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Here Before
Songs like
Here Before
by
Vashti Bunyan
Based on a tempo of (+/- 10%) and a similar genre
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Vashti Bunyan
Here Before
104 bpm • A# Maj • 02:05 • -19.94db
34% Popularity • 51% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
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Sparklehorse
Sea Of Teeth
104 bpm • C# Maj • 04:29 • -16db
36% Popularity • 87% Danceability • 20% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Diane Cluck
Yr Million Sweetnesses
104 bpm • F min • 02:45 • -17.13db
24% Popularity • 53% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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aspidistrafly
Gensei
104 bpm • E Maj • 05:14 • -14.95db
26% Popularity • 48% Danceability • 32% Energy • 43% Liveness
68% Instrumentalness • 14% Positiveness
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Linda Perhacs
Beautiful Play
104 bpm • G Maj • 04:12 • -12.87db
19% Popularity • 53% Danceability • 34% Energy • 20% Liveness
38% Instrumentalness • 14% Positiveness
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Haley Heynderickx
Mother
104 bpm • D min • 03:12 • -13.86db
32% Popularity • 59% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Jana Hunter
Palms
104 bpm • A Maj • 02:23 • -15.38db
29% Popularity • 69% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 41% Positiveness
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Mount Eerie
Lost Wisdom
105 bpm • G# min • 04:27 • -17db
25% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Vashti Bunyan
Wayward
104 bpm • G Maj • 03:06 • -18.37db
18% Popularity • 51% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jackson C. Frank
I Want to Be Alone (Dialogue)
103 bpm • G# Maj • 03:18 • -16.33db
37% Popularity • 55% Danceability • 15% Energy • 11% Liveness
20% Instrumentalness • 19% Positiveness
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Hana Stretton
The Thrill Of Loneliness
105 bpm • A Maj • 02:55 • -20.47db
50% Popularity • 31% Danceability • 13% Energy • 20% Liveness
96% Instrumentalness • 13% Positiveness
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Angel Olsen
Creator, Destroyer
105 bpm • A# min • 03:54 • -9.05db
32% Popularity • 40% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Marika Hackman
Next Year
105 bpm • F# min • 02:37 • -14.39db
27% Popularity • 56% Danceability • 33% Energy • 9% Liveness
3% Instrumentalness • 20% Positiveness
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Mariee Sioux
White Fanged Foreverness
105 bpm • A# Maj • 06:23 • -12.55db
10% Popularity • 43% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
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Vashti Bunyan
Train Song
103 bpm • E min • 02:15 • -9.89db
31% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Linda Perhacs
Call Of The River
103 bpm • D Maj • 03:44 • -19.87db
30% Popularity • 29% Danceability • 8% Energy • 9% Liveness
25% Instrumentalness • 12% Positiveness
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Josephine Foster
Where There Are Trees
103 bpm • B Maj • 01:22 • -17.4db
33% Popularity • 55% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Tia Blake
White Bird
105 bpm • C min • 02:17 • -14.07db
26% Popularity • 43% Danceability • 44% Energy • 36% Liveness
59% Instrumentalness • 57% Positiveness
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The Magnetic Fields
All My Little Words
105 bpm • G# Maj • 02:46 • -8db
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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The Music Tapes
J'Attendrai
103 bpm • D# Maj • 03:10 • -14.38db
23% Popularity • 20% Danceability • 28% Energy • 17% Liveness
93% Instrumentalness • 22% Positiveness
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Vashti Bunyan
Lately
103 bpm • A Maj • 02:21 • -19.55db
23% Popularity • 36% Danceability • 14% Energy • 14% Liveness
