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Here, There And Everywhere
Songs like
Here, There And Everywhere
by
Peter White
Based on a tempo of (+/- 10%) and a similar genre
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Brian Culbertson
Dreaming Of You
85 bpm • G# min • 03:54 • -13.05db
46% Popularity • 67% Danceability • 55% Energy • 7% Liveness
93% Instrumentalness • 76% Positiveness
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Brian Simpson
Twilight
85 bpm • C min • 04:54 • -12db
33% Popularity • 71% Danceability • 49% Energy • 7% Liveness
78% Instrumentalness • 61% Positiveness
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Peter White
Here, There And Everywhere
85 bpm • D Maj • 02:47 • -11.17db
36% Popularity • 65% Danceability • 22% Energy • 35% Liveness
74% Instrumentalness • 19% Positiveness
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Boney James
Stop, Look, Listen (To Your Heart)
85 bpm • B min • 04:56 • -12db
52% Popularity • 57% Danceability • 49% Energy • 7% Liveness
56% Instrumentalness • 40% Positiveness
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The Groove Planters
The Winner Takes It All
85 bpm • E min • 03:05 • -13.89db
34% Popularity • 65% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 54% Positiveness
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Sebastian Dalton Trio
I Have A Dream
85 bpm • C# min • 02:31 • -15.15db
37% Popularity • 73% Danceability • 23% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Dan Siegel
After All
85 bpm • D min • 04:44 • -12.88db
26% Popularity • 49% Danceability • 40% Energy • 8% Liveness
3% Instrumentalness • 30% Positiveness
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Jeanne Newhall
Bunco Man
86 bpm • B Maj • 03:50 • -12.47db
0% Popularity • 61% Danceability • 42% Energy • 7% Liveness
44% Instrumentalness • 83% Positiveness
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Tom Grant
Fantasy
86 bpm • E min • 04:54 • -10.24db
32% Popularity • 32% Danceability • 64% Energy • 14% Liveness
80% Instrumentalness • 31% Positiveness
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Euge Groove
Café Del Soul
86 bpm • A min • 04:23 • -7.37db
31% Popularity • 70% Danceability • 73% Energy • 14% Liveness
24% Instrumentalness • 63% Positiveness
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Phil Casagrande
Walk On By
86 bpm • F Maj • 03:21 • -12.47db
41% Popularity • 58% Danceability • 47% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Sergio Ortiz
Autum Leaves - Las Hojas Muertas
86 bpm • E min • 02:19 • -17db
51% Popularity • 23% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Peter White
Glow
84 bpm • C min • 05:12 • -9.58db
32% Popularity • 54% Danceability • 62% Energy • 10% Liveness
60% Instrumentalness • 62% Positiveness
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Atlantic Five Sax Department
Drive
84 bpm • D# min • 03:49 • -11.94db
45% Popularity • 57% Danceability • 42% Energy • 10% Liveness
69% Instrumentalness • 39% Positiveness
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Jim Chappell
Field Day
86 bpm • G Maj • 04:06 • -17.84db
18% Popularity • 55% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 31% Positiveness
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Carol Albert
Morning Song
84 bpm • A# Maj • 03:21 • -17.52db
23% Popularity • 19% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Benedetti
Longer
83 bpm • G Maj • 02:57 • -13db
15% Popularity • 53% Danceability • 21% Energy • 14% Liveness
65% Instrumentalness • 30% Positiveness
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Francis Goya
Cavatina
83 bpm • E Maj • 04:14 • -10.16db
35% Popularity • 40% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Cindy Bradley
