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Here For You
Songs like
Here For You
by
Nils Lofgren
Based on a tempo of (+/- 10%) and a similar genre
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Ray Davies
Americana
124 bpm • E Maj • 04:02 • -10.26db
16% Popularity • 53% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Dire Straits
Angel Of Mercy
124 bpm • G Maj • 04:34 • -8.19db
45% Popularity • 71% Danceability • 72% Energy • 8% Liveness
8% Instrumentalness • 91% Positiveness
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Sara K.
All Your Love (Turned To Passion)
124 bpm • F# min • 05:18 • -14.53db
36% Popularity • 58% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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The Band You Know
It Never Rains in Southern California
124 bpm • A Maj • 04:27 • -10.74db
21% Popularity • 58% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Nils Lofgren
The Sun Hasn't Set On This Boy Yet
125 bpm • G Maj • 02:44 • -9.97db
8% Popularity • 73% Danceability • 65% Energy • 12% Liveness
83% Instrumentalness • 79% Positiveness
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Phil Lynott
Ode To Liberty (The Protest Song)
123 bpm • B min • 05:47 • -12.87db
24% Popularity • 72% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Randy Newman
It's Money That Matters
125 bpm • D Maj • 04:07 • -13.25db
23% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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R.E.M.
Country Feedback - with guest Neil Young
123 bpm • G Maj • 08:50 • -9db
30% Popularity • 46% Danceability • 56% Energy • 96% Liveness
1% Instrumentalness • 25% Positiveness
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Sniff 'n' The Tears
Last Dance
125 bpm • D# Maj • 01:47 • -17.65db
19% Popularity • 64% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Roger Hodgson
Say Goodbye
123 bpm • A# Maj • 03:57 • -10.18db
30% Popularity • 28% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Pete Townshend
Till The Rivers All Run Dry
123 bpm • E Maj • 03:52 • -22db
33% Popularity • 73% Danceability • 22% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
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Roger McGuinn
King Of The Hill
125 bpm • A Maj • 05:27 • -10.65db
28% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Elliott Murphy
And general Robert E. Lee
123 bpm • A min • 04:30 • -5.86db
22% Popularity • 50% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Nils Lofgren
Where I Wanna Be
123 bpm • C# Maj • 02:48 • -8.69db
5% Popularity • 79% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Randy Newman
Dixie Flyer
126 bpm • A# Maj • 04:09 • -9.59db
23% Popularity • 66% Danceability • 52% Energy • 21% Liveness
59% Instrumentalness • 24% Positiveness
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Mike Scott
What Do You Want Me to Do
122 bpm • C# min • 03:01 • -10.33db
38% Popularity • 73% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Jerry Lee Lewis
Will The Circle Be Unbroken
126 bpm • E Maj • 03:48 • -7.36db
8% Popularity • 62% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Bachman-Turner Overdrive
Lookin' Out For #1
122 bpm • E Maj • 05:19 • -9db
36% Popularity • 61% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Elliott Murphy
Last of the Rock Stars
123 bpm • C Maj • 03:59 • -11.74db
28% Popularity • 52% Danceability • 33% Energy • 11% Liveness
5% Instrumentalness • 34% Positiveness
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Nils Lofgren
I Came To Dance
122 bpm • D Maj • 04:32 • -5.43db
11% Popularity • 72% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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David Lindley
Talk to the Lawyer
126 bpm • D Maj • 05:00 • -13db
18% Popularity • 71% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Tim Hardin
Bird On the Wire
126 bpm • G Maj • 05:27 • -13db
24% Popularity • 43% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Jeremy Spencer
Precious Little
126 bpm • B min • 04:29 • -14.97db
22% Popularity • 70% Danceability • 46% Energy • 14% Liveness
65% Instrumentalness • 31% Positiveness
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Joan Armatrading
Willow - Uk Single Edited Version
121 bpm • C Maj • 04:03 • -20db
36% Popularity • 58% Danceability • 13% Energy • 8% Liveness
5% Instrumentalness • 22% Positiveness
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Elliott Murphy
Come On Louann
121 bpm • G Maj • 04:05 • -5.1db
23% Popularity • 60% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Justin Hayward
Blue Guitar
127 bpm • F Maj • 03:37 • -7.54db
29% Popularity • 24% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Nils Lofgren
I Don't Want To Know
126 bpm • E min • 02:41 • -9.03db
10% Popularity • 82% Danceability • 51% Energy • 11% Liveness
57% Instrumentalness • 91% Positiveness
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Nits
The Bauhaus Chair
121 bpm • A Maj • 02:44 • -17.77db
17% Popularity • 48% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Little Steven
Lyin' In A Bed Of Fire
127 bpm • C Maj • 04:22 • -6db
20% Popularity • 49% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Dire Straits
Water Of Love
121 bpm • G Maj • 05:25 • -12.96db
62% Popularity • 82% Danceability • 55% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
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Pavlov's Dog
Mersey
127 bpm • E Maj • 03:05 • -14.93db
24% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Eric Andersen
Blue River
127 bpm • F Maj • 04:45 • -14.43db
19% Popularity • 41% Danceability • 26% Energy • 12% Liveness
