Songs like Hierro y Níquel by Los Planetas
Based on a tempo of (+/- 10%) and a similar genre
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Sidonie
Os Queremos
125 bpm • A min • 03:29 • -3.95db
19% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Doble Pletina
Música para cerrar las discotecas - Ver...
125 bpm • C# min • 03:56 • -9db
35% Popularity • 71% Danceability • 50% Energy • 16% Liveness
3% Instrumentalness • 54% Positiveness
35% Popularity • 71% Danceability • 50% Energy • 16% Liveness
3% Instrumentalness • 54% Positiveness
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Anni B Sweet
Un Astronauta
125 bpm • C Maj • 03:06 • -6db
31% Popularity • 48% Danceability • 75% Energy • 20% Liveness
12% Instrumentalness • 59% Positiveness
31% Popularity • 48% Danceability • 75% Energy • 20% Liveness
12% Instrumentalness • 59% Positiveness
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Egon Soda
Escápula
125 bpm • A Maj • 05:41 • -9.95db
31% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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La Buena Vida
Mi Año Natural
125 bpm • D Maj • 02:41 • -7.55db
23% Popularity • 70% Danceability • 64% Energy • 11% Liveness
76% Instrumentalness • 55% Positiveness
23% Popularity • 70% Danceability • 64% Energy • 11% Liveness
76% Instrumentalness • 55% Positiveness
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Los Planetas
Hierro y Níquel
125 bpm • A Maj • 04:05 • -8.42db
32% Popularity • 46% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 46% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Sidonie
Eclipse Personal
125 bpm • A Maj • 05:10 • -3.25db
14% Popularity • 57% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 57% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Doble Pletina
Artista Revelación
125 bpm • G Maj • 02:33 • -9.7db
28% Popularity • 77% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 77% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Deluxe
A un metro de distancia
126 bpm • F# Maj • 03:17 • -4.79db
22% Popularity • 56% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 56% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Egon Soda
El cielo es una costra
125 bpm • A min • 04:23 • -6.92db
15% Popularity • 46% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
15% Popularity • 46% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
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La Estrella de David
Cariño
124 bpm • C Maj • 03:54 • -4db
20% Popularity • 53% Danceability • 92% Energy • 12% Liveness
48% Instrumentalness • 85% Positiveness
20% Popularity • 53% Danceability • 92% Energy • 12% Liveness
48% Instrumentalness • 85% Positiveness
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Los Planetas
La Gitana
125 bpm • D Maj • 05:59 • -9.26db
17% Popularity • 28% Danceability • 69% Energy • 23% Liveness
66% Instrumentalness • 46% Positiveness
17% Popularity • 28% Danceability • 69% Energy • 23% Liveness
66% Instrumentalness • 46% Positiveness
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Eladio y Los Seres Queridos
El Tiempo Futuro
124 bpm • D Maj • 03:21 • -7.2db
20% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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J
Arrebato (Un buen día para Iván)
124 bpm • G Maj • 03:57 • -8.28db
23% Popularity • 52% Danceability • 83% Energy • 14% Liveness
7% Instrumentalness • 42% Positiveness
23% Popularity • 52% Danceability • 83% Energy • 14% Liveness
7% Instrumentalness • 42% Positiveness
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Pablo Und Destruktion
A Veces la Vida Es Hermosa
124 bpm • E min • 03:10 • -9.62db
18% Popularity • 36% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 36% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Triángulo de Amor Bizarro
A Cantiga de Juan C
126 bpm • C# Maj • 03:29 • -4db
26% Popularity • 40% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 40% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Supersubmarina
De Doce a Doce y Cuarto
124 bpm • E Maj • 03:42 • -5.71db
42% Popularity • 44% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
42% Popularity • 44% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Los Planetas
Brigitte
124 bpm • D Maj • 02:46 • -8.82db
33% Popularity • 39% Danceability • 77% Energy • 31% Liveness
2% Instrumentalness • 46% Positiveness