You Don't Know What Love Is
83 bpm • F min • 07:00 • -8.04db
23% Popularity • 43% Danceability • 54% Energy • 14% Liveness
26% Instrumentalness • 28% Positiveness
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Renato Falaschi
Where Are You? (Instrumental Version)
87 bpm • F min • 05:36 • -8.86db
40% Popularity • 62% Danceability • 71% Energy • 30% Liveness
54% Instrumentalness • 78% Positiveness
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Lee Ritenour
Lovely Day
87 bpm • B min • 05:57 • -11.71db
34% Popularity • 70% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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The Rippingtons
Sweet Lullaby
87 bpm • B Maj • 04:21 • -6.8db
35% Popularity • 64% Danceability • 52% Energy • 8% Liveness
86% Instrumentalness • 53% Positiveness
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3rd Force
Here Comes The Night - Remastered
88 bpm • F# Maj • 05:52 • -13.35db
22% Popularity • 65% Danceability • 49% Energy • 25% Liveness
69% Instrumentalness • 26% Positiveness
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Braxton Brothers
Sunset Bay
82 bpm • E Maj • 04:57 • -8db
38% Popularity • 60% Danceability • 58% Energy • 11% Liveness
34% Instrumentalness • 73% Positiveness
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Peter White
Autumn Day
88 bpm • B min • 04:34 • -7.97db
48% Popularity • 64% Danceability • 71% Energy • 4% Liveness
67% Instrumentalness • 65% Positiveness
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Renato Falaschi
Summer Rain
83 bpm • A# min • 04:53 • -11db
44% Popularity • 39% Danceability • 38% Energy • 10% Liveness
77% Instrumentalness • 24% Positiveness
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Euge Groove
Vinyl
88 bpm • F min • 04:29 • -6.97db
48% Popularity • 76% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Dan Siegel
This Time Around
88 bpm • F Maj • 05:02 • -8.6db
41% Popularity • 64% Danceability • 54% Energy • 11% Liveness
84% Instrumentalness • 44% Positiveness
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Bob Mamet
Greenstreet
88 bpm • E min • 03:58 • -12.12db
45% Popularity • 69% Danceability • 49% Energy • 5% Liveness
82% Instrumentalness • 78% Positiveness
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Acoustic Alchemy
Tete A Tete
88 bpm • B min • 04:43 • -10.16db
33% Popularity • 62% Danceability • 63% Energy • 9% Liveness
83% Instrumentalness • 28% Positiveness
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Walter Beasley
It Might Be You
88 bpm • G Maj • 04:37 • -11.09db
34% Popularity • 63% Danceability • 41% Energy • 8% Liveness
5% Instrumentalness • 49% Positiveness
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Renato Falaschi
Waiting in Vain
83 bpm • C Maj • 06:32 • -9.3db
35% Popularity • 54% Danceability • 51% Energy • 9% Liveness
96% Instrumentalness • 53% Positiveness
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Gregg Karukas
Deep Into You
82 bpm • D min • 05:16 • -12.06db
31% Popularity • 63% Danceability • 51% Energy • 11% Liveness
52% Instrumentalness • 47% Positiveness
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Dan Siegel
A World Away
82 bpm • G min • 04:18 • -13.81db
33% Popularity • 64% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
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Brian Culbertson
Morning Walk
82 bpm • F Maj • 05:11 • -13.29db
37% Popularity • 63% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
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Keiko Matsui
Proof
82 bpm • G Maj • 04:59 • -10db
35% Popularity • 69% Danceability • 58% Energy • 15% Liveness
80% Instrumentalness • 68% Positiveness
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Paul Jackson, Jr.
