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He's a Battle Axe
Songs like
He's a Battle Axe
by
Paul Thorn
Based on a tempo of (+/- 10%) and a similar genre
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Paul Thorn
Weeds In My Roses
116 bpm • F# min • 03:03 • -10.65db
14% Popularity • 76% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Levon Helm
Take Me To The River
116 bpm • A Maj • 04:52 • -4.64db
27% Popularity • 57% Danceability • 95% Energy • 88% Liveness
0% Instrumentalness • 96% Positiveness
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The Black Lillies
Three in the Mornin'
117 bpm • D Maj • 03:08 • -8.56db
12% Popularity • 60% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Slaid Cleaves
One Good Year
116 bpm • D# Maj • 04:26 • -8.88db
27% Popularity • 78% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Jim Lauderdale
Some Horses Run Free
115 bpm • A Maj • 02:22 • -5db
11% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Jason Boland & The Stragglers
Can't Tell If I Drink
115 bpm • C Maj • 03:30 • -6.85db
8% Popularity • 67% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Paul Thorn
Old Stray Dogs & Jesus
115 bpm • E Maj • 04:42 • -6.27db
12% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Sam Morrow
Good Ole Days
115 bpm • B Maj • 03:22 • -6db
14% Popularity • 58% Danceability • 91% Energy • 12% Liveness
20% Instrumentalness • 93% Positiveness
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Hard Working Americans
Stomp and Holler
117 bpm • C Maj • 04:48 • -6.83db
29% Popularity • 56% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Delbert McClinton & Glen Clark
Good as I Feel Today
117 bpm • G Maj • 03:09 • -10.41db
30% Popularity • 75% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Dave Alvin
Johnny Ace Is Dead
115 bpm • A# min • 04:26 • -7db
28% Popularity • 68% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Bruce Robison
What Would Willie Do
115 bpm • E Maj • 05:14 • -10db
22% Popularity • 50% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Paul Thorn
You Might Be Wrong
117 bpm • A Maj • 03:29 • -12.75db
23% Popularity • 85% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Marty Stuart
The Observations Of A Crow
115 bpm • D min • 05:26 • -11.23db
9% Popularity • 76% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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Drivin N Cryin
Straight To Hell
115 bpm • G Maj • 05:41 • -12.78db
40% Popularity • 44% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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David Bromberg
Bring It with You When You Come
114 bpm • G Maj • 03:38 • -8.46db
15% Popularity • 85% Danceability • 69% Energy • 34% Liveness
3% Instrumentalness • 64% Positiveness
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Dave Alvin
Murrietta's Head
115 bpm • G Maj • 05:58 • -8.53db
15% Popularity • 72% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Mike Campbell & The Dirty Knobs
Aw Honey
118 bpm • E Maj • 03:04 • -7.01db
20% Popularity • 67% Danceability • 83% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Paul Thorn
You're Not The Only One
115 bpm • E Maj • 02:59 • -12.96db
10% Popularity • 76% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Levon Helm
Stuff You Gotta Watch
114 bpm • C Maj • 03:38 • -6.79db
25% Popularity • 83% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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John Hiatt & The Goners
Window on the World
114 bpm • E Maj • 03:36 • -6.9db
32% Popularity • 66% Danceability • 77% Energy • 19% Liveness
38% Instrumentalness • 92% Positiveness
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Slaid Cleaves
Broke Down
114 bpm • E Maj • 03:12 • -14.41db
20% Popularity • 46% Danceability • 26% Energy • 69% Liveness
0% Instrumentalness • 44% Positiveness
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James McMurtry
Where'd You Hide The Body
114 bpm • F# Maj • 03:40 • -7.65db
32% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Becky Warren
Dive Bar Sweetheart
118 bpm • C Maj • 03:31 • -7db
20% Popularity • 60% Danceability • 69% Energy • 37% Liveness
28% Instrumentalness • 52% Positiveness
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Kieran Kane
Postcard from Mexico
118 bpm • A Maj • 02:34 • -8.24db
28% Popularity • 80% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Jeremy Pinnell
The Way Country Sounds
114 bpm • A Maj • 03:56 • -8.5db
24% Popularity • 73% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Uncle Lucius
Pick Your Head Up
118 bpm • E Maj • 04:00 • -6.39db
29% Popularity • 62% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Slaid Cleaves
Broke Down
114 bpm • D# Maj • 03:10 • -8.7db
32% Popularity • 68% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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James McMurtry
60 Acres
118 bpm • A Maj • 04:35 • -8.23db
20% Popularity • 49% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Pure Prairie League
I'll Change Your Flat Tire, Merle
118 bpm • A Maj • 02:09 • -10.59db
24% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Shinyribs
Take Me to Lake Charles
114 bpm • C Maj • 03:16 • -5.45db
39% Popularity • 66% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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The Ozark Mountain Daredevils
Standing On The Rock
114 bpm • G Maj • 03:54 • -14.08db
37% Popularity • 70% Danceability • 47% Energy • 32% Liveness
2% Instrumentalness • 96% Positiveness
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Delbert McClinton & Glen Clark
Somebody to Love You
113 bpm • A min • 04:09 • -11.27db
21% Popularity • 75% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Slaid Cleaves
Horseshoe Lounge
114 bpm • F# Maj • 03:02 • -9.02db
28% Popularity • 60% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Thorn
Everybody Looks Good at the Starting Lin...
