Songs like Her Fantasy by Matthew Dear
Based on a tempo of (+/- 10%) and a similar genre
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Matthew Dear
Horses
110 bpm • C Maj • 05:08 • -13db
11% Popularity • 65% Danceability • 44% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
11% Popularity • 65% Danceability • 44% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Golden Bug
Wild Boys
110 bpm • A Maj • 05:20 • -10.22db
10% Popularity • 81% Danceability • 66% Energy • 9% Liveness
24% Instrumentalness • 54% Positiveness
10% Popularity • 81% Danceability • 66% Energy • 9% Liveness
24% Instrumentalness • 54% Positiveness
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Ghost Culture
Mouth
110 bpm • G Maj • 06:08 • -7db
20% Popularity • 74% Danceability • 68% Energy • 10% Liveness
47% Instrumentalness • 12% Positiveness
20% Popularity • 74% Danceability • 68% Energy • 10% Liveness
47% Instrumentalness • 12% Positiveness
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Red Axes
Bela Lugosi's Dead
110 bpm • B Maj • 06:44 • -9.63db
9% Popularity • 87% Danceability • 51% Energy • 12% Liveness
90% Instrumentalness • 62% Positiveness
9% Popularity • 87% Danceability • 51% Energy • 12% Liveness
90% Instrumentalness • 62% Positiveness
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Ara Koufax
Brenda
110 bpm • F Maj • 09:04 • -7.65db
32% Popularity • 74% Danceability • 63% Energy • 9% Liveness
70% Instrumentalness • 97% Positiveness
32% Popularity • 74% Danceability • 63% Energy • 9% Liveness
70% Instrumentalness • 97% Positiveness
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Daniel Avery
The Eagle
110 bpm • F min • 06:56 • -8.33db
8% Popularity • 90% Danceability • 61% Energy • 11% Liveness
54% Instrumentalness • 28% Positiveness
8% Popularity • 90% Danceability • 61% Energy • 11% Liveness
54% Instrumentalness • 28% Positiveness
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Étienne de Crécy
Ash Sync - Air, Alex Gopher & Etienne de...
110 bpm • A# min • 04:57 • -6.38db
28% Popularity • 89% Danceability • 49% Energy • 20% Liveness
78% Instrumentalness • 63% Positiveness
28% Popularity • 89% Danceability • 49% Energy • 20% Liveness
78% Instrumentalness • 63% Positiveness
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SUUNS
2020
110 bpm • F Maj • 04:13 • -10db
41% Popularity • 64% Danceability • 38% Energy • 11% Liveness
36% Instrumentalness • 11% Positiveness
41% Popularity • 64% Danceability • 38% Energy • 11% Liveness
36% Instrumentalness • 11% Positiveness
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Matthew Dear
Fleece On Brain
110 bpm • G# Maj • 04:15 • -6.26db
11% Popularity • 72% Danceability • 66% Energy • 23% Liveness
91% Instrumentalness • 49% Positiveness
11% Popularity • 72% Danceability • 66% Energy • 23% Liveness
91% Instrumentalness • 49% Positiveness
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Telefon Tel Aviv
The Birds - Matthew Dear Remix
110 bpm • B min • 05:27 • -7.45db
3% Popularity • 63% Danceability • 85% Energy • 10% Liveness
83% Instrumentalness • 12% Positiveness
3% Popularity • 63% Danceability • 85% Energy • 10% Liveness
83% Instrumentalness • 12% Positiveness
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Kindness
Swingin' Party
110 bpm • A Maj • 03:57 • -9db
38% Popularity • 81% Danceability • 69% Energy • 9% Liveness
30% Instrumentalness • 47% Positiveness
38% Popularity • 81% Danceability • 69% Energy • 9% Liveness
30% Instrumentalness • 47% Positiveness
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John Talabot
Destiny
111 bpm • A# min • 04:53 • -10db
42% Popularity • 65% Danceability • 80% Energy • 7% Liveness
35% Instrumentalness • 34% Positiveness
42% Popularity • 65% Danceability • 80% Energy • 7% Liveness
35% Instrumentalness • 34% Positiveness
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Peaches
Lose You
111 bpm • D Maj • 03:31 • -6db
30% Popularity • 71% Danceability • 78% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
