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Helen's Shoes
Songs like
Helen's Shoes
by
Capelle
Based on a tempo of (+/- 10%) and a similar genre
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Capelle
Helen's Shoes
90 bpm • A Maj • 03:54 • -7.75db
0% Popularity • 55% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Sego
Shame
90 bpm • C# Maj • 03:20 • -6.01db
32% Popularity • 62% Danceability • 91% Energy • 8% Liveness
2% Instrumentalness • 78% Positiveness
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The Crashtones
It Came from a Man's World
90 bpm • F# Maj • 04:26 • -5.5db
11% Popularity • 68% Danceability • 93% Energy • 22% Liveness
1% Instrumentalness • 78% Positiveness
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WellBad
Handle That
90 bpm • A min • 02:46 • -4.89db
14% Popularity • 57% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Minutes Til Midnight
We Are the Future
90 bpm • G Maj • 02:36 • -3.88db
17% Popularity • 54% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Rival Sons
DARKFIGHTER
90 bpm • C min • 08:58 • -7.13db
35% Popularity • 27% Danceability • 68% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Beware Of Darkness
Howl
91 bpm • D Maj • 04:03 • -3db
42% Popularity • 23% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
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The Skinner Brothers
Put Me Down as a Maybe
91 bpm • D Maj • 02:50 • -6.73db
20% Popularity • 61% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Nashville Cast
Won't Back Down
91 bpm • C Maj • 02:52 • -5.31db
16% Popularity • 63% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Sam Morrow
Thunderbird Motel
91 bpm • G Maj • 03:17 • -7.4db
12% Popularity • 73% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Hawksley Workman
Striptease
91 bpm • G Maj • 03:32 • -6db
29% Popularity • 58% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Sorgente
Two Sisters of Mystery
89 bpm • F# min • 04:27 • -8.69db
12% Popularity • 31% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Kram
The Best Thing
89 bpm • A min • 03:56 • -5.54db
22% Popularity • 29% Danceability • 87% Energy • 26% Liveness
77% Instrumentalness • 75% Positiveness
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The Basics
So Hard For You
91 bpm • A Maj • 02:41 • -7.05db
33% Popularity • 52% Danceability • 56% Energy • 74% Liveness
0% Instrumentalness • 74% Positiveness
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Delta Thieves
Open Road
89 bpm • A min • 02:56 • -10.82db
21% Popularity • 65% Danceability • 54% Energy • 42% Liveness
1% Instrumentalness • 78% Positiveness
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The Picturebooks
Riders and Farmers
91 bpm • F Maj • 03:09 • -5.14db
15% Popularity • 66% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Modest Mouse
Sugar Boats
88 bpm • D Maj • 04:03 • -3db
40% Popularity • 40% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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little hurricane
No Man's Land
88 bpm • G Maj • 03:36 • -7.7db
0% Popularity • 45% Danceability • 73% Energy • 17% Liveness
2% Instrumentalness • 51% Positiveness
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Greta Van Fleet
Lover, Leaver
92 bpm • A Maj • 03:34 • -3.9db
50% Popularity • 50% Danceability • 92% Energy • 14% Liveness
22% Instrumentalness • 59% Positiveness
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Evil Eddie
Queensland
92 bpm • E min • 04:09 • -5db
30% Popularity • 69% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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The Tea Party
Black River
88 bpm • A Maj • 02:55 • -3.45db
24% Popularity • 40% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Lance Herbstrong
Whole Lotta Sabbath (Wax Audio Lance Her...
92 bpm • B min • 03:13 • -5db
21% Popularity • 50% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Gary Clark Jr.
