Songs like Hey Sa-Lo-Ney by The Detroit Cobras
Based on a tempo of (+/- 10%) and a similar genre
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The Flaming Sideburns
Street Survivor
152 bpm • B Maj • 03:02 • -2.62db
31% Popularity • 36% Danceability • 95% Energy • 15% Liveness
1% Instrumentalness • 72% Positiveness
31% Popularity • 36% Danceability • 95% Energy • 15% Liveness
1% Instrumentalness • 72% Positiveness
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The Detroit Cobras
He Did It
152 bpm • B Maj • 02:22 • -3.54db
22% Popularity • 18% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 18% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Reigning Sound
Time Bomb High School
152 bpm • C Maj • 01:35 • -3.41db
20% Popularity • 28% Danceability • 93% Energy • 30% Liveness
2% Instrumentalness • 84% Positiveness
20% Popularity • 28% Danceability • 93% Energy • 30% Liveness
2% Instrumentalness • 84% Positiveness
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The Morlocks
Dirty Red
153 bpm • F min • 02:47 • -2.28db
20% Popularity • 38% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 38% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 77% Positiveness
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Thee Headcoatees
Strychnine
153 bpm • C min • 02:03 • -9.54db
15% Popularity • 43% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 43% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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The Jackets
Wasting My Time
151 bpm • A# Maj • 03:41 • -5.07db
17% Popularity • 44% Danceability • 86% Energy • 17% Liveness
1% Instrumentalness • 64% Positiveness
17% Popularity • 44% Danceability • 86% Energy • 17% Liveness
1% Instrumentalness • 64% Positiveness
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Oblivians
Call the Police
151 bpm • A Maj • 03:33 • -4db
27% Popularity • 45% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 45% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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The Detroit Cobras
Hey Sa-Lo-Ney
152 bpm • C# Maj • 02:27 • -4db
34% Popularity • 39% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 39% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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The Black Angels
Telephone
151 bpm • D Maj • 01:59 • -4.73db
43% Popularity • 38% Danceability • 81% Energy • 50% Liveness
4% Instrumentalness • 66% Positiveness
43% Popularity • 38% Danceability • 81% Energy • 50% Liveness
4% Instrumentalness • 66% Positiveness
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The 101ers
Keys to Your Heart
153 bpm • G Maj • 03:44 • -9.07db
33% Popularity • 60% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 60% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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King Khan and the Shrines
No Regrets
153 bpm • D Maj • 02:30 • -1.24db
30% Popularity • 38% Danceability • 94% Energy • 11% Liveness
33% Instrumentalness • 42% Positiveness
30% Popularity • 38% Danceability • 94% Energy • 11% Liveness
33% Instrumentalness • 42% Positiveness
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The Dirtbombs
I Can't Stop Thinking About It
153 bpm • G min • 03:03 • -4.18db
30% Popularity • 58% Danceability • 100% Energy • 41% Liveness
4% Instrumentalness • 42% Positiveness
30% Popularity • 58% Danceability • 100% Energy • 41% Liveness
4% Instrumentalness • 42% Positiveness
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Black Joe Lewis & The Honeybears
Big Booty Woman
151 bpm • B min • 03:04 • -3.31db
33% Popularity • 42% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 42% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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The Saints
Know Your Product - 2004 Remaster
151 bpm • F min • 03:15 • -4.24db
35% Popularity • 30% Danceability • 86% Energy • 37% Liveness
25% Instrumentalness • 72% Positiveness
35% Popularity • 30% Danceability • 86% Energy • 37% Liveness
25% Instrumentalness • 72% Positiveness
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Gore Gore Girls
All Grown Up
153 bpm • A Maj • 02:51 • -4.76db