30% Popularity • 71% Danceability • 78% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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SUUNS
Up Past The Nursery - Ivan Smagghe Edit
110 bpm • G# min • 07:08 • -9.26db
20% Popularity • 95% Danceability • 46% Energy • 10% Liveness
45% Instrumentalness • 46% Positiveness
20% Popularity • 95% Danceability • 46% Energy • 10% Liveness
45% Instrumentalness • 46% Positiveness
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Matthew Dear
Elementary Lover
110 bpm • G# Maj • 03:19 • -7.57db
8% Popularity • 71% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 71% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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DARKSIDE
Freak, Go Home
111 bpm • C# Maj • 06:36 • -9.52db
27% Popularity • 71% Danceability • 56% Energy • 16% Liveness
82% Instrumentalness • 18% Positiveness
27% Popularity • 71% Danceability • 56% Energy • 16% Liveness
82% Instrumentalness • 18% Positiveness
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Kindness
SEOD
111 bpm • F min • 06:30 • -9db
13% Popularity • 61% Danceability • 63% Energy • 35% Liveness
15% Instrumentalness • 8% Positiveness
13% Popularity • 61% Danceability • 63% Energy • 35% Liveness
15% Instrumentalness • 8% Positiveness
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Autarkic
Down Down Up
109 bpm • G Maj • 04:41 • -8.99db
23% Popularity • 72% Danceability • 63% Energy • 7% Liveness
46% Instrumentalness • 9% Positiveness
23% Popularity • 72% Danceability • 63% Energy • 7% Liveness
46% Instrumentalness • 9% Positiveness
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The Knife
A Tooth for an Eye
109 bpm • D Maj • 06:04 • -7.55db
32% Popularity • 69% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 69% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Tristesse Contemporaine
51 ways to leave your lover
109 bpm • G Maj • 05:16 • -7.48db
23% Popularity • 76% Danceability • 73% Energy • 16% Liveness
14% Instrumentalness • 19% Positiveness
23% Popularity • 76% Danceability • 73% Energy • 16% Liveness
14% Instrumentalness • 19% Positiveness
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Matthew Dear
Her Fantasy
110 bpm • C# Maj • 06:14 • -10db
26% Popularity • 59% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 59% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
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Charlotte Gainsbourg
Time Of The Assassins - Matthew Dear Rem...
112 bpm • F Maj • 04:15 • -7.86db
2% Popularity • 72% Danceability • 55% Energy • 36% Liveness
4% Instrumentalness • 11% Positiveness
2% Popularity • 72% Danceability • 55% Energy • 36% Liveness
4% Instrumentalness • 11% Positiveness
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MGMT
James - Matthew Dear Remix
112 bpm • G# Maj • 02:19 • -11.11db
12% Popularity • 63% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 63% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Soulwax
My Tired Eyes
112 bpm • B min • 04:17 • -6.86db
24% Popularity • 70% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 58% Positiveness
24% Popularity • 70% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 58% Positiveness
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John Talabot
Journeys
112 bpm • D Maj • 04:05 • -8.6db
25% Popularity • 65% Danceability • 92% Energy • 12% Liveness
93% Instrumentalness • 47% Positiveness
25% Popularity • 65% Danceability • 92% Energy • 12% Liveness
93% Instrumentalness • 47% Positiveness
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The Juan Maclean
The Future Will Come
108 bpm • G# Maj • 04:55 • -9.35db
9% Popularity • 69% Danceability • 68% Energy • 11% Liveness
22% Instrumentalness • 96% Positiveness
9% Popularity • 69% Danceability • 68% Energy • 11% Liveness
22% Instrumentalness • 96% Positiveness
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Matthew Dear
Her Fantasy - Poolside Remix
108 bpm • D Maj • 06:04 • -8.61db
15% Popularity • 63% Danceability • 60% Energy • 5% Liveness
69% Instrumentalness • 11% Positiveness
