Songs like Hell Hath No Fury by Rupert Gregson-Williams
Based on a tempo of (+/- 10%) and a similar genre
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Daniel Pemberton
Knights of the Round Table
90 bpm • G Maj • 03:30 • -16.55db
31% Popularity • 59% Danceability • 37% Energy • 14% Liveness
86% Instrumentalness • 13% Positiveness
31% Popularity • 59% Danceability • 37% Energy • 14% Liveness
86% Instrumentalness • 13% Positiveness
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John Lunn
The Oak Tree
90 bpm • A min • 02:01 • -15.62db
17% Popularity • 45% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
17% Popularity • 45% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Jed Kurzel
You're Not Alone
90 bpm • F# Maj • 05:52 • -16db
28% Popularity • 31% Danceability • 37% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 31% Danceability • 37% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Steven Price
I'm Scared Too
90 bpm • C min • 03:45 • -22db
33% Popularity • 10% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
33% Popularity • 10% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
The Gilded Age (Main Title Theme)
90 bpm • D# Maj • 01:33 • -14db
35% Popularity • 20% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 51% Positiveness
35% Popularity • 20% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 51% Positiveness
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Rupert Gregson-Williams
Hell Hath No Fury
90 bpm • B min • 03:58 • -9.8db
29% Popularity • 18% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Kevin Kiner
Obi-wan and Satine
90 bpm • C Maj • 02:43 • -13db
32% Popularity • 15% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Finale - The Sword in the Stone
91 bpm • A# min • 07:13 • -17.74db
26% Popularity • 13% Danceability • 14% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
26% Popularity • 13% Danceability • 14% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Joseph Trapanese
Nottingham
91 bpm • G min • 04:25 • -22.75db
11% Popularity • 10% Danceability • 16% Energy • 7% Liveness
69% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 16% Energy • 7% Liveness
69% Instrumentalness • 4% Positiveness
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Steven Price
Fury Drives Into Camp
90 bpm • G min • 01:50 • -18db
34% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
34% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Jeff Beal
One Bite At A Time
91 bpm • F Maj • 02:30 • -17db
37% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
37% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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West Dylan Thordson
Ordinary Man
89 bpm • G min • 02:07 • -19.23db
46% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
46% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
We Have Proof
89 bpm • E Maj • 02:09 • -24.53db
16% Popularity • 45% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 45% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Mike Higham
Miss Peregrine's Home for Peculiar Child...
89 bpm • D Maj • 02:46 • -16.23db
27% Popularity • 24% Danceability • 26% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
27% Popularity • 24% Danceability • 26% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
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Mark Isham
Tribune Tower
91 bpm • A Maj • 03:44 • -24.49db
28% Popularity • 10% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
28% Popularity • 10% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Fate Has Smiled Upon Us
91 bpm • E min • 02:02 • -13.98db
61% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
61% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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Geoff Zanelli
My Name Is Barbossa
89 bpm • F Maj • 05:33 • -10.54db
50% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
We Are All To Blame
91 bpm • G Maj • 03:11 • -17.08db
32% Popularity • 25% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
32% Popularity • 25% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Daniel Pemberton
The Legend of Excalibur
89 bpm • G Maj • 02:43 • -15.03db
38% Popularity • 18% Danceability • 28% Energy • 14% Liveness
61% Instrumentalness • 3% Positiveness
38% Popularity • 18% Danceability • 28% Energy • 14% Liveness
61% Instrumentalness • 3% Positiveness
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Roque Baños
Abandon Ship
92 bpm • F min • 06:09 • -15.38db
32% Popularity • 14% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
29% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Sherwood Forest
91 bpm • A min • 02:19 • -21db
59% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
59% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Geoff Zanelli
Salazar
88 bpm • D# Maj • 04:27 • -15db
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Trevor Morris
Behold The Great King Of England
88 bpm • G Maj • 02:50 • -20db
19% Popularity • 20% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Javier Navarrete
Wrath Of The Titans
92 bpm • A# Maj • 02:15 • -14db
18% Popularity • 36% Danceability • 50% Energy • 6% Liveness
89% Instrumentalness • 14% Positiveness
18% Popularity • 36% Danceability • 50% Energy • 6% Liveness
89% Instrumentalness • 14% Positiveness
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Roque Baños
The Story Is Told
92 bpm • G# Maj • 06:41 • -24db
29% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Jeff Beal
Roll Call
92 bpm • D# Maj • 01:43 • -25.06db
37% Popularity • 40% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
37% Popularity • 40% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Rupert Gregson-Williams
Chasing Margaret
92 bpm • C min • 01:27 • -18.24db
39% Popularity • 39% Danceability • 28% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 39% Danceability • 28% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Geoff Zanelli
El Matador Del Mar
88 bpm • C min • 08:04 • -11.76db
37% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
37% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Andrew Lockington
Island Reveal
87 bpm • G Maj • 03:38 • -18.28db
15% Popularity • 14% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Fernando Velázquez
McMichael
93 bpm • G Maj • 01:05 • -21db
37% Popularity • 19% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
37% Popularity • 19% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Steven Price
Gravity
93 bpm • G# min • 04:35 • -15.36db
50% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
50% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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Pinar Toprak
New Clothes
93 bpm • G# Maj • 01:04 • -21.79db
37% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
37% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Main Title
93 bpm • C Maj • 01:49 • -10.98db
52% Popularity • 47% Danceability • 61% Energy • 41% Liveness
82% Instrumentalness • 49% Positiveness
52% Popularity • 47% Danceability • 61% Energy • 41% Liveness
82% Instrumentalness • 49% Positiveness
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Harry Gregson-Williams
Where We Stand
93 bpm • G min • 02:27 • -28.97db
16% Popularity • 35% Danceability • 6% Energy • 13% Liveness
77% Instrumentalness • 13% Positiveness
16% Popularity • 35% Danceability • 6% Energy • 13% Liveness
77% Instrumentalness • 13% Positiveness
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Nicholas Hooper
The Drink Of Despair
87 bpm • D min • 02:44 • -26.06db
39% Popularity • 16% Danceability • 13% Energy • 33% Liveness
85% Instrumentalness • 3% Positiveness
39% Popularity • 16% Danceability • 13% Energy • 33% Liveness
85% Instrumentalness • 3% Positiveness
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Nick Glennie-Smith
That's A Nice Day
87 bpm • F min • 02:42 • -19.89db
28% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Twelve Titans Music
Stars Above, Earth Below
87 bpm • D min • 03:06 • -13.89db
32% Popularity • 10% Danceability • 47% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
32% Popularity • 10% Danceability • 47% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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Ruth Barrett
The Royal Birth
87 bpm • F Maj • 02:13 • -13.42db
24% Popularity • 20% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Roque Baños
Lower Away
93 bpm • C min • 03:54 • -14.21db
14% Popularity • 20% Danceability • 38% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 38% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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Joe Kraemer
Solomon Lane
86 bpm • A min • 04:07 • -18.9db
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Trevor Morris
Journey To Skyhold
86 bpm • C Maj • 01:48 • -13.64db
39% Popularity • 18% Danceability • 43% Energy • 33% Liveness
88% Instrumentalness • 7% Positiveness
39% Popularity • 18% Danceability • 43% Energy • 33% Liveness
88% Instrumentalness • 7% Positiveness
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Rupert Gregson-Williams
Lightning Strikes
94 bpm • D Maj • 03:35 • -13.6db
31% Popularity • 25% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
31% Popularity • 25% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Mark Isham
To Lead
86 bpm • D Maj • 03:40 • -13db
19% Popularity • 16% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
