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Her Eyelids Say
Songs like
Her Eyelids Say
by
Felicia Atkinson
Based on a tempo of (+/- 10%) and a similar genre
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Astrid Sonne
Greener
142 bpm • C Maj • 01:43 • -15.4db
26% Popularity • 25% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Tomaga
Reverie for Fragile Houseplants
142 bpm • C Maj • 04:29 • -11.13db
27% Popularity • 29% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Kara-Lis Coverdale
Tunnel Vision
142 bpm • C min • 05:56 • -14db
8% Popularity • 27% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 6% Positiveness
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KMRU
Degree of Change
142 bpm • C# Maj • 04:16 • -29db
20% Popularity • 14% Danceability • 1% Energy • 23% Liveness
96% Instrumentalness • 3% Positiveness
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Felicia Atkinson
Her Eyelids Say
142 bpm • G# Maj • 09:04 • -21.45db
4% Popularity • 33% Danceability • 2% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
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Perila
On The Corner Of The Day
142 bpm • A# Maj • 03:16 • -24.53db
11% Popularity • 40% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Cucina Povera
Avainsana
142 bpm • G Maj • 06:41 • -20.36db
7% Popularity • 68% Danceability • 22% Energy • 32% Liveness
8% Instrumentalness • 34% Positiveness
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Kelly Moran
Red Storm
143 bpm • B Maj • 01:50 • -14.56db
18% Popularity • 13% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Pablo's Eye
Blind And Quiet
143 bpm • D Maj • 01:27 • -19.95db
22% Popularity • 19% Danceability • 38% Energy • 15% Liveness
98% Instrumentalness • 6% Positiveness
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Abul Mogard
Despite Faith
141 bpm • C# Maj • 06:10 • -18.5db
16% Popularity • 15% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Felicia Atkinson
I’m Following You
142 bpm • A min • 03:43 • -35db
11% Popularity • 15% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Vanessa Amara
Leopards, Pt. 5
144 bpm • D Maj • 02:28 • -28.43db
15% Popularity • 14% Danceability • 11% Energy • 10% Liveness
98% Instrumentalness • 15% Positiveness
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Astrid Sonne
To Change Is to Continue
141 bpm • C min • 03:57 • -7.5db
13% Popularity • 14% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Faten Kanaan
The Heron
140 bpm • C Maj • 01:10 • -27.27db
26% Popularity • 56% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Elori Saxl
Blue
144 bpm • G min • 09:56 • -15.55db
18% Popularity • 38% Danceability • 39% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Sofie Birch
The Sun XIX
140 bpm • E min • 06:43 • -28db
34% Popularity • 41% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Felicia Atkinson
Aberdeen
144 bpm • D min • 05:55 • -20.56db
12% Popularity • 21% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Ana Roxanne
- - -
140 bpm • D Maj • 05:15 • -21.34db
31% Popularity • 51% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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Astrid Sonne
Mirror Behaviour
140 bpm • A min • 03:05 • -10.36db
23% Popularity • 90% Danceability • 42% Energy • 8% Liveness
75% Instrumentalness • 37% Positiveness
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Lucrecia Dalt
Atmospheres Touch
140 bpm • G# Maj • 03:29 • -16.4db
11% Popularity • 51% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Pauline Anna Strom
Bonsai Terrace
140 bpm • A# Maj • 03:26 • -20.25db
11% Popularity • 66% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 16% Positiveness
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Christina Vantzou
Little Darlin Seize the Sun
140 bpm • A# Maj • 02:02 • -21db
33% Popularity • 26% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Roméo Poirier
Impression couleurs
145 bpm • G# Maj • 01:15 • -18.18db
17% Popularity • 15% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 21% Positiveness
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Felicia Atkinson
L’Enfant Et Le Poulpe
139 bpm • E min • 05:58 • -19.76db
5% Popularity • 22% Danceability • 23% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Ulla Straus
Nana
144 bpm • A Maj • 03:18 • -22.55db
15% Popularity • 13% Danceability • 22% Energy • 35% Liveness
99% Instrumentalness • 4% Positiveness
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Drew McDowall
Agalma VI
139 bpm • A Maj • 05:48 • -10.4db
10% Popularity • 14% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Akira Rabelais
Notturno (Loverly)
138 bpm • F Maj • 09:11 • -35.94db
9% Popularity • 14% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 2% Positiveness
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Klein