53% Instrumentalness • 14% Positiveness
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Nils Lofgren
Mud In Your Eye - Live
121 bpm • D Maj • 02:44 • -10.09db
13% Popularity • 66% Danceability • 63% Energy • 96% Liveness
0% Instrumentalness • 96% Positiveness
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Ray Davies
Celluloid Heroes
128 bpm • G Maj • 05:20 • -12.35db
13% Popularity • 45% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Rosanne Cash
Motherless Children
128 bpm • G min • 03:06 • -7.16db
34% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Dire Straits
Planet Of New Orleans
128 bpm • F Maj • 07:45 • -10.26db
43% Popularity • 57% Danceability • 45% Energy • 33% Liveness
79% Instrumentalness • 15% Positiveness
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Al Stewart
Sand in Your Shoes - 2001 Remaster
120 bpm • G Maj • 03:04 • -11.44db
35% Popularity • 73% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Sniff 'n' The Tears
Here's to You
120 bpm • A min • 03:49 • -9db
9% Popularity • 69% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
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Nils Lofgren
Let Me Fall
121 bpm • F Maj • 04:13 • -7.33db
4% Popularity • 85% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 98% Positiveness
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Joan Armatrading
A Woman in Love
120 bpm • G min • 03:56 • -5.82db
10% Popularity • 80% Danceability • 90% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
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Graham Nash
Encore
128 bpm • E Maj • 03:51 • -18db
35% Popularity • 64% Danceability • 14% Energy • 11% Liveness
5% Instrumentalness • 15% Positiveness
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Wilko Johnson
Can You Please Crawl Out Your Window
120 bpm • A Maj • 03:37 • -3.21db
24% Popularity • 53% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Tanita Tikaram
Don't Shake Me Up
120 bpm • D Maj • 02:59 • -12.96db
42% Popularity • 73% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Matthews' Southern Comfort
Feed It
128 bpm • E Maj • 05:36 • -8.74db
15% Popularity • 80% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Roger Hodgson
Two of Us
128 bpm • A Maj • 02:43 • -9db
45% Popularity • 30% Danceability • 56% Energy • 98% Liveness
0% Instrumentalness • 21% Positiveness
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Dire Straits
It Never Rains
120 bpm • D Maj • 07:59 • -8.4db
46% Popularity • 66% Danceability • 75% Energy • 6% Liveness
1% Instrumentalness • 58% Positiveness
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Jools Holland
Horse To The Water
120 bpm • G min • 05:01 • -5.45db
34% Popularity • 63% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Eric Burdon
Factory Girl
129 bpm • F min • 04:40 • -8.78db
9% Popularity • 42% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Traveling Wilburys
Not Alone Any More
120 bpm • D Maj • 03:24 • -6.23db
54% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Little Village
The Action
119 bpm • A min • 03:24 • -10.65db
20% Popularity • 86% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Sharon Robinson
Alexandra Leaving
129 bpm • G# Maj • 05:06 • -13.66db
29% Popularity • 42% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Snowy White
The Time Has Come
129 bpm • C min • 03:50 • -7.66db
38% Popularity • 74% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
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Southside Johnny And The Asbury Jukes
Hearts of Stone - 2013 Remaster
129 bpm • F Maj • 04:29 • -6.09db
21% Popularity • 46% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Nils Lofgren
Bein' Angry
130 bpm • E Maj • 05:54 • -13.17db
5% Popularity • 71% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
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The Boss
Waiting on a Sunny Day
119 bpm • C Maj • 04:28 • -9db
35% Popularity • 51% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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Gretchen Peters
Pretty Things
130 bpm • C Maj • 05:03 • -12db
31% Popularity • 47% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Van Morrison
Daring Night
119 bpm • G Maj • 06:13 • -9.57db
28% Popularity • 53% Danceability • 61% Energy • 28% Liveness
5% Instrumentalness • 47% Positiveness
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Roger Waters
Amused to Death
118 bpm • D Maj • 09:08 • -18.43db
37% Popularity • 60% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 16% Positiveness
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Mike Scott
City Full of Ghosts (Dublin)
130 bpm • A Maj • 02:47 • -9db
27% Popularity • 54% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Tanita Tikaram
World Outside Your Window
130 bpm • E Maj • 04:54 • -12.1db
36% Popularity • 74% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Steve Winwood
There's A River
118 bpm • G# Maj • 04:39 • -16.58db
22% Popularity • 61% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Kweller
No Reason Live at the Marquee
130 bpm • F Maj • 09:07 • -7.31db
3% Popularity • 33% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 40% Positiveness
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Seneca's Exile
Broken Oar
118 bpm • G Maj • 04:40 • -6.4db
9% Popularity • 62% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Little Steven
I Don't Want To Go Home
118 bpm • G Maj • 04:20 • -5.73db
14% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Chip Taylor
Rock and Roll Joe
130 bpm • B min • 04:04 • -11.82db
25% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Lee Clayton
