Songs like Herrans bön, Op. 15: Oss från den onda fräls - Ty kärlekens och ljusets gudaspira Du evigt sträcker by Hugo Alfvén
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Ave verum corpus in D Major, K. 618
123 bpm • D Maj • 02:47 • -21db
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
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Brahe Djäknar
Bort allt vad oro gör - Carl Michael Be...
123 bpm • C Maj • 01:47 • -19.21db
16% Popularity • 31% Danceability • 12% Energy • 13% Liveness
2% Instrumentalness • 42% Positiveness
16% Popularity • 31% Danceability • 12% Energy • 13% Liveness
2% Instrumentalness • 42% Positiveness
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Benny Andersson
Down to the Sacred Wave
122 bpm • G min • 02:55 • -17.66db
10% Popularity • 26% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 26% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Francis Poulenc
Salve Regina
122 bpm • C min • 05:05 • -32db
10% Popularity • 20% Danceability • 2% Energy • 15% Liveness
20% Instrumentalness • 3% Positiveness
10% Popularity • 20% Danceability • 2% Energy • 15% Liveness
20% Instrumentalness • 3% Positiveness
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Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: V. Agnus dei
126 bpm • E min • 05:11 • -23.31db
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Harald Sæverud
Rondo Amoroso
126 bpm • C min • 04:52 • -31.74db
14% Popularity • 35% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 13% Positiveness
14% Popularity • 35% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 13% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 1. March: Seven...
121 bpm • F min • 03:21 • -17.06db
33% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
33% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part II: "Hallelujah!"
120 bpm • C# Maj • 03:34 • -19db
37% Popularity • 46% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
37% Popularity • 46% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492: Voi, che sap...
120 bpm • A Maj • 02:45 • -22.64db
8% Popularity • 39% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 17% Positiveness
8% Popularity • 39% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 17% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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St. Jacob's Chamber Choir
Sommarpsalm
127 bpm • A Maj • 03:01 • -25db
22% Popularity • 20% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
22% Popularity • 20% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Friedrich Kuhlau
Uber allen Gipfeln ist Ruh
120 bpm • C# Maj • 01:56 • -36db
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 3. March: Folk ...
119 bpm • A# Maj • 03:50 • -13.97db
22% Popularity • 48% Danceability • 27% Energy • 7% Liveness
85% Instrumentalness • 68% Positiveness
22% Popularity • 48% Danceability • 27% Energy • 7% Liveness
85% Instrumentalness • 68% Positiveness
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Johannes Brahms
The St. Anthony Chorale
127 bpm • A# Maj • 01:17 • -29.22db
22% Popularity • 21% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
22% Popularity • 21% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
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BBC Scottish Symphony Orchestra
Lyric Pieces, Book 8, Op. 65: Wedding Da...
127 bpm • D Maj • 01:47 • -16db
29% Popularity • 57% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
29% Popularity • 57% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
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John Bennet
Weep, O mine eyes
127 bpm • G# min • 02:44 • -25.16db
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Adolf Fredrik Lindblad
En sommarafton ur OM VINTERKVÄLL (Över...
128 bpm • D Maj • 02:45 • -23.84db
10% Popularity • 24% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 6% Positiveness
10% Popularity • 24% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 6% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: I. Full Fathom ...
127 bpm • C Maj • 03:29 • -38db
9% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Sovet Prevechnyj (The pre-eternal counse...
128 bpm • E min • 02:48 • -19db
10% Popularity • 23% Danceability • 24% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 24% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
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Hugo Alfvén
Den förlorade sonen Suite: IV. Polketta...
128 bpm • G Maj • 02:26 • -13.23db
0% Popularity • 39% Danceability • 25% Energy • 15% Liveness
93% Instrumentalness • 33% Positiveness
0% Popularity • 39% Danceability • 25% Energy • 15% Liveness
93% Instrumentalness • 33% Positiveness
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Edvard Grieg
4 Psalms, Op. 74: No. 1, Hvad est du dog...
128 bpm • A min • 06:22 • -28.16db
1% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
The Arrival Of The Queen Of Sheba, From ...
