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Here They Come
Songs like
Here They Come
by
Hamilton Leithauser
Based on a tempo of (+/- 10%) and a similar genre
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Phosphorescent
New Birth in New England
103 bpm • F# Maj • 04:59 • -5db
43% Popularity • 56% Danceability • 96% Energy • 53% Liveness
63% Instrumentalness • 60% Positiveness
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Hamilton Leithauser
Here They Come
103 bpm • G Maj • 03:14 • -5.13db
34% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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The Dig
Break the Silence
103 bpm • C Maj • 03:45 • -10.06db
41% Popularity • 38% Danceability • 53% Energy • 12% Liveness
45% Instrumentalness • 36% Positiveness
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Kurt Vile
Baby's Arms
103 bpm • B min • 03:56 • -9.64db
37% Popularity • 29% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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CooBee Coo
Snake in the Gravel
104 bpm • E min • 03:11 • -9.77db
30% Popularity • 67% Danceability • 45% Energy • 7% Liveness
3% Instrumentalness • 45% Positiveness
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Sylvan Esso
Funeral Singers
104 bpm • G# Maj • 03:39 • -10.82db
51% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Fleet Foxes
If You Need To, Keep Time on Me
104 bpm • A Maj • 03:30 • -10.2db
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Timber Timbre
Run From Me
102 bpm • B Maj • 04:16 • -7db
43% Popularity • 44% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 41% Positiveness
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Benji Hughes
Waiting for an Invitation
102 bpm • B min • 04:15 • -11.76db
28% Popularity • 66% Danceability • 45% Energy • 56% Liveness
29% Instrumentalness • 42% Positiveness
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Angel Olsen
Sister
101 bpm • D Maj • 07:45 • -9db
37% Popularity • 34% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Hurray For The Riff Raff
Pa'lante
105 bpm • G Maj • 05:53 • -7db
30% Popularity • 55% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Father John Misty
Funtimes in Babylon
105 bpm • E Maj • 03:39 • -8db
47% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Mikhael Paskalev
Come On
101 bpm • D Maj • 04:02 • -8.21db
17% Popularity • 67% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
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JR JR
Skeletons
101 bpm • G# Maj • 02:18 • -7.99db
34% Popularity • 63% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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The Rosebuds
Give Me A Reason
105 bpm • A Maj • 04:03 • -9db
29% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Hamilton Leithauser
The Smallest Splinter
101 bpm • B min • 04:22 • -5.13db
17% Popularity • 52% Danceability • 85% Energy • 10% Liveness
60% Instrumentalness • 10% Positiveness
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M. Ward
There's A Key
101 bpm • C Maj • 02:52 • -15.2db
7% Popularity • 50% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
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Aaron Embry
Raven's Song
100 bpm • D# Maj • 02:00 • -9.45db
38% Popularity • 42% Danceability • 32% Energy • 30% Liveness
16% Instrumentalness • 46% Positiveness
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Andrew Bird
Manifest
100 bpm • C min • 05:17 • -6.4db
53% Popularity • 63% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Rostam
Gwan
100 bpm • A Maj • 04:45 • -10.48db
29% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Whitney
No Matter Where We Go
106 bpm • C min • 02:41 • -4db
41% Popularity • 62% Danceability • 93% Energy • 15% Liveness
47% Instrumentalness • 62% Positiveness
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Hamilton Leithauser
Dear God
106 bpm • A# Maj • 02:24 • -8.71db
6% Popularity • 55% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Deer Tick
Dirty Dishes
106 bpm • F Maj • 03:17 • -5.19db
36% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Fruit Bats
Humbug Mountain Song
100 bpm • F# min • 03:04 • -5.36db
61% Popularity • 59% Danceability • 93% Energy • 31% Liveness
6% Instrumentalness • 94% Positiveness
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Andrew Bird
Are You Serious
100 bpm • C Maj • 03:38 • -8db
50% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Siskiyou
Twigs And Stones
100 bpm • D Maj • 03:04 • -9db
31% Popularity • 48% Danceability • 29% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Rilo Kiley
With Arms Outstretched
106 bpm • E Maj • 03:43 • -7db
47% Popularity • 40% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Hamilton Leithauser
Self Pity
106 bpm • F Maj • 05:25 • -7.67db
12% Popularity • 52% Danceability • 83% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Sharon Van Etten
Every Time the Sun Comes Up
100 bpm • C# Maj • 04:22 • -8.74db
63% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Owl John
Los Angeles, Be Kind
107 bpm • F Maj • 03:40 • -7.6db
29% Popularity • 59% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Clap Your Hands Say Yeah
The Pilot
107 bpm • E Maj • 03:11 • -7.78db
27% Popularity • 33% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Kurt Vile
Dust Bunnies
107 bpm • C# Maj • 04:38 • -8db
41% Popularity • 72% Danceability • 66% Energy • 10% Liveness
28% Instrumentalness • 76% Positiveness
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Coves
Fool for Your Face
107 bpm • E Maj • 03:21 • -11.66db
23% Popularity • 50% Danceability • 37% Energy • 13% Liveness
24% Instrumentalness • 6% Positiveness
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Hamilton Leithauser
Mr. Tambourine Man - Recorded at Spotify...