15% Popularity • 63% Danceability • 60% Energy • 5% Liveness
69% Instrumentalness • 11% Positiveness
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Death In Vegas
Your Loft My Acid Katie Stelmanis
108 bpm • G Maj • 07:31 • -10.53db
29% Popularity • 38% Danceability • 45% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
29% Popularity • 38% Danceability • 45% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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MGMT
Me and Michael - Matthew Dear Remix
112 bpm • C# Maj • 08:26 • -6.66db
14% Popularity • 75% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 75% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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André Obin
The Arsonist
108 bpm • G# Maj • 04:10 • -9.41db
17% Popularity • 57% Danceability • 55% Energy • 38% Liveness
82% Instrumentalness • 34% Positiveness
17% Popularity • 57% Danceability • 55% Energy • 38% Liveness
82% Instrumentalness • 34% Positiveness
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John Talabot
Last Land
112 bpm • A min • 04:23 • -9db
31% Popularity • 65% Danceability • 72% Energy • 3% Liveness
88% Instrumentalness • 68% Positiveness
31% Popularity • 65% Danceability • 72% Energy • 3% Liveness
88% Instrumentalness • 68% Positiveness
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Fujiya & Miyagi
To the Last Beat of My Heart
108 bpm • G# Maj • 03:47 • -9db
22% Popularity • 65% Danceability • 79% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
22% Popularity • 65% Danceability • 79% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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Matthew Dear
Little People (Black City)
112 bpm • C# Maj • 09:20 • -6.28db
14% Popularity • 65% Danceability • 84% Energy • 31% Liveness
36% Instrumentalness • 57% Positiveness
14% Popularity • 65% Danceability • 84% Energy • 31% Liveness
36% Instrumentalness • 57% Positiveness
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Death In Vegas
Your Loft My Acid Katie Stelmanis - Fear...
108 bpm • G Maj • 05:05 • -9.53db
32% Popularity • 62% Danceability • 57% Energy • 9% Liveness
58% Instrumentalness • 20% Positiveness
32% Popularity • 62% Danceability • 57% Energy • 9% Liveness
58% Instrumentalness • 20% Positiveness
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Glass Candy
Feeling Without Touching
112 bpm • B min • 02:49 • -9.29db
25% Popularity • 86% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 86% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Autarkic
Rotation! Rotation!
113 bpm • C Maj • 04:53 • -5.75db
19% Popularity • 83% Danceability • 56% Energy • 8% Liveness
32% Instrumentalness • 42% Positiveness
19% Popularity • 83% Danceability • 56% Energy • 8% Liveness
32% Instrumentalness • 42% Positiveness
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Mr Twin Sister
Out of the Dark
113 bpm • D Maj • 03:20 • -10.32db
20% Popularity • 87% Danceability • 58% Energy • 13% Liveness
53% Instrumentalness • 57% Positiveness
20% Popularity • 87% Danceability • 58% Energy • 13% Liveness
53% Instrumentalness • 57% Positiveness
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RóisÃn Murphy
Mastermind
113 bpm • A# min • 06:35 • -12.31db
17% Popularity • 62% Danceability • 71% Energy • 10% Liveness
38% Instrumentalness • 23% Positiveness
17% Popularity • 62% Danceability • 71% Energy • 10% Liveness
38% Instrumentalness • 23% Positiveness
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Matthew Dear
Bunny's Dream
108 bpm • G Maj • 07:06 • -10.76db
15% Popularity • 51% Danceability • 58% Energy • 65% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 51% Danceability • 58% Energy • 65% Liveness
86% Instrumentalness • 4% Positiveness
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Pional
As Time Was Passing By
113 bpm • F# min • 04:27 • -10.32db
35% Popularity • 61% Danceability • 59% Energy • 9% Liveness
74% Instrumentalness • 9% Positiveness
35% Popularity • 61% Danceability • 59% Energy • 9% Liveness
74% Instrumentalness • 9% Positiveness