118 bpm • A Maj • 03:11 • -18.41db
39% Popularity • 49% Danceability • 32% Energy • 29% Liveness
93% Instrumentalness • 70% Positiveness
39% Popularity • 49% Danceability • 32% Energy • 29% Liveness
93% Instrumentalness • 70% Positiveness
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Traditional
Vem kan segla förutan vind?
128 bpm • F min • 01:53 • -37.39db
11% Popularity • 17% Danceability • 1% Energy • 24% Liveness
10% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 1% Energy • 24% Liveness
10% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
It Was a Lover and His Lass: It was a Lo...
127 bpm • B min • 01:56 • -27db
17% Popularity • 42% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
17% Popularity • 42% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
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Bengt Granstam
Fäbodpsalm från Torsång
128 bpm • B min • 02:27 • -30db
13% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Hugo Alfvén
Symphony No. 5 in A Minor, Op. 54: III. ...
118 bpm • C min • 06:50 • -26.97db
0% Popularity • 23% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
0% Popularity • 23% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Edvard Grieg
VÃ¥ren
128 bpm • F# Maj • 04:26 • -24.5db
14% Popularity • 26% Danceability • 5% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
14% Popularity • 26% Danceability • 5% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
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Chor der Staatsoper Budapest
Tannhäuser: Pilgerchor
118 bpm • D# Maj • 06:23 • -17db
17% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Percy Grainger
Scotch Strathspey and Reel - Inlaid with...
118 bpm • C min • 06:55 • -21.55db
7% Popularity • 35% Danceability • 17% Energy • 59% Liveness
86% Instrumentalness • 47% Positiveness
7% Popularity • 35% Danceability • 17% Energy • 59% Liveness
86% Instrumentalness • 47% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie
118 bpm • C Maj • 02:29 • -14db
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Johan Helmich Roman
Bilagers Musiquen, Drottningholmsmusique...
118 bpm • D Maj • 02:10 • -14.02db
20% Popularity • 48% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 62% Positiveness
20% Popularity • 48% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 62% Positiveness
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Hugo Alfvén
Uti vår hage
128 bpm • F min • 02:29 • -34.32db
30% Popularity • 25% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 25% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Wilhelm Peterson-Berger
Stemning
129 bpm • C min • 02:42 • -26db
14% Popularity • 18% Danceability • 5% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 5% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Edvard Grieg
VÃ¥ren
128 bpm • F# Maj • 04:35 • -21.79db
12% Popularity • 28% Danceability • 10% Energy • 14% Liveness
43% Instrumentalness • 6% Positiveness
12% Popularity • 28% Danceability • 10% Energy • 14% Liveness
43% Instrumentalness • 6% Positiveness
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Otto Lindblad
Vintern rasat ut
118 bpm • D Maj • 01:48 • -21.03db
10% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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August Söderman
Ett Bondbrollop: IV. I brollopsgarden
129 bpm • C Maj • 03:00 • -14db
9% Popularity • 51% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 51% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Harald Sæverud
Kjempeviseslåtten, Op 22a, No. 5
117 bpm • G min • 06:49 • -25.24db
16% Popularity • 30% Danceability • 2% Energy • 16% Liveness
4% Instrumentalness • 6% Positiveness
16% Popularity • 30% Danceability • 2% Energy • 16% Liveness
4% Instrumentalness • 6% Positiveness
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Carl Michael Bellman
Bacchi tempel (bort allt vad oro gör)
117 bpm • D# Maj • 02:13 • -14.43db
13% Popularity • 58% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 58% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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George Frideric Handel
Judas Maccabaeus, HWV 63: See, the Conqu...
129 bpm • G Maj • 02:12 • -18.83db
8% Popularity • 37% Danceability • 11% Energy • 57% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 37% Danceability • 11% Energy • 57% Liveness
0% Instrumentalness • 41% Positiveness
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Hugo Alfvén
Uti vår hage
129 bpm • F min • 02:20 • -27db
15% Popularity • 26% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 26% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Wilhelm Peterson-Berger
Frosoblomster (Froso-Flowers), Book 1, O...
