0% Positiveness
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Franz Waxman
Four Scenes of Childhood: I. Good Mornin...
133 bpm • A# Maj • 02:05 • -28.03db
9% Popularity • 24% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Wilhelm Killmayer
9 Lieder: No. 5. An meine andere Stimme
140 bpm • F Maj • 02:36 • -22.44db
0% Popularity • 35% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 35% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 8 in A Major, H. 46
133 bpm • E min • 03:25 • -28.12db
9% Popularity • 22% Danceability • 1% Energy • 7% Liveness
52% Instrumentalness • 10% Positiveness
9% Popularity • 22% Danceability • 1% Energy • 7% Liveness
52% Instrumentalness • 10% Positiveness
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Claude Debussy
Mazurka L. 75 (Arr. For Cello And Piano ...
134 bpm • A Maj • 04:11 • -26.46db
11% Popularity • 33% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 16% Positiveness
11% Popularity • 33% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 16% Positiveness
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Fred Hersch
Aeon
133 bpm • F# min • 03:14 • -32.78db
21% Popularity • 40% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
21% Popularity • 40% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Yoko Ara
Medley
133 bpm • A# Maj • 03:31 • -22.82db
4% Popularity • 23% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
4% Popularity • 23% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
132 bpm • C# Maj • 01:20 • -26.93db
15% Popularity • 42% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
15% Popularity • 42% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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Wilhelm Killmayer
Hölderlin-Lieder: III. Der Winter (Wenn...
140 bpm • A Maj • 02:13 • -23.86db
0% Popularity • 33% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 33% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Ernst von Dohnányi
Sextet for Piano, Clarinet, Horn and Str...
141 bpm • C Maj • 07:06 • -20.59db
19% Popularity • 24% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 24% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Claude Debussy
Children's Corner, CD 119: V. The Little...
132 bpm • A Maj • 02:50 • -32.05db
2% Popularity • 43% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 24% Positiveness
2% Popularity • 43% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 24% Positiveness
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Alexander Scriabin
4 Preludes, Op. 22: No. 4 in B Minor, An...
132 bpm • B min • 01:04 • -27.62db
12% Popularity • 43% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
12% Popularity • 43% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
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Edward MacDowell
Woodland Sketches, Op. 51: No. 6, To a W...
132 bpm • D# min • 02:13 • -25db
7% Popularity • 59% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
7% Popularity • 59% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
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Edvard Grieg
Lyric Pieces Book 10, Op. 71: No. 2, Sum...
131 bpm • C# Maj • 02:17 • -30.2db
1% Popularity • 41% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
1% Popularity • 41% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
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Wilhelm Killmayer
3 Pieces: II. quarter note = 132
140 bpm • C# Maj • 01:13 • -21.77db
0% Popularity • 54% Danceability • 20% Energy • 6% Liveness
92% Instrumentalness • 15% Positiveness
0% Popularity • 54% Danceability • 20% Energy • 6% Liveness
92% Instrumentalness • 15% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 60: II. Petit Poucet
132 bpm • D# Maj • 02:57 • -35.62db
27% Popularity • 43% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 47% Positiveness
27% Popularity • 43% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 47% Positiveness
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Clara Schumann
3 Romances for Violin and Piano, Op. 22:...
131 bpm • C# Maj • 02:58 • -23.41db
9% Popularity • 22% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Manuel de Falla
Suite populaire espagnole (Arr. for Cell...
131 bpm • E Maj • 02:52 • -24.08db
10% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
10% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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Alexander Scriabin
6 Preludes, Op. 13: V. Allegro
131 bpm • D Maj • 01:02 • -32.29db
21% Popularity • 42% Danceability • 8% Energy • 12% Liveness
87% Instrumentalness • 49% Positiveness
21% Popularity • 42% Danceability • 8% Energy • 12% Liveness
87% Instrumentalness • 49% Positiveness
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Johannes Brahms
Variations on an original theme, Op. 21 ...