14% Popularity • 45% Danceability • 92% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 45% Danceability • 92% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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Boss Hog
Ski Bunny
154 bpm • B min • 02:00 • -8.53db
21% Popularity • 33% Danceability • 81% Energy • 46% Liveness
70% Instrumentalness • 47% Positiveness
21% Popularity • 33% Danceability • 81% Energy • 46% Liveness
70% Instrumentalness • 47% Positiveness
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Mr. Airplane Man
Commit a Crime
154 bpm • F# Maj • 03:30 • -13.57db
29% Popularity • 43% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 63% Positiveness
29% Popularity • 43% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 63% Positiveness
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The Dirtbombs
Chains of Love
151 bpm • D min • 02:21 • -3db
34% Popularity • 50% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 50% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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The Detroit Cobras
Maria Christina
150 bpm • C Maj • 02:01 • -15.44db
16% Popularity • 47% Danceability • 44% Energy • 22% Liveness
7% Instrumentalness • 98% Positiveness
16% Popularity • 47% Danceability • 44% Energy • 22% Liveness
7% Instrumentalness • 98% Positiveness
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The King Khan & BBQ Show
Fishfight
150 bpm • E Maj • 02:50 • 0db
26% Popularity • 41% Danceability • 98% Energy • 29% Liveness
35% Instrumentalness • 67% Positiveness
26% Popularity • 41% Danceability • 98% Energy • 29% Liveness
35% Instrumentalness • 67% Positiveness
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The Cynics
Get My Way
150 bpm • E Maj • 03:05 • -4.51db
10% Popularity • 39% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 39% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Compulsive Gamblers
The Way I Feel About You
150 bpm • C Maj • 02:29 • -3db
19% Popularity • 20% Danceability • 94% Energy • 32% Liveness
82% Instrumentalness • 37% Positiveness
19% Popularity • 20% Danceability • 94% Energy • 32% Liveness
82% Instrumentalness • 37% Positiveness
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Thee Headcoatees
Don't Wanna Hold Your Hand
154 bpm • E Maj • 02:10 • -5db
15% Popularity • 26% Danceability • 94% Energy • 7% Liveness
5% Instrumentalness • 70% Positiveness
15% Popularity • 26% Danceability • 94% Energy • 7% Liveness
5% Instrumentalness • 70% Positiveness
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Les Sexareenos
Hey Sah-Lo-Ney
154 bpm • D# Maj • 02:27 • -3.18db
10% Popularity • 36% Danceability • 97% Energy • 31% Liveness
1% Instrumentalness • 61% Positiveness
10% Popularity • 36% Danceability • 97% Energy • 31% Liveness
1% Instrumentalness • 61% Positiveness
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The Detroit Cobras
Oh My Lover
154 bpm • F# Maj • 01:34 • -5.43db
17% Popularity • 28% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 28% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Reigning Sound
Brown Paper Sack
150 bpm • A Maj • 02:13 • -4.71db
13% Popularity • 34% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 34% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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The Dirtbombs
I'm Qualified to Satisfy You
150 bpm • G Maj • 03:53 • -5.28db
14% Popularity • 32% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 32% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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The Fleshtones
Theme From "The Vindicators"
154 bpm • D Maj • 02:23 • -10.51db
11% Popularity • 41% Danceability • 64% Energy • 36% Liveness
26% Instrumentalness • 74% Positiveness
11% Popularity • 41% Danceability • 64% Energy • 36% Liveness
26% Instrumentalness • 74% Positiveness
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Oblivians
I'll Be Gone
154 bpm • A Maj • 02:03 • -5.15db
19% Popularity • 39% Danceability • 100% Energy • 37% Liveness
12% Instrumentalness • 29% Positiveness
19% Popularity • 39% Danceability • 100% Energy • 37% Liveness
12% Instrumentalness • 29% Positiveness
