Songs like Helix - Edit by Kelly Moran
Based on a tempo of (+/- 10%) and a similar genre
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Kelly Moran
Helix - Piano Solo
113 bpm • F# Maj • 08:48 • -11.34db
2% Popularity • 44% Danceability • 86% Energy • 14% Liveness
97% Instrumentalness • 16% Positiveness
2% Popularity • 44% Danceability • 86% Energy • 14% Liveness
97% Instrumentalness • 16% Positiveness
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Shabaka
I’ll Do Whatever You Want
113 bpm • C# min • 07:43 • -17.07db
44% Popularity • 51% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
44% Popularity • 51% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Nils Frahm
Towards Zero
113 bpm • A# min • 06:17 • -39db
39% Popularity • 24% Danceability • 0% Energy • 29% Liveness
80% Instrumentalness • 6% Positiveness
39% Popularity • 24% Danceability • 0% Energy • 29% Liveness
80% Instrumentalness • 6% Positiveness
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Pan-American
The Soft Structure
113 bpm • A min • 04:01 • -21.66db
18% Popularity • 19% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
18% Popularity • 19% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
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K. Leimer
01.04.22
113 bpm • B min • 04:56 • -18.38db
8% Popularity • 17% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Blue Lake
Rain Cycle
113 bpm • A min • 06:42 • -14.63db
25% Popularity • 24% Danceability • 29% Energy • 13% Liveness
32% Instrumentalness • 3% Positiveness
25% Popularity • 24% Danceability • 29% Energy • 13% Liveness
32% Instrumentalness • 3% Positiveness
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Kelly Moran
Helix
113 bpm • D# min • 08:48 • -13.68db
21% Popularity • 34% Danceability • 54% Energy • 13% Liveness
97% Instrumentalness • 7% Positiveness
21% Popularity • 34% Danceability • 54% Energy • 13% Liveness
97% Instrumentalness • 7% Positiveness
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Clarissa Connelly
Life of the Forbidden
113 bpm • G min • 03:56 • -11.87db
28% Popularity • 57% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 57% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Maya Shenfeld
Interstellar
113 bpm • C# min • 04:37 • -13.62db
18% Popularity • 21% Danceability • 52% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 52% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Ariel Kalma
Ten Hour Wave
112 bpm • A# Maj • 03:25 • -9.77db
22% Popularity • 23% Danceability • 29% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
22% Popularity • 23% Danceability • 29% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
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Klein
wicked dreams
114 bpm • F# Maj • 05:37 • -13.56db
28% Popularity • 22% Danceability • 30% Energy • 8% Liveness
74% Instrumentalness • 18% Positiveness
28% Popularity • 22% Danceability • 30% Energy • 8% Liveness
74% Instrumentalness • 18% Positiveness
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Pan-American
Aquaculture
114 bpm • F min • 03:39 • -20.7db
20% Popularity • 21% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 14% Positiveness
20% Popularity • 21% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 14% Positiveness
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Kelly Moran
Helix - Edit
113 bpm • D# min • 04:45 • -15db
22% Popularity • 37% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
22% Popularity • 37% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
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Julia Holter
Sun Girl
112 bpm • F Maj • 05:52 • -9.65db
45% Popularity • 41% Danceability • 40% Energy • 12% Liveness
4% Instrumentalness • 32% Positiveness
45% Popularity • 41% Danceability • 40% Energy • 12% Liveness
4% Instrumentalness • 32% Positiveness
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Rainy Miller
Let It Die
114 bpm • C# Maj • 05:38 • -8.41db
13% Popularity • 18% Danceability • 40% Energy • 34% Liveness
11% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 40% Energy • 34% Liveness
11% Instrumentalness • 4% Positiveness
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Purelink
In Circuits
112 bpm • G min • 05:17 • -18.27db
27% Popularity • 74% Danceability • 26% Energy • 7% Liveness
7% Instrumentalness • 17% Positiveness
27% Popularity • 74% Danceability • 26% Energy • 7% Liveness
7% Instrumentalness • 17% Positiveness
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Donato Dozzy
Magda
114 bpm • C Maj • 06:01 • -13.52db
28% Popularity • 47% Danceability • 63% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
28% Popularity • 47% Danceability • 63% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Salamanda
Sing Together
112 bpm • A Maj • 06:28 • -12.36db
18% Popularity • 81% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 61% Positiveness
18% Popularity • 81% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 61% Positiveness
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Kelly Moran
Freesia
113 bpm • F min • 02:22 • -16.23db
7% Popularity • 29% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 29% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Michael A. Muller
Mirror 4
112 bpm • A# min • 05:22 • -20.49db
20% Popularity • 17% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
20% Popularity • 17% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Nailah Hunter
000
114 bpm • C min • 03:55 • -11.94db
17% Popularity • 23% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 8% Positiveness
17% Popularity • 23% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 8% Positiveness
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Blue Lake
Green-Yellow Field - Sofie Birch & Johan...