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Glass Candy
Beatific
112 bpm • A min • 04:19 • -6.58db
29% Popularity • 83% Danceability • 79% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
29% Popularity • 83% Danceability • 79% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
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Fujiya & Miyagi
Little Stabs At Happiness
113 bpm • A# min • 03:57 • -7.21db
28% Popularity • 78% Danceability • 69% Energy • 19% Liveness
79% Instrumentalness • 66% Positiveness
28% Popularity • 78% Danceability • 69% Energy • 19% Liveness
79% Instrumentalness • 66% Positiveness
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Ghost Culture
Giudecca
113 bpm • C Maj • 04:12 • -6.91db
16% Popularity • 58% Danceability • 88% Energy • 14% Liveness
91% Instrumentalness • 38% Positiveness
16% Popularity • 58% Danceability • 88% Energy • 14% Liveness
91% Instrumentalness • 38% Positiveness
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DARKSIDE
Heart
107 bpm • C# Maj • 04:57 • -10.05db
37% Popularity • 62% Danceability • 35% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
37% Popularity • 62% Danceability • 35% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Planningtorock
Doorway
113 bpm • F min • 03:30 • -7.74db
14% Popularity • 69% Danceability • 68% Energy • 14% Liveness
39% Instrumentalness • 17% Positiveness
14% Popularity • 69% Danceability • 68% Energy • 14% Liveness
39% Instrumentalness • 17% Positiveness
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Pional
In Another Room
107 bpm • D# Maj • 07:34 • -7db
32% Popularity • 86% Danceability • 60% Energy • 6% Liveness
85% Instrumentalness • 28% Positiveness
32% Popularity • 86% Danceability • 60% Energy • 6% Liveness
85% Instrumentalness • 28% Positiveness
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Bob Moses
Heaven Only Knows - Matthew Dear Remix
107 bpm • B min • 06:43 • -8.29db
8% Popularity • 83% Danceability • 75% Energy • 14% Liveness
78% Instrumentalness • 30% Positiveness
8% Popularity • 83% Danceability • 75% Energy • 14% Liveness
78% Instrumentalness • 30% Positiveness
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Matthew Dear
Up & Out
107 bpm • C Maj • 04:15 • -10.16db
12% Popularity • 78% Danceability • 64% Energy • 8% Liveness
19% Instrumentalness • 71% Positiveness
12% Popularity • 78% Danceability • 64% Energy • 8% Liveness
19% Instrumentalness • 71% Positiveness
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Hot Chip
Huarache Lights - Soulwax Remix
113 bpm • D Maj • 05:43 • -8.39db
22% Popularity • 71% Danceability • 72% Energy • 8% Liveness
61% Instrumentalness • 67% Positiveness
22% Popularity • 71% Danceability • 72% Energy • 8% Liveness
61% Instrumentalness • 67% Positiveness
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John Talabot
Depak Ine
106 bpm • G Maj • 07:26 • -9.44db
28% Popularity • 62% Danceability • 78% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
28% Popularity • 62% Danceability • 78% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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CFCF
Monolith
114 bpm • F# min • 07:11 • -9.12db
11% Popularity • 85% Danceability • 94% Energy • 17% Liveness
77% Instrumentalness • 14% Positiveness
11% Popularity • 85% Danceability • 94% Energy • 17% Liveness
77% Instrumentalness • 14% Positiveness
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SUUNS
Minor Work
114 bpm • D Maj • 05:54 • -10db
20% Popularity • 68% Danceability • 36% Energy • 17% Liveness
86% Instrumentalness • 17% Positiveness
20% Popularity • 68% Danceability • 36% Energy • 17% Liveness
86% Instrumentalness • 17% Positiveness
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Jackson And His Computer Band
Vista
114 bpm • F Maj • 04:34 • -8.12db
8% Popularity • 57% Danceability • 88% Energy • 16% Liveness
75% Instrumentalness • 6% Positiveness
8% Popularity • 57% Danceability • 88% Energy • 16% Liveness
75% Instrumentalness • 6% Positiveness
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Matthew Dear