Let's Wait Awhile
88 bpm • C# Maj • 05:17 • -13.89db
37% Popularity • 61% Danceability • 44% Energy • 4% Liveness
38% Instrumentalness • 54% Positiveness
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Steve Oliver
Long Road
81 bpm • E min • 04:21 • -8.74db
44% Popularity • 40% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Kim Waters
Midnight At The Oasis
89 bpm • G# Maj • 05:20 • -8.24db
49% Popularity • 64% Danceability • 64% Energy • 4% Liveness
78% Instrumentalness • 42% Positiveness
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Dan Siegel
Friends Forever
82 bpm • F Maj • 04:12 • -10.81db
27% Popularity • 64% Danceability • 43% Energy • 10% Liveness
49% Instrumentalness • 26% Positiveness
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Renato Falaschi
Breezin'
89 bpm • C# Maj • 04:44 • -7.2db
45% Popularity • 69% Danceability • 69% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
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Richard Elliott
Spanish Ballad
89 bpm • E min • 01:50 • -16.86db
41% Popularity • 29% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
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Gregg Karukas
Chasing The Wind
89 bpm • D Maj • 04:36 • -12.81db
25% Popularity • 65% Danceability • 68% Energy • 12% Liveness
51% Instrumentalness • 56% Positiveness
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Les Sabler
Overjoyed
81 bpm • F Maj • 03:54 • -10.2db
31% Popularity • 62% Danceability • 82% Energy • 30% Liveness
85% Instrumentalness • 84% Positiveness
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Vincent Ingala
If You Were Here Tonight
81 bpm • F min • 03:39 • -10.32db
37% Popularity • 62% Danceability • 59% Energy • 11% Liveness
87% Instrumentalness • 48% Positiveness
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Danny Wright
Somewhere In Time
89 bpm • C Maj • 04:45 • -18.99db
35% Popularity • 34% Danceability • 8% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
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Keith Martinson
Through the Eyes of Love (Theme from Ice...
81 bpm • C Maj • 02:48 • -22.18db
36% Popularity • 54% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
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Chuck Mangione
Maui-Waui
81 bpm • C Maj • 10:13 • -11.76db
37% Popularity • 56% Danceability • 38% Energy • 6% Liveness
71% Instrumentalness • 39% Positiveness
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Gregg Karukas
Isabella
81 bpm • G min • 05:24 • -12.37db
47% Popularity • 58% Danceability • 45% Energy • 14% Liveness
59% Instrumentalness • 40% Positiveness
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Stephen Rogerson
Black Orpheus
80 bpm • A min • 03:33 • -21.35db
37% Popularity • 48% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Gabriel Mark Hasselbach
That Look in Your Eyes
90 bpm • D min • 04:48 • -9.94db
23% Popularity • 62% Danceability • 44% Energy • 12% Liveness
95% Instrumentalness • 41% Positiveness
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Euge Groove
Miss Bane
90 bpm • G# Maj • 04:51 • -5.04db
48% Popularity • 78% Danceability • 55% Energy • 21% Liveness
21% Instrumentalness • 60% Positiveness
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Acoustic Alchemy
Playing For Time
90 bpm • B min • 06:04 • -10.28db
39% Popularity • 62% Danceability • 70% Energy • 5% Liveness
38% Instrumentalness • 91% Positiveness
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Rick Braun/Richard Elliot
Holdin' Back the Years
90 bpm • C Maj • 04:43 • -14.88db
22% Popularity • 74% Danceability • 30% Energy • 8% Liveness
81% Instrumentalness • 54% Positiveness
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Lori Mechem
Dindi
90 bpm • F min • 04:57 • -17.01db
35% Popularity • 51% Danceability • 24% Energy • 10% Liveness
74% Instrumentalness • 21% Positiveness
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BenjamÃn Rojas
No Sé Olvidar
90 bpm • D Maj • 04:21 • -10.05db
25% Popularity • 72% Danceability • 44% Energy • 5% Liveness
49% Instrumentalness • 35% Positiveness
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Steve Bach
Wichita Lineman
90 bpm • F Maj • 03:35 • -8.98db
29% Popularity • 55% Danceability • 68% Energy • 33% Liveness
90% Instrumentalness • 40% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45 - English ...