114 bpm • A min • 02:42 • -13.35db
27% Popularity • 30% Danceability • 16% Energy • 18% Liveness
57% Instrumentalness • 14% Positiveness
27% Popularity • 30% Danceability • 16% Energy • 18% Liveness
57% Instrumentalness • 14% Positiveness
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Joseph Shabason
Measures of Fog
112 bpm • C Maj • 06:55 • -19.85db
18% Popularity • 60% Danceability • 0% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 60% Danceability • 0% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Chris Abrahams
Placelessness 2.5
112 bpm • D Maj • 02:39 • -21.22db
17% Popularity • 43% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
17% Popularity • 43% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Kelly Moran
Statice
112 bpm • D min • 03:21 • -13.15db
4% Popularity • 57% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
4% Popularity • 57% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Arushi Jain
Exquisite Portraiture
115 bpm • G# Maj • 04:27 • -12.2db
26% Popularity • 20% Danceability • 34% Energy • 21% Liveness
72% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 34% Energy • 21% Liveness
72% Instrumentalness • 4% Positiveness
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Forest Swords
Torch
115 bpm • C min • 02:39 • -9.42db
37% Popularity • 50% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
37% Popularity • 50% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Rainy Miller
Bobbies Reprise
111 bpm • C# Maj • 01:51 • -13.34db
14% Popularity • 24% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ariel Kalma
Stack Attack
111 bpm • D min • 06:29 • -16.44db
16% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
16% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Moor Mother
GUILTY
111 bpm • A min • 09:54 • -10.38db
33% Popularity • 29% Danceability • 43% Energy • 10% Liveness
15% Instrumentalness • 17% Positiveness
33% Popularity • 29% Danceability • 43% Energy • 10% Liveness
15% Instrumentalness • 17% Positiveness
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Kelly Moran
Calla
112 bpm • A Maj • 01:21 • -13.63db
7% Popularity • 40% Danceability • 10% Energy • 25% Liveness
95% Instrumentalness • 39% Positiveness
7% Popularity • 40% Danceability • 10% Energy • 25% Liveness
95% Instrumentalness • 39% Positiveness
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Jonny From Space
Run It
115 bpm • B min • 04:56 • -10.95db
14% Popularity • 73% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
14% Popularity • 73% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Shabaka
Insecurities
115 bpm • F# min • 04:39 • -18.62db
51% Popularity • 47% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 16% Positiveness
51% Popularity • 47% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 16% Positiveness
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Laurel Halo
Belleville
116 bpm • A Maj • 02:25 • -28.37db
45% Popularity • 28% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
45% Popularity • 28% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
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Kiasmos
Dazed
116 bpm • A# Maj • 05:07 • -22.65db
50% Popularity • 56% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
50% Popularity • 56% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
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claire rousay
please 5 more minutes
110 bpm • D Maj • 04:50 • -13.17db
32% Popularity • 31% Danceability • 30% Energy • 37% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 31% Danceability • 30% Energy • 37% Liveness
89% Instrumentalness • 4% Positiveness
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Kelly Moran
Dancer Polynomials
115 bpm • C# Maj • 04:22 • -19.46db
32% Popularity • 32% Danceability • 34% Energy • 17% Liveness
91% Instrumentalness • 5% Positiveness
32% Popularity • 32% Danceability • 34% Energy • 17% Liveness
91% Instrumentalness • 5% Positiveness
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Arushi Jain
Imagine An Orchestra
110 bpm • G# Maj • 03:27 • -9.79db
27% Popularity • 41% Danceability • 60% Energy • 11% Liveness
41% Instrumentalness • 4% Positiveness