113 bpm • E min • 04:37 • -6db
15% Popularity • 72% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Wrinkle Neck Mules
When The Wheels Touch Down
119 bpm • C Maj • 04:11 • -9.18db
19% Popularity • 37% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Bruce Robison
Harper Valley Pta
113 bpm • C Maj • 03:45 • -6.95db
13% Popularity • 81% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Hard Working Americans
Blackland Farmer
113 bpm • D min • 04:22 • -10.28db
11% Popularity • 71% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Mudcrutch
The Wrong Thing to Do
119 bpm • G Maj • 04:09 • -6db
29% Popularity • 57% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Shinyribs
Song of Lime Juice & Despair
113 bpm • D min • 03:20 • -6.17db
29% Popularity • 62% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Paul Thorn
800 Pounds Jesus
119 bpm • E Maj • 02:59 • -6.91db
12% Popularity • 52% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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John Hiatt & The Goners
The Most Unoriginal Sin
113 bpm • D Maj • 04:15 • -9.92db
20% Popularity • 56% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Asleep At The Wheel
My Baby Thinks She's a Train
119 bpm • A Maj • 03:48 • -8.68db
17% Popularity • 66% Danceability • 68% Energy • 33% Liveness
1% Instrumentalness • 29% Positiveness
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The Black Lillies
Peach Pickin'
119 bpm • E Maj • 04:00 • -7.02db
28% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Delbert McClinton & Glen Clark
Oughta Know
113 bpm • G Maj • 03:09 • -10db
33% Popularity • 78% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Shinyribs
Song of Lime Juice and Despair
120 bpm • D min • 03:29 • -7.65db
14% Popularity • 52% Danceability • 79% Energy • 98% Liveness
0% Instrumentalness • 86% Positiveness
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Bruce Robison
Wrapped
112 bpm • A Maj • 04:42 • -9.88db
18% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Paul Thorn
Holy Hottie Toddy
119 bpm • E Maj • 03:35 • -11.26db
18% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Trigger Hippy
Heartache On The Line
112 bpm • A Maj • 05:48 • -4.83db
21% Popularity • 36% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Hard Working Americans
Straight to Hell
112 bpm • A# Maj • 05:51 • -10.3db
21% Popularity • 44% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Jonathan Edwards
Shanty
112 bpm • G Maj • 02:35 • -15db
45% Popularity • 56% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Cody Canada & The Departed
Lost Rabbit
120 bpm • A# Maj • 04:20 • -7db
10% Popularity • 69% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Smooth Hound Smith
Sweet Tennessee Honey
112 bpm • A# min • 03:23 • -5.65db
17% Popularity • 82% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Thorn
The Half Has Never Been Told
119 bpm • E min • 02:49 • -6db
12% Popularity • 76% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Trigger Hippy
Goddamn Hurricane
120 bpm • G Maj • 04:05 • -7.97db
10% Popularity • 46% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Shinyribs
Texas Talking
112 bpm • C Maj • 03:26 • -5.92db
19% Popularity • 66% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Jackie Greene
Tell Me Mama, Tell Me Right
120 bpm • B Maj • 02:38 • -5.63db
21% Popularity • 62% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Zac Wilkerson
Muddy Waters
112 bpm • C# Maj • 03:55 • -6.8db
17% Popularity • 86% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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The Ozark Mountain Daredevils
Black Sky
120 bpm • E Maj • 03:08 • -13.89db
31% Popularity • 76% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Thorn
When the Long Road Ends
112 bpm • D Maj • 03:44 • -12.77db
14% Popularity • 71% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Charlie Robison
Rocket Man
112 bpm • G Maj • 04:05 • -11.51db
26% Popularity • 37% Danceability • 46% Energy • 88% Liveness
0% Instrumentalness • 34% Positiveness
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John Hiatt
Old Days
112 bpm • G Maj • 04:04 • -7.03db
21% Popularity • 78% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Travis Meadows
Long Live Cool
121 bpm • F min • 03:37 • -5.13db
9% Popularity • 45% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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John Eddie
Low Life
121 bpm • A Maj • 03:11 • -4.39db
11% Popularity • 51% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Levon Helm
Growing Trade
111 bpm • A Maj • 04:22 • -8db
28% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Amazing Rhythm Aces
The "Ella B" - Remastered
121 bpm • F# min • 04:33 • -10.56db
33% Popularity • 68% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Southern Culture on the Skids
Drunk And Lonesome (Again)
121 bpm • G Maj • 02:53 • -5.48db
24% Popularity • 73% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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John Hiatt
Drive South
121 bpm • E Maj • 03:55 • -14.08db
18% Popularity • 67% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Paul Thorn
Better Days Ahead
121 bpm • G Maj • 03:59 • -13.57db