Champion
146 bpm • A min • 01:32 • -13.59db
24% Popularity • 21% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Roméo Poirier
Hotel Nota
138 bpm • B min • 03:33 • -15.19db
15% Popularity • 20% Danceability • 34% Energy • 10% Liveness
83% Instrumentalness • 16% Positiveness
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Perila
Long Dizzying Air Through A Balcony Door
137 bpm • A min • 07:48 • -31.79db
21% Popularity • 22% Danceability • 8% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Ulla Straus
Petted
139 bpm • D# min • 02:37 • -29.74db
16% Popularity • 23% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Ian William Craig
On The Reach Of Explanations
137 bpm • F Maj • 06:02 • -14.29db
13% Popularity • 17% Danceability • 49% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Kelly Moran
Interlude 1 - WXAXRXP Session
137 bpm • C min • 01:20 • -14.7db
23% Popularity • 26% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Akira Rabelais
Notturno
138 bpm • F Maj • 01:41 • -36db
28% Popularity • 16% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Klara Lewis
Twist
147 bpm • C# Maj • 03:20 • -19.82db
10% Popularity • 28% Danceability • 54% Energy • 13% Liveness
92% Instrumentalness • 36% Positiveness
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Abul Mogard
Where Not Even
137 bpm • D Maj • 06:42 • -23.75db
15% Popularity • 15% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 3% Positiveness
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Lucy Liyou
You are every memory
136 bpm • C# Maj • 03:18 • -25db
9% Popularity • 26% Danceability • 21% Energy • 26% Liveness
32% Instrumentalness • 7% Positiveness
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Sarah Davachi
Ghosts and All
137 bpm • A# Maj • 08:32 • -11.38db
25% Popularity • 15% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Carmen Villain
Dissolving Edges
148 bpm • C# Maj • 06:51 • -27.58db
9% Popularity • 51% Danceability • 12% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
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Caterina Barbieri
The Landscape Listens
148 bpm • A min • 08:17 • -13db
19% Popularity • 12% Danceability • 32% Energy • 9% Liveness
18% Instrumentalness • 10% Positiveness
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Meitei
Seto
149 bpm • F# Maj • 01:53 • -28.56db
40% Popularity • 37% Danceability • 30% Energy • 27% Liveness
26% Instrumentalness • 20% Positiveness
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Richard Skelton
Votive
136 bpm • C Maj • 02:37 • -21.81db
16% Popularity • 15% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Ulla
Falling Water Lullaby
136 bpm • G Maj • 06:40 • -29.68db
23% Popularity • 25% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Jefre Cantu-Ledesma
Never Sleep At Night
135 bpm • D Maj • 05:54 • -16.57db
10% Popularity • 23% Danceability • 54% Energy • 36% Liveness
94% Instrumentalness • 32% Positiveness
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Perila
Amorphous Absorption
135 bpm • G Maj • 03:52 • -27db
14% Popularity • 21% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Loke Rahbek
Solina
134 bpm • C Maj • 03:34 • -12.38db
12% Popularity • 36% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Tim Hecker
Boreal Kiss Pt. 1
135 bpm • F min • 03:28 • -25.49db
43% Popularity • 20% Danceability • 2% Energy • 29% Liveness
8% Instrumentalness • 9% Positiveness
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Ana Roxanne
A Study in Vastness
134 bpm • A min • 06:50 • -22db
28% Popularity • 20% Danceability • 9% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Christina Vantzou
Stone Circle
134 bpm • D# Maj • 04:28 • -18.94db
11% Popularity • 35% Danceability • 11% Energy • 10% Liveness
55% Instrumentalness • 5% Positiveness
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Kaitlyn Aurelia Smith
Understanding Body Messages
133 bpm • C# min • 01:24 • -24db
45% Popularity • 93% Danceability • 37% Energy • 14% Liveness
62% Instrumentalness • 98% Positiveness
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Perila
Every Something Is An Echo Of Nothing
134 bpm • C# Maj • 04:00 • -30db
19% Popularity • 23% Danceability • 7% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
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Laurie Spiegel
Strand of Life ("Viroid")
151 bpm • G Maj • 01:21 • -35.21db
46% Popularity • 22% Danceability • 13% Energy • 12% Liveness
69% Instrumentalness • 3% Positiveness
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Kara-Lis Coverdale
Flutter
133 bpm • F min • 04:21 • -15db
21% Popularity • 19% Danceability • 39% Energy • 8% Liveness
58% Instrumentalness • 16% Positiveness
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Läuten der Seele
Das Biotop im Traum und in der Wirklichk...