27% Popularity • 41% Danceability • 60% Energy • 11% Liveness
41% Instrumentalness • 4% Positiveness
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Vegyn
Time Well Spent
110 bpm • D Maj • 03:00 • -8.21db
43% Popularity • 73% Danceability • 50% Energy • 11% Liveness
40% Instrumentalness • 35% Positiveness
43% Popularity • 73% Danceability • 50% Energy • 11% Liveness
40% Instrumentalness • 35% Positiveness
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Salamanda
Paper Labyrinth
110 bpm • B min • 04:57 • -9.82db
18% Popularity • 71% Danceability • 65% Energy • 13% Liveness
88% Instrumentalness • 34% Positiveness
18% Popularity • 71% Danceability • 65% Energy • 13% Liveness
88% Instrumentalness • 34% Positiveness
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Chris Abrahams
Placelessness 2.1
110 bpm • A Maj • 04:33 • -17.43db
10% Popularity • 22% Danceability • 33% Energy • 24% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 33% Energy • 24% Liveness
95% Instrumentalness • 4% Positiveness
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Philip Glass
Metamorphosis 2
116 bpm • A min • 07:31 • -26.83db
28% Popularity • 31% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
28% Popularity • 31% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Kelly Moran
Sodalis
115 bpm • D# min • 03:39 • -8.52db
12% Popularity • 39% Danceability • 77% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
12% Popularity • 39% Danceability • 77% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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claire rousay
ily2
117 bpm • C Maj • 03:33 • -14.7db
29% Popularity • 39% Danceability • 38% Energy • 35% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 39% Danceability • 38% Energy • 35% Liveness
93% Instrumentalness • 8% Positiveness
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Julia Holter
These Morning
117 bpm • F Maj • 03:49 • -10.57db
43% Popularity • 27% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 27% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Michael A. Muller
Mirror 3
117 bpm • C# min • 03:37 • -20.19db
21% Popularity • 18% Danceability • 17% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 17% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
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Oneohtrix Point Never
Elseware
118 bpm • D# Maj • 01:55 • -16.75db
36% Popularity • 21% Danceability • 17% Energy • 35% Liveness
89% Instrumentalness • 21% Positiveness
36% Popularity • 21% Danceability • 17% Energy • 35% Liveness
89% Instrumentalness • 21% Positiveness
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Philip Glass
Metamorphosis 5
117 bpm • C Maj • 05:29 • -29.56db
25% Popularity • 29% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
25% Popularity • 29% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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MIZU
Toccata (Kisses of Earth)
118 bpm • G Maj • 04:31 • -13.59db
10% Popularity • 23% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
10% Popularity • 23% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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Kelly Moran
It's Okay to Disappear
116 bpm • B Maj • 04:46 • -26.02db
30% Popularity • 31% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
30% Popularity • 31% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Niecy Blues
Cascade
108 bpm • B Maj • 03:09 • -18.16db
17% Popularity • 48% Danceability • 29% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
17% Popularity • 48% Danceability • 29% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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claire rousay
head
108 bpm • E Maj • 04:43 • -14.15db
36% Popularity • 46% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
36% Popularity • 46% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
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Valentina Magaletti
And There Is Us
118 bpm • C min • 04:41 • -22.94db
18% Popularity • 39% Danceability • 10% Energy • 30% Liveness
67% Instrumentalness • 4% Positiveness
18% Popularity • 39% Danceability • 10% Energy • 30% Liveness
67% Instrumentalness • 4% Positiveness