131 bpm • D Maj • 04:26 • -30.19db
8% Popularity • 33% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 33% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Wilhelm Killmayer
An John Field: Nocturne Nr. 5 "Im Schlup...
132 bpm • D min • 05:29 • -24.7db
0% Popularity • 51% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
0% Popularity • 51% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
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Erik Satie
Sonatine bureaucratique
144 bpm • A Maj • 03:33 • -31.21db
3% Popularity • 36% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
3% Popularity • 36% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Aurelio Scotto
Painting III: Claude
130 bpm • G# min • 01:26 • -24.95db
12% Popularity • 50% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
12% Popularity • 50% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Richard Strauss
Stimmungsbilder Op. 9, TrV 128: II. An e...
131 bpm • C# Maj • 04:03 • -33.34db
23% Popularity • 23% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Edvard Grieg
Norwegian Peasant Dances, Op. 72: No. 13...
130 bpm • A Maj • 01:59 • -25.53db
8% Popularity • 38% Danceability • 4% Energy • 7% Liveness
82% Instrumentalness • 18% Positiveness
8% Popularity • 38% Danceability • 4% Energy • 7% Liveness
82% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Cello Sonata No. 1 in D Minor, Op. 109: ...
145 bpm • A# Maj • 05:13 • -22.49db
10% Popularity • 29% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 13% Positiveness
10% Popularity • 29% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
Wilhelm Killmayer
5 Romanzen, "Vanitas Vanitatum": No. 2. ...
132 bpm • A Maj • 04:17 • -27.73db
0% Popularity • 25% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
0% Popularity • 25% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Maurice Ravel
Ma mère l'Oye, M. 60: III. Laideronnett...
130 bpm • D# min • 03:11 • -26.34db
30% Popularity • 38% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
30% Popularity • 38% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
The Human Comedy, Op. 37: Elegy (Arr. At...
129 bpm • A Maj • 02:25 • -32.05db
11% Popularity • 17% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
11% Popularity • 17% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
Robert Russell Bennett
Hexapoda: No. 2, Jane Shakes Her Head
129 bpm • G Maj • 01:14 • -21.42db
9% Popularity • 50% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 53% Positiveness
9% Popularity • 50% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 53% Positiveness
► Preview
Rued Langgaard
Blomstervignetter No. 2, BVN 424: No. 3,...
129 bpm • G Maj • 01:23 • -36.48db
24% Popularity • 44% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 15% Positiveness
24% Popularity • 44% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Ferruccio Busoni
Sonatina "in diem Nativitatis Christi MC...
129 bpm • F Maj • 07:26 • -30.96db
12% Popularity • 37% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 37% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Wilhelm Killmayer
Großer Lobgesang auf die Post
142 bpm • A# Maj • 03:31 • -21.7db
0% Popularity • 53% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 53% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Maurice Ravel
Miroirs, M. 43: IV. Alborada del gracios...
129 bpm • D Maj • 06:52 • -23.64db
1% Popularity • 46% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
1% Popularity • 46% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Aram Khachaturian
Children's Album, Book 1: The Cavalry
129 bpm • C Maj • 01:10 • -23.23db
37% Popularity • 41% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 48% Positiveness
37% Popularity • 41% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 48% Positiveness
► Preview
Charles-Marie Widor
Piano Trio, Op. 19: IV. Presto
129 bpm • A# Maj • 06:32 • -22.73db
7% Popularity • 32% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 22% Positiveness
7% Popularity • 32% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 22% Positiveness
► Preview
Aivars Kalējs
French Quadrilogy: No. 4, Toccata
146 bpm • A min • 03:56 • -21.88db
17% Popularity • 19% Danceability • 9% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
17% Popularity • 19% Danceability • 9% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
► Preview
Alexander Scriabin
12 Etudes, Op. 8: No. 1 in C-Sharp Major
146 bpm • C# Maj • 01:34 • -27.93db
15% Popularity • 29% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
15% Popularity • 29% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
► Preview
Wilhelm Killmayer
Im Park
143 bpm • C Maj • 02:59 • -18.22db
0% Popularity • 43% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 61% Positiveness
0% Popularity • 43% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 61% Positiveness
► Preview
Nino Rota
15 Preludes: No. 15. Allegro robusto
128 bpm • F min • 01:03 • -14.76db
9% Popularity • 44% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
9% Popularity • 44% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Alexander Glazunov
Theme and Variations, Op. 72: Var. 13. A...