This Is Who We Are
88 bpm • D# min • 05:31 • -3.99db
43% Popularity • 43% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Weezer
Beverly Hills
88 bpm • F Maj • 03:16 • -3.76db
72% Popularity • 69% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Greta Van Fleet
Lover, Leaver (Taker, Believer)
92 bpm • E min • 06:01 • -4.24db
46% Popularity • 50% Danceability • 89% Energy • 12% Liveness
33% Instrumentalness • 55% Positiveness
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The Dead Weather
Blue Blood Blues
92 bpm • D Maj • 03:22 • -2.5db
42% Popularity • 55% Danceability • 94% Energy • 68% Liveness
1% Instrumentalness • 52% Positiveness
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Wolf People
Crumbling Dais
87 bpm • C Maj • 03:54 • -7.64db
12% Popularity • 38% Danceability • 69% Energy • 31% Liveness
4% Instrumentalness • 27% Positiveness
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The Virginmarys
Look out for My Brother
87 bpm • F Maj • 03:45 • -4db
18% Popularity • 49% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Rage Against The Machine
New Millennium Homes
93 bpm • A Maj • 03:44 • -6.12db
42% Popularity • 45% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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No Money Kids
Graveyard
87 bpm • F# min • 03:05 • -3.8db
20% Popularity • 53% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Greta Van Fleet
The Falling Sky
93 bpm • A min • 03:38 • -3.27db
58% Popularity • 33% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Dirty Projectors
Zombie Conqueror
87 bpm • C Maj • 03:45 • -4.95db
19% Popularity • 42% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Indian Askin
BEAT24
93 bpm • B min • 04:14 • -8.42db
14% Popularity • 60% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Rival Sons
Pressure and Time
93 bpm • C min • 03:16 • -4.68db
49% Popularity • 41% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Money & the Man
Round as it Goes
94 bpm • C Maj • 02:44 • -6.52db
15% Popularity • 55% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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By Divine Right
Supernatural
87 bpm • B Maj • 03:10 • -7.56db
27% Popularity • 58% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Hank Williams III
I'm Drunk Again
94 bpm • D Maj • 03:51 • -6db
34% Popularity • 40% Danceability • 77% Energy • 4% Liveness
82% Instrumentalness • 64% Positiveness
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Minutes Til Midnight
I Want It All
94 bpm • A Maj • 03:55 • -4.68db
14% Popularity • 47% Danceability • 78% Energy • 8% Liveness
4% Instrumentalness • 23% Positiveness
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H-Blockx
I Want You
94 bpm • C# min • 03:44 • -5.34db
7% Popularity • 55% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Raketkanon
Ricky
86 bpm • F Maj • 03:07 • -8.27db
26% Popularity • 58% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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The White Stripes
Icky Thump
94 bpm • A Maj • 04:14 • -7.24db
66% Popularity • 42% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 34% Positiveness
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Dan Auerbach
The Prowl
85 bpm • G# Maj • 03:16 • -6db
50% Popularity • 37% Danceability • 76% Energy • 66% Liveness
3% Instrumentalness • 60% Positiveness
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Silverchair
Barbarella
95 bpm • G Maj • 03:14 • -4.75db
10% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Dirty Monster
Devil's Souls (Southern Version)
95 bpm • G Maj • 02:14 • -9.73db
36% Popularity • 73% Danceability • 42% Energy • 16% Liveness
6% Instrumentalness • 39% Positiveness
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The Wanton Bishops
Sailing Down
95 bpm • G Maj • 02:48 • -5db
48% Popularity • 64% Danceability • 67% Energy • 11% Liveness
15% Instrumentalness • 49% Positiveness
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Rival Sons
Torture
95 bpm • C# Maj • 03:35 • -4.1db
25% Popularity • 38% Danceability • 83% Energy • 50% Liveness
1% Instrumentalness • 59% Positiveness
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Kaveh Cohen
Critters
95 bpm • A Maj • 03:15 • -5.44db
9% Popularity • 54% Danceability • 91% Energy • 7% Liveness
88% Instrumentalness • 36% Positiveness
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Ruff Majik
Gregory
85 bpm • F min • 04:59 • -5.84db
7% Popularity • 77% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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1000mods
Lucid Dream
85 bpm • G min • 04:49 • -7.1db
19% Popularity • 26% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Paul Benjaman Band
My Bad Side Wants a Good Time
85 bpm • C# Maj • 02:41 • -9.43db
7% Popularity • 68% Danceability • 65% Energy • 32% Liveness
2% Instrumentalness • 96% Positiveness