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Lyres
Help You Ann
150 bpm • G# Maj • 02:30 • -4db
32% Popularity • 67% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
32% Popularity • 67% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Black Lips
Drugs
155 bpm • F# min • 02:31 • -6.83db
30% Popularity • 38% Danceability • 81% Energy • 10% Liveness
88% Instrumentalness • 74% Positiveness
30% Popularity • 38% Danceability • 81% Energy • 10% Liveness
88% Instrumentalness • 74% Positiveness
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The Cynics
Way It's Gonna Be
149 bpm • G Maj • 02:46 • -3.91db
18% Popularity • 34% Danceability • 98% Energy • 28% Liveness
9% Instrumentalness • 84% Positiveness
18% Popularity • 34% Danceability • 98% Energy • 28% Liveness
9% Instrumentalness • 84% Positiveness
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The Dirtbombs
Ode to a Black Man
155 bpm • D Maj • 03:38 • -3.39db
26% Popularity • 37% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 37% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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King Khan and the Shrines
Mr. Supernatural
155 bpm • F Maj • 04:10 • -4.24db
16% Popularity • 50% Danceability • 82% Energy • 16% Liveness
48% Instrumentalness • 84% Positiveness
16% Popularity • 50% Danceability • 82% Energy • 16% Liveness
48% Instrumentalness • 84% Positiveness
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The Dictators
The Savage Beat
155 bpm • F Maj • 02:27 • -3.8db
11% Popularity • 44% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 44% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Nikki and the Corvettes
Gimme, Gimme
155 bpm • D# min • 01:58 • -7.66db
21% Popularity • 29% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 29% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Oblivians
Bad Man
149 bpm • C Maj • 02:42 • -5db
24% Popularity • 25% Danceability • 98% Energy • 14% Liveness
60% Instrumentalness • 19% Positiveness
24% Popularity • 25% Danceability • 98% Energy • 14% Liveness
60% Instrumentalness • 19% Positiveness
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Pierced Arrows
Caroline
155 bpm • D Maj • 03:42 • -9.57db
14% Popularity • 24% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 24% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Cynics
Waste of Time
148 bpm • A min • 02:12 • -4.18db
19% Popularity • 34% Danceability • 94% Energy • 7% Liveness
76% Instrumentalness • 87% Positiveness
19% Popularity • 34% Danceability • 94% Energy • 7% Liveness
76% Instrumentalness • 87% Positiveness
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The Gories
Outta Here
156 bpm • C# Maj • 01:55 • -11.53db
21% Popularity • 63% Danceability • 69% Energy • 34% Liveness
70% Instrumentalness • 67% Positiveness
21% Popularity • 63% Danceability • 69% Energy • 34% Liveness
70% Instrumentalness • 67% Positiveness
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The King Khan & BBQ Show
Waddlin Around
149 bpm • G Maj • 03:23 • -0.76db
23% Popularity • 20% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 20% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Dead Moon
Dead Moon Night
156 bpm • A Maj • 04:47 • -7.36db
37% Popularity • 53% Danceability • 65% Energy • 25% Liveness
2% Instrumentalness • 43% Positiveness
37% Popularity • 53% Danceability • 65% Energy • 25% Liveness
2% Instrumentalness • 43% Positiveness
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Reigning Sound
Stormy Weather
156 bpm • E Maj • 02:11 • -2.78db
34% Popularity • 32% Danceability • 92% Energy • 34% Liveness
62% Instrumentalness • 88% Positiveness
34% Popularity • 32% Danceability • 92% Energy • 34% Liveness
62% Instrumentalness • 88% Positiveness
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Lyres
Don't Give It Up Now
156 bpm • C Maj • 03:35 • -13.81db
18% Popularity • 38% Danceability • 70% Energy • 8% Liveness
16% Instrumentalness • 84% Positiveness
18% Popularity • 38% Danceability • 70% Energy • 8% Liveness
16% Instrumentalness • 84% Positiveness
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Grant Hart
You're the Reflection of the Moon on the...