33% Popularity • 39% Danceability • 77% Energy • 31% Liveness
2% Instrumentalness • 46% Positiveness
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Rafael Berrio
Mis ayeres muertos
126 bpm • C Maj • 06:03 • -6.89db
16% Popularity • 63% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
16% Popularity • 63% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Mucho
Putochinomaricón
124 bpm • B Maj • 05:32 • -8db
10% Popularity • 64% Danceability • 85% Energy • 9% Liveness
5% Instrumentalness • 52% Positiveness
10% Popularity • 64% Danceability • 85% Energy • 9% Liveness
5% Instrumentalness • 52% Positiveness
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Viva Suecia
Los Años - Bonus Track
124 bpm • B min • 03:46 • -6db
37% Popularity • 46% Danceability • 77% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
37% Popularity • 46% Danceability • 77% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
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Sidonie
Los Olvidados
124 bpm • E min • 04:28 • -7.15db
27% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Standstill
Que No Acabe El Dia
124 bpm • C Maj • 01:40 • -8.04db
22% Popularity • 41% Danceability • 28% Energy • 25% Liveness
2% Instrumentalness • 7% Positiveness
22% Popularity • 41% Danceability • 28% Energy • 25% Liveness
2% Instrumentalness • 7% Positiveness
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Los Planetas
Porque Me Lo Digas Tú
124 bpm • C# min • 02:37 • -9.6db
29% Popularity • 57% Danceability • 66% Energy • 11% Liveness
9% Instrumentalness • 64% Positiveness
29% Popularity • 57% Danceability • 66% Energy • 11% Liveness
9% Instrumentalness • 64% Positiveness
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Vetusta Morla
Palmeras en La Mancha
126 bpm • D Maj • 03:37 • -5db
33% Popularity • 63% Danceability • 86% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 63% Danceability • 86% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
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Love of Lesbian
Allí donde soliamos gritar - En directo
126 bpm • A# Maj • 05:36 • -6.14db
32% Popularity • 53% Danceability • 92% Energy • 81% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 53% Danceability • 92% Energy • 81% Liveness
0% Instrumentalness • 38% Positiveness
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Viva Suecia
A Dónde Ir - David Kano Remix
124 bpm • G# Maj • 04:37 • -11db
28% Popularity • 58% Danceability • 62% Energy • 15% Liveness
4% Instrumentalness • 34% Positiveness
28% Popularity • 58% Danceability • 62% Energy • 15% Liveness
4% Instrumentalness • 34% Positiveness
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Angel Stanich
Qué será de mí
124 bpm • F Maj • 05:13 • -6db
26% Popularity • 59% Danceability • 59% Energy • 19% Liveness
1% Instrumentalness • 48% Positiveness
26% Popularity • 59% Danceability • 59% Energy • 19% Liveness
1% Instrumentalness • 48% Positiveness
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Sidonie
No Sé Dibujar un Perro
124 bpm • F Maj • 04:07 • -5.56db
31% Popularity • 63% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 63% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Mujeres
Un sentimiento importante
126 bpm • A Maj • 04:51 • -5.42db
25% Popularity • 35% Danceability • 79% Energy • 8% Liveness
6% Instrumentalness • 61% Positiveness
25% Popularity • 35% Danceability • 79% Energy • 8% Liveness
6% Instrumentalness • 61% Positiveness
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Nacho Vegas & Christina Rosenvinge
Me He Perdido
127 bpm • C min • 05:26 • -8.83db
34% Popularity • 65% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 65% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Señor Mostaza
Bipolaridad
126 bpm • D Maj • 03:27 • -5db
40% Popularity • 59% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 59% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Triángulo de Amor Bizarro
Qué Hizo por Ella Cuando la Encontró
127 bpm • B Maj • 03:12 • -3.46db
16% Popularity • 20% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 20% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Angel Stanich
Miss Trueno '89
124 bpm • E Maj • 05:04 • -6.66db
25% Popularity • 48% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 48% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Camellos
Arroz Con Cosas
127 bpm • C Maj • 03:43 • -5.34db