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Clarissa Connelly
Crucifer
108 bpm • D Maj • 04:58 • -12.85db
24% Popularity • 51% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
24% Popularity • 51% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Pan-American
On Redding Road
119 bpm • D Maj • 03:11 • -23.02db
18% Popularity • 17% Danceability • 16% Energy • 22% Liveness
92% Instrumentalness • 21% Positiveness
18% Popularity • 17% Danceability • 16% Energy • 22% Liveness
92% Instrumentalness • 21% Positiveness
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Martyna Basta
Glass
107 bpm • C Maj • 03:48 • -21.13db
17% Popularity • 26% Danceability • 24% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
17% Popularity • 26% Danceability • 24% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Donato Dozzy
Franca
107 bpm • F Maj • 07:15 • -13.79db
24% Popularity • 59% Danceability • 77% Energy • 7% Liveness
87% Instrumentalness • 40% Positiveness
24% Popularity • 59% Danceability • 77% Energy • 7% Liveness
87% Instrumentalness • 40% Positiveness
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Mount Kimbie
Yukka Tree
107 bpm • E min • 03:26 • -8.69db
49% Popularity • 60% Danceability • 71% Energy • 26% Liveness
46% Instrumentalness • 52% Positiveness
49% Popularity • 60% Danceability • 71% Energy • 26% Liveness
46% Instrumentalness • 52% Positiveness
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MIZU
Realms of Possibility
107 bpm • F Maj • 10:49 • -13.77db
18% Popularity • 28% Danceability • 60% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
18% Popularity • 28% Danceability • 60% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
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Group Listening
New Brighton
120 bpm • F min • 03:24 • -17.82db
21% Popularity • 61% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
21% Popularity • 61% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Galya Bisengalieva
Alash-Kala
120 bpm • F Maj • 03:44 • -16.1db
10% Popularity • 23% Danceability • 46% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 46% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Oneohtrix Point Never
My Dream Dungeon Makeover
120 bpm • C Maj • 04:53 • -8.74db
39% Popularity • 39% Danceability • 58% Energy • 9% Liveness
63% Instrumentalness • 45% Positiveness
39% Popularity • 39% Danceability • 58% Energy • 9% Liveness
63% Instrumentalness • 45% Positiveness
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Jeremiah Chiu
Seawater Swell
120 bpm • G min • 04:31 • -14.11db
28% Popularity • 32% Danceability • 32% Energy • 10% Liveness
98% Instrumentalness • 25% Positiveness
28% Popularity • 32% Danceability • 32% Energy • 10% Liveness
98% Instrumentalness • 25% Positiveness
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claire rousay
lover's spit plays in the background
120 bpm • G Maj • 04:02 • -11.77db
34% Popularity • 54% Danceability • 26% Energy • 36% Liveness
90% Instrumentalness • 16% Positiveness
34% Popularity • 54% Danceability • 26% Energy • 36% Liveness
90% Instrumentalness • 16% Positiveness
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Bolis Pupul
Goodnight Mr Yi
120 bpm • C Maj • 03:17 • -10.98db
34% Popularity • 71% Danceability • 46% Energy • 47% Liveness
58% Instrumentalness • 54% Positiveness
34% Popularity • 71% Danceability • 46% Energy • 47% Liveness
58% Instrumentalness • 54% Positiveness
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Kelly Moran
Helix III
120 bpm • G# min • 05:22 • -11.11db
15% Popularity • 38% Danceability • 69% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
15% Popularity • 38% Danceability • 69% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
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Piotr Kurek
Wid
120 bpm • G min • 05:19 • -15.47db
13% Popularity • 66% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
13% Popularity • 66% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Donato Dozzy
Lucrezia
120 bpm • C min • 09:45 • -8.78db
25% Popularity • 56% Danceability • 76% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
25% Popularity • 56% Danceability • 76% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
