Songs like Heinrich Schütz Symphoniae Sacrae I (Part I - X) Opus Ecclesiasticum Secundum Op. 6, 1629 - Swv 257-276: V Venite Ad Me Omnes Qui Laboratis by Matteo Messori
Based on a tempo of (+/- 10%) and a similar genre
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
59 bpm • F min • 02:27 • -27.39db
9% Popularity • 16% Danceability • 4% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 4% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Miserere, ZWV 57: II. Miserere II
58 bpm • B Maj • 04:14 • -12.13db
13% Popularity • 15% Danceability • 32% Energy • 13% Liveness
86% Instrumentalness • 39% Positiveness
13% Popularity • 15% Danceability • 32% Energy • 13% Liveness
86% Instrumentalness • 39% Positiveness
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Dietrich Buxtehude
Nun komm, der Heiden Heiland Buxwv 211
60 bpm • G min • 01:36 • -24db
14% Popularity • 21% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 20% Positiveness
14% Popularity • 21% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 20% Positiveness
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Georg Philipp Telemann
Concerto in G Major, TWV 40.210 (Arr. fo...
59 bpm • E Maj • 01:35 • -28.03db
8% Popularity • 34% Danceability • 3% Energy • 18% Liveness
33% Instrumentalness • 43% Positiveness
8% Popularity • 34% Danceability • 3% Energy • 18% Liveness
33% Instrumentalness • 43% Positiveness
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George Frideric Handel
Theodora, HWV 68, Pt. II: Duet. To Thee,...
60 bpm • E min • 04:29 • -18.47db
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Johann Caspar Kerll
Toccata Sesta
61 bpm • C# Maj • 03:54 • -10.78db
0% Popularity • 6% Danceability • 28% Energy • 19% Liveness
39% Instrumentalness • 5% Positiveness
0% Popularity • 6% Danceability • 28% Energy • 19% Liveness
39% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Tilge, Hochster, meine Sunden (Soprano, ...
62 bpm • E min • 03:19 • -18.55db
11% Popularity • 24% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 24% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Osanna in ...
57 bpm • C# Maj • 01:00 • -14.71db
18% Popularity • 40% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 40% Positiveness
18% Popularity • 40% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 40% Positiveness
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Vincenzo Albrici
Sinfonia
62 bpm • D min • 06:30 • -23.36db
0% Popularity • 15% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
0% Popularity • 15% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Rocco Rodio
Recercata seconda
62 bpm • F Maj • 04:17 • -18.06db
0% Popularity • 19% Danceability • 6% Energy • 7% Liveness
24% Instrumentalness • 17% Positiveness
0% Popularity • 19% Danceability • 6% Energy • 7% Liveness
24% Instrumentalness • 17% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part II, The Ex...
62 bpm • G# min • 02:22 • -18.9db
7% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Johann Caspar Kerll
Toccata Seconda
55 bpm • F# min • 04:15 • -14.85db
0% Popularity • 25% Danceability • 57% Energy • 8% Liveness
45% Instrumentalness • 33% Positiveness
0% Popularity • 25% Danceability • 57% Energy • 8% Liveness
45% Instrumentalness • 33% Positiveness
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Johann Sebastian Bach
Prelude and Fugue in C Minor, BWV 546: P...
54 bpm • C# min • 06:30 • -13.17db
0% Popularity • 6% Danceability • 37% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
0% Popularity • 6% Danceability • 37% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Sietze de Vries
Psalm 103 - Versus IV
63 bpm • C# Maj • 01:35 • -37.44db
11% Popularity • 20% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
11% Popularity • 20% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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Paul Siefert
Res aequa confiteri
63 bpm • D min • 03:32 • -15.9db
9% Popularity • 28% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 28% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pectus:...
64 bpm • A min • 01:31 • -19db
14% Popularity • 30% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 30% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Carl Loewe
Das Sühnopfer des neuen Bundes, Pt. 2: ...