148 bpm • E min • 04:20 • -5db
22% Popularity • 39% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 39% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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The Incredible Staggers
Little Sister
148 bpm • E Maj • 03:05 • -3db
16% Popularity • 31% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 31% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Obits
Widow Of My Dreams
157 bpm • A Maj • 04:21 • -5.64db
19% Popularity • 37% Danceability • 94% Energy • 13% Liveness
85% Instrumentalness • 72% Positiveness
19% Popularity • 37% Danceability • 94% Energy • 13% Liveness
85% Instrumentalness • 72% Positiveness
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Andre Williams
Agile, Mobile And Hostile
156 bpm • C# Maj • 02:21 • -1.96db
21% Popularity • 44% Danceability • 96% Energy • 53% Liveness
36% Instrumentalness • 66% Positiveness
21% Popularity • 44% Danceability • 96% Energy • 53% Liveness
36% Instrumentalness • 66% Positiveness
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Reigning Sound
When You Touch Me
148 bpm • D Maj • 02:57 • -1.66db
22% Popularity • 20% Danceability • 91% Energy • 16% Liveness
68% Instrumentalness • 43% Positiveness
22% Popularity • 20% Danceability • 91% Energy • 16% Liveness
68% Instrumentalness • 43% Positiveness
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The Cynics
No Friend of Mine
147 bpm • C Maj • 02:24 • -4.14db
16% Popularity • 34% Danceability • 88% Energy • 18% Liveness
89% Instrumentalness • 53% Positiveness
16% Popularity • 34% Danceability • 88% Energy • 18% Liveness
89% Instrumentalness • 53% Positiveness
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Barrence Whitfield & The Savages
Blackjack
147 bpm • A Maj • 01:49 • -5.03db
29% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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The Detroit Cobras
You Knows What To Do
147 bpm • E Maj • 02:46 • -6.86db
17% Popularity • 50% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 50% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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The Maharajas
I'm Crackin' Up
157 bpm • D Maj • 02:12 • -5.49db
18% Popularity • 29% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 29% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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The Len Price 3
If I Ain't Got You
158 bpm • E Maj • 02:21 • -2.52db
10% Popularity • 25% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 25% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Reigning Sound
You Got Me Hummin'
147 bpm • F# Maj • 02:26 • -1.38db
14% Popularity • 27% Danceability • 91% Energy • 11% Liveness
76% Instrumentalness • 57% Positiveness
14% Popularity • 27% Danceability • 91% Energy • 11% Liveness
76% Instrumentalness • 57% Positiveness
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The Fleshtones
Comin' Home Baby
158 bpm • D Maj • 02:44 • -5.81db
24% Popularity • 24% Danceability • 79% Energy • 32% Liveness
93% Instrumentalness • 72% Positiveness
24% Popularity • 24% Danceability • 79% Energy • 32% Liveness
93% Instrumentalness • 72% Positiveness
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The Cynics
What She Said
157 bpm • E Maj • 03:00 • -6.55db
11% Popularity • 33% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 33% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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The Buff Medways
Troubled Mind
158 bpm • D Maj • 02:11 • -2.98db
17% Popularity • 30% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 30% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Black Rebel Motorcycle Club
Whatever Happened To My Rock 'N' Roll (P...
