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Here & Now
Songs like
Here & Now
by
Shane Howard
Based on a tempo of (+/- 10%) and a similar genre
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Potential Commotion
Pre-Countdown
103 bpm • A Maj • 01:36 • -17.16db
12% Popularity • 64% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Colin Hay
Looking for Jack
103 bpm • A Maj • 04:10 • -16.66db
10% Popularity • 72% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Jenny Morris
In Too Deep
103 bpm • C Maj • 04:42 • -10.56db
11% Popularity • 74% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Ian Moss
Out of the Fire
103 bpm • A# min • 04:57 • -11.88db
30% Popularity • 78% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Jude Cole
Believe In You
103 bpm • D Maj • 04:00 • -9.64db
12% Popularity • 74% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 46% Positiveness
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Shane Howard
Here & Now
103 bpm • G# min • 04:34 • -14.9db
11% Popularity • 72% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Archie Roach
Beautiful Child
104 bpm • D Maj • 04:01 • -13.64db
22% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Hunters & Collectors
Holy Grail - Acoustic
104 bpm • E Maj • 03:21 • -7.83db
13% Popularity • 43% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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The Badloves
In My Garden
102 bpm • G Maj • 03:58 • -11.09db
21% Popularity • 76% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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D. Pritzker
The Edge of the World
104 bpm • A Maj • 04:30 • -10.83db
18% Popularity • 56% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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David & David
Ain't So Easy
104 bpm • C Maj • 04:50 • -14db
28% Popularity • 67% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Ash Hayward
Drift away
102 bpm • G Maj • 03:57 • -10.49db
12% Popularity • 53% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Toni Childs
I've Got To Go Now
102 bpm • G Maj • 06:27 • -12.99db
41% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Pigram Brothers
Roadtrain
102 bpm • E Maj • 04:14 • -9.37db
28% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Blessing
Prince Of The Deep Water
104 bpm • C Maj • 05:17 • -11.36db
9% Popularity • 52% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Shane Howard
I Go Out Walking
102 bpm • G Maj • 01:37 • -14.61db
0% Popularity • 53% Danceability • 8% Energy • 12% Liveness
5% Instrumentalness • 40% Positiveness
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The Black Sorrows
Too Long Gone
104 bpm • D Maj • 04:50 • -8.15db
4% Popularity • 46% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Reginald Bellamy
Girl
104 bpm • A Maj • 04:19 • -12.29db
28% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Sinéad Lohan
Whatever It Takes
102 bpm • A Maj • 03:35 • -6.35db
26% Popularity • 54% Danceability • 90% Energy • 40% Liveness
1% Instrumentalness • 64% Positiveness
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Dave Dobbyn
Belle of the Ball
101 bpm • G min • 03:57 • -11.36db
17% Popularity • 73% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Pigram Brothers
Johnny Walker's Shoes
101 bpm • D Maj • 04:53 • -8.56db
22% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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David Crosby
Hero
105 bpm • D# Maj • 04:40 • -10db
34% Popularity • 66% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Luka Bloom
Diamond Mountain
105 bpm • C Maj • 05:19 • -13.29db
22% Popularity • 58% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
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Deborah Conway
Will You Miss Me When You're Sober?