Give Me More
114 bpm • B min • 02:41 • -11.87db
6% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
6% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Hot Chip
Huarache Lights
114 bpm • D Maj • 05:29 • -7.17db
44% Popularity • 72% Danceability • 64% Energy • 8% Liveness
4% Instrumentalness • 40% Positiveness
44% Popularity • 72% Danceability • 64% Energy • 8% Liveness
4% Instrumentalness • 40% Positiveness
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Fujiya & Miyagi
In One Ear & Out the Other
114 bpm • A# min • 03:43 • -6.3db
23% Popularity • 88% Danceability • 51% Energy • 7% Liveness
39% Instrumentalness • 79% Positiveness
23% Popularity • 88% Danceability • 51% Energy • 7% Liveness
39% Instrumentalness • 79% Positiveness
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Death In Vegas
Coum
114 bpm • C Maj • 04:40 • -10.7db
28% Popularity • 74% Danceability • 89% Energy • 72% Liveness
69% Instrumentalness • 20% Positiveness
28% Popularity • 74% Danceability • 89% Energy • 72% Liveness
69% Instrumentalness • 20% Positiveness
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The Juan Maclean
A Simple Design
114 bpm • A min • 07:12 • -5.43db
29% Popularity • 64% Danceability • 84% Energy • 7% Liveness
18% Instrumentalness • 69% Positiveness
29% Popularity • 64% Danceability • 84% Energy • 7% Liveness
18% Instrumentalness • 69% Positiveness
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Caribou
Found Out
114 bpm • C Maj • 03:18 • -6.99db
29% Popularity • 70% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 70% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Matthew Dear
You Put A Smell On Me
106 bpm • A min • 05:04 • -4.66db
15% Popularity • 82% Danceability • 87% Energy • 61% Liveness
58% Instrumentalness • 94% Positiveness
15% Popularity • 82% Danceability • 87% Energy • 61% Liveness
58% Instrumentalness • 94% Positiveness
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Sylvan Esso
H.S.K.T. - Extended Mix
114 bpm • C# Maj • 06:47 • -10.55db
20% Popularity • 94% Danceability • 44% Energy • 13% Liveness
39% Instrumentalness • 49% Positiveness
20% Popularity • 94% Danceability • 44% Energy • 13% Liveness
39% Instrumentalness • 49% Positiveness
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Matthew Herbert
Leipzig
106 bpm • D min • 04:25 • -16.95db
21% Popularity • 83% Danceability • 23% Energy • 7% Liveness
24% Instrumentalness • 66% Positiveness
21% Popularity • 83% Danceability • 23% Energy • 7% Liveness
24% Instrumentalness • 66% Positiveness
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Death In Vegas
C.O.U.M - Instrumental
114 bpm • C Maj • 04:42 • -10.49db
9% Popularity • 77% Danceability • 90% Energy • 47% Liveness
81% Instrumentalness • 15% Positiveness
9% Popularity • 77% Danceability • 90% Energy • 47% Liveness
81% Instrumentalness • 15% Positiveness
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Portico
101 - Clark Remix
106 bpm • C# min • 06:03 • -11.65db
8% Popularity • 65% Danceability • 62% Energy • 10% Liveness
77% Instrumentalness • 25% Positiveness
8% Popularity • 65% Danceability • 62% Energy • 10% Liveness
77% Instrumentalness • 25% Positiveness
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Appaloosa
The Day (We Fell in Love)
106 bpm • C Maj • 03:46 • -5.54db
17% Popularity • 53% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 53% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Matthew Dear
Modafinil Blues
106 bpm • A Maj • 05:00 • -10.07db
34% Popularity • 70% Danceability • 56% Energy • 16% Liveness
9% Instrumentalness • 24% Positiveness
34% Popularity • 70% Danceability • 56% Energy • 16% Liveness
9% Instrumentalness • 24% Positiveness
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DARKSIDE
Gone Too Soon
106 bpm • F Maj • 05:26 • -12.24db
34% Popularity • 85% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
34% Popularity • 85% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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LCD Soundsystem
how do you sleep?