146 bpm • D Maj • 04:38 • -3db
42% Popularity • 17% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 17% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 10% Positiveness
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Billy Childish
Length of Pipe
146 bpm • D min • 02:10 • -3.45db
18% Popularity • 48% Danceability • 95% Energy • 38% Liveness
65% Instrumentalness • 76% Positiveness
18% Popularity • 48% Danceability • 95% Energy • 38% Liveness
65% Instrumentalness • 76% Positiveness
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The Detroit Cobras
Stay Down
146 bpm • C# min • 02:35 • -5.31db
21% Popularity • 41% Danceability • 85% Energy • 10% Liveness
11% Instrumentalness • 70% Positiveness
21% Popularity • 41% Danceability • 85% Energy • 10% Liveness
11% Instrumentalness • 70% Positiveness
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Johnny Thunders & The Heartbreakers
One Track Mind
158 bpm • C Maj • 02:32 • -9db
27% Popularity • 20% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 20% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Oblivians
Pinball King
146 bpm • E Maj • 01:54 • -3.9db
18% Popularity • 50% Danceability • 99% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 50% Danceability • 99% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Thee Headcoats
Troubled Times
146 bpm • D Maj • 02:24 • -4.48db
21% Popularity • 59% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 59% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Barrence Whitfield & The Savages
The Corner Man
159 bpm • C Maj • 02:35 • -3.79db
30% Popularity • 26% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 26% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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King Khan and the Shrines
Born to Die
146 bpm • G Maj • 03:11 • -7.69db
30% Popularity • 22% Danceability • 78% Energy • 12% Liveness
5% Instrumentalness • 57% Positiveness
30% Popularity • 22% Danceability • 78% Energy • 12% Liveness
5% Instrumentalness • 57% Positiveness
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The Detroit Cobras
Hittin' On Nothing
146 bpm • G Maj • 02:12 • -7.36db
25% Popularity • 71% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 71% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Dictators
Stay with Me
159 bpm • D Maj • 04:10 • -5.05db
33% Popularity • 43% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 43% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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The Cynics
Abba
145 bpm • C Maj • 03:14 • -11db
11% Popularity • 55% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 55% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Little Barrie
Surf Hell
145 bpm • F Maj • 03:01 • -3.87db
13% Popularity • 44% Danceability • 94% Energy • 39% Liveness
2% Instrumentalness • 92% Positiveness
13% Popularity • 44% Danceability • 94% Energy • 39% Liveness
2% Instrumentalness • 92% Positiveness
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The Nomads
Ain't No King of Rock & Roll
159 bpm • G# min • 02:37 • -3db
12% Popularity • 11% Danceability • 84% Energy • 26% Liveness
70% Instrumentalness • 66% Positiveness
12% Popularity • 11% Danceability • 84% Energy • 26% Liveness
70% Instrumentalness • 66% Positiveness
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The Maharajas
Medication
144 bpm • A Maj • 02:18 • -4db
19% Popularity • 41% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 41% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Detroit Cobras
Funnel of Love
145 bpm • G Maj • 02:02 • -11.31db
24% Popularity • 44% Danceability • 65% Energy • 45% Liveness
2% Instrumentalness • 73% Positiveness
24% Popularity • 44% Danceability • 65% Energy • 45% Liveness
2% Instrumentalness • 73% Positiveness
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The Dictators
Who Will Save Rock And Roll?
159 bpm • A Maj • 02:58 • -5.33db
24% Popularity • 26% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 26% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Johnny Thunders & The Heartbreakers
Do You Love Me
160 bpm • F Maj • 02:15 • -8.42db
21% Popularity • 32% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 32% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Ezra Furman
Tell Em All to Go to Hell
160 bpm • D# Maj • 02:13 • -5.38db
29% Popularity • 44% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 44% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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The Nomads
Lowdown Shakin' Chills
145 bpm • B min • 03:38 • -5db
11% Popularity • 26% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 26% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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The Cynics
Buisness As Usual
160 bpm • E Maj • 01:42 • -5.92db
29% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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The Detroit Cobras
Won't You Dance With Me
144 bpm • G# Maj • 02:14 • -3.42db
14% Popularity • 45% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 45% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Reigning Sound
We Repel Each Other
144 bpm • E Maj • 03:00 • -1.3db
11% Popularity • 26% Danceability • 95% Energy • 34% Liveness
80% Instrumentalness • 77% Positiveness
11% Popularity • 26% Danceability • 95% Energy • 34% Liveness
80% Instrumentalness • 77% Positiveness
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The Dictators
(I Live For) Cars and Girls
145 bpm • A Maj • 03:57 • -5db
25% Popularity • 37% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 37% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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The Maharajas
Alright!