19% Popularity • 16% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Ruth Barrett
Locomotives
94 bpm • G# min • 01:52 • -13db
28% Popularity • 22% Danceability • 37% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
28% Popularity • 22% Danceability • 37% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
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Christian Henson
Back Where It All Began
86 bpm • E min • 01:39 • -19.54db
30% Popularity • 21% Danceability • 14% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 14% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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John Lunn
The Battle of Bosworth
94 bpm • B min • 03:37 • -13.24db
11% Popularity • 36% Danceability • 52% Energy • 32% Liveness
89% Instrumentalness • 10% Positiveness
11% Popularity • 36% Danceability • 52% Energy • 32% Liveness
89% Instrumentalness • 10% Positiveness
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Nicholas Hooper
Dumbledore's Speech
94 bpm • C min • 01:31 • -32db
43% Popularity • 11% Danceability • 1% Energy • 5% Liveness
96% Instrumentalness • 3% Positiveness
43% Popularity • 11% Danceability • 1% Energy • 5% Liveness
96% Instrumentalness • 3% Positiveness
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Pinar Toprak
Dreams
86 bpm • A min • 01:03 • -18db
57% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
57% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Mark Isham
The Nevers
94 bpm • F min • 01:39 • -15.49db
33% Popularity • 33% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 13% Positiveness
33% Popularity • 33% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 13% Positiveness
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Harry Gregson-Williams
Defeat Is Not Your Color
94 bpm • G min • 01:51 • -19.12db
25% Popularity • 24% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
25% Popularity • 24% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Anne Nikitin
Starlight
94 bpm • G Maj • 01:45 • -19.39db
47% Popularity • 13% Danceability • 25% Energy • 22% Liveness
96% Instrumentalness • 16% Positiveness
47% Popularity • 13% Danceability • 25% Energy • 22% Liveness
96% Instrumentalness • 16% Positiveness
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Martin Phipps
Queen vs PM
86 bpm • C min • 05:35 • -19db
30% Popularity • 24% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Clary's Theme
95 bpm • D min • 03:22 • -18db
26% Popularity • 14% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Ludwig Göransson
A New Day
85 bpm • G# Maj • 01:47 • -23.65db
25% Popularity • 12% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
The Legend Of Tarzan
95 bpm • A min • 02:36 • -13.25db
29% Popularity • 12% Danceability • 44% Energy • 15% Liveness
97% Instrumentalness • 6% Positiveness
29% Popularity • 12% Danceability • 44% Energy • 15% Liveness
97% Instrumentalness • 6% Positiveness
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Blake Neely
I Will Wait for You
95 bpm • G min • 03:56 • -18db
24% Popularity • 36% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 36% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Ryan Amon
Fire Up The Shuttle
95 bpm • C Maj • 01:45 • -11db
34% Popularity • 42% Danceability • 89% Energy • 10% Liveness
76% Instrumentalness • 28% Positiveness
34% Popularity • 42% Danceability • 89% Energy • 10% Liveness
76% Instrumentalness • 28% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Christian Henson
Sea Horses
85 bpm • E min • 02:27 • -20.02db
31% Popularity • 32% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
31% Popularity • 32% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Rupert Gregson-Williams
He Commands The Sea
85 bpm • C Maj • 03:34 • -10db
29% Popularity • 12% Danceability • 51% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
29% Popularity • 12% Danceability • 51% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
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Blake Neely
Five Years
95 bpm • C# Maj • 01:54 • -23db
32% Popularity • 53% Danceability • 18% Energy • 21% Liveness
80% Instrumentalness • 27% Positiveness
32% Popularity • 53% Danceability • 18% Energy • 21% Liveness
80% Instrumentalness • 27% Positiveness
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Two Steps from Hell
Undying Love (Choir - Extended Mix)
85 bpm • D# min • 02:52 • -9.88db
33% Popularity • 22% Danceability • 39% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
33% Popularity • 22% Danceability • 39% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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Mark Mothersbaugh
Where To?