106 bpm • C Maj • 09:12 • -9.06db
29% Popularity • 64% Danceability • 57% Energy • 15% Liveness
10% Instrumentalness • 41% Positiveness
29% Popularity • 64% Danceability • 57% Energy • 15% Liveness
10% Instrumentalness • 41% Positiveness
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Man Tear
Outside Amore
114 bpm • C# Maj • 09:12 • -9.97db
10% Popularity • 76% Danceability • 42% Energy • 7% Liveness
80% Instrumentalness • 53% Positiveness
10% Popularity • 76% Danceability • 42% Energy • 7% Liveness
80% Instrumentalness • 53% Positiveness
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Kindness
That's Alright
105 bpm • A Maj • 04:46 • -5.97db
17% Popularity • 58% Danceability • 90% Energy • 9% Liveness
4% Instrumentalness • 19% Positiveness
17% Popularity • 58% Danceability • 90% Energy • 9% Liveness
4% Instrumentalness • 19% Positiveness
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Glass Candy
Beautiful Object
105 bpm • C# Maj • 05:04 • -12.43db
23% Popularity • 80% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 80% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The 2 Bears
Warm & Easy
105 bpm • C min • 03:02 • -8.61db
33% Popularity • 70% Danceability • 57% Energy • 46% Liveness
21% Instrumentalness • 51% Positiveness
33% Popularity • 70% Danceability • 57% Energy • 46% Liveness
21% Instrumentalness • 51% Positiveness
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Pumarosa
Priestess
115 bpm • G Maj • 07:30 • -7db
35% Popularity • 65% Danceability • 69% Energy • 11% Liveness
20% Instrumentalness • 10% Positiveness
35% Popularity • 65% Danceability • 69% Energy • 11% Liveness
20% Instrumentalness • 10% Positiveness
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John Talabot
When The Past Was Present
115 bpm • A min • 05:06 • -8.63db
27% Popularity • 58% Danceability • 88% Energy • 8% Liveness
77% Instrumentalness • 80% Positiveness
27% Popularity • 58% Danceability • 88% Energy • 8% Liveness
77% Instrumentalness • 80% Positiveness
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Simian Mobile Disco
Tangents
115 bpm • D Maj • 06:34 • -10.16db
21% Popularity • 64% Danceability • 65% Energy • 31% Liveness
81% Instrumentalness • 7% Positiveness
21% Popularity • 64% Danceability • 65% Energy • 31% Liveness
81% Instrumentalness • 7% Positiveness
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Modeselektor
Suckerpin
115 bpm • G min • 06:10 • -12.11db
21% Popularity • 73% Danceability • 69% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
21% Popularity • 73% Danceability • 69% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Villagers
The Waves - Psychemagik Remix
115 bpm • D Maj • 06:03 • -6.34db
20% Popularity • 76% Danceability • 78% Energy • 52% Liveness
64% Instrumentalness • 24% Positiveness
20% Popularity • 76% Danceability • 78% Energy • 52% Liveness
64% Instrumentalness • 24% Positiveness
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Fujiya & Miyagi
Serotonin Rushes
115 bpm • F min • 04:16 • -6.73db
34% Popularity • 78% Danceability • 58% Energy • 11% Liveness
54% Instrumentalness • 53% Positiveness
34% Popularity • 78% Danceability • 58% Energy • 11% Liveness
54% Instrumentalness • 53% Positiveness
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Matthew Dear
Soil To Seed
115 bpm • B Maj • 02:28 • -6.03db
12% Popularity • 79% Danceability • 84% Energy • 9% Liveness
26% Instrumentalness • 96% Positiveness
12% Popularity • 79% Danceability • 84% Energy • 9% Liveness
26% Instrumentalness • 96% Positiveness
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John Talabot
Last Land - Kenton Slash Demon Remix
115 bpm • G Maj • 05:53 • -8.8db
17% Popularity • 71% Danceability • 64% Energy • 7% Liveness
79% Instrumentalness • 69% Positiveness
17% Popularity • 71% Danceability • 64% Energy • 7% Liveness
79% Instrumentalness • 69% Positiveness
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Underworld
Moon In Water
115 bpm • F Maj • 05:42 • -12.62db
39% Popularity • 63% Danceability • 56% Energy • 12% Liveness
18% Instrumentalness • 40% Positiveness
39% Popularity • 63% Danceability • 56% Energy • 12% Liveness
18% Instrumentalness • 40% Positiveness
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Farah
Law Of Life
105 bpm • G Maj • 07:25 • -9.23db
27% Popularity • 82% Danceability • 56% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
27% Popularity • 82% Danceability • 56% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
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Pional
Into a Trap
105 bpm • F min • 06:53 • -9db
