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Hey Memphis
Songs like
Hey Memphis
by
LaVern Baker
Based on a tempo of (+/- 10%) and a similar genre
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LaVern Baker
You're Teasing Me
139 bpm • G# Maj • 02:17 • -7.47db
9% Popularity • 82% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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The Rays
Daddy Cool
139 bpm • F min • 02:40 • -9db
14% Popularity • 66% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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The "5" Royales
I Like It Like That
139 bpm • F Maj • 02:52 • -7.81db
8% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Ruth Brown
Hello Little Boy
139 bpm • A# min • 02:36 • -12db
20% Popularity • 46% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Amos Milburn
Chicken Shack Boogie
139 bpm • G Maj • 02:50 • -9.63db
17% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Ronnie Hawkins
Southern Love
139 bpm • B min • 02:45 • -9db
15% Popularity • 52% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Chris Kenner
Land of a 1,000 Dances
139 bpm • G# Maj • 02:29 • -12.14db
10% Popularity • 61% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Barbara Lynn
Oh! Baby
139 bpm • A Maj • 02:05 • -5db
7% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Wynonie Harris
Shake That Thing
139 bpm • E Maj • 02:15 • -11db
30% Popularity • 62% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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LaVern Baker
Hey Memphis
139 bpm • G min • 02:28 • -9.61db
18% Popularity • 59% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Art Neville
What's Going On
138 bpm • B min • 02:00 • -9db
28% Popularity • 68% Danceability • 57% Energy • 68% Liveness
0% Instrumentalness • 94% Positiveness
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The Contours
Whole Lotta Woman
138 bpm • G# Maj • 02:49 • -10.85db
28% Popularity • 70% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Eugene Church
Pretty Girls Everywhere
138 bpm • G Maj • 02:57 • -12.91db
13% Popularity • 68% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:03 • -14.01db
28% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Sam & Dave
You Ain't No Big Thing Baby
140 bpm • G Maj • 02:30 • -7.15db
12% Popularity • 67% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Larry Williams
Dizzy Miss Lizzy
138 bpm • D# Maj • 02:12 • -10db
35% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Wynona Carr
I'm Mad At You
138 bpm • C min • 02:08 • -10.24db
8% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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Smiley Lewis
Caldonia's Party
138 bpm • C# Maj • 02:10 • -8db
10% Popularity • 48% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Clyde McPhatter
Bip Bam
137 bpm • D# Maj • 02:45 • -10.9db
23% Popularity • 79% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:09 • -14db
30% Popularity • 73% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Ad Libs
He Ain't No Angel
137 bpm • E min • 02:40 • -6db
10% Popularity • 58% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Chuck Willis
C.C. Rider
141 bpm • D# Maj • 02:30 • -5.95db
30% Popularity • 69% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Baby Washington
A Handful Of Memories
137 bpm • A min • 02:19 • -10.6db
19% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Big Maybelle
A Good Man Is Hard To Find
137 bpm • D Maj • 02:12 • -9.43db
14% Popularity • 54% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Shirley & Lee
Feel So Good
137 bpm • A Maj • 02:51 • -13.16db
14% Popularity • 72% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Faye Adams
Johnnie Lee
141 bpm • A Maj • 02:14 • -5.1db
8% Popularity • 74% Danceability • 80% Energy • 2% Liveness
6% Instrumentalness • 74% Positiveness
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Clyde McPhatter
I'll Love You Till The Cows Come Home
137 bpm • A# min • 02:22 • -6.09db
10% Popularity • 60% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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LaVern Baker
You Said
141 bpm • F Maj • 02:17 • -12.02db
11% Popularity • 73% Danceability • 38% Energy • 89% Liveness
0% Instrumentalness • 96% Positiveness
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Ruth Brown
Teardrops from My Eyes
142 bpm • A# min • 02:55 • -15.36db
22% Popularity • 59% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Big Maybelle
Ocean Of Tears
137 bpm • D# min • 02:29 • -10.3db
20% Popularity • 45% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Eddie Bo
Every Dog Got His Day
142 bpm • G# Maj • 02:17 • -6.71db
25% Popularity • 76% Danceability • 90% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
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Eddie Banks
Sugar Diabetes
136 bpm • C min • 02:39 • -6db
10% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Arthur Alexander
Hey! Baby!