64 bpm • D# Maj • 01:09 • -24.16db
20% Popularity • 16% Danceability • 13% Energy • 11% Liveness
70% Instrumentalness • 13% Positiveness
20% Popularity • 16% Danceability • 13% Energy • 11% Liveness
70% Instrumentalness • 13% Positiveness
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Francesco Bartolomeo Conti
Missa Sancti Pauli: No. 5, Et in terra p...
66 bpm • C# min • 01:42 • -19.84db
23% Popularity • 22% Danceability • 19% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 19% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: No. 12. Ar...
63 bpm • B min • 04:51 • -19.28db
9% Popularity • 32% Danceability • 8% Energy • 22% Liveness
5% Instrumentalness • 9% Positiveness
9% Popularity • 32% Danceability • 8% Energy • 22% Liveness
5% Instrumentalness • 9% Positiveness
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Georg Philipp Telemann
Was für ein jauchzendes Gedränge, TWV ...
66 bpm • F# Maj • 01:14 • -19.4db
14% Popularity • 22% Danceability • 7% Energy • 11% Liveness
68% Instrumentalness • 18% Positiveness
14% Popularity • 22% Danceability • 7% Energy • 11% Liveness
68% Instrumentalness • 18% Positiveness
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Ascanio Mayone
Toccata seconda
66 bpm • G min • 04:57 • -12.6db
0% Popularity • 6% Danceability • 20% Energy • 7% Liveness
84% Instrumentalness • 6% Positiveness
0% Popularity • 6% Danceability • 20% Energy • 7% Liveness
84% Instrumentalness • 6% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IVc. Ad la...
65 bpm • C# min • 01:08 • -25.53db
8% Popularity • 34% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 34% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Johann Christian Bach
Magnificat, W. E22: Gloria Patri et fili...
66 bpm • B Maj • 01:18 • -21db
22% Popularity • 25% Danceability • 10% Energy • 23% Liveness
37% Instrumentalness • 10% Positiveness
22% Popularity • 25% Danceability • 10% Energy • 23% Liveness
37% Instrumentalness • 10% Positiveness
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Johann Pachelbel
Magnificat Fugue Primi Toni V, P261
66 bpm • F Maj • 01:33 • -41.38db
8% Popularity • 19% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 35% Positiveness
8% Popularity • 19% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Aus der Tiefen rufe ich, Herr, zu dir, B...
64 bpm • B Maj • 04:14 • -19.82db
11% Popularity • 16% Danceability • 15% Energy • 14% Liveness
40% Instrumentalness • 23% Positiveness
11% Popularity • 16% Danceability • 15% Energy • 14% Liveness
40% Instrumentalness • 23% Positiveness
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Girolamo Diruta
Il Transilvano: Ricercare del secondo tu...
66 bpm • A min • 02:03 • -23.41db
0% Popularity • 16% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
0% Popularity • 16% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
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Marin Marais
Marais: Pièces en trio: Suite No. 1 en ...
67 bpm • B Maj • 01:23 • -21.09db
8% Popularity • 51% Danceability • 12% Energy • 29% Liveness
95% Instrumentalness • 58% Positiveness
8% Popularity • 51% Danceability • 12% Energy • 29% Liveness
95% Instrumentalness • 58% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IVd. Ad la...
66 bpm • C# min • 01:13 • -24.37db
9% Popularity • 42% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 42% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Samuel Scheidt
Görlitzer Tabulaturbuch: Gelobet seist ...
67 bpm • A Maj • 00:57 • -29.47db
13% Popularity • 15% Danceability • 1% Energy • 11% Liveness
99% Instrumentalness • 24% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 11% Liveness
99% Instrumentalness • 24% Positiveness
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Johann Pachelbel
Num laßt uns Gott dem Herren, P388
67 bpm • E min • 02:46 • -35.07db
8% Popularity • 21% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
8% Popularity • 21% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
Der Himmel lacht, die Erde jubilieret, B...