90 bpm • G Maj • 06:28 • -25.75db
1% Popularity • 16% Danceability • 10% Energy • 17% Liveness
97% Instrumentalness • 4% Positiveness
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Vincent Ingala
Personal Touch
90 bpm • G# Maj • 03:44 • -10db
47% Popularity • 65% Danceability • 80% Energy • 8% Liveness
87% Instrumentalness • 76% Positiveness
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Andrea Razzauti
Once in Barcelona
90 bpm • F Maj • 03:52 • -11db
30% Popularity • 62% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
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3rd Force
You Gotta Be Real
90 bpm • F# Maj • 05:54 • -11db
32% Popularity • 66% Danceability • 66% Energy • 8% Liveness
82% Instrumentalness • 41% Positiveness
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Fattburger
100 Ways
90 bpm • G# Maj • 04:53 • -10db
45% Popularity • 76% Danceability • 38% Energy • 10% Liveness
88% Instrumentalness • 51% Positiveness
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Chuck Loeb
Window of the Soul
90 bpm • E min • 04:07 • -10.26db
45% Popularity • 77% Danceability • 51% Energy • 4% Liveness
90% Instrumentalness • 86% Positiveness
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Ken Navarro
I've Always Loved You
80 bpm • A# min • 04:26 • -13.6db
18% Popularity • 56% Danceability • 49% Energy • 10% Liveness
79% Instrumentalness • 62% Positiveness
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Les Sabler
Lonely Girl
80 bpm • E min • 04:45 • -6.69db
19% Popularity • 64% Danceability • 67% Energy • 10% Liveness
31% Instrumentalness • 79% Positiveness
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Angel Roque
You're My Everything
80 bpm • C Maj • 05:39 • -11.96db
30% Popularity • 58% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 21% Positiveness
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Brian Simpson
Just One Wish
80 bpm • D min • 04:13 • -8.96db
47% Popularity • 70% Danceability • 56% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
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Boulevard Pacific
Le Tour d'Amour
80 bpm • C# Maj • 03:20 • -13.01db
48% Popularity • 68% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
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Chieli Minucci
Anything and Everything
90 bpm • D Maj • 04:54 • -10.71db
40% Popularity • 64% Danceability • 58% Energy • 11% Liveness
94% Instrumentalness • 61% Positiveness
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Peter White
Lullaby
80 bpm • F Maj • 02:18 • -18.25db
28% Popularity • 60% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 19% Positiveness
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Eddie Heywood
Hey There
91 bpm • D# Maj • 02:30 • -19.89db
34% Popularity • 68% Danceability • 10% Energy • 13% Liveness
79% Instrumentalness • 25% Positiveness
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Andrea Razzauti
Midnight Whistler
91 bpm • C Maj • 01:46 • -17.1db
31% Popularity • 33% Danceability • 14% Energy • 8% Liveness
72% Instrumentalness • 14% Positiveness
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Euge Groove
Chillaxin
91 bpm • C min • 06:06 • -4.35db
35% Popularity • 83% Danceability • 58% Energy • 7% Liveness
17% Instrumentalness • 87% Positiveness
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John Stainer
I Saw The Lord
91 bpm • G Maj • 07:17 • -19.86db
2% Popularity • 14% Danceability • 18% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
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Francis Goya
Yo Te Amo (And I Love Her)
91 bpm • F Maj • 03:49 • -15.18db
32% Popularity • 55% Danceability • 37% Energy • 14% Liveness
93% Instrumentalness • 53% Positiveness
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Atlantic Five Sax Department
Killing me softly
91 bpm • G Maj • 04:01 • -13.01db
47% Popularity • 68% Danceability • 30% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
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Marion Meadows
Whisper
91 bpm • C min • 04:16 • -7.34db
49% Popularity • 65% Danceability • 69% Energy • 33% Liveness
21% Instrumentalness • 39% Positiveness
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Cindy Bradley
Lost and Found
91 bpm • C# Maj • 04:22 • -12db
40% Popularity • 71% Danceability • 56% Energy • 34% Liveness
92% Instrumentalness • 66% Positiveness
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Euge Groove
A Summer Night's Dream
91 bpm • B min • 05:08 • -7db
43% Popularity • 71% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Tom Braxton