136 bpm • C Maj • 02:13 • -11db
13% Popularity • 58% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Ronnie Love
Chills and Fever
142 bpm • A min • 02:28 • -9.88db
15% Popularity • 52% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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The Champs
Train to Nowhere
142 bpm • C min • 02:12 • -20db
23% Popularity • 70% Danceability • 42% Energy • 15% Liveness
31% Instrumentalness • 86% Positiveness
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Harold Burrage
She Knocks Me Out (Master)
142 bpm • D# Maj • 02:16 • -9db
26% Popularity • 63% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Larry Williams
Bad Boy
136 bpm • A# Maj • 02:20 • -12.73db
29% Popularity • 70% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Nathaniel Mayer
Village of Love
142 bpm • C Maj • 02:01 • -5db
6% Popularity • 48% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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LaVern Baker
I Can't Love You Enough
136 bpm • C# Maj • 02:39 • -9.39db
14% Popularity • 64% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Ronnie Dawson
Congratulations to Me
135 bpm • G Maj • 02:25 • -7db
11% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Gene Vincent & His Blue Caps
Blues Stay Away From Me
135 bpm • A Maj • 02:16 • -11.44db
20% Popularity • 56% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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The Valentinos
Lookin' For A Love
135 bpm • D min • 02:32 • -8db
31% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Chuck Willis
Betty and Dupree
135 bpm • A# Maj • 02:26 • -7db
17% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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The "5" Royales
Thirty Second Lover
135 bpm • C# Maj • 02:27 • -12db
14% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Varetta Dillard
That's Why I Cry - Alternate Take
143 bpm • D min • 02:31 • -6.16db
8% Popularity • 41% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
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Big Maybelle
New Kind of Mambo
143 bpm • F# Maj • 02:32 • -4.79db
18% Popularity • 55% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Claudine Clark
Party Lights
135 bpm • C Maj • 02:21 • 0.26db
18% Popularity • 69% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Arthur Alexander
A Shot of Rhythm and Blues
135 bpm • G# Maj • 01:59 • -5db
22% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Irma Thomas
Hittin' On Nothing
144 bpm • D min • 02:17 • -10.44db
33% Popularity • 83% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Nat Kendrick & The Swans
Mashed Potatoes, Pt. 1
134 bpm • G Maj • 01:45 • -9db
20% Popularity • 69% Danceability • 85% Energy • 21% Liveness
18% Instrumentalness • 96% Positiveness
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Ernie K-Doe
Te-Ta-Te-Ta-Ta - Remastered
134 bpm • F Maj • 02:37 • -9.08db
21% Popularity • 60% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Big Maybelle
So Good to My Baby
144 bpm • A# Maj • 02:32 • -3db
14% Popularity • 41% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Chris Kenner
I Like It Like That - Pt. 1
144 bpm • F Maj • 02:00 • -12db
28% Popularity • 58% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Esther Phillips
Cherry Wine
144 bpm • F min • 02:20 • -10db
17% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The Orlons
The Wah Watusi
134 bpm • E min • 02:30 • -6.12db
42% Popularity • 77% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Huey "Piano" Smith
Havin a Good Time
134 bpm • G Maj • 02:32 • -7.93db
11% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
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LaVern Baker
You Better Stop
144 bpm • G# Maj • 02:46 • -9.07db
15% Popularity • 65% Danceability • 38% Energy • 57% Liveness
0% Instrumentalness • 83% Positiveness
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Big Maybelle
I've Got a Feelin'
144 bpm • A# Maj • 02:56 • -6db
17% Popularity • 65% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Kenner
I Like It Like That
144 bpm • D min • 01:58 • -13db
21% Popularity • 61% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Wynonie Harris
Keep On Churnin' (Till The Butter Come)
144 bpm • G# Maj • 02:53 • -8db
28% Popularity • 56% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Rosco Gordon
Shoobie Oobie
134 bpm • A# min • 02:55 • -9.9db
15% Popularity • 54% Danceability • 56% Energy • 11% Liveness
36% Instrumentalness • 54% Positiveness
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Mickey Baker
No Good Lover
134 bpm • A Maj • 02:53 • -7db
13% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Charles Sheffield
It's Your Voodoo Working
134 bpm • D min • 01:46 • -9db
19% Popularity • 61% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Ray Sharpe
Oh, My Baby's Gone
133 bpm • C Maj • 02:08 • -6db
18% Popularity • 67% Danceability • 68% Energy • 57% Liveness
17% Instrumentalness • 84% Positiveness
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Chris Kenner
Sick And Tired - Remastered
144 bpm • F min • 02:31 • -10db
27% Popularity • 73% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Collins Kids
Mercy
133 bpm • B min • 02:04 • -4.09db
20% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette) - Remas...