46% Instrumentalness • 35% Positiveness
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Dear Nora
Loose
102 bpm • E min • 02:13 • -22.09db
22% Popularity • 56% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Paul Giovanni
Willow's Song
106 bpm • B min • 04:42 • -18.86db
35% Popularity • 42% Danceability • 24% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
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Tia Blake
Jane, Jane
103 bpm • E min • 03:37 • -23db
34% Popularity • 67% Danceability • 12% Energy • 9% Liveness
20% Instrumentalness • 52% Positiveness
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The 6ths
As You Turn to Go
102 bpm • C# Maj • 01:59 • -12.78db
34% Popularity • 37% Danceability • 44% Energy • 6% Liveness
11% Instrumentalness • 63% Positiveness
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Mariee Sioux
Old Magic
102 bpm • D Maj • 05:09 • -13.65db
16% Popularity • 34% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Molly Drake
Breakfast at Bradenham Woods
102 bpm • A# Maj • 01:51 • -21db
18% Popularity • 49% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Vashti Bunyan
Across the Water
106 bpm • C Maj • 03:47 • -19.87db
22% Popularity • 28% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Sibylle Baier
Give Me a Smile
102 bpm • E min • 01:54 • -9.95db
36% Popularity • 22% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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Modern Studies
The Bold Fisherman
102 bpm • D# min • 06:22 • -19.74db
21% Popularity • 30% Danceability • 5% Energy • 8% Liveness
25% Instrumentalness • 6% Positiveness
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Grouper
Heavy Water/I'd Rather Be Sleeping
106 bpm • D Maj • 02:53 • -14.19db
51% Popularity • 46% Danceability • 31% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Spirogyra
Love Is a Funny Thing
102 bpm • C Maj • 02:12 • -17.24db
23% Popularity • 57% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 18% Positiveness
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Molly Drake
Little Weaver Bird
102 bpm • F# Maj • 01:51 • -20db
33% Popularity • 51% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Vashti Bunyan
Turning Backs
102 bpm • D Maj • 04:28 • -15.4db
17% Popularity • 41% Danceability • 19% Energy • 12% Liveness
76% Instrumentalness • 21% Positiveness
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Bridget St John
To B Without a Hitch
102 bpm • G# Maj • 03:07 • -17db
27% Popularity • 47% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Mariee Sioux
Bravitzlana Rubakalva
101 bpm • F# min • 04:00 • -9.06db
20% Popularity • 42% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Jackson C. Frank
Milk and Honey
107 bpm • E min • 03:37 • -17.13db
44% Popularity • 45% Danceability • 11% Energy • 10% Liveness
10% Instrumentalness • 32% Positiveness
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Angel Olsen
If it's Alive, it Will
101 bpm • A# min • 03:22 • -9.85db
25% Popularity • 38% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Josephine Foster
All I Wanted Was the Moon
107 bpm • C# min • 05:40 • -12.99db
10% Popularity • 35% Danceability • 31% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
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Vashti Bunyan
Gunpowder
106 bpm • D Maj • 03:04 • -18.13db
15% Popularity • 31% Danceability • 11% Energy • 10% Liveness
43% Instrumentalness • 16% Positiveness
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Tia Blake
Black Is the Colour
101 bpm • A min • 02:28 • -24.78db
42% Popularity • 40% Danceability • 2% Energy • 24% Liveness
1% Instrumentalness • 35% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Marika Hackman
Ophelia
108 bpm • E min • 03:33 • -12db
38% Popularity • 66% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Daniel Johnston
Story of an Artist
108 bpm • D min • 05:11 • -11db