22% Popularity • 66% Danceability • 72% Energy • 9% Liveness
69% Instrumentalness • 48% Positiveness
22% Popularity • 66% Danceability • 72% Energy • 9% Liveness
69% Instrumentalness • 48% Positiveness
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SUUNS
Up Past The Nursery
105 bpm • G# min • 03:22 • -12db
42% Popularity • 90% Danceability • 34% Energy • 10% Liveness
64% Instrumentalness • 56% Positiveness
42% Popularity • 90% Danceability • 34% Energy • 10% Liveness
64% Instrumentalness • 56% Positiveness
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Kolombo
Waiting For
105 bpm • F Maj • 06:43 • -10db
19% Popularity • 61% Danceability • 59% Energy • 11% Liveness
72% Instrumentalness • 8% Positiveness
19% Popularity • 61% Danceability • 59% Energy • 11% Liveness
72% Instrumentalness • 8% Positiveness
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Nicolas Jaar
Keep Me There
105 bpm • G Maj • 05:21 • -11.07db
33% Popularity • 84% Danceability • 38% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
33% Popularity • 84% Danceability • 38% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Matthew Dear
Get The Rhyme Right
105 bpm • B min • 03:47 • -9.96db
11% Popularity • 78% Danceability • 47% Energy • 64% Liveness
87% Instrumentalness • 33% Positiveness
11% Popularity • 78% Danceability • 47% Energy • 64% Liveness
87% Instrumentalness • 33% Positiveness
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Underworld
If Rah
105 bpm • F Maj • 07:12 • -12.26db
31% Popularity • 66% Danceability • 62% Energy • 13% Liveness
54% Instrumentalness • 29% Positiveness
31% Popularity • 66% Danceability • 62% Energy • 13% Liveness
54% Instrumentalness • 29% Positiveness
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Phèdre
In Decay
105 bpm • C Maj • 03:37 • -5.42db
29% Popularity • 52% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 52% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Soulwax
Missing Wires
105 bpm • D Maj • 04:48 • -5.96db
30% Popularity • 85% Danceability • 78% Energy • 17% Liveness
30% Instrumentalness • 63% Positiveness
30% Popularity • 85% Danceability • 78% Energy • 17% Liveness
30% Instrumentalness • 63% Positiveness
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Charlotte Gainsbourg
Deadly Valentine (Soulwax Remix)
105 bpm • B Maj • 07:55 • -5.98db
44% Popularity • 80% Danceability • 86% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
44% Popularity • 80% Danceability • 86% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
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Jaakko Eino Kalevi
No End
115 bpm • A min • 04:32 • -12db
29% Popularity • 53% Danceability • 49% Energy • 14% Liveness
86% Instrumentalness • 41% Positiveness
29% Popularity • 53% Danceability • 49% Energy • 14% Liveness
86% Instrumentalness • 41% Positiveness
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Matthew Dear
Gem
105 bpm • C# Maj • 04:07 • -8.81db
8% Popularity • 25% Danceability • 67% Energy • 10% Liveness
66% Instrumentalness • 11% Positiveness
8% Popularity • 25% Danceability • 67% Energy • 10% Liveness
66% Instrumentalness • 11% Positiveness
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Death In Vegas
Witch Dance Katie Stelmanis
105 bpm • D Maj • 04:42 • -13.12db
25% Popularity • 61% Danceability • 64% Energy • 11% Liveness
50% Instrumentalness • 6% Positiveness
25% Popularity • 61% Danceability • 64% Energy • 11% Liveness
50% Instrumentalness • 6% Positiveness
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Museum Of Love
Down South
105 bpm • C min • 05:41 • -6.88db
7% Popularity • 62% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
7% Popularity • 62% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Peaking Lights
Beautiful Son - John Talabot's Acetate D...
116 bpm • F Maj • 08:39 • -9.1db
11% Popularity • 85% Danceability • 62% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
11% Popularity • 85% Danceability • 62% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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!!!
AM/FM
116 bpm • E min • 04:55 • -6.19db
20% Popularity • 80% Danceability • 91% Energy • 4% Liveness
32% Instrumentalness • 68% Positiveness
20% Popularity • 80% Danceability • 91% Energy • 4% Liveness
32% Instrumentalness • 68% Positiveness
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Siriusmo
High Together
116 bpm • G min • 04:10 • -7db
38% Popularity • 65% Danceability • 88% Energy • 40% Liveness
50% Instrumentalness • 38% Positiveness
38% Popularity • 65% Danceability • 88% Energy • 40% Liveness
50% Instrumentalness • 38% Positiveness