Make It with You
91 bpm • D# Maj • 03:57 • -9.04db
29% Popularity • 71% Danceability • 34% Energy • 12% Liveness
13% Instrumentalness • 43% Positiveness
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Steve Cole
When I Think of You
91 bpm • C# Maj • 04:09 • -10.06db
41% Popularity • 56% Danceability • 60% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
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Brian Culbertson
Later Tonight
91 bpm • B min • 04:55 • -9.62db
36% Popularity • 75% Danceability • 71% Energy • 6% Liveness
91% Instrumentalness • 65% Positiveness
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Ken Navarro
Smooth Sensation
91 bpm • C# Maj • 04:36 • -13.31db
47% Popularity • 63% Danceability • 46% Energy • 7% Liveness
90% Instrumentalness • 72% Positiveness
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Acoustic Alchemy
Mr. Chow
91 bpm • G Maj • 03:08 • -14.8db
43% Popularity • 66% Danceability • 46% Energy • 28% Liveness
62% Instrumentalness • 71% Positiveness
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Euge Groove
Forever And A Day
91 bpm • A min • 04:49 • -5db
38% Popularity • 74% Danceability • 72% Energy • 30% Liveness
3% Instrumentalness • 61% Positiveness
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Brad Hatfield
Rio Nights
91 bpm • C Maj • 02:45 • -21.06db
38% Popularity • 61% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 65% Positiveness
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Norman Brown
Just Between Us
79 bpm • E Maj • 05:08 • -15.15db
50% Popularity • 58% Danceability • 56% Energy • 33% Liveness
90% Instrumentalness • 61% Positiveness
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Peter White
Life Story
79 bpm • E min • 03:49 • -10.75db
24% Popularity • 62% Danceability • 54% Energy • 10% Liveness
84% Instrumentalness • 36% Positiveness
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Ken Navarro
When We Dance
91 bpm • G min • 04:24 • -9db
44% Popularity • 34% Danceability • 62% Energy • 9% Liveness
93% Instrumentalness • 73% Positiveness
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Paul Steinway
Ice Castles Theme - Through the Eyes of ...
79 bpm • A# Maj • 02:41 • -18db
43% Popularity • 38% Danceability • 18% Energy • 12% Liveness
80% Instrumentalness • 29% Positiveness
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The Mirror Has Two Faces (Soundtrack)
Got Any Scotch?
79 bpm • G# Maj • 02:31 • -20db
33% Popularity • 28% Danceability • 13% Energy • 10% Liveness
59% Instrumentalness • 14% Positiveness
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Avenue Blue (Featuring Jeff Golub)
Seventh Heaven
92 bpm • F Maj • 05:10 • -12db
48% Popularity • 64% Danceability • 62% Energy • 20% Liveness
93% Instrumentalness • 60% Positiveness
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Cindy Bradley
Bliss
92 bpm • D min • 05:14 • -10db
39% Popularity • 62% Danceability • 59% Energy • 12% Liveness
80% Instrumentalness • 51% Positiveness
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Pablo De Luca
Manha de Carnaval
92 bpm • A min • 04:35 • -15.22db
23% Popularity • 71% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
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Chuck Loeb
High Five
92 bpm • G min • 04:55 • -8.88db
44% Popularity • 59% Danceability • 49% Energy • 28% Liveness
52% Instrumentalness • 67% Positiveness
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Johnny Britt
After We Play
92 bpm • G min • 04:56 • -9.06db
14% Popularity • 79% Danceability • 53% Energy • 10% Liveness
89% Instrumentalness • 66% Positiveness
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Acoustic Alchemy
Ballad For Kay
92 bpm • E Maj • 02:59 • -16.4db
25% Popularity • 49% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 43% Positiveness
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Jeanne Newhall
Race Through the Clouds
92 bpm • A Maj • 04:49 • -12.74db
6% Popularity • 67% Danceability • 59% Energy • 9% Liveness
93% Instrumentalness • 78% Positiveness
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Peter White
Charlotte's Song
78 bpm • C# Maj • 03:43 • -16.9db
23% Popularity • 44% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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Tom Grant
Blue Voyage
78 bpm • C Maj • 05:02 • -13.54db
32% Popularity • 54% Danceability • 59% Energy • 13% Liveness
74% Instrumentalness • 57% Positiveness
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Here, There And Everywhere