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Maria BC
Lacuna
120 bpm • C# Maj • 04:16 • -12.88db
14% Popularity • 55% Danceability • 46% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
14% Popularity • 55% Danceability • 46% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
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Astrid Sonne
Do you wanna
120 bpm • E Maj • 03:21 • -11.29db
38% Popularity • 69% Danceability • 73% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
38% Popularity • 69% Danceability • 73% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
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Hinako Omori
stalactites
120 bpm • G min • 01:23 • -8.98db
15% Popularity • 64% Danceability • 90% Energy • 30% Liveness
95% Instrumentalness • 19% Positiveness
15% Popularity • 64% Danceability • 90% Energy • 30% Liveness
95% Instrumentalness • 19% Positiveness
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Helena Basilova
Ryuichi Sakamoto: Aurora
120 bpm • A# min • 06:17 • -22.31db
18% Popularity • 42% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 42% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Space Afrika
<3Less
120 bpm • D Maj • 01:15 • -18.77db
29% Popularity • 33% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 33% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Benoît Pioulard
Guilt and Beauty
106 bpm • B min • 04:56 • -19.13db
13% Popularity • 16% Danceability • 21% Energy • 17% Liveness
89% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 21% Energy • 17% Liveness
89% Instrumentalness • 4% Positiveness
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Cowboy Sadness
First Rodeo
120 bpm • F Maj • 04:32 • -12.5db
25% Popularity • 56% Danceability • 36% Energy • 16% Liveness
88% Instrumentalness • 28% Positiveness
25% Popularity • 56% Danceability • 36% Energy • 16% Liveness
88% Instrumentalness • 28% Positiveness
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Vegyn
Stress Test
106 bpm • B Maj • 02:07 • -6.91db
41% Popularity • 84% Danceability • 60% Energy • 12% Liveness
53% Instrumentalness • 30% Positiveness
41% Popularity • 84% Danceability • 60% Energy • 12% Liveness
53% Instrumentalness • 30% Positiveness
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Maria W Horn
Panoptikon
121 bpm • A# min • 05:55 • -17.06db
14% Popularity • 17% Danceability • 5% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 5% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Laryssa Kim
Obsession - Indomita Mente
121 bpm • C Maj • 04:34 • -14.02db
11% Popularity • 45% Danceability • 33% Energy • 16% Liveness
32% Instrumentalness • 18% Positiveness
11% Popularity • 45% Danceability • 33% Energy • 16% Liveness
32% Instrumentalness • 18% Positiveness
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Arushi Jain
A Portal To Silver Linings
121 bpm • G# Maj • 04:54 • -11.3db
23% Popularity • 29% Danceability • 57% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 57% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Shabaka
Living
121 bpm • F Maj • 03:41 • -14.9db
39% Popularity • 35% Danceability • 17% Energy • 36% Liveness
1% Instrumentalness • 46% Positiveness
39% Popularity • 35% Danceability • 17% Energy • 36% Liveness
1% Instrumentalness • 46% Positiveness
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Ariel Kalma
A Treasure Chest
105 bpm • G# min • 06:12 • -13.19db
18% Popularity • 21% Danceability • 32% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 32% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
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MIZU
Prelude (An Eternity of Light)
105 bpm • A Maj • 04:00 • -16.32db
13% Popularity • 15% Danceability • 16% Energy • 45% Liveness
93% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 16% Energy • 45% Liveness
93% Instrumentalness • 3% Positiveness
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Still House Plants
Sticky
121 bpm • D min • 04:20 • -4.59db
37% Popularity • 40% Danceability • 71% Energy • 11% Liveness
8% Instrumentalness • 19% Positiveness
37% Popularity • 40% Danceability • 71% Energy • 11% Liveness
8% Instrumentalness • 19% Positiveness