128 bpm • B min • 01:07 • -23.74db
22% Popularity • 29% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
22% Popularity • 29% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Dace Aperāne
Pastorales: I. New Moon
127 bpm • D min • 03:28 • -19.7db
20% Popularity • 65% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
20% Popularity • 65% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Federico Mompou
Variations sur un thème de Chopin: VI. ...
128 bpm • D Maj • 01:14 • -21.45db
8% Popularity • 46% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
8% Popularity • 46% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
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Ernst von Dohnányi
Serenade in C Major, Op. 10: I. Marcia: ...
127 bpm • C Maj • 01:58 • -23.72db
12% Popularity • 32% Danceability • 6% Energy • 6% Liveness
80% Instrumentalness • 22% Positiveness
12% Popularity • 32% Danceability • 6% Energy • 6% Liveness
80% Instrumentalness • 22% Positiveness
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Wilhelm Killmayer
"…wie in Welschland lau und blau…" f...
130 bpm • C Maj • 02:09 • -28db
0% Popularity • 25% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 25% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Shiuan Chang
Theater on The BEDs - for violin piano d...
148 bpm • G# Maj • 06:59 • -33.57db
7% Popularity • 52% Danceability • 5% Energy • 8% Liveness
82% Instrumentalness • 28% Positiveness
7% Popularity • 52% Danceability • 5% Energy • 8% Liveness
82% Instrumentalness • 28% Positiveness
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Ludwig van Beethoven
Sonata No. 3 in A Major for Cello and Pi...
127 bpm • E Maj • 01:29 • -27.52db
19% Popularity • 17% Danceability • 1% Energy • 15% Liveness
72% Instrumentalness • 7% Positiveness
19% Popularity • 17% Danceability • 1% Energy • 15% Liveness
72% Instrumentalness • 7% Positiveness
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Ernst Krenek
Serenade for Clarinet Quartet in B Major...
127 bpm • A# Maj • 07:37 • -20.62db
11% Popularity • 34% Danceability • 5% Energy • 9% Liveness
63% Instrumentalness • 12% Positiveness
11% Popularity • 34% Danceability • 5% Energy • 9% Liveness
63% Instrumentalness • 12% Positiveness
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Giuseppe Verdi
String Quartet in E Minor: I. Allegro
126 bpm • E min • 07:53 • -20.63db
13% Popularity • 34% Danceability • 8% Energy • 7% Liveness
51% Instrumentalness • 12% Positiveness
13% Popularity • 34% Danceability • 8% Energy • 7% Liveness
51% Instrumentalness • 12% Positiveness
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Agneta Krilova
The Rose Petal Waltz
126 bpm • C# Maj • 04:00 • -21.86db
18% Popularity • 30% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
18% Popularity • 30% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Igor Stravinsky
Concerto for 2 Pianos, K058: II. Notturn...
126 bpm • C# Maj • 05:37 • -30.25db
15% Popularity • 44% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
15% Popularity • 44% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Nikolai Medtner
Sonata-Idyll in G Major, Op. 56: I. Past...
126 bpm • G Maj • 03:34 • -29.86db
8% Popularity • 37% Danceability • 5% Energy • 17% Liveness
90% Instrumentalness • 24% Positiveness
8% Popularity • 37% Danceability • 5% Energy • 17% Liveness
90% Instrumentalness • 24% Positiveness
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Maurice Ravel
Miroirs, M.43: No. 4, Alborada del graci...