133 bpm • C# Maj • 03:40 • -16.82db
22% Popularity • 18% Danceability • 12% Energy • 13% Liveness
62% Instrumentalness • 5% Positiveness
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Sarah Davachi
Evensong
133 bpm • D# Maj • 05:27 • -24.9db
17% Popularity • 25% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Not Waving
Tropic Of Desire
133 bpm • F# min • 06:13 • -13.16db
9% Popularity • 16% Danceability • 61% Energy • 48% Liveness
92% Instrumentalness • 8% Positiveness
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Ian William Craig
Red Gate With Starling
133 bpm • F# Maj • 03:14 • -18db
8% Popularity • 18% Danceability • 38% Energy • 20% Liveness
96% Instrumentalness • 10% Positiveness
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Andrew Pekler
Fonseca Winds (Lament)
133 bpm • G# Maj • 03:42 • -17.59db
9% Popularity • 24% Danceability • 52% Energy • 38% Liveness
88% Instrumentalness • 27% Positiveness
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LI YILEI
YAN / 言
152 bpm • D Maj • 02:20 • -21.59db
29% Popularity • 40% Danceability • 35% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Felicia Atkinson
Quelque Chose
132 bpm • A min • 05:40 • -20.85db
10% Popularity • 28% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Sarah Davachi
Chorus Scene
133 bpm • C min • 02:47 • -21.91db
19% Popularity • 51% Danceability • 2% Energy • 15% Liveness
87% Instrumentalness • 29% Positiveness
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Laurie Spiegel
Three Sonic Spaces I
132 bpm • D Maj • 01:36 • -27.82db
28% Popularity • 20% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 2% Positiveness
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Visible Cloaks
Wintergreen
132 bpm • G# Maj • 02:46 • -23.18db
14% Popularity • 27% Danceability • 3% Energy • 15% Liveness
63% Instrumentalness • 4% Positiveness
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Christina Vantzou
Enter
132 bpm • A Maj • 03:40 • -19.82db
10% Popularity • 26% Danceability • 41% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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K. Leimer
From A Common Center
132 bpm • E min • 02:20 • -12.06db
32% Popularity • 20% Danceability • 35% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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Emily A. Sprague
Huckleberry
131 bpm • F Maj • 03:03 • -18.05db
29% Popularity • 38% Danceability • 32% Energy • 61% Liveness
87% Instrumentalness • 28% Positiveness
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Felicia Atkinson
And All The Spirals Of The World
132 bpm • A min • 06:08 • -26.8db
23% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Perila
Floor Position
131 bpm • G# min • 02:56 • -22.9db
25% Popularity • 25% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Joseph Shabason
Looking Forward to Something, Dude
131 bpm • D Maj • 04:01 • -14.43db
22% Popularity • 25% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
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Andrew Pekler
Description of Rain (Over Frisland)
131 bpm • D min • 04:26 • -21db
18% Popularity • 16% Danceability • 25% Energy • 34% Liveness
92% Instrumentalness • 10% Positiveness
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Sofie Birch
Sugi
130 bpm • F min • 03:52 • -17.54db
26% Popularity • 30% Danceability • 18% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
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Ian William Craig
Before Meaning Comes
130 bpm • B Maj • 03:12 • -27db
22% Popularity • 30% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Carla dal Forno
Italian Cinema
129 bpm • F# Maj • 01:50 • -19db
22% Popularity • 43% Danceability • 77% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Oren Ambarchi
Song of Separation Part 5
129 bpm • C Maj • 01:26 • -20.4db
20% Popularity • 18% Danceability • 1% Energy • 11% Liveness
60% Instrumentalness • 56% Positiveness
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Lucrecia Dalt
Alien Lullaby
129 bpm • D Maj • 01:22 • -21.48db
19% Popularity • 28% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Felicia Atkinson
Joan
128 bpm • A min • 06:44 • -25.1db
7% Popularity • 24% Danceability • 6% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Sofie Birch
Sugar And Air
130 bpm • A min • 04:51 • -16.14db
19% Popularity • 46% Danceability • 15% Energy • 6% Liveness