101 bpm • C Maj • 04:01 • -11db
23% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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The Warratahs
Rescue Me
105 bpm • D# Maj • 04:14 • -7.06db
11% Popularity • 61% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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The Finn Brothers
Disembodied Voices
101 bpm • A Maj • 03:40 • -8.64db
20% Popularity • 56% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Bap Kennedy
Sailortown
105 bpm • G Maj • 04:10 • -11.59db
12% Popularity • 52% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Tim Finn
Persuasion
101 bpm • D Maj • 03:53 • -11db
30% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Brady
Paradise Is Here
106 bpm • C Maj • 05:00 • -12.53db
11% Popularity • 73% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Shane Howard
Miss Me Darlin'
106 bpm • C Maj • 04:22 • -6.25db
0% Popularity • 56% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Del Amitri
As Soon As The Tide Comes In
106 bpm • D Maj • 04:23 • -8.95db
17% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Finn Brothers
Won't Give In
100 bpm • G Maj • 04:17 • -6.74db
32% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Jude Cole
Hallowed Ground
106 bpm • G Maj • 05:20 • -9.44db
17% Popularity • 60% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Company Of Strangers
Loose Ends - ´
100 bpm • C Maj • 03:14 • -3.24db
8% Popularity • 59% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Paul Brady
Paradise Is Here - alternate version
106 bpm • C Maj • 04:34 • -12.65db
23% Popularity • 77% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Howard Jones
If You Love
100 bpm • C Maj • 04:30 • -10.75db
8% Popularity • 66% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tim Finn
Fraction Too Much Friction
100 bpm • B min • 04:14 • -15db
35% Popularity • 66% Danceability • 49% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Tiddas
You & Me Running
106 bpm • G Maj • 03:19 • -6.16db
8% Popularity • 62% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Little River Band
Love Is A Bridge
99 bpm • A Maj • 04:06 • -11.74db
38% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Shane Howard
Walk On Fire
99 bpm • E min • 04:34 • -10.15db
17% Popularity • 55% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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Peter Himmelman
Child Into A Man
99 bpm • G Maj • 03:39 • -8.87db
8% Popularity • 57% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Jennifer Warnes
Whole Of The Moon
107 bpm • C Maj • 04:58 • -9.72db
22% Popularity • 67% Danceability • 61% Energy • 17% Liveness
1% Instrumentalness • 77% Positiveness
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Phil Carmen
I Found You in Time
100 bpm • F Maj • 02:59 • -11.06db
18% Popularity • 60% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Marc Cohn
Saving the Best for Last
107 bpm • C Maj • 05:35 • -16db
24% Popularity • 53% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Things Of Stone and Wood
Heidelberg
107 bpm • D Maj • 03:47 • -7db
10% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Warratahs
Cape Turnagain
99 bpm • D Maj • 05:16 • -7.07db
8% Popularity • 49% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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The Big Dish
Where Do You Live?
107 bpm • F Maj • 03:43 • -11.87db
12% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Eurogliders
Jesse
99 bpm • E Maj • 04:31 • -16.51db
7% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Badloves
Living Thing
99 bpm • A# Maj • 03:50 • -9.18db
13% Popularity • 54% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Marc Cohn
Olana
107 bpm • C Maj • 04:22 • -8.55db
16% Popularity • 79% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
36% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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The Little Heroes
Bon Voyage
108 bpm • C# min • 03:37 • -4.82db
11% Popularity • 75% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Nils Lofgren
Shot at You
99 bpm • D Maj • 05:47 • -14.7db
8% Popularity • 70% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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The Black Sorrows
In The Hands Of The Enemy
98 bpm • G Maj • 04:33 • -12.17db
13% Popularity • 57% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Chocolate Starfish
You're so Vain
108 bpm • C Maj • 04:09 • -7db
35% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Kevin McDermott Orchestra
What Comes To Pass
98 bpm • F Maj • 03:31 • -13.26db
13% Popularity • 61% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Carly Simon
Better Not Tell Her - Remastered 2004/Si...
108 bpm • D Maj • 04:49 • -8.42db
15% Popularity • 76% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Tim Finn
Couldn't Be Done
108 bpm • B Maj • 02:50 • -8.85db
20% Popularity • 70% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Shane Howard
Down By The River
108 bpm • C Maj • 06:42 • -10.26db
1% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Del Amitri
Fred Partington's Daughter
108 bpm • F Maj • 03:40 • -9.36db
8% Popularity • 60% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Marc Cohn
Lost You in the Canyon
108 bpm • G min • 04:16 • -8.86db
17% Popularity • 74% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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Blessing
Highway 5
108 bpm • C Maj • 05:06 • -9.28db
17% Popularity • 65% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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The Black Sorrows
Snake Skin Shoes
98 bpm • D Maj • 04:42 • -9db