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Animaux Formidables
We are all animals
96 bpm • D Maj • 03:03 • -5.26db
22% Popularity • 55% Danceability • 63% Energy • 14% Liveness
82% Instrumentalness • 35% Positiveness
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Wolfmother
Where Eagles Have Been
85 bpm • C Maj • 05:33 • -4.2db
22% Popularity • 18% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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ZZ Top
Stackin' Paper
96 bpm • C# min • 02:58 • -2.91db
16% Popularity • 59% Danceability • 92% Energy • 52% Liveness
0% Instrumentalness • 74% Positiveness
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Billie Lennox
She Makes The Devil Moan - Original Mix
96 bpm • C# Maj • 03:01 • -10.22db
9% Popularity • 67% Danceability • 56% Energy • 24% Liveness
1% Instrumentalness • 51% Positiveness
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The Twin Souls
Tenderly
84 bpm • D# min • 02:26 • -6.92db
9% Popularity • 45% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Stop Light Observations
Leroy
84 bpm • G Maj • 05:32 • -6.25db
17% Popularity • 26% Danceability • 70% Energy • 81% Liveness
0% Instrumentalness • 33% Positiveness
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Howl Baby Howl
Devil's Love Song
84 bpm • E Maj • 02:32 • -3.26db
8% Popularity • 30% Danceability • 76% Energy • 13% Liveness
4% Instrumentalness • 51% Positiveness
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Lenny Kravitz
American Woman
84 bpm • C# Maj • 04:24 • -7.87db
64% Popularity • 69% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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The Fumes
Cuddle Up The Devil
96 bpm • F# min • 03:58 • -5db
35% Popularity • 43% Danceability • 93% Energy • 50% Liveness
12% Instrumentalness • 67% Positiveness
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Society
Protocol
97 bpm • C min • 04:04 • -2.5db
19% Popularity • 47% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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The White Stripes
Catch Hell Blues
97 bpm • A Maj • 04:18 • -9db
47% Popularity • 46% Danceability • 61% Energy • 11% Liveness
74% Instrumentalness • 14% Positiveness
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Peachy Joke
You Showed Me How to Do
97 bpm • C min • 03:17 • -6.13db
10% Popularity • 60% Danceability • 66% Energy • 33% Liveness
44% Instrumentalness • 58% Positiveness
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Familiar Faces
Insane
97 bpm • D Maj • 03:03 • -7.1db
15% Popularity • 39% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Philip Sayce
Stung by a Woman
97 bpm • C# Maj • 02:42 • -2.78db
16% Popularity • 33% Danceability • 94% Energy • 17% Liveness
8% Instrumentalness • 50% Positiveness
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Refused
Françafrique
97 bpm • E min • 04:37 • -6.57db
25% Popularity • 60% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Johnossi
Wrecking Ball
83 bpm • E Maj • 03:28 • -5.94db
19% Popularity • 52% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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bleach.
JUSTICE.
97 bpm • A Maj • 02:47 • -4.87db
11% Popularity • 52% Danceability • 87% Energy • 19% Liveness
32% Instrumentalness • 33% Positiveness
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Ivan & The Parazol
Room 54
83 bpm • G min • 03:46 • -4.85db
13% Popularity • 54% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Rival Sons
End of Forever
98 bpm • G Maj • 03:52 • -6.22db
28% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Stanley Carnegie
Kind
83 bpm • C min • 03:34 • -6.28db
27% Popularity • 36% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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The Enemy
Elephant Song
83 bpm • D Maj • 04:42 • -5.55db
15% Popularity • 25% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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Eric Raleign
Move
98 bpm • A min • 04:22 • -5.11db
27% Popularity • 47% Danceability • 89% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
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LOVE SUPREME
Along The line
98 bpm • F Maj • 03:03 • -6.39db
17% Popularity • 47% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Kid Karate
Two Times
98 bpm • A min • 03:59 • -4.07db
30% Popularity • 59% Danceability • 83% Energy • 13% Liveness
6% Instrumentalness • 66% Positiveness
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ZZ Top
I Gotsta Get Paid
82 bpm • G Maj • 04:03 • -2.23db
53% Popularity • 54% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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The White Stripes
Bone Broke
82 bpm • C# min • 03:14 • -6.22db
34% Popularity • 28% Danceability • 79% Energy • 8% Liveness
84% Instrumentalness • 40% Positiveness
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Gary Clark Jr.