129 bpm • F Maj • 02:15 • -23db
16% Popularity • 38% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 21% Positiveness
16% Popularity • 38% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 21% Positiveness
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Thomas Morley
Now is The Month of Maying - 1989 Digita...
117 bpm • F Maj • 02:25 • -17.06db
13% Popularity • 69% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 69% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Benny Andersson
Innan gryningen
130 bpm • F# min • 03:06 • -21.3db
14% Popularity • 27% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 27% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
12% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
12% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Edvard Grieg
Sangerhilsen
130 bpm • A Maj • 02:07 • -18.31db
10% Popularity • 32% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 32% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Caroline Shaw
and the swallow
116 bpm • A# min • 03:42 • -24db
23% Popularity • 20% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Henry Purcell
Trumpet Tune in C Major, ZT 678
116 bpm • D Maj • 01:15 • -14.78db
11% Popularity • 34% Danceability • 19% Energy • 21% Liveness
87% Instrumentalness • 49% Positiveness
11% Popularity • 34% Danceability • 19% Energy • 21% Liveness
87% Instrumentalness • 49% Positiveness
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Benny Andersson
Vilar glad. I din famn
130 bpm • A Maj • 04:19 • -20.47db
14% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Hugo Alfvén
Aftonen - Skogen står tyst
130 bpm • D Maj • 04:37 • -39db
12% Popularity • 16% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Alfred Paulsen
Naar Fjordene Blaaner
116 bpm • G Maj • 03:39 • -21.47db
12% Popularity • 22% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
12% Popularity • 22% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
16% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Nun...
130 bpm • G# min • 03:43 • -25.34db
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
14% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Benny Andersson
Historien om schack
130 bpm • D min • 03:06 • -15.15db
9% Popularity • 66% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 66% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Arvo Pärt
Magnificat
132 bpm • F min • 07:12 • -26db
24% Popularity • 16% Danceability • 3% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 3% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
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Hillevi Martinpelto
Forkladd gud (The Disguised God), Op. 24...
115 bpm • G Maj • 04:05 • -16.3db
12% Popularity • 26% Danceability • 20% Energy • 10% Liveness
67% Instrumentalness • 7% Positiveness
12% Popularity • 26% Danceability • 20% Energy • 10% Liveness
67% Instrumentalness • 7% Positiveness
► Preview
Orphei Drängar
Du vilar
116 bpm • C# Maj • 02:05 • -32.14db
33% Popularity • 17% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Hugo Alfvén
Upsala-rapsodi (Uppsala Rhapsody), Op. 2...
115 bpm • A Maj • 10:02 • -19db
7% Popularity • 25% Danceability • 10% Energy • 7% Liveness
85% Instrumentalness • 14% Positiveness
7% Popularity • 25% Danceability • 10% Energy • 7% Liveness
85% Instrumentalness • 14% Positiveness
► Preview
Lars-Erik Larsson
Forkladd gud, Op. 24: Kring hostlig vakt...
115 bpm • D# Maj • 02:44 • -15.71db
12% Popularity • 23% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
12% Popularity • 23% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
► Preview
Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
132 bpm • D min • 05:17 • -24.56db
14% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Messa di Gloria: Quoniam tu solus sanctu...
132 bpm • C Maj • 00:57 • -17.21db
20% Popularity • 26% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 45% Positiveness
20% Popularity • 26% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 45% Positiveness
► Preview
Arvo Pärt
Nunc Dimittis
132 bpm • G# Maj • 06:55 • -26.72db
28% Popularity • 16% Danceability • 3% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 3% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Hugo Alfvén
Saa tag mit hjerte
133 bpm • D Maj • 03:51 • -31.39db
11% Popularity • 16% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
John Dowland
Come again, sweet love doth now invite
114 bpm • D# Maj • 02:21 • -13db
22% Popularity • 34% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 34% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Steve Dobrogosz
Mass: V. Sanctus
113 bpm • F Maj • 05:26 • -13.92db
12% Popularity • 31% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
12% Popularity • 31% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
► Preview
Arvo Pärt
Estonian Lullaby
133 bpm • D Maj • 02:08 • -34db
37% Popularity • 36% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 18% Positiveness
37% Popularity • 36% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 18% Positiveness
► Preview
Hugo Alfvén
Skogen sover
133 bpm • C# Maj • 02:40 • -20.81db
2% Popularity • 29% Danceability • 8% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
2% Popularity • 29% Danceability • 8% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
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Edvard Grieg
VÃ¥ren
134 bpm • F Maj • 05:51 • -26.98db
12% Popularity • 20% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 3% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Kalá ...