8% Popularity • 76% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Delbert McClinton & Glen Clark
Been Around a Long Time
121 bpm • D Maj • 03:38 • -10.3db
34% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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New Riders of the Purple Sage
Truck Driving Man
111 bpm • G Maj • 06:24 • -7.79db
19% Popularity • 60% Danceability • 90% Energy • 73% Liveness
1% Instrumentalness • 92% Positiveness
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Mudcrutch
House of Stone
121 bpm • E Maj • 03:00 • -12.04db
25% Popularity • 70% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Dale Watson
My Baby Make Me Gravy
111 bpm • F# min • 02:45 • -10db
27% Popularity • 79% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Slaid Cleaves
Drinkin' Days
121 bpm • E Maj • 04:25 • -7.22db
12% Popularity • 65% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Thorn
Junkin'
111 bpm • B Maj • 04:40 • -6.29db
12% Popularity • 85% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 99% Positiveness
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The Gourds
Everybody's Missing the Sun
122 bpm • G Maj • 02:59 • -9.4db
30% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Stapleton
Might As Well Get Stoned
122 bpm • D Maj • 04:37 • -8.39db
57% Popularity • 57% Danceability • 57% Energy • 16% Liveness
3% Instrumentalness • 64% Positiveness
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Lee Roy Parnell
Hours in Between
111 bpm • F# min • 05:03 • -7.15db
13% Popularity • 74% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Wrinkle Neck Mules
Okeechobee
122 bpm • G Maj • 04:23 • -7.42db
10% Popularity • 65% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Flying Buffaloes
When I Looked into Her Eyes
122 bpm • G Maj • 02:57 • -7.7db
9% Popularity • 59% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Paul Thorn
Hammer And Nail
121 bpm • C Maj • 03:19 • -6.07db
13% Popularity • 65% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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North Mississippi Allstars
Stealin
122 bpm • G Maj • 02:54 • -9.01db
18% Popularity • 76% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Bruce Robison
Angry All The Time
122 bpm • F# Maj • 04:43 • -11.99db
24% Popularity • 63% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Dave Alvin
World's in a Bad Condition
110 bpm • B min • 04:25 • -6db
17% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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The Gourds
I Want It So Bad
122 bpm • C Maj • 03:37 • -5.9db
28% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Mike Campbell & The Dirty Knobs
Pistol Packin’ Mama
110 bpm • G Maj • 04:10 • -4.67db
28% Popularity • 52% Danceability • 90% Energy • 20% Liveness
1% Instrumentalness • 78% Positiveness
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Paul Thorn
Crutches
111 bpm • E min • 03:34 • -6.46db
12% Popularity • 92% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Jeffrey Foucault
4&20 Blues
122 bpm • G Maj • 02:58 • -12db
40% Popularity • 79% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Wrinkle Neck Mules
The Waters All Run Dry
123 bpm • G Maj • 04:12 • -8.7db
8% Popularity • 60% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Colin James
National Steel
123 bpm • F Maj • 04:54 • -9.9db
17% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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John Eddie
Forty
109 bpm • G Maj • 03:28 • -4db
10% Popularity • 55% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Ozark Mountain Daredevils
If You Wanna Get to Heaven 20/20
123 bpm • C Maj • 03:38 • -4.35db
24% Popularity • 70% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Thorn
Long Way from Tupelo
111 bpm • C# min • 04:21 • -6.22db
15% Popularity • 65% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Shinyribs
Shores of Galilee
123 bpm • A Maj • 04:43 • -9.64db
24% Popularity • 68% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Delbert McClinton & Glen Clark
Tell My Mama
109 bpm • C Maj • 03:15 • -9.84db
18% Popularity • 69% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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The Statesboro Revue
Into The Mystic
109 bpm • A# Maj • 02:57 • -6.53db
16% Popularity • 63% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Dale Watson
The Ballad of Dale and Ray
123 bpm • A Maj • 03:45 • -9.53db
24% Popularity • 64% Danceability • 45% Energy • 22% Liveness
10% Instrumentalness • 80% Positiveness
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The Flatlanders
I Thought the Wreck Was Over
109 bpm • A Maj • 02:45 • -5.23db
17% Popularity • 70% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Paul Thorn
800 Pound Jesus
123 bpm • D Maj • 02:52 • -16.94db
7% Popularity • 58% Danceability • 17% Energy • 58% Liveness
0% Instrumentalness • 59% Positiveness
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Whitey Morgan and the 78's
That's How I Got to Memphis
109 bpm • D Maj • 03:30 • -5.17db
39% Popularity • 59% Danceability • 91% Energy • 38% Liveness
29% Instrumentalness • 58% Positiveness
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He's a Battle Axe