21% Popularity • 59% Danceability • 72% Energy • 7% Liveness
14% Instrumentalness • 67% Positiveness
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Ian Moss
Telephone Booth
108 bpm • F# Maj • 03:04 • -11db
41% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Shane Howard
Try
98 bpm • C Maj • 03:44 • -11.48db
3% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Gretchen Peters
I Was Looking for You
109 bpm • A Maj • 03:58 • -7.12db
12% Popularity • 67% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Marc Cohn
Perfect Love
109 bpm • F Maj • 04:23 • -19db
26% Popularity • 76% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Margaret Urlich
Not A Kennedy
109 bpm • B Maj • 03:57 • -8.28db
12% Popularity • 75% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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The Devlins
Almost Made You Smile
97 bpm • D Maj • 04:58 • -9.98db
22% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Brady
Follow On
109 bpm • A Maj • 04:16 • -13.53db
28% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Shane Howard
Little Joey Was a Pirate
109 bpm • A min • 08:34 • -7.56db
0% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Pigram Brothers
Wind Dance
97 bpm • G# Maj • 03:43 • -5.9db
20% Popularity • 49% Danceability • 86% Energy • 7% Liveness
3% Instrumentalness • 82% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
30% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Lone Justice
Dixie Storms
97 bpm • G Maj • 03:34 • -20.49db
12% Popularity • 65% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sko/Torp
You Read My Moods
110 bpm • C Maj • 03:37 • -7.25db
13% Popularity • 82% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Brian Kennedy
For One Kiss
110 bpm • A min • 04:45 • -6.69db
11% Popularity • 73% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
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Shane Howard
Oh Life
109 bpm • C Maj • 04:25 • -7.68db
0% Popularity • 66% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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TsarKastic
It's Been a Long Hard Road - Radio Edit
110 bpm • C Maj • 05:27 • -14.46db
12% Popularity • 66% Danceability • 39% Energy • 56% Liveness
0% Instrumentalness • 54% Positiveness
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Deborah Conway
King of Jordan
110 bpm • A Maj • 04:06 • -9.69db
9% Popularity • 57% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Margaret Urlich
Slip On By
110 bpm • D# Maj • 04:56 • -11.56db
11% Popularity • 87% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Archie Roach
Took the Children Away
110 bpm • G Maj • 05:24 • -12.88db
36% Popularity • 35% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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ICEHOUSE
Man Of Colours
110 bpm • C min • 05:10 • -6.83db
38% Popularity • 48% Danceability • 71% Energy • 28% Liveness
11% Instrumentalness • 27% Positiveness
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Glenn Frey
Long Hot Summer
110 bpm • G min • 05:17 • -10.39db
16% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Don Henley
A Month Of Sundays
110 bpm • F Maj • 04:29 • -19.16db
27% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Brian Kennedy
Captured
96 bpm • A Maj • 06:03 • -16db
16% Popularity • 53% Danceability • 27% Energy • 6% Liveness
1% Instrumentalness • 15% Positiveness
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Shane Howard
Tarerer
96 bpm • A Maj • 06:04 • -6.82db
1% Popularity • 59% Danceability • 63% Energy • 12% Liveness
2% Instrumentalness • 45% Positiveness
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Tim Finn
Hit The Ground Running
96 bpm • C Maj • 04:41 • -10.47db
14% Popularity • 62% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Greg Johnson
The Little Things
96 bpm • C Maj • 03:42 • -7.13db
15% Popularity • 62% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Level 42
Billy's Gone
96 bpm • D Maj • 05:24 • -8.95db
9% Popularity • 77% Danceability • 53% Energy • 38% Liveness
1% Instrumentalness • 78% Positiveness
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Jimmy Little
Bury Me Deep in Love
111 bpm • G Maj • 04:11 • -7.87db
8% Popularity • 55% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Maryanne Schulte
I Miss the Way
111 bpm • F# Maj • 02:21 • -8.28db
8% Popularity • 58% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 72% Positiveness
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Shane Howard
Murri Time
96 bpm • C Maj • 06:50 • -13.4db
5% Popularity • 35% Danceability • 28% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
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Goanna
Dangerous Dancing (Remastered)
111 bpm • E min • 04:57 • -12.19db
10% Popularity • 62% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Del Amitri
This Side Of The Morning
111 bpm • E Maj • 04:20 • -15.9db
30% Popularity • 56% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Pretenders
Hymn to Her - 2007 Remaster
95 bpm • C Maj • 04:58 • -9.35db
45% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Lucille
Wise Man
112 bpm • A min • 03:28 • -9.42db
0% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Greg Johnson
Looking Out On Monday
95 bpm • G Maj • 03:32 • -6db
11% Popularity • 56% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Shane Howard
Same Old Song
111 bpm • G Maj • 03:58 • -6.52db
0% Popularity • 68% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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The Finn Brothers
Part of Me, Part of You
112 bpm • D Maj • 03:29 • -5.16db
17% Popularity • 48% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Here & Now