100 bpm • D Maj • 04:11 • -7.35db
26% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Father John Misty
Nancy From Now On
107 bpm • C Maj • 03:54 • -9.17db
66% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
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Alex Ebert
Bad Bad Love
99 bpm • E Maj • 03:29 • -6.67db
40% Popularity • 53% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Band of Horses
Our Swords
107 bpm • B Maj • 02:26 • -9.29db
56% Popularity • 64% Danceability • 79% Energy • 10% Liveness
10% Instrumentalness • 35% Positiveness
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Michael Nau
Good Thing
107 bpm • B Maj • 03:29 • -11.41db
35% Popularity • 57% Danceability • 41% Energy • 13% Liveness
44% Instrumentalness • 51% Positiveness
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M. Ward
Chinese Translation
108 bpm • D Maj • 03:58 • -9db
56% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Hamilton Leithauser
Sick as a Dog
100 bpm • C Maj • 04:33 • -7.85db
35% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Sharon Van Etten
We Are Fine
108 bpm • C Maj • 03:49 • -9db
38% Popularity • 42% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Bryan John Appleby
Costanoan Bones
108 bpm • F Maj • 04:15 • -10.66db
13% Popularity • 55% Danceability • 45% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
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El Michels Affair
No Surprise
98 bpm • G Maj • 03:54 • -7.54db
23% Popularity • 61% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 64% Positiveness
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Nada Surf
Blonde On Blonde
98 bpm • C Maj • 04:34 • -10db
18% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Saintseneca
Happy Alone
108 bpm • A Maj • 03:18 • -7db
34% Popularity • 37% Danceability • 69% Energy • 9% Liveness
7% Instrumentalness • 32% Positiveness
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Caroline Rose
More Of The Same
98 bpm • G Maj • 04:08 • -4.5db
37% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Thao
Cool Yourself
108 bpm • D Maj • 02:34 • -6.14db
34% Popularity • 63% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The Walkmen
Another One Goes By
98 bpm • A# Maj • 03:56 • -4.55db
33% Popularity • 47% Danceability • 79% Energy • 60% Liveness
0% Instrumentalness • 69% Positiveness
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Hamilton Leithauser
Waltz - Bonus Track
98 bpm • D# Maj • 03:17 • -7.2db
10% Popularity • 47% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Cass McCombs
Brighter!
109 bpm • E min • 03:56 • -11.29db
43% Popularity • 62% Danceability • 47% Energy • 12% Liveness
37% Instrumentalness • 66% Positiveness
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EL VY
Paul Is Alive
98 bpm • F# min • 03:30 • -7.5db
31% Popularity • 40% Danceability • 54% Energy • 7% Liveness
11% Instrumentalness • 64% Positiveness
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Chromatics
Into The Black
109 bpm • A min • 05:22 • -8.76db
53% Popularity • 61% Danceability • 38% Energy • 8% Liveness
44% Instrumentalness • 13% Positiveness
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Sorcha Richardson
Ruin Your Night
109 bpm • A Maj • 03:08 • -6.93db
41% Popularity • 72% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Page France
Chariot
109 bpm • A# Maj • 03:39 • -7db
28% Popularity • 61% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Jake Bugg
Simple As This
97 bpm • G# Maj • 03:19 • -8.09db
56% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Angel Olsen
Free
110 bpm • A Maj • 02:29 • -10.53db
33% Popularity • 48% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Beirut
Gibraltar
110 bpm • C# min • 03:41 • -9db
45% Popularity • 75% Danceability • 29% Energy • 12% Liveness
5% Instrumentalness • 48% Positiveness
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Okkervil River
Lost Coastlines
110 bpm • A Maj • 05:31 • -5db
44% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Andrew Bird
Left Handed Kisses
97 bpm • E min • 03:14 • -9.12db
46% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Damien Jurado
Working Titles
110 bpm • F Maj • 03:47 • -11.39db
31% Popularity • 39% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Hamilton Leithauser
Alexandra
110 bpm • G Maj • 02:46 • -3.08db
21% Popularity • 33% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Bowerbirds
Tuck the Darkness In
110 bpm • G Maj • 04:50 • -9db
28% Popularity • 62% Danceability • 43% Energy • 12% Liveness
25% Instrumentalness • 31% Positiveness
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Beirut
Postcards from Italy
110 bpm • D min • 04:17 • -7.32db
59% Popularity • 62% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
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Sonny & The Sunsets
Too Young To Burn
110 bpm • A# Maj • 03:19 • -10.56db
25% Popularity • 79% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Bee Caves
Running Home to You
110 bpm • F min • 03:55 • -8.24db
43% Popularity • 52% Danceability • 62% Energy • 10% Liveness
38% Instrumentalness • 65% Positiveness
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Damien Jurado
Sheets
110 bpm • F# Maj • 04:16 • -10db
47% Popularity • 72% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
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Hamilton Leithauser
Cross-Sound Ferry (Walk-On Ticket)
110 bpm • G# Maj • 04:17 • -6.23db
15% Popularity • 74% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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DYAN
Looking for Knives
110 bpm • G# Maj • 06:13 • -12db
