Songs like Hello My Love by Westlife
Based on a tempo of (+/- 10%) and a similar genre
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Westlife
No One's Gonna Sleep Tonight
122 bpm • A# Maj • 03:54 • -6.99db
28% Popularity • 62% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 62% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Shawn Mendes
Nervous
122 bpm • C Maj • 02:44 • -6.76db
55% Popularity • 84% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 84% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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James Blunt
The Truth
122 bpm • C# Maj • 03:42 • -6.43db
55% Popularity • 67% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
55% Popularity • 67% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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M2M
Everything You Do
122 bpm • C# min • 04:01 • -4.04db
48% Popularity • 70% Danceability • 84% Energy • 21% Liveness
1% Instrumentalness • 64% Positiveness
48% Popularity • 70% Danceability • 84% Energy • 21% Liveness
1% Instrumentalness • 64% Positiveness
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Kygo
Carry On
122 bpm • A min • 03:35 • -6.52db
59% Popularity • 59% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
59% Popularity • 59% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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The Corrs
Summer Sunshine
122 bpm • F Maj • 02:53 • -5.62db
50% Popularity • 73% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 73% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Westlife
Home
122 bpm • A# Maj • 03:26 • -5.43db
53% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
53% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Andy Grammer
Don't Give Up On Me
121 bpm • D# Maj • 03:10 • -5.84db
25% Popularity • 49% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 49% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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S Club
Never Had A Dream Come True
123 bpm • F Maj • 04:00 • -5.59db
63% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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UNDRESSD
Forever Young
123 bpm • G# min • 03:21 • -7.23db
61% Popularity • 59% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 59% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Learns To Rock
You Took My Heart Away - 2014 Remaster
121 bpm • F# min • 04:32 • -9db
53% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Shayne Ward
Moving Target
123 bpm • B Maj • 03:05 • -5db
24% Popularity • 68% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 68% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Westlife
Hello My Love
122 bpm • F Maj • 03:36 • -4.58db
45% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Céline Dion
Courage
120 bpm • C Maj • 04:14 • -8.03db
49% Popularity • 51% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 51% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Niall Horan
Finally Free
124 bpm • F Maj • 03:23 • -4.3db
50% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Medina
What Are Words
124 bpm • C Maj • 03:09 • -7db
54% Popularity • 60% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
54% Popularity • 60% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Paloma Faith
Make Your Own Kind of Music
120 bpm • E Maj • 02:43 • -4.82db
50% Popularity • 57% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 57% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Shayne Ward
Breathless
124 bpm • D Maj • 03:47 • -5.65db
51% Popularity • 49% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 49% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Shawn Mendes
If I Can't Have You
124 bpm • D Maj • 03:11 • -4.2db
73% Popularity • 69% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
73% Popularity • 69% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Galantis
Bones
120 bpm • C Maj • 03:25 • -5.74db
52% Popularity • 66% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 66% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Céline Dion
To Love You More - Radio Edit
120 bpm • A Maj • 04:39 • -6.63db
57% Popularity • 50% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
57% Popularity • 50% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Lene Marlin
Sitting Down Here
124 bpm • D Maj • 03:54 • -6.77db
62% Popularity • 76% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 76% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Sigrid
Don’t Feel Like Crying
120 bpm • F min • 02:37 • -3.77db
49% Popularity • 75% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
49% Popularity • 75% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Shayne Ward
All My Life
124 bpm • C Maj • 04:24 • -6.37db
40% Popularity • 68% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 68% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Westlife
Us Against the World
120 bpm • A Maj • 04:00 • -4.59db
49% Popularity • 51% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 51% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Leona Lewis
Footprints in the Sand
120 bpm • G# Maj • 04:07 • -5.17db
50% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Céline Dion
Flying On My Own
120 bpm • B min • 03:31 • -5.96db
42% Popularity • 56% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 56% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Liam Payne
Bedroom Floor
120 bpm • C# Maj • 03:08 • -7.15db
51% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ronan Parke
No Love (Like First Love)
120 bpm • G# Maj • 04:03 • -7.47db
8% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lewis Capaldi
Someone You Loved - Madism Radio Mix
120 bpm • C# Maj • 02:37 • -5db
58% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Don Diablo
Brave
120 bpm • F# Maj • 03:04 • -3.89db
48% Popularity • 65% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 65% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Leona Lewis
Footprints in the Sand - Single Mix
119 bpm • G# Maj • 03:56 • -5.11db
39% Popularity • 42% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 42% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Céline Dion
Because You Loved Me (Theme from "Up Clo...
120 bpm • C# Maj • 04:33 • -9.88db
73% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
73% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Delta Goodrem
Sitting on Top of the World
125 bpm • A# Maj • 03:58 • -3.16db
44% Popularity • 56% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 56% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Sheridan Smith
Are You Just Sleeping
125 bpm • G Maj • 04:00 • -9.71db
19% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Elijah N
Missing What's You
125 bpm • G# Maj • 03:09 • -4.82db
34% Popularity • 51% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 51% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Zara Larsson
Ruin My Life
125 bpm • B Maj • 03:10 • -5db
63% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
63% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Maroon 5
Girls Like You - Cardi B Version
125 bpm • C Maj • 03:55 • -6.83db
73% Popularity • 85% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
73% Popularity • 85% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Zac Efron
Rewrite The Stars
125 bpm • A# Maj • 03:37 • -7.01db
73% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
73% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Martin Garrix
Used To Love
119 bpm • E Maj • 03:56 • -4.72db
59% Popularity • 65% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 65% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Bolton
Go the Distance
126 bpm • D Maj • 04:40 • -8.14db
56% Popularity • 36% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
56% Popularity • 36% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Little Mix
Shout Out to My Ex
126 bpm • F Maj • 04:06 • -4.06db
73% Popularity • 77% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
73% Popularity • 77% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Zara Larsson
Don't Worry Bout Me
125 bpm • F Maj • 03:28 • -6.27db
51% Popularity • 75% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 75% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Enrique Iglesias
Escape
126 bpm • B Maj • 03:28 • -5.31db
58% Popularity • 78% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
58% Popularity • 78% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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John Lundvik
My Turn
118 bpm • C min • 03:02 • -7db
37% Popularity • 52% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 52% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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The Wanted
Walks Like Rihanna
126 bpm • F Maj • 03:22 • -3.38db
55% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
55% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Westlife
Bop Bop Baby
118 bpm • D Maj • 04:21 • -4db
52% Popularity • 68% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
52% Popularity • 68% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Kygo
Happy Now
118 bpm • A Maj • 03:31 • -7db
66% Popularity • 69% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
66% Popularity • 69% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Shayne Ward
The Way You Were
118 bpm • C Maj • 03:46 • -6.02db
23% Popularity • 67% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 67% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Rita Ora
Your Song
118 bpm • C# Maj • 03:00 • -5.85db
62% Popularity • 85% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 85% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Picture This
Unconditional
118 bpm • C Maj • 03:13 • -6.81db
49% Popularity • 61% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 61% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Mariah Carey
Against All Odds (Take A Look at Me Now)...
118 bpm • C# Maj • 03:21 • -6.33db
58% Popularity • 54% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 54% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Learns To Rock
That's Why You Go Away
127 bpm • G Maj • 04:13 • -7.22db
66% Popularity • 62% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 62% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Corrs
Breathless
127 bpm • B Maj • 03:27 • -7.75db
70% Popularity • 61% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
70% Popularity • 61% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Louis Tomlinson
Two of Us
127 bpm • C Maj • 03:37 • -5.63db
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Gareth Gates
Suspicious Minds
117 bpm • G Maj • 03:57 • -6.28db
21% Popularity • 55% Danceability • 81% Energy • 62% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 55% Danceability • 81% Energy • 62% Liveness
0% Instrumentalness • 66% Positiveness
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The Saturdays
Higher
117 bpm • A# Maj • 03:27 • -3.29db
51% Popularity • 64% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 64% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Birgir
Can You Feel It
117 bpm • G Maj • 03:13 • -7db
52% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Sugababes
Ugly
117 bpm • C Maj • 03:51 • -7.74db
43% Popularity • 72% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 72% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Smith & Thell
Forgive Me Friend
128 bpm • C# Maj • 03:36 • -5.75db
53% Popularity • 59% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 59% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Freya Ridings
Castles
117 bpm • E Maj • 03:31 • -4.87db
59% Popularity • 67% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
59% Popularity • 67% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Victor Crone
Storm
128 bpm • D Maj • 03:05 • -5db
38% Popularity • 62% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 62% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Shayne Ward
You're Not Alone
128 bpm • C min • 03:50 • -8.3db
31% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Christopher
Heartbeat
128 bpm • D# Maj • 03:20 • -7.66db
32% Popularity • 63% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 63% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Katy Perry
Small Talk
116 bpm • F Maj • 02:41 • -5.55db
51% Popularity • 85% Danceability • 63% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 85% Danceability • 63% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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Smith & Thell
Goliath
128 bpm • A Maj • 03:24 • -6.91db
48% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Gareth Gates
It Happens Every Time
116 bpm • D Maj • 03:04 • -5.09db
15% Popularity • 62% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 62% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Savage Garden
The Animal Song
116 bpm • F# Maj • 04:38 • -7.66db
52% Popularity • 65% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
52% Popularity • 65% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Faith Hill
There You'll Be
129 bpm • G# Maj • 03:42 • -7.77db
59% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
59% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Westlife
Uptown Girl - Radio Edit
129 bpm • F# min • 03:06 • -5.26db
66% Popularity • 64% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
66% Popularity • 64% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
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P!nk
Can We Pretend
115 bpm • C# min • 03:44 • -3.45db
49% Popularity • 52% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 52% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Rixton
Speakerphone
115 bpm • B Maj • 03:28 • -6.09db
45% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Gareth Gates
Skeletons
115 bpm • G Maj • 02:59 • -5.6db
14% Popularity • 65% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 65% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Joe McElderry
Someone Wake Me Up
115 bpm • E Maj • 03:26 • -5.54db
22% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Bastille
Another Place
115 bpm • G# Maj • 03:33 • -5.41db
52% Popularity • 68% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 68% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Meghan Trainor
No Excuses
115 bpm • F# Maj • 02:32 • -3.85db
57% Popularity • 83% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 83% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Lewis Capaldi
Tough
115 bpm • C# Maj • 03:49 • -5.02db
53% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Brian McFadden
Irish Son - Short Version
115 bpm • C Maj • 04:20 • -4db
27% Popularity • 48% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 48% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Ella Henderson
Take Care of You
115 bpm • B Maj • 03:14 • -7db
34% Popularity • 66% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 66% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Westlife
The Rose
130 bpm • A Maj • 03:38 • -10db
52% Popularity • 28% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 28% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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McFly
All About You
130 bpm • C# Maj • 03:06 • -5.31db
56% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Freya Ridings
Love Is Fire - Single Version
130 bpm • G# Maj • 03:28 • -5.99db
31% Popularity • 57% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 57% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Shayne Ward
About You Now
130 bpm • C# Maj • 03:49 • -11db
31% Popularity • 55% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 55% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Avril Lavigne
Head Above Water
130 bpm • F Maj • 03:40 • -5.35db
62% Popularity • 58% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
62% Popularity • 58% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Picture This
Take My Hand
130 bpm • B Maj • 03:30 • -4.88db
53% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
53% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Lady Gaga
Always Remember Us This Way
130 bpm • C Maj • 03:30 • -5.97db
83% Popularity • 55% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 30% Positiveness
83% Popularity • 55% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 30% Positiveness
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A1
Ready or Not
130 bpm • D# Maj • 03:53 • -6.33db
38% Popularity • 70% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 70% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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The Script
Hail Rain or Sunshine
130 bpm • A Maj • 03:27 • -7db
45% Popularity • 52% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 52% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Shayne Ward
Someone to Love
130 bpm • A# Maj • 04:07 • -6.62db
40% Popularity • 35% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 35% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Gareth Gates
With You All The Time
130 bpm • A Maj • 04:19 • -7.22db
27% Popularity • 59% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 59% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Guy Sebastian
Angels Brought Me Here
130 bpm • G Maj • 03:59 • -6.58db
54% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Westlife
Starlight
130 bpm • C# Maj • 03:44 • -6db
44% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Amy Macdonald
Woman Of The World
130 bpm • D Maj • 03:33 • -10.98db
44% Popularity • 73% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 73% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Ava Max
So Am I
130 bpm • F# Maj • 03:03 • -4.67db
70% Popularity • 68% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
70% Popularity • 68% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Jonas Blue
Polaroid
114 bpm • G min • 03:13 • -4.48db
63% Popularity • 65% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
63% Popularity • 65% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Gareth Gates
Nothing's Gonna Stop Us Now
114 bpm • C# Maj • 03:49 • -6db
28% Popularity • 63% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 63% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Olly Alexander (Years & Years)
All For You
114 bpm • C# min • 03:39 • -4db
48% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Westlife
Dynamite
130 bpm • D Maj • 03:32 • -4db
38% Popularity • 71% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 71% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