39% Popularity • 42% Danceability • 31% Energy • 32% Liveness
26% Instrumentalness • 69% Positiveness
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Josephine Foster
My Wandering Heart
108 bpm • A min • 03:57 • -9.66db
16% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Kim Deal
Beautiful Moon
108 bpm • G Maj • 01:46 • -16.97db
33% Popularity • 49% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
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Owen Pallett
Peach, Plum, Pear
100 bpm • F Maj • 02:48 • -9.58db
18% Popularity • 76% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Stephin Merritt
One April Day
100 bpm • G# Maj • 01:54 • -7db
30% Popularity • 47% Danceability • 48% Energy • 19% Liveness
78% Instrumentalness • 63% Positiveness
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Gaelynn Lea
Someday We'll Linger in the Sun
108 bpm • G min • 04:36 • -8.76db
27% Popularity • 30% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 6% Positiveness
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Kimya Dawson
So Nice So Smart
108 bpm • E Maj • 02:45 • -16.16db
46% Popularity • 49% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Angel Olsen
Drunk and with Dreams
108 bpm • A# Maj • 03:53 • -7.74db
28% Popularity • 41% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Haley Heynderickx
The Bug Collector
100 bpm • A# Maj • 03:48 • -9.71db
70% Popularity • 54% Danceability • 42% Energy • 10% Liveness
33% Instrumentalness • 53% Positiveness
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Molly Drake
A Sound
100 bpm • D Maj • 01:54 • -28db
32% Popularity • 30% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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Florist
M
99 bpm • C Maj • 02:46 • -17.81db
46% Popularity • 42% Danceability • 5% Energy • 34% Liveness
4% Instrumentalness • 14% Positiveness
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Sibylle Baier
The End
99 bpm • D# Maj • 02:27 • -15db
42% Popularity • 57% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Vashti Bunyan
Girl's Song In Winter
109 bpm • G Maj • 01:37 • -20.33db
7% Popularity • 51% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Diane Cluck
Heartloose
99 bpm • F Maj • 02:18 • -14db
32% Popularity • 60% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Haley Heynderickx
Little Wind
99 bpm • D Maj • 02:02 • -12.34db
40% Popularity • 57% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Connie Converse
One by One
109 bpm • G Maj • 02:04 • -17.26db
28% Popularity • 45% Danceability • 6% Energy • 18% Liveness
5% Instrumentalness • 32% Positiveness
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The Magnetic Fields
Absolutely Cuckoo
99 bpm • B Maj • 01:34 • -10db
51% Popularity • 46% Danceability • 42% Energy • 17% Liveness
88% Instrumentalness • 89% Positiveness
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Dear Nora
Hung Up
109 bpm • A Maj • 01:48 • -18db
28% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Vashti Bunyan
Feet of Clay
109 bpm • G Maj • 04:29 • -16.07db
16% Popularity • 35% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 41% Positiveness
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Hope Sandoval & The Warm Inventions
Butterfly Mornings
99 bpm • G Maj • 03:33 • -19db
38% Popularity • 38% Danceability • 9% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
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Bridget St John
Early Morning Song
110 bpm • F Maj • 01:56 • -14.35db
20% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Connie Converse
Man in the Sky
109 bpm • C# Maj • 04:02 • -17.34db
27% Popularity • 51% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Weyes Blood
Mirror Forever
110 bpm • C Maj • 05:05 • -11db
44% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Orion Rigel Dommisse
A Faceless Death
110 bpm • A# min • 02:37 • -13.22db
10% Popularity • 50% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Mount Eerie
Who?