This Land
82 bpm • A# min • 05:41 • -2.97db
41% Popularity • 51% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Sturgill Simpson
Sugar Daddy - Theme from Vinyl
82 bpm • C Maj • 03:45 • -5.84db
28% Popularity • 26% Danceability • 93% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
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Interpol
Public Pervert
99 bpm • F Maj • 04:40 • -3.66db
43% Popularity • 32% Danceability • 81% Energy • 18% Liveness
70% Instrumentalness • 29% Positiveness
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T.S.O.L.
1 Thing (Remaster)
99 bpm • C# min • 03:39 • -5.05db
13% Popularity • 58% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Raphael Lake
Big Boy
99 bpm • G Maj • 03:08 • -5.15db
14% Popularity • 56% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Tito & Tarantula
Everybody Needs
99 bpm • A# min • 05:24 • -5.33db
11% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Yezzer
Christy Martin
81 bpm • E min • 01:59 • -9.75db
17% Popularity • 64% Danceability • 70% Energy • 32% Liveness
50% Instrumentalness • 70% Positiveness
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The Raconteurs
Consoler of the Lonely
100 bpm • C Maj • 03:25 • -4.99db
51% Popularity • 41% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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The Dead Weather
Treat Me Like Your Mother
100 bpm • G Maj • 04:10 • -3.04db
40% Popularity • 36% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Justin Warfield
Headlights
81 bpm • E Maj • 02:37 • -2db
34% Popularity • 58% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Ed Eagle
Superstition
100 bpm • G# Maj • 03:53 • -7db
32% Popularity • 75% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
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Alabama 3
Exodus (Movement of War People)
100 bpm • D Maj • 05:43 • -7.46db
14% Popularity • 59% Danceability • 87% Energy • 14% Liveness
10% Instrumentalness • 17% Positiveness
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Beck
Where It's At - Paisley Park Sessions
101 bpm • E min • 04:20 • -5.93db
9% Popularity • 63% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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The Blue Van
Put My Name in the Sand
101 bpm • A min • 03:53 • -4.67db
10% Popularity • 33% Danceability • 72% Energy • 18% Liveness
2% Instrumentalness • 24% Positiveness
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Frankie and the Witch Fingers
Simulator
101 bpm • C Maj • 06:03 • -4.02db
22% Popularity • 33% Danceability • 94% Energy • 19% Liveness
75% Instrumentalness • 49% Positiveness
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Tyler Bryant & the Shakedown
Loaded Dice & Buried Money
80 bpm • G Maj • 03:41 • -3.06db
20% Popularity • 47% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Roger Taylor
One Night Stand!
80 bpm • A Maj • 04:20 • -9.64db
8% Popularity • 54% Danceability • 76% Energy • 12% Liveness
51% Instrumentalness • 68% Positiveness
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Gyom
Howling Dog
80 bpm • A Maj • 03:01 • -7.24db
12% Popularity • 47% Danceability • 61% Energy • 13% Liveness
91% Instrumentalness • 62% Positiveness
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Floyd Buckley
Sunset Strip (New Wave)
80 bpm • A# Maj • 03:05 • -5.95db
11% Popularity • 59% Danceability • 63% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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Hüseyin Kurt
Kasa (I Like To Do It)
101 bpm • A Maj • 02:30 • -7.51db
16% Popularity • 63% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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El Perro
The Mould
80 bpm • F# Maj • 03:59 • -7.82db
28% Popularity • 24% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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7Horse
Meth Lab Zoso Sticker
80 bpm • C Maj • 03:41 • -3db
50% Popularity • 39% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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George Ezra
Did You Hear the Rain?
102 bpm • D Maj • 04:20 • -6.75db
43% Popularity • 46% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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77 Bombay Street
Waterproof
103 bpm • F# min • 02:52 • -6.48db
10% Popularity • 54% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Helen's Shoes