45% Instrumentalness • 14% Positiveness
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H.Takahashi
Crystal
158 bpm • C# Maj • 01:54 • -13.15db
26% Popularity • 40% Danceability • 33% Energy • 15% Liveness
96% Instrumentalness • 11% Positiveness
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Kara-Lis Coverdale
Informant
128 bpm • D Maj • 07:06 • -15.18db
8% Popularity • 25% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Flora Yin-Wong
Tirta Empul
127 bpm • G# min • 04:00 • -20.61db
8% Popularity • 36% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 13% Positiveness
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Ana Roxanne
Venus
127 bpm • F Maj • 07:57 • -19.63db
23% Popularity • 27% Danceability • 26% Energy • 38% Liveness
70% Instrumentalness • 14% Positiveness
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Martyna Basta
Slowly Forgetting, Barely Remembering
159 bpm • C Maj • 02:48 • -25db
31% Popularity • 21% Danceability • 16% Energy • 11% Liveness
42% Instrumentalness • 3% Positiveness
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Sofie Birch
Observatory
129 bpm • E min • 05:52 • -25.36db
21% Popularity • 30% Danceability • 15% Energy • 9% Liveness
66% Instrumentalness • 13% Positiveness
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Kaitlyn Aurelia Smith
Moonweed
127 bpm • D# Maj • 02:19 • -19.34db
30% Popularity • 27% Danceability • 46% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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Felicia Atkinson
And The Flower Have Time For Me
126 bpm • A Maj • 05:42 • -21db
9% Popularity • 27% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Flora Yin-Wong
Bitterness
127 bpm • D min • 03:56 • -18.06db
8% Popularity • 32% Danceability • 46% Energy • 15% Liveness
82% Instrumentalness • 9% Positiveness
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Caterina Barbieri
SOTRS
159 bpm • E Maj • 09:30 • -14db
39% Popularity • 34% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Ulla Straus
Billow
126 bpm • C# min • 04:27 • -24.55db
26% Popularity • 17% Danceability • 22% Energy • 20% Liveness
94% Instrumentalness • 14% Positiveness
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Sofie Birch
Portal Of
127 bpm • G min • 01:42 • -20db
40% Popularity • 22% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Cucina Povera
Anarkian kuvajainen
126 bpm • C Maj • 04:58 • -18.16db
19% Popularity • 35% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
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Drew McDowall
Agalma I (Folding)
126 bpm • A min • 06:04 • -15.63db
7% Popularity • 31% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Emily A. Sprague
Synth 2
161 bpm • B Maj • 07:39 • -19.18db
14% Popularity • 10% Danceability • 17% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Susumu Yokota
Sleepy Eye
125 bpm • F# min • 02:44 • -20db
31% Popularity • 42% Danceability • 40% Energy • 28% Liveness
99% Instrumentalness • 11% Positiveness
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Ulla Straus
Sister
160 bpm • F min • 05:22 • -17.28db
18% Popularity • 56% Danceability • 16% Energy • 13% Liveness
87% Instrumentalness • 39% Positiveness
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Maria W Horn
Fides Minus
125 bpm • A# min • 03:57 • -15.42db
8% Popularity • 17% Danceability • 37% Energy • 24% Liveness
92% Instrumentalness • 9% Positiveness
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Lucrecia Dalt
Seca
125 bpm • F# Maj • 02:18 • -21.16db
21% Popularity • 28% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 12% Positiveness
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Felicia Atkinson
Curious In Epidavros
125 bpm • D Maj • 03:04 • -21.43db
2% Popularity • 52% Danceability • 16% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
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Akira Rabelais
And the Permanence of Smoke or Stars
124 bpm • C# Maj • 00:53 • -35db
22% Popularity • 18% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Carmen Villain
Future Memory
124 bpm • C# Maj • 05:02 • -24.41db
21% Popularity • 29% Danceability • 12% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Roméo Poirier
Trace palmaire
124 bpm • F Maj • 04:20 • -19.5db
12% Popularity • 37% Danceability • 59% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Her Eyelids Say