45% Popularity • 51% Danceability • 47% Energy • 15% Liveness
65% Instrumentalness • 9% Positiveness
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The Morning Benders
Excuses
96 bpm • F Maj • 05:17 • -5.72db
42% Popularity • 42% Danceability • 81% Energy • 24% Liveness
6% Instrumentalness • 49% Positiveness
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Whitney
The Falls
110 bpm • A# Maj • 02:20 • -5.7db
38% Popularity • 69% Danceability • 70% Energy • 12% Liveness
33% Instrumentalness • 73% Positiveness
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Eels
Love Of The Loveless
96 bpm • F Maj • 03:31 • -7.12db
41% Popularity • 78% Danceability • 48% Energy • 10% Liveness
79% Instrumentalness • 50% Positiveness
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Damien Jurado
Museum Of Flight
110 bpm • C# Maj • 02:50 • -9.84db
37% Popularity • 61% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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M. Ward
Lullaby + Exile
95 bpm • F# min • 02:46 • -15db
10% Popularity • 49% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Atta Boy
Walden Pond
95 bpm • F Maj • 04:42 • -11.37db
45% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Blind Pilot
The Story I Heard
96 bpm • C# Maj • 04:33 • -13db
53% Popularity • 74% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Big Thief
Mary
95 bpm • F Maj • 05:28 • -14.43db
52% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Phosphorescent
Ride On / Right On
95 bpm • G Maj • 03:44 • -7.42db
45% Popularity • 54% Danceability • 58% Energy • 15% Liveness
7% Instrumentalness • 24% Positiveness
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Hamilton Leithauser
The Stars of Tomorrow
95 bpm • D# Maj • 03:17 • -8.84db
16% Popularity • 69% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Fleet Foxes
Fool's Errand
112 bpm • A min • 04:48 • -6.45db
38% Popularity • 37% Danceability • 49% Energy • 11% Liveness
7% Instrumentalness • 8% Positiveness
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Kurt Vile
Feel My Pain
95 bpm • C# min • 06:19 • -7.95db
23% Popularity • 52% Danceability • 58% Energy • 9% Liveness
50% Instrumentalness • 43% Positiveness
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Bahamas
Waves
95 bpm • C# Maj • 04:22 • -7.42db
42% Popularity • 55% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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The Districts
Funeral Beds
112 bpm • F Maj • 05:21 • -9.44db
37% Popularity • 34% Danceability • 54% Energy • 27% Liveness
4% Instrumentalness • 12% Positiveness
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M. Ward
Poison Cup
112 bpm • C Maj • 02:40 • -9db
48% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Hamilton Leithauser
In Our Time (I'll Always Love You) - Bon...
112 bpm • C Maj • 03:23 • -4.99db
15% Popularity • 44% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Amen Dunes
Believe
95 bpm • A# min • 05:46 • -7.95db
20% Popularity • 55% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 60% Positiveness
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Kurt Vile
One Trick Ponies
95 bpm • A min • 05:21 • -5.32db
44% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Whitney
No Woman
112 bpm • D Maj • 03:57 • -8.74db
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
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Sharon Van Etten
I Don't Want to Let You Down
94 bpm • A min • 04:02 • -6.86db
27% Popularity • 49% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Blake Mills
Hey Lover
113 bpm • C Maj • 03:22 • -5.54db
39% Popularity • 57% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Hamilton Leithauser
Road to Nowhere
112 bpm • B Maj • 03:54 • -9.47db
19% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ezra Furman
Every Feeling
113 bpm • F Maj • 02:46 • -10.51db
44% Popularity • 71% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Beirut
Perth
94 bpm • B Maj • 03:37 • -6.4db
46% Popularity • 70% Danceability • 73% Energy • 7% Liveness
64% Instrumentalness • 81% Positiveness
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Devendra Banhart
Won't You Come Over
94 bpm • G Maj • 03:35 • -9.23db
43% Popularity • 73% Danceability • 39% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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Father John Misty
Hollywood Forever Cemetery Sings
94 bpm • A Maj • 03:10 • -4.13db
63% Popularity • 58% Danceability • 81% Energy • 4% Liveness
14% Instrumentalness • 60% Positiveness
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Shakey Graves
Family and Genus
113 bpm • A# Maj • 05:19 • -12.33db
49% Popularity • 74% Danceability • 48% Energy • 43% Liveness
41% Instrumentalness • 37% Positiveness
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The Lumineers
My Eyes
94 bpm • E Maj • 03:36 • -8.34db
52% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Marlon Williams
What's Chasing You
113 bpm • C Maj • 02:41 • -7.64db
36% Popularity • 56% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Feist
Undiscovered First
113 bpm • B Maj • 04:58 • -8db
26% Popularity • 57% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Grandaddy
That's What You Get for Gettin' Outta Be...
94 bpm • G Maj • 03:35 • -8.92db
25% Popularity • 34% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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King Tuff
The Other
94 bpm • E Maj • 06:09 • -11.22db
15% Popularity • 42% Danceability • 29% Energy • 24% Liveness
17% Instrumentalness • 4% Positiveness
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Here They Come