133 bpm • D# Maj • 02:27 • -7db
8% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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LaVern Baker
Get Up, Get Up (You Sleepy Head)
145 bpm • C# Maj • 02:21 • -10.49db
14% Popularity • 69% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Chuck Willis
Kansas City Woman
133 bpm • F Maj • 02:00 • -7.55db
10% Popularity • 60% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Smiley Lewis
Big Mamou
145 bpm • A# Maj • 02:22 • -7db
12% Popularity • 66% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Irma Thomas
Teasing But You're Pleasing
133 bpm • A# min • 01:46 • -9.41db
37% Popularity • 57% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Clarence "Frogman" Henry
Lonely Tramp
133 bpm • C Maj • 02:25 • 0.59db
10% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette)
133 bpm • D# Maj • 02:25 • -7.46db
25% Popularity • 59% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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LaVern Baker
Saved
146 bpm • A# Maj • 02:54 • -12db
23% Popularity • 61% Danceability • 60% Energy • 44% Liveness
0% Instrumentalness • 93% Positiveness
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Larry Williams
Let Me Tell You, Baby
133 bpm • C Maj • 02:38 • -10.81db
12% Popularity • 56% Danceability • 54% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
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The Mar-Keys
Morning After
133 bpm • C Maj • 02:14 • -7.64db
22% Popularity • 59% Danceability • 59% Energy • 16% Liveness
76% Instrumentalness • 94% Positiveness
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Smokey Joe Baugh
The Signifying Monkey
132 bpm • F Maj • 03:16 • -8db
9% Popularity • 76% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Rosco Gordon
Bop With Me Baby
132 bpm • A# min • 02:36 • -9db
17% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Wynonie Harris
Fishtail Blues
146 bpm • D# Maj • 02:38 • -10db
27% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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LaVern Baker
Love Me Right
146 bpm • C# Maj • 01:54 • -7db
46% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Benny Spellman
Lipstick Traces
132 bpm • D# Maj • 02:23 • -12db
13% Popularity • 61% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Barrett Strong
You Knows What To Do - Single Version
132 bpm • C Maj • 02:42 • -7db
11% Popularity • 68% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Sugar Pie DeSanto
Use What You Got
132 bpm • F Maj • 02:40 • -8.02db
28% Popularity • 66% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
132 bpm • D# Maj • 01:48 • -4.85db
34% Popularity • 43% Danceability • 86% Energy • 27% Liveness
77% Instrumentalness • 78% Positiveness
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Ray Smith
Makes Me Feel Good
132 bpm • D min • 02:26 • -7.64db
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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The "5" Royales
Right Around The Corner
132 bpm • D# Maj • 02:28 • -12db
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Chuck Willis
Hang up My Rock & Roll Shoes
132 bpm • F Maj • 02:19 • -3db
13% Popularity • 71% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Barrett Strong
Whirlwind - Single Version
146 bpm • G min • 02:11 • -5.77db
9% Popularity • 60% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Jessie Hill
Ooh Poo Pah Doo (Pt. 1) - 2002 Remaster
132 bpm • B min • 02:19 • -10db
32% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Varetta Dillard
Scorched
147 bpm • C Maj • 02:42 • -7.25db
11% Popularity • 69% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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The Olympics
Big Boy Pete '65
131 bpm • A# Maj • 02:29 • -9.16db
14% Popularity • 62% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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Tiny Bradshaw
The Train Kept-a-Rollin'
147 bpm • C Maj • 02:50 • -10db
19% Popularity • 54% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Chuck Willis
Hang up My Rock and Roll Shoes
131 bpm • F Maj • 02:19 • -8db
29% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Ronnie Hawkins
Mary Lou
131 bpm • D min • 02:10 • -8db
31% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Frank Ballard
Do Wa Diddi - Remastered 2022
131 bpm • G Maj • 02:19 • -1.31db
14% Popularity • 64% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Rosco Gordon
Surely I Love You
131 bpm • G# Maj • 02:25 • -14.49db
18% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
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Little Willie John
Take My Love (I Want To Give It All To Y...
131 bpm • C# Maj • 02:44 • -12.65db
8% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Barrett Strong
Sugar Daddy
131 bpm • F# Maj • 02:43 • -6.23db
10% Popularity • 71% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Chuck Willis
Sugar Sugar
147 bpm • C Maj • 01:47 • -8.9db
18% Popularity • 65% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Frankie Ford
Alimony
131 bpm • C min • 02:18 • -6db
19% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Hey Memphis