65 bpm • C# Maj • 01:22 • -17.54db
9% Popularity • 23% Danceability • 12% Energy • 7% Liveness
97% Instrumentalness • 25% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 7% Liveness
97% Instrumentalness • 25% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44: Gavotte vive...
68 bpm • D Maj • 01:00 • -31.94db
11% Popularity • 23% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 46% Positiveness
11% Popularity • 23% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 46% Positiveness
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John Stanley
Organ Voluntary in C Major, Op. 5 No. 1:...
68 bpm • C Maj • 01:22 • -38.41db
20% Popularity • 22% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 58% Positiveness
20% Popularity • 22% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 58% Positiveness
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Dietrich Buxtehude
Gott Hilf Mir, BuxWV 34: Aria "Ach ja, m...
67 bpm • A# Maj • 04:26 • -17.3db
11% Popularity • 30% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
11% Popularity • 30% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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Luzzasco Luzzaschi
Canto fermo a quattro sopra "Ave maris s...
69 bpm • D min • 02:40 • -28.85db
0% Popularity • 16% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
0% Popularity • 16% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Johann Pachelbel
Magnificat Fugue Quinti Toni VII, P320
67 bpm • F Maj • 01:08 • -25.03db
8% Popularity • 25% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
8% Popularity • 25% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Johann Sebastian Bach
Fantasia and Fugue in C Minor, BWV 537: ...
68 bpm • D min • 04:49 • -13.04db
0% Popularity • 6% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
0% Popularity • 6% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Frantisek Tuma
Stabat Mater in G Minor: VIII. Fac me te...
69 bpm • E min • 01:37 • -17.19db
8% Popularity • 30% Danceability • 19% Energy • 29% Liveness
1% Instrumentalness • 16% Positiveness
8% Popularity • 30% Danceability • 19% Energy • 29% Liveness
1% Instrumentalness • 16% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53: Act III, Scene 4 Entrée d...
69 bpm • F min • 01:28 • -35db
9% Popularity • 19% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 23% Positiveness
9% Popularity • 19% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 23% Positiveness
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François Couperin
Concert Royal No. 1 in G (Version for 2 ...
70 bpm • F# min • 02:37 • -16.73db
8% Popularity • 23% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 23% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Luzzasco Luzzaschi
Il secondo libro de ricercari a quattro ...
69 bpm • A min • 05:54 • -12.3db
0% Popularity • 12% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
0% Popularity • 12% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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Johann Pachelbel
Allein zu dir, Herr Jesu Christ, P14
69 bpm • C Maj • 02:31 • -24.04db
7% Popularity • 16% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
7% Popularity • 16% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
70 bpm • D# min • 04:54 • -19.14db
10% Popularity • 21% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
10% Popularity • 21% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Johann Caspar Kerll
Canzone Prima
70 bpm • A# min • 03:26 • -16.66db
0% Popularity • 19% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
0% Popularity • 19% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Alexander Därr
Morning Song
70 bpm • F Maj • 01:22 • -28.56db
10% Popularity • 6% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 6% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: II. Vanum est vobi...
70 bpm • E Maj • 01:24 • -23.82db
16% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Luzzasco Luzzaschi
Il secondo libro de ricercari a quattro ...
69 bpm • A min • 05:08 • -14.47db
0% Popularity • 7% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
0% Popularity • 7% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Johann Pachelbel
Der Herr ist mein getreuer Hirt, P81
68 bpm • G min • 01:55 • -35.52db
9% Popularity • 17% Danceability • 0% Energy • 11% Liveness
99% Instrumentalness • 17% Positiveness
9% Popularity • 17% Danceability • 0% Energy • 11% Liveness
99% Instrumentalness • 17% Positiveness
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Vincenzo Albrici
Ave Jesu Christe
70 bpm • C min • 07:39 • -20.11db
0% Popularity • 22% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 22% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Aus der Tiefen rufe ich, Herr, zu dir, B...