110 bpm • B min • 02:28 • -18.24db
23% Popularity • 43% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Fiona Apple
Valentine
110 bpm • D Maj • 03:32 • -15.67db
52% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Vashti Bunyan
Someday - Demo
110 bpm • G Maj • 02:05 • -19.83db
3% Popularity • 47% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Connie Converse
The Clover Saloon
99 bpm • C Maj • 02:14 • -18.09db
26% Popularity • 56% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 61% Positiveness
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Mariee Sioux
Bundles
98 bpm • F# min • 09:54 • -11.25db
18% Popularity • 37% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Linda Perhacs
Parallelograms
110 bpm • F Maj • 04:33 • -17.2db
33% Popularity • 37% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Dudley Benson
TÅ«Ä« - Stef Animal Remix
98 bpm • C# min • 03:37 • -14.14db
2% Popularity • 36% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Mountain Goats
Love Love Love
110 bpm • E Maj • 02:48 • -17db
46% Popularity • 75% Danceability • 23% Energy • 7% Liveness
34% Instrumentalness • 20% Positiveness
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Dear Nora
The Lonesome Border, Pt. 1
111 bpm • E Maj • 01:31 • -16.83db
40% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Connie Converse
Johnny's Brother
98 bpm • C Maj • 02:44 • -19.6db
28% Popularity • 46% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 52% Positiveness
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Jessica Pratt
On Your Own Love Again
111 bpm • F# Maj • 01:33 • -13db
51% Popularity • 62% Danceability • 31% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
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Larkin Grimm
The Butcher
111 bpm • A Maj • 03:55 • -15.92db
16% Popularity • 38% Danceability • 34% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
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Linda Perhacs
Morning Colors
111 bpm • D Maj • 04:34 • -13db
28% Popularity • 40% Danceability • 16% Energy • 11% Liveness
26% Instrumentalness • 19% Positiveness
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Emitt Rhodes
Lullabye
98 bpm • C Maj • 01:05 • -21.37db
52% Popularity • 48% Danceability • 6% Energy • 10% Liveness
15% Instrumentalness • 70% Positiveness
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Vashti Bunyan
17 Pink Sugar Elephants
111 bpm • E min • 01:50 • -17.62db
7% Popularity • 55% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Moondog
High On A Rocky Ledge
97 bpm • A Maj • 04:28 • -14.1db
43% Popularity • 61% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Marika Hackman
Undone, Undress
97 bpm • A min • 03:26 • -14.74db
26% Popularity • 23% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
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Soko
Why Don't You Eat Me Now You Can
111 bpm • A min • 01:28 • -19db
25% Popularity • 61% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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aspidistrafly
Landscape With a Fairy
111 bpm • F Maj • 04:25 • -12.93db
53% Popularity • 30% Danceability • 29% Energy • 36% Liveness
82% Instrumentalness • 20% Positiveness
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Laura Marling
For You
97 bpm • C Maj • 03:57 • -16db
46% Popularity • 55% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sibylle Baier
Forget About
97 bpm • A# Maj • 02:31 • -17.25db
49% Popularity • 59% Danceability • 11% Energy • 11% Liveness
65% Instrumentalness • 28% Positiveness
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Mitski
Square
111 bpm • C Maj • 03:10 • -12.21db
54% Popularity • 28% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Vashti Bunyan
Mother
97 bpm • D Maj • 03:29 • -23.29db
15% Popularity • 51% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
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Mariee Sioux
Friendboats
97 bpm • D Maj • 03:39 • -11db
23% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Tia Blake
My Father Is a Lonely Man
112 bpm • G Maj • 02:24 • -16.53db
24% Popularity • 53% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Big Thief
Pretty Things
112 bpm • C# Maj • 03:04 • -13.8db
48% Popularity • 47% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Diane Cluck
Half a Million Miles from Home
112 bpm • C Maj • 03:25 • -18.43db
28% Popularity • 56% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Norma Tanega
Jubilation
97 bpm • C# Maj • 02:42 • -8db
34% Popularity • 59% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Vashti Bunyan
If I Were
97 bpm • C Maj • 02:15 • -19.27db
37% Popularity • 60% Danceability • 15% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
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Dear Nora
Rollercoaster
97 bpm • E Maj • 01:45 • -13.67db
36% Popularity • 54% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Jessica Pratt
Jacquelyn in the Background
112 bpm • C# Maj • 03:23 • -11db
36% Popularity • 46% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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aspidistrafly
Twinkling Fall
112 bpm • F Maj • 03:16 • -13.59db
25% Popularity • 66% Danceability • 32% Energy • 32% Liveness
93% Instrumentalness • 20% Positiveness
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Gregory and the Hawk
My Own Bad Dreams
112 bpm • G# Maj • 04:08 • -17.4db
15% Popularity • 60% Danceability • 10% Energy • 14% Liveness
2% Instrumentalness • 34% Positiveness
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Here Before