134 bpm • E min • 03:08 • -23.21db
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
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Wilhelm Peterson-Berger
Frosoblomster (Froso-Flowers), Book 1, O...
112 bpm • F Maj • 02:22 • -30db
28% Popularity • 48% Danceability • 5% Energy • 7% Liveness
86% Instrumentalness • 22% Positiveness
28% Popularity • 48% Danceability • 5% Energy • 7% Liveness
86% Instrumentalness • 22% Positiveness
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Henry Purcell
Trumpet Tune in C Major, Z. 697
112 bpm • F Maj • 01:17 • -18.5db
38% Popularity • 50% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
38% Popularity • 50% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
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Johan Helmich Roman
Bilagers musiquen (Royal wedding music),...
112 bpm • C# Maj • 02:16 • -14.94db
14% Popularity • 50% Danceability • 22% Energy • 14% Liveness
59% Instrumentalness • 56% Positiveness
14% Popularity • 50% Danceability • 22% Energy • 14% Liveness
59% Instrumentalness • 56% Positiveness
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Hugo Alfvén
Trindskallar
113 bpm • D Maj • 02:35 • -22.57db
1% Popularity • 42% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
1% Popularity • 42% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Mark Levengood
Förklädd gud, Op. 24: Vem spelar på e...
135 bpm • G Maj • 03:35 • -19.06db
8% Popularity • 26% Danceability • 12% Energy • 13% Liveness
65% Instrumentalness • 25% Positiveness
8% Popularity • 26% Danceability • 12% Energy • 13% Liveness
65% Instrumentalness • 25% Positiveness
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Hugo Wolf
Six sacred Songs after Poems of Joseph v...
135 bpm • E Maj • 01:04 • -22.61db
19% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
19% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Laudate Dominum
135 bpm • F Maj • 05:12 • -24.9db
28% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
135 bpm • D min • 05:03 • -20.99db
22% Popularity • 18% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Hugo Alfvén
Symphony No. 3 in E Major, Op. 23: IV. A...
135 bpm • E Maj • 09:20 • -18.05db
0% Popularity • 26% Danceability • 29% Energy • 16% Liveness
88% Instrumentalness • 19% Positiveness
0% Popularity • 26% Danceability • 29% Energy • 16% Liveness
88% Instrumentalness • 19% Positiveness
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Edvard Grieg
12 Songs, Op. 33: No. 2. VÃ¥ren (Arr. fo...
135 bpm • F# Maj • 05:27 • -26.72db
2% Popularity • 20% Danceability • 6% Energy • 9% Liveness
6% Instrumentalness • 3% Positiveness
2% Popularity • 20% Danceability • 6% Energy • 9% Liveness
6% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: V. "Nyne otpushchayeshi...
135 bpm • F# Maj • 03:43 • -35db
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
John Ireland
Sea Fever
112 bpm • E min • 02:29 • -23.27db
21% Popularity • 46% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 46% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Bob Chilcott
A Little Jazz Mass (version for mixed ch...
112 bpm • F# Maj • 01:09 • -21.9db
20% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
135 bpm • E Maj • 03:23 • -22db
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Hugo Alfvén
4 Låtar från Leksand (After L. Mats): ...
111 bpm • A min • 01:40 • -23.96db
0% Popularity • 61% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 45% Positiveness
0% Popularity • 61% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 45% Positiveness
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Lars Magnus Béen
Majsång (Sköna maj, välkommen)
111 bpm • G Maj • 04:14 • -22.83db
13% Popularity • 41% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 41% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
► Preview
Antonio Vivaldi
Gloria: Gloria in excelsis Deo
136 bpm • C# Maj • 02:19 • -15.84db
29% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
29% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