95 bpm • F Maj • 02:22 • -17db
30% Popularity • 12% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Dead Men Tell No Tales
85 bpm • D min • 01:51 • -18.2db
42% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
37% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
37% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Pain, Loss & Love
85 bpm • F Maj • 05:27 • -25.51db
35% Popularity • 8% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Michael Giacchino
Guardians of the Whills Suite
85 bpm • A min • 02:52 • -17db
38% Popularity • 10% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 10% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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Blake Neely
Oliver Queen Suite
95 bpm • C# Maj • 09:47 • -20.88db
26% Popularity • 43% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 43% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Trevor Morris
The Execution Ballet
84 bpm • F Maj • 04:36 • -14.62db
20% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
20% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Rohan Stevenson
Hiding Excalibur
96 bpm • E min • 02:05 • -15db
31% Popularity • 15% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
31% Popularity • 15% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Martin Phipps
I Lived Here
96 bpm • A min • 01:49 • -16.32db
37% Popularity • 12% Danceability • 10% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
37% Popularity • 12% Danceability • 10% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
58% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
58% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Inferi in the Firestorm
84 bpm • F Maj • 01:53 • -17.36db
39% Popularity • 21% Danceability • 46% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
39% Popularity • 21% Danceability • 46% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
Demimonde (Main Title)
97 bpm • A min • 01:36 • -15.04db
36% Popularity • 16% Danceability • 40% Energy • 27% Liveness
96% Instrumentalness • 7% Positiveness
36% Popularity • 16% Danceability • 40% Energy • 27% Liveness
96% Instrumentalness • 7% Positiveness
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Blake Neely
I Forgot Who I Was
84 bpm • G min • 04:00 • -20.93db
25% Popularity • 8% Danceability • 9% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 9% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Geoff Zanelli
We're Dark Fey
84 bpm • B min • 03:53 • -16.83db
19% Popularity • 10% Danceability • 27% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 27% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Pinar Toprak
Waking Up
97 bpm • A# Maj • 01:28 • -23.58db
34% Popularity • 24% Danceability • 13% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
34% Popularity • 24% Danceability • 13% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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Atli Örvarsson
Your Secret is Safe
97 bpm • F Maj • 02:52 • -20.42db
18% Popularity • 13% Danceability • 12% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 12% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
44% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
44% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Trevor Morris
Day Break / We Will Rise / End Credits
83 bpm • C# Maj • 05:06 • -14.26db
23% Popularity • 8% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
23% Popularity • 8% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
43% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
43% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Pinar Toprak
High Score
83 bpm • A min • 02:35 • -33.32db
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Michael Giacchino
Hippocratic Hypocrite
82 bpm • D# Maj • 01:34 • -26.31db
27% Popularity • 27% Danceability • 8% Energy • 8% Liveness
32% Instrumentalness • 12% Positiveness
27% Popularity • 27% Danceability • 8% Energy • 8% Liveness
32% Instrumentalness • 12% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
45% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
45% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
No Man's Land
98 bpm • E min • 08:52 • -14.33db
39% Popularity • 18% Danceability • 48% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 48% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
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Mark Isham
Closest Thing to a Friend
82 bpm • F Maj • 02:11 • -13.46db
13% Popularity • 11% Danceability • 27% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 27% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Charge
99 bpm • E min • 01:18 • -18db
63% Popularity • 18% Danceability • 52% Energy • 63% Liveness
78% Instrumentalness • 10% Positiveness
63% Popularity • 18% Danceability • 52% Energy • 63% Liveness
78% Instrumentalness • 10% Positiveness
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Stephen Warbeck
The World in the Room
99 bpm • A# Maj • 01:37 • -22.65db
42% Popularity • 15% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
42% Popularity • 15% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
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Trevor Morris
A Howling Wilderness / The Death Of Jane...
82 bpm • C Maj • 02:45 • -13.33db
34% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
34% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Felix Erskine
Running Blind
99 bpm • C Maj • 02:06 • -17.76db
15% Popularity • 16% Danceability • 47% Energy • 14% Liveness
61% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 47% Energy • 14% Liveness
61% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Fight for the Light
82 bpm • E min • 05:41 • -21.04db
30% Popularity • 14% Danceability • 19% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
30% Popularity • 14% Danceability • 19% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Roque Baños
Arriving Nickerson's Lair
82 bpm • C min • 02:51 • -25.13db
18% Popularity • 12% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
18% Popularity • 12% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