65 bpm • G# min • 04:23 • -22.46db
8% Popularity • 13% Danceability • 9% Energy • 18% Liveness
61% Instrumentalness • 17% Positiveness
8% Popularity • 13% Danceability • 9% Energy • 18% Liveness
61% Instrumentalness • 17% Positiveness
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William Byrd
A Gigg "Doctor Bull's Myself"
71 bpm • G Maj • 01:05 • -38.58db
13% Popularity • 11% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 25% Positiveness
13% Popularity • 11% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 25% Positiveness
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José de Nebra
Requiem "Misa": XIV. Comunion. Lux aeter...
71 bpm • F# Maj • 01:31 • -12.46db
19% Popularity • 15% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 15% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Luzzasco Luzzaschi
Ricercar quinto del terzo tuono
70 bpm • A min • 06:12 • -19.33db
0% Popularity • 9% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
0% Popularity • 9% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
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Reinhard Keiser
Markuspassion: I. Jesus Christus ist um ...
72 bpm • F# min • 01:51 • -17.56db
12% Popularity • 25% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 18% Positiveness
12% Popularity • 25% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 18% Positiveness
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François Couperin
L'art de toucher le clavecin: No. 8, Pre...
72 bpm • C Maj • 01:29 • -20.39db
9% Popularity • 28% Danceability • 48% Energy • 19% Liveness
69% Instrumentalness • 96% Positiveness
9% Popularity • 28% Danceability • 48% Energy • 19% Liveness
69% Instrumentalness • 96% Positiveness
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Johann Sebastian Bach
Lobet Gott in seinen Reichen, BWV 11, Pt...
66 bpm • C# Maj • 01:27 • -23.06db
10% Popularity • 20% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
10% Popularity • 20% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
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Giovanni Salvatore
Versi sopra la messa dell'apostoli, e fe...
72 bpm • C# min • 01:08 • -13.26db
9% Popularity • 20% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 18% Positiveness
9% Popularity • 20% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 18% Positiveness
► Preview
George Frideric Handel
Theodora, HWV 68, Pt. I: Chorus. Go, Gen...
73 bpm • C# min • 04:35 • -17.81db
8% Popularity • 16% Danceability • 20% Energy • 11% Liveness
32% Instrumentalness • 14% Positiveness
8% Popularity • 16% Danceability • 20% Energy • 11% Liveness
32% Instrumentalness • 14% Positiveness
► Preview
Vincenzo Albrici
Amo te, laudo te
73 bpm • A min • 06:26 • -19.53db
0% Popularity • 24% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 24% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Nicolas Gigault
Ur Svit på åttonde tonen: IV. Recit
73 bpm • G Maj • 02:58 • -25.78db
9% Popularity • 20% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
9% Popularity • 20% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Jean-Baptiste Lully
Te deum, LWV 55: VII. Tu ad dexteram Dei...
73 bpm • A# Maj • 01:39 • -9.58db
17% Popularity • 33% Danceability • 45% Energy • 17% Liveness
2% Instrumentalness • 34% Positiveness
17% Popularity • 33% Danceability • 45% Energy • 17% Liveness
2% Instrumentalness • 34% Positiveness
► Preview
Johann Sebastian Bach
Prelude and Fugue in B Minor, BWV 544: F...
66 bpm • C min • 06:00 • -13.44db
0% Popularity • 17% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
0% Popularity • 17% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
► Preview
Georg Philipp Telemann
Ich fahre auf zu meinem Vater, TWV 1:825...
73 bpm • E min • 05:35 • -22.53db
10% Popularity • 12% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Luzzasco Luzzaschi
Canzona
74 bpm • F Maj • 02:35 • -17.54db
0% Popularity • 32% Danceability • 26% Energy • 20% Liveness
96% Instrumentalness • 69% Positiveness
0% Popularity • 32% Danceability • 26% Energy • 20% Liveness
96% Instrumentalness • 69% Positiveness
► Preview
Johann Caspar Kerll
Rycercata in Cylindrum Phonotacticum Tra...