144 bpm • D# Maj • 02:24 • -5db
10% Popularity • 38% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 38% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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The Love Me Nots
Give Em What They Want
161 bpm • C Maj • 02:41 • -3db
19% Popularity • 22% Danceability • 99% Energy • 14% Liveness
25% Instrumentalness • 42% Positiveness
19% Popularity • 22% Danceability • 99% Energy • 14% Liveness
25% Instrumentalness • 42% Positiveness
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The Cynics
Cry, Cry, Cry
144 bpm • G Maj • 03:07 • -5.45db
10% Popularity • 34% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 34% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Thee Headcoatees
Wild Man
144 bpm • E min • 02:24 • -12db
16% Popularity • 34% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 34% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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King Khan and the Shrines
Luckiest Man
144 bpm • A min • 03:43 • -6.92db
28% Popularity • 51% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 84% Positiveness
28% Popularity • 51% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 84% Positiveness
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The Detroit Cobras
Bad Girl
161 bpm • A# Maj • 02:30 • -7db
31% Popularity • 38% Danceability • 84% Energy • 19% Liveness
68% Instrumentalness • 66% Positiveness
31% Popularity • 38% Danceability • 84% Energy • 19% Liveness
68% Instrumentalness • 66% Positiveness
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The Bloody Hollies
So Grey, So Green
161 bpm • B min • 03:59 • -7db
22% Popularity • 33% Danceability • 94% Energy • 12% Liveness
7% Instrumentalness • 24% Positiveness
22% Popularity • 33% Danceability • 94% Energy • 12% Liveness
7% Instrumentalness • 24% Positiveness
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Reverend Beat-Man
I Never Told You
161 bpm • D min • 03:00 • -3.3db
20% Popularity • 48% Danceability • 97% Energy • 5% Liveness
17% Instrumentalness • 54% Positiveness
20% Popularity • 48% Danceability • 97% Energy • 5% Liveness
17% Instrumentalness • 54% Positiveness
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The Cynics
Baby, What's Wrong
144 bpm • D Maj • 02:28 • -3db
28% Popularity • 38% Danceability • 98% Energy • 20% Liveness
12% Instrumentalness • 79% Positiveness
28% Popularity • 38% Danceability • 98% Energy • 20% Liveness
12% Instrumentalness • 79% Positiveness
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Dead Moon
Johnny's Got a Gun
143 bpm • A Maj • 03:07 • -6.92db
22% Popularity • 51% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 51% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Barrence Whitfield & The Savages
Pain
143 bpm • C Maj • 02:49 • -4.72db
20% Popularity • 53% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 53% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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The Detroit Cobras
Feel Good
161 bpm • F# Maj • 02:30 • -3.41db
29% Popularity • 27% Danceability • 91% Energy • 13% Liveness
5% Instrumentalness • 34% Positiveness
29% Popularity • 27% Danceability • 91% Energy • 13% Liveness
5% Instrumentalness • 34% Positiveness
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The Monsters
I Want You
143 bpm • D Maj • 02:47 • -5db
10% Popularity • 42% Danceability • 82% Energy • 13% Liveness
35% Instrumentalness • 64% Positiveness
10% Popularity • 42% Danceability • 82% Energy • 13% Liveness
35% Instrumentalness • 64% Positiveness
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Redd Kross
Stay Away from Downtown
143 bpm • D Maj • 03:38 • -4.07db
17% Popularity • 34% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 34% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Black Diamond Heavies
Leave It On The Road
143 bpm • A min • 03:18 • -6.7db
9% Popularity • 34% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 34% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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The Schizophonics
Rat Trap
143 bpm • D min • 02:33 • -5.47db
23% Popularity • 34% Danceability • 88% Energy • 56% Liveness
89% Instrumentalness • 65% Positiveness
23% Popularity • 34% Danceability • 88% Energy • 56% Liveness
89% Instrumentalness • 65% Positiveness
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Barrence Whitfield & The Savages
Willow
143 bpm • G Maj • 02:31 • -4.42db
22% Popularity • 33% Danceability • 96% Energy • 75% Liveness
1% Instrumentalness • 70% Positiveness
22% Popularity • 33% Danceability • 96% Energy • 75% Liveness
1% Instrumentalness • 70% Positiveness