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Michael Vincent Waller
Jennifer - Carmen Villain Remix
122 bpm • G# min • 04:05 • -17.89db
6% Popularity • 31% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
6% Popularity • 31% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Cowboy Sadness
Starcharger
122 bpm • F Maj • 08:53 • -16.38db
19% Popularity • 30% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 30% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Van Hoen
Climates
105 bpm • F Maj • 03:37 • -25.92db
11% Popularity • 41% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
11% Popularity • 41% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Forest Swords
Pearl of Hail
105 bpm • D min • 01:50 • -14.5db
34% Popularity • 42% Danceability • 19% Energy • 15% Liveness
90% Instrumentalness • 19% Positiveness
34% Popularity • 42% Danceability • 19% Energy • 15% Liveness
90% Instrumentalness • 19% Positiveness
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Kim Gordon
The Candy House
122 bpm • C# Maj • 02:21 • -5.22db
44% Popularity • 92% Danceability • 71% Energy • 57% Liveness
15% Instrumentalness • 6% Positiveness
44% Popularity • 92% Danceability • 71% Energy • 57% Liveness
15% Instrumentalness • 6% Positiveness
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More Eaze
I dabbled at the keys of a Hammersmith o...
122 bpm • F min • 04:18 • -17.89db
12% Popularity • 33% Danceability • 18% Energy • 12% Liveness
45% Instrumentalness • 4% Positiveness
12% Popularity • 33% Danceability • 18% Energy • 12% Liveness
45% Instrumentalness • 4% Positiveness
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Oneohtrix Point Never
CC
122 bpm • D# Maj • 03:08 • -9.91db
36% Popularity • 41% Danceability • 35% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
36% Popularity • 41% Danceability • 35% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Niecy Blues
Analysis Paralysis
122 bpm • C min • 03:48 • -15.5db
17% Popularity • 61% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 61% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Shabaka
Breathing
122 bpm • F# Maj • 04:27 • -16.41db
39% Popularity • 47% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 68% Positiveness
39% Popularity • 47% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 68% Positiveness
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LI YILEI
Pillow, Mantra and Trance
122 bpm • G# Maj • 03:35 • -14.92db
23% Popularity • 42% Danceability • 43% Energy • 14% Liveness
74% Instrumentalness • 40% Positiveness
23% Popularity • 42% Danceability • 43% Energy • 14% Liveness
74% Instrumentalness • 40% Positiveness
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Mary Lattimore
Arrivederci
123 bpm • A Maj • 05:11 • -13.08db
34% Popularity • 45% Danceability • 17% Energy • 19% Liveness
83% Instrumentalness • 8% Positiveness
34% Popularity • 45% Danceability • 17% Energy • 19% Liveness
83% Instrumentalness • 8% Positiveness
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Joseph Shabason
Bridget
104 bpm • A# Maj • 04:25 • -16.07db
20% Popularity • 67% Danceability • 24% Energy • 10% Liveness
17% Instrumentalness • 24% Positiveness
20% Popularity • 67% Danceability • 24% Energy • 10% Liveness
17% Instrumentalness • 24% Positiveness
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Tara Clerkin Trio
Brigstow
123 bpm • C Maj • 06:46 • -17.6db
27% Popularity • 43% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
27% Popularity • 43% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
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Martyna Basta
Speechless Lately
104 bpm • F# min • 05:34 • -21.41db
10% Popularity • 28% Danceability • 21% Energy • 13% Liveness
93% Instrumentalness • 21% Positiveness
10% Popularity • 28% Danceability • 21% Energy • 13% Liveness
93% Instrumentalness • 21% Positiveness
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MIZU
prphtbrd
123 bpm • F# Maj • 04:44 • -9.65db
19% Popularity • 23% Danceability • 96% Energy • 62% Liveness
83% Instrumentalness • 5% Positiveness
19% Popularity • 23% Danceability • 96% Energy • 62% Liveness
83% Instrumentalness • 5% Positiveness