74 bpm • C# min • 03:20 • -15.44db
0% Popularity • 50% Danceability • 29% Energy • 10% Liveness
57% Instrumentalness • 34% Positiveness
0% Popularity • 50% Danceability • 29% Energy • 10% Liveness
57% Instrumentalness • 34% Positiveness
► Preview
Luigi Cherubini
Requiem in C Minor: II. Graduale
74 bpm • F# min • 01:25 • -24.76db
18% Popularity • 25% Danceability • 8% Energy • 18% Liveness
33% Instrumentalness • 4% Positiveness
18% Popularity • 25% Danceability • 8% Energy • 18% Liveness
33% Instrumentalness • 4% Positiveness
► Preview
Ascanio Mayone
Canzon francese prima
74 bpm • C Maj • 03:01 • -14.35db
0% Popularity • 19% Danceability • 16% Energy • 5% Liveness
90% Instrumentalness • 24% Positiveness
0% Popularity • 19% Danceability • 16% Energy • 5% Liveness
90% Instrumentalness • 24% Positiveness
► Preview
Johann Sebastian Bach
Mass in B Minor, BWV 232 - Osanna, Bened...
67 bpm • A# min • 05:04 • -25.8db
9% Popularity • 20% Danceability • 1% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
9% Popularity • 20% Danceability • 1% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Andrey Jackson
Ah Holy Jesu
74 bpm • B min • 01:53 • -28.9db
14% Popularity • 19% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
► Preview
Mieskuoro Weljet
Laupias sydän on vapahtajamme, Sl 58
74 bpm • G min • 05:16 • -21.34db
8% Popularity • 17% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
8% Popularity • 17% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Johann Kuhnau
Kuhnau: Magnificat in C Major: V. Chorus...
74 bpm • B Maj • 01:37 • -18db
17% Popularity • 26% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
17% Popularity • 26% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
► Preview
William Brade
Galliard
75 bpm • G# Maj • 02:17 • -23.68db
8% Popularity • 44% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 61% Positiveness
8% Popularity • 44% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 61% Positiveness
► Preview
Girolamo Frescobaldi
Messa Della Domenica: Kyrye I
75 bpm • C# min • 01:03 • -15.16db
18% Popularity • 7% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 13% Positiveness
18% Popularity • 7% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 13% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: 67. Rezitativ...
68 bpm • E min • 01:56 • -19.3db
9% Popularity • 27% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 27% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: V. Sanctum quoque Parac...
75 bpm • G min • 02:25 • -15.13db
16% Popularity • 14% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
16% Popularity • 14% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
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Emilio de' Cavalieri
Lamentationes Jeremiae Prophetae, Prima ...
75 bpm • C# Maj • 06:14 • -17.78db
8% Popularity • 12% Danceability • 9% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 9% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
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Nicol Matt
Herzlich Thut Mich Verlangen, Weihnachts...
75 bpm • G# min • 01:03 • -19.07db
18% Popularity • 11% Danceability • 17% Energy • 12% Liveness
21% Instrumentalness • 35% Positiveness
18% Popularity • 11% Danceability • 17% Energy • 12% Liveness
21% Instrumentalness • 35% Positiveness
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Vincenzo Albrici
Omnia quae fecit Deus
75 bpm • F Maj • 08:16 • -20.06db
0% Popularity • 28% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 28% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Luzzasco Luzzaschi
Il secondo libro de ricercari a quattro ...
75 bpm • A min • 06:11 • -19.31db
0% Popularity • 16% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
0% Popularity • 16% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Sechs Choräle verschiedener Art: III. W...