I Ride Alone
118 bpm • C# min • 05:17 • -8.8db
23% Popularity • 52% Danceability • 67% Energy • 10% Liveness
36% Instrumentalness • 44% Positiveness
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Allan Taylor
Los Compañeros
118 bpm • G Maj • 06:11 • -14.88db
14% Popularity • 50% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Tanita Tikaram
Cathedral Song
131 bpm • A Maj • 02:53 • -16.63db
51% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Barclay James Harvest
Rock 'N Roll Star
118 bpm • B min • 05:17 • -14db
30% Popularity • 51% Danceability • 38% Energy • 8% Liveness
39% Instrumentalness • 53% Positiveness
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Van Morrison
Sometimes I Feel Like a Motherless Child
118 bpm • F# min • 04:28 • -10.45db
33% Popularity • 56% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
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Greg Brown
Dream Café
131 bpm • F Maj • 05:57 • -16.78db
31% Popularity • 77% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Rosanne Cash
The Only Thing Worth Fighting For
117 bpm • G min • 04:19 • -9.47db
24% Popularity • 64% Danceability • 62% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
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Daisy Villanueva
Hvis
131 bpm • D# Maj • 04:01 • -9.08db
26% Popularity • 62% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Lee Clayton
10,000 Years/Sexual Moon
117 bpm • C# min • 06:25 • -8.64db
13% Popularity • 41% Danceability • 58% Energy • 6% Liveness
2% Instrumentalness • 56% Positiveness
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Strawbs
Lay Down
131 bpm • E Maj • 04:32 • -5.94db
33% Popularity • 41% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Richard Thompson
I Misunderstood
117 bpm • C min • 03:57 • -12db
29% Popularity • 70% Danceability • 28% Energy • 10% Liveness
33% Instrumentalness • 64% Positiveness
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Little Village
Big Love
131 bpm • D Maj • 06:25 • -12db
27% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Patti Scialfa
Come Tomorrow
117 bpm • A Maj • 03:53 • -9db
31% Popularity • 84% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Dire Straits
My Parties
117 bpm • E min • 05:30 • -11db
46% Popularity • 70% Danceability • 48% Energy • 12% Liveness
7% Instrumentalness • 52% Positiveness
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Graham Nash
Cracks in the City
132 bpm • B min • 03:41 • -14.61db
21% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Kevin Coyne
Sunday Morning Sunrise
132 bpm • B Maj • 05:33 • -14.67db
17% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Tom Jones
Tower Of Song
117 bpm • B Maj • 03:56 • -11.7db
36% Popularity • 63% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Notting Hillbillies
Bewildered
117 bpm • F min • 02:36 • -17.55db
42% Popularity • 47% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Daniel Lanois
Shine
117 bpm • F# Maj • 03:30 • -14.23db
23% Popularity • 64% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Kooymans & Carillo
Seasons (bonus track)
132 bpm • A min • 04:36 • -8.08db
14% Popularity • 59% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Nils Lofgren
In the Distance
116 bpm • G Maj • 04:18 • -8.83db
6% Popularity • 61% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Mike Scott
Sensitive Children
116 bpm • A Maj • 02:40 • -12.03db
32% Popularity • 40% Danceability • 41% Energy • 24% Liveness
42% Instrumentalness • 45% Positiveness
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Lowell George
20 Million Things
116 bpm • G Maj • 02:50 • -12db
29% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Hothouse Flowers
Good for You
132 bpm • C Maj • 04:04 • -12.27db
21% Popularity • 39% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Bill Wyman's Rhythm Kings
Beds Are Burning
116 bpm • A Maj • 04:21 • -7.64db
11% Popularity • 83% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Elliott Murphy
Better Days
116 bpm • A Maj • 03:54 • -7.6db
20% Popularity • 66% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Nils Lofgren
Highway
116 bpm • C Maj • 03:12 • -6.68db
5% Popularity • 72% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
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Iain Matthews
Brown Eyed Girl
132 bpm • G Maj • 03:50 • -9.03db
11% Popularity • 63% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Supertramp
Even In The Quietest Moments
132 bpm • G Maj • 06:26 • -7.41db
52% Popularity • 43% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Little Steven
Love On The Wrong Side Of Town
116 bpm • A Maj • 03:51 • -5.02db
14% Popularity • 50% Danceability • 85% Energy • 23% Liveness
1% Instrumentalness • 67% Positiveness
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Mike Scott
Rare, Precious and Gone
116 bpm • F# min • 04:06 • -9db
29% Popularity • 70% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Elliott Murphy
Johnny boy gone
116 bpm • C# min • 05:50 • -9.62db
16% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Ronnie Wood
Seven Days
133 bpm • E min • 04:10 • -13db
24% Popularity • 53% Danceability • 72% Energy • 52% Liveness
0% Instrumentalness • 80% Positiveness
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David Knopfler
Genius
133 bpm • A# Maj • 03:13 • -11.78db
18% Popularity • 57% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
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Barclay James Harvest
Titles
134 bpm • F Maj • 03:49 • -10.31db
34% Popularity • 46% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Here For You