125 bpm • D Maj • 07:06 • -21.43db
6% Popularity • 46% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
6% Popularity • 46% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Charles-Marie Widor
Piano Trio, Op. 19: III. Scherzo
151 bpm • D# Maj • 04:34 • -23.42db
7% Popularity • 40% Danceability • 7% Energy • 7% Liveness
13% Instrumentalness • 30% Positiveness
7% Popularity • 40% Danceability • 7% Energy • 7% Liveness
13% Instrumentalness • 30% Positiveness
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Johann Sebastian Bach
Nun komm, der Heiden Heiland, BWV 659 (F...
125 bpm • G min • 05:02 • -35.83db
9% Popularity • 38% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
9% Popularity • 38% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Ernst von Dohnányi
Piano Quintet No. 1 in C Minor, Op. 1: I...
124 bpm • B min • 05:01 • -21.49db
14% Popularity • 40% Danceability • 7% Energy • 11% Liveness
73% Instrumentalness • 28% Positiveness
14% Popularity • 40% Danceability • 7% Energy • 11% Liveness
73% Instrumentalness • 28% Positiveness
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Imogen Holst
4 Easy Pieces for Viola & Piano: No. 3, ...
123 bpm • E min • 02:26 • -29db
12% Popularity • 33% Danceability • 1% Energy • 9% Liveness
15% Instrumentalness • 17% Positiveness
12% Popularity • 33% Danceability • 1% Energy • 9% Liveness
15% Instrumentalness • 17% Positiveness
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Mini
Herald of spring
123 bpm • C# min • 01:45 • -22.74db
15% Popularity • 54% Danceability • 1% Energy • 7% Liveness
77% Instrumentalness • 10% Positiveness
15% Popularity • 54% Danceability • 1% Energy • 7% Liveness
77% Instrumentalness • 10% Positiveness
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Nikolai Kapustin
24 Jazz Preludes, Op. 53: No. 10
123 bpm • F# min • 01:49 • -21.27db
37% Popularity • 49% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 66% Positiveness
37% Popularity • 49% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 66% Positiveness
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Egon Wellesz
Variation
123 bpm • F# Maj • 01:31 • -32db
12% Popularity • 34% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
12% Popularity • 34% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Shiuan Chang
Farewell; Adieu - for violin piano duo
123 bpm • C# min • 05:13 • -21.31db
8% Popularity • 25% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 25% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Gabriel Fauré
Violin Sonata No. 1 in A Major, Op. 13: ...
123 bpm • A Maj • 09:08 • -18.15db
10% Popularity • 31% Danceability • 18% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
10% Popularity • 31% Danceability • 18% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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Claude Debussy
Intermezzo pour violoncelle et piano, L....
123 bpm • C# Maj • 05:29 • -24.85db
11% Popularity • 34% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
11% Popularity • 34% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Tylman Susato
The Danserye (Transcr. for Piano by Flor...
123 bpm • A min • 01:02 • -23.36db
13% Popularity • 49% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 31% Positiveness
13% Popularity • 49% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 31% Positiveness
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Alexander Tcherepnin
Sonatine sportive - Piano Solo Version
122 bpm • E min • 01:21 • -20.64db
22% Popularity • 56% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 46% Positiveness
22% Popularity • 56% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 46% Positiveness
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Wilhelm Killmayer
Trakl-Lieder I: VIII. Schneeige Nacht (F...
154 bpm • E min • 01:38 • -21.16db
0% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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ROBERTO CARPIO
R. CARPIO: Suite Hospital Prelude (Chuqu...
121 bpm • C# Maj • 01:08 • -21.29db
26% Popularity • 30% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
26% Popularity • 30% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
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Stephen Hough
Musical Jewellery Box
122 bpm • A Maj • 03:00 • -28.65db
19% Popularity • 44% Danceability • 6% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
19% Popularity • 44% Danceability • 6% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