69 bpm • D min • 03:19 • -30.05db
0% Popularity • 10% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
0% Popularity • 10% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Johann Pachelbel
Magnificat Fugue Primi Toni XXI, P277
76 bpm • D min • 01:47 • -26.88db
7% Popularity • 20% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
7% Popularity • 20% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
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Alexander Därr
Gentle Waves
75 bpm • C Maj • 02:32 • -31.74db
10% Popularity • 10% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Alessandro Poglietti
Ricercar No. 7 secundi toni
76 bpm • G min • 02:41 • -18.15db
0% Popularity • 14% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 22% Positiveness
0% Popularity • 14% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 22% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: II. Ad Gen...
76 bpm • D# Maj • 06:46 • -13.33db
7% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Matteo Messori
Heinrich Schütz Symphoniae Sacrae I (Pa...
76 bpm • A min • 03:35 • -19.15db
0% Popularity • 24% Danceability • 14% Energy • 20% Liveness
49% Instrumentalness • 31% Positiveness
0% Popularity • 24% Danceability • 14% Energy • 20% Liveness
49% Instrumentalness • 31% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232 - Symbolum Nice...
72 bpm • A# min • 02:34 • -22.88db
10% Popularity • 7% Danceability • 7% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 7% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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George Frideric Handel
Laudate pueri, HWV 237: V. Quis sicut Do...
76 bpm • B Maj • 01:45 • -19.55db
18% Popularity • 22% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Nikolaus Matthes
Markuspassion: No. 8, Rezitativ. Er antw...
76 bpm • E Maj • 03:26 • -20.94db
8% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Caspar Kerll
Canzone Terza
76 bpm • C# Maj • 04:05 • -13.85db
0% Popularity • 23% Danceability • 66% Energy • 9% Liveness
64% Instrumentalness • 33% Positiveness
0% Popularity • 23% Danceability • 66% Energy • 9% Liveness
64% Instrumentalness • 33% Positiveness
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Giulio Segni Da Modena
Ricercar 13
76 bpm • D# min • 01:51 • -21db
8% Popularity • 22% Danceability • 8% Energy • 16% Liveness
88% Instrumentalness • 36% Positiveness
8% Popularity • 22% Danceability • 8% Energy • 16% Liveness
88% Instrumentalness • 36% Positiveness
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Vincenzo Albrici
Sperate in Deo
77 bpm • A Maj • 05:51 • -16.92db
0% Popularity • 29% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 29% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232 / Gloria: VIII....
72 bpm • G Maj • 05:19 • -21.79db
2% Popularity • 35% Danceability • 12% Energy • 47% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 35% Danceability • 12% Energy • 47% Liveness
0% Instrumentalness • 39% Positiveness
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George Frideric Handel
Laudate pueri, HWV 237: VI. Suscitans a ...
76 bpm • G# Maj • 02:25 • -29.07db
19% Popularity • 28% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 28% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
77 bpm • D Maj • 01:23 • -16.02db
10% Popularity • 30% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 22% Positiveness
10% Popularity • 30% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 22% Positiveness
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Dietrich Buxtehude
Lobt Gott, ihr Christen, allzugleich, Bu...
77 bpm • G# Maj • 01:06 • -23.22db
12% Popularity • 20% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 13% Positiveness
12% Popularity • 20% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 13% Positiveness
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Girolamo Diruta
Il Transilvano: Toccata del quarto tuono
77 bpm • G# min • 03:06 • -19.68db
1% Popularity • 23% Danceability • 22% Energy • 6% Liveness
28% Instrumentalness • 50% Positiveness
1% Popularity • 23% Danceability • 22% Energy • 6% Liveness
28% Instrumentalness • 50% Positiveness
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Heinrich Schütz
Kleine geistliche Konzerte II, SWV 306-3...
77 bpm • F Maj • 04:42 • -18.67db
0% Popularity • 22% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: Pt. I: Blu...
73 bpm • A# min • 04:40 • -26.59db
8% Popularity • 23% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 23% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness