Songs like Help - 2015 Remaster by Tina Turner
Based on a tempo of (+/- 10%) and a similar genre
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Kim Carnes
Goodnight Angel
126 bpm • C Maj • 04:53 • -8.95db
14% Popularity • 60% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 60% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Phil Collins
I Wish It Would Rain Down - 2016 Remaste...
126 bpm • G# Maj • 05:27 • -5db
65% Popularity • 51% Danceability • 67% Energy • 31% Liveness
1% Instrumentalness • 36% Positiveness
65% Popularity • 51% Danceability • 67% Energy • 31% Liveness
1% Instrumentalness • 36% Positiveness
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Tina Turner
Help - 2015 Remaster
126 bpm • C Maj • 04:30 • -8.32db
41% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Wilson Phillips
Daniel
126 bpm • D Maj • 04:02 • -10db
37% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Level 42
It's Over
127 bpm • A# min • 06:00 • -12db
51% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Culture Club
Victims - Remastered 2002
126 bpm • G# Maj • 04:56 • -10.01db
44% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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P.P. Arnold
Bury Me Down By the River
125 bpm • E Maj • 03:37 • -9.37db
27% Popularity • 40% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 40% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Kim Carnes
My Old Pals
125 bpm • C Maj • 03:17 • -15.7db
17% Popularity • 50% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 50% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Tina Turner
Girls
126 bpm • C min • 04:56 • -14.51db
24% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Christopher Cross
Never Be the Same
125 bpm • A Maj • 04:09 • -10db
58% Popularity • 76% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 83% Positiveness
58% Popularity • 76% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 83% Positiveness
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Four Tops
If I Were A Carpenter
127 bpm • C Maj • 02:48 • -8.34db
40% Popularity • 58% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 58% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Irene Cara
Anyone Can See
127 bpm • F Maj • 03:43 • -8db
48% Popularity • 36% Danceability • 54% Energy • 29% Liveness
1% Instrumentalness • 36% Positiveness
48% Popularity • 36% Danceability • 54% Energy • 29% Liveness
1% Instrumentalness • 36% Positiveness
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Dean Friedman
Lydia
127 bpm • B Maj • 04:49 • -14db
30% Popularity • 41% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 41% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Glenn Frey
Part Of Me, Part Of You
127 bpm • A Maj • 05:58 • -8.33db
43% Popularity • 66% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 66% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Patsy Gallant
From New York to L.A.
127 bpm • D Maj • 04:51 • -8.25db
31% Popularity • 56% Danceability • 75% Energy • 75% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 56% Danceability • 75% Energy • 75% Liveness
0% Instrumentalness • 75% Positiveness
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Suzi Quatro
Don't Change My Luck - 2017 Remaster
127 bpm • G Maj • 03:45 • -8db
41% Popularity • 80% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 80% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Wet Wet Wet
With A Little Help From My Friends
127 bpm • A Maj • 02:38 • -8.13db
40% Popularity • 54% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 54% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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The Trammps
Hold Back the Night
127 bpm • E Maj • 03:16 • -7.35db
13% Popularity • 75% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 75% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Tina Turner
Acid Queen
128 bpm • D Maj • 03:04 • -5.81db
21% Popularity • 66% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 66% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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The Three Degrees
Year Of Decision
124 bpm • A# Maj • 02:41 • -7db
36% Popularity • 74% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 74% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Starship
Set the Night to Music
128 bpm • F# Maj • 04:47 • -8db
36% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Tavares
Don't Take Away The Music
128 bpm • B Maj • 06:17 • -11.7db
37% Popularity • 71% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 71% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Jeanette Biedermann
We've Got Tonight - Remastered
124 bpm • F# Maj • 03:36 • -6.9db
44% Popularity • 57% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 57% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Pat Benatar
Wuthering Heights
128 bpm • A Maj • 04:29 • -11.68db
37% Popularity • 63% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 63% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Tina Turner
Break Every Rule
124 bpm • D# Maj • 04:02 • -13.59db
40% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
40% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Bryan Adams
Do I Have To Say The Words?
128 bpm • G Maj • 06:11 • -9.38db
56% Popularity • 50% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 50% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Wet Wet Wet
She's All On My Mind
128 bpm • D Maj • 03:56 • -9.22db
29% Popularity • 49% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 49% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Mick Jagger
Hard Woman
128 bpm • D# Maj • 04:27 • -7.95db
48% Popularity • 52% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
48% Popularity • 52% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Robert Palmer
Best Of Both Worlds
124 bpm • C# min • 03:57 • -14db
39% Popularity • 78% Danceability • 51% Energy • 5% Liveness
18% Instrumentalness • 97% Positiveness
39% Popularity • 78% Danceability • 51% Energy • 5% Liveness
18% Instrumentalness • 97% Positiveness
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Pretenders
Thin Line Between Love and Hate - 2007 R...
128 bpm • A min • 03:40 • -8db
33% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Tina Turner
A Fool in Love
129 bpm • G Maj • 02:56 • -9.96db
43% Popularity • 88% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 88% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Roger Daltrey
Without Your Love
123 bpm • C# Maj • 03:18 • -15.71db
36% Popularity • 56% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
36% Popularity • 56% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
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Christopher Cross
Say You'll Be Mine
129 bpm • E Maj • 02:56 • -10db
43% Popularity • 75% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 85% Positiveness
43% Popularity • 75% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 85% Positiveness
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Joan Osborne
Kiss and Say Goodbye
129 bpm • A# Maj • 04:39 • -10.36db
19% Popularity • 67% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 67% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Pointer Sisters
Fairytale
129 bpm • G# Maj • 05:03 • -6db
31% Popularity • 44% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 44% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Lisa Stansfield
Someday (I'm Coming Back)
129 bpm • E min • 04:56 • -8.63db
36% Popularity • 76% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 76% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Roxy Music
Dance Away
123 bpm • C min • 03:48 • -5.89db
56% Popularity • 80% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
56% Popularity • 80% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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The Spinners
Cupid / I've Loved You for a Long Time -...
123 bpm • A Maj • 03:55 • -6.04db
35% Popularity • 76% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 76% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Kim Carnes
Gypsy Honeymoon
123 bpm • C Maj • 04:01 • -6.91db
18% Popularity • 55% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 55% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Belinda Carlisle
Have You Ever Seen the Rain
123 bpm • C Maj • 03:41 • -7db
28% Popularity • 56% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 56% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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Steve Winwood
While You See A Chance
129 bpm • D Maj • 05:12 • -8.29db
56% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Fine Young Cannibals
Suspicious Minds
129 bpm • G Maj • 03:57 • -4.74db
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Tina Turner
Better Be Good to Me
122 bpm • G# Maj • 03:42 • -8.37db
29% Popularity • 74% Danceability • 69% Energy • 9% Liveness
3% Instrumentalness • 54% Positiveness
29% Popularity • 74% Danceability • 69% Energy • 9% Liveness
3% Instrumentalness • 54% Positiveness
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Jennifer Warnes
Song of Bernadette - Digitally Remastere...
130 bpm • A# Maj • 03:54 • -14db
28% Popularity • 34% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 34% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Kenny Loggins
Whenever I Call You "Friend"
130 bpm • C Maj • 03:57 • -13.1db
52% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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The Hollies
I'm Down - 2008 Remaster
122 bpm • G Maj • 04:13 • -6.63db
34% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Bill Medley
Two Lives - With McKenna Medley
130 bpm • E Maj • 03:57 • -9.91db
11% Popularity • 44% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 44% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Irene Cara
What A Feeling
122 bpm • A# Maj • 04:04 • -6.84db
69% Popularity • 53% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 53% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Kim Wilde
Four Letter Word
122 bpm • C# min • 04:01 • -6.61db
38% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
38% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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Sananda Maitreya
Holding On To You
130 bpm • F# Maj • 05:58 • -7.34db
35% Popularity • 46% Danceability • 67% Energy • 92% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 46% Danceability • 67% Energy • 92% Liveness
0% Instrumentalness • 47% Positiveness
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Barry White
You're The First, The Last, My Everythin...
130 bpm • F Maj • 04:36 • -9.51db
60% Popularity • 68% Danceability • 57% Energy • 18% Liveness
9% Instrumentalness • 76% Positiveness
60% Popularity • 68% Danceability • 57% Energy • 18% Liveness
9% Instrumentalness • 76% Positiveness
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Jennifer Warnes
First We Take Manhattan - Digitally Rema...
130 bpm • G min • 03:46 • -9db
48% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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The Pointer Sisters
Should I Do It
130 bpm • B min • 03:51 • -5db
28% Popularity • 67% Danceability • 80% Energy • 61% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 67% Danceability • 80% Energy • 61% Liveness
0% Instrumentalness • 75% Positiveness
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Eric Clapton
Tearing Us Apart
122 bpm • G Maj • 04:15 • -4.49db
31% Popularity • 76% Danceability • 94% Energy • 33% Liveness
7% Instrumentalness • 97% Positiveness
31% Popularity • 76% Danceability • 94% Energy • 33% Liveness
7% Instrumentalness • 97% Positiveness
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The Spinners
Medley: Working My Way Back to You / For...
122 bpm • A min • 04:03 • -6.4db
40% Popularity • 84% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 84% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Culture Club
Church Of The Poison Mind - Remastered 2...
131 bpm • G min • 03:32 • -4.25db
46% Popularity • 60% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 60% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
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Tanita Tikaram
Cathedral Song
131 bpm • A Maj • 02:53 • -16.63db
51% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Charlene
I've Never Been To Me
121 bpm • A# Maj • 03:54 • -12.51db
60% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
60% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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David Bowie
Dancing in the Street - 2002 Remaster
131 bpm • E Maj • 03:24 • -13.64db
61% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
61% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Tina Turner
Disco Inferno
131 bpm • C# Maj • 04:05 • -9.1db
47% Popularity • 74% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 74% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Maggie MacNeal
When You’re Gone
131 bpm • C Maj • 04:27 • -10.18db
37% Popularity • 29% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 29% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Joe Jackson
Happy Ending
131 bpm • A Maj • 03:38 • -5.03db
44% Popularity • 64% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 64% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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The Babys
Every Time I Think of You
121 bpm • G Maj • 03:59 • -5.96db
47% Popularity • 39% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 39% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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The Three Degrees
When Will I See You Again
121 bpm • A Maj • 02:58 • -9.25db
62% Popularity • 56% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 56% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Gloria Estefan
Always Tomorrow
132 bpm • F# Maj • 04:51 • -9.82db
18% Popularity • 46% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 46% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Tina Turner
Better Be Good to Me - 2015 Remaster
121 bpm • G# Maj • 05:12 • -6.5db
51% Popularity • 75% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
51% Popularity • 75% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
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Huey Lewis & The News
Stuck With You
121 bpm • E min • 04:29 • -11.4db
64% Popularity • 70% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 70% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Louie Smith
Can't Live If Living Is Without You
132 bpm • E Maj • 03:10 • -7.46db
52% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Millie Jackson
Loving Arms - Live
132 bpm • C Maj • 03:43 • -10.03db
30% Popularity • 41% Danceability • 49% Energy • 80% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 41% Danceability • 49% Energy • 80% Liveness
0% Instrumentalness • 44% Positiveness
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Santana
The Game of Love
120 bpm • C Maj • 04:21 • -4.1db
30% Popularity • 60% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 60% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Toni Braxton
I Don't Want To
120 bpm • C# Maj • 04:17 • -7.61db
40% Popularity • 71% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 71% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Michael McDonald
Reach Out, I'll Be There
120 bpm • A# min • 03:40 • -4.79db
35% Popularity • 72% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 72% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Wilson Phillips
I Can Hear Music
120 bpm • C Maj • 03:07 • -3.94db
21% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Kim Carnes
Still Hold On
133 bpm • C# Maj • 04:38 • -10.27db
25% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Tina Turner
I Might Have Been Queen - 2015 Remaster
133 bpm • G Maj • 04:11 • -5.09db
34% Popularity • 70% Danceability • 90% Energy • 25% Liveness
1% Instrumentalness • 91% Positiveness
34% Popularity • 70% Danceability • 90% Energy • 25% Liveness
1% Instrumentalness • 91% Positiveness
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Andy Gibb
Will You Love Me Tomorrow
119 bpm • C# min • 04:40 • -7db
37% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Cock Robin
Thought You Were On My Side
119 bpm • B min • 04:19 • -10.89db
36% Popularity • 67% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 67% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Michael McDonald
Ain't No Mountain High Enough
120 bpm • E min • 02:49 • -6.07db
37% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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The Kids From "Fame"
Starmaker
133 bpm • C Maj • 04:07 • -12db
38% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Barry White
I'll Do For You Anything You Want Me To
133 bpm • A# Maj • 04:10 • -11db
49% Popularity • 73% Danceability • 75% Energy • 4% Liveness
10% Instrumentalness • 85% Positiveness
49% Popularity • 73% Danceability • 75% Energy • 4% Liveness
10% Instrumentalness • 85% Positiveness
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Charlie Dore
Pilot Of The Airwaves (Re-Recorded / Rem...
119 bpm • C Maj • 03:46 • -12.63db
33% Popularity • 62% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 62% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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The Pointer Sisters
Fire (Re-Recorded Version)
119 bpm • C# Maj • 03:30 • -18.22db
18% Popularity • 81% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 81% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Supertramp
My Kind Of Lady
119 bpm • A Maj • 05:15 • -7.67db
52% Popularity • 46% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 46% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Michael McDonald
Baby I Need Your Loving
120 bpm • C min • 03:19 • -5db
34% Popularity • 78% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 78% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Karla Bonoff
Goodbye My Friend
119 bpm • C Maj • 03:45 • -14.38db
31% Popularity • 42% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
31% Popularity • 42% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
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Tina Turner
Steamy Windows
134 bpm • A Maj • 04:05 • -7.53db
52% Popularity • 74% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 85% Positiveness
52% Popularity • 74% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 85% Positiveness
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George Benson
In Your Eyes
134 bpm • A Maj • 03:20 • -16.04db
59% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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The Three Degrees
Dirty Ol' Man
118 bpm • A min • 04:35 • -7.17db
39% Popularity • 68% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 68% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 78% Positiveness
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The Pointer Sisters
Fire
118 bpm • C# Maj • 03:30 • -9db
55% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Michael McDonald
I Can Let Go Now
134 bpm • C Maj • 02:54 • -12.78db
36% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Paul McCrane
Dogs In the Yard
134 bpm • C Maj • 03:16 • -12db
31% Popularity • 52% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 52% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Margriet Eshuijs Band
Black Pearl
118 bpm • D min • 05:30 • -10.41db
21% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Jennifer Warnes
Joan of Arc - Digitally Remastered
135 bpm • F# Maj • 08:00 • -13db
31% Popularity • 55% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 55% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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The Three Degrees
What I Did for Love
134 bpm • G Maj • 03:38 • -10.74db
15% Popularity • 46% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 46% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Kim Carnes
It Hurts So Bad
135 bpm • F Maj • 03:01 • -9.63db
15% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Suzi Quatro
Singing With Angels
118 bpm • C Maj • 03:54 • -9.49db
36% Popularity • 55% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 55% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Taylor Dayne
Send Me a Lover
135 bpm • F Maj • 04:27 • -7db
24% Popularity • 55% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 55% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