32% Popularity • 70% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 70% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Deluxe
Gigante
127 bpm • D Maj • 02:57 • -7.31db
21% Popularity • 66% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 66% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Modelo de Respuesta Polar
Dos amigos
127 bpm • A Maj • 03:58 • -6.54db
18% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Joe Crepúsculo
Todo Lo Bello Es Gratis
123 bpm • D Maj • 03:39 • -6db
18% Popularity • 67% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 67% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Maga
Cuando nadie me escriba
127 bpm • D Maj • 03:37 • -5.85db
7% Popularity • 60% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 60% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Second
Invierno Dulce
123 bpm • D# Maj • 04:59 • -3.8db
33% Popularity • 54% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 54% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Egon Soda
Nueva Internacional
127 bpm • A Maj • 03:47 • -4.62db
17% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Los Planetas
Zona Autónoma Permanente
123 bpm • G Maj • 04:13 • -8.7db
26% Popularity • 44% Danceability • 66% Energy • 10% Liveness
77% Instrumentalness • 40% Positiveness
26% Popularity • 44% Danceability • 66% Energy • 10% Liveness
77% Instrumentalness • 40% Positiveness
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The New Raemon
Elena-na
122 bpm • B min • 01:21 • -12db
30% Popularity • 76% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 76% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
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Anni B Sweet
Hormigas
128 bpm • C min • 02:50 • -6.51db
28% Popularity • 51% Danceability • 92% Energy • 31% Liveness
4% Instrumentalness • 50% Positiveness
28% Popularity • 51% Danceability • 92% Energy • 31% Liveness
4% Instrumentalness • 50% Positiveness
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Love of Lesbian
Los males pasajeros
128 bpm • F Maj • 06:46 • -9.88db
39% Popularity • 66% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 66% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Second
Rincón Exquisito
128 bpm • E Maj • 05:07 • -5.72db
56% Popularity • 55% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 55% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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El Columpio Asesino
A la Espalda del Mar
128 bpm • G min • 04:25 • -12.59db
30% Popularity • 69% Danceability • 51% Energy • 18% Liveness
92% Instrumentalness • 53% Positiveness
30% Popularity • 69% Danceability • 51% Energy • 18% Liveness
92% Instrumentalness • 53% Positiveness
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Los Planetas
Corrientes Circulares En El Tiempo
123 bpm • D# Maj • 04:38 • -7.26db
28% Popularity • 52% Danceability • 78% Energy • 13% Liveness
82% Instrumentalness • 55% Positiveness
28% Popularity • 52% Danceability • 78% Energy • 13% Liveness
82% Instrumentalness • 55% Positiveness
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Sidonie
El Peor Grupo del Mundo
128 bpm • F Maj • 04:11 • -4.84db
35% Popularity • 63% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 63% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Mucho
Más Feliz Sin Televisión
128 bpm • B Maj • 04:15 • -5.63db
19% Popularity • 56% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 56% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Cala Vento
La importancia de jugar al baloncesto
122 bpm • D Maj • 01:27 • -11.14db
25% Popularity • 66% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 66% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Joe Crepúsculo
Toda Esta Energía
122 bpm • G Maj • 03:29 • -4.97db
30% Popularity • 65% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 65% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Doble Pletina
Cruzo los dedos
128 bpm • C Maj • 01:55 • -13.86db
36% Popularity • 79% Danceability • 48% Energy • 14% Liveness
2% Instrumentalness • 66% Positiveness
36% Popularity • 79% Danceability • 48% Energy • 14% Liveness
2% Instrumentalness • 66% Positiveness
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Los Planetas
Desorden
123 bpm • D Maj • 04:01 • -12.17db
29% Popularity • 46% Danceability • 69% Energy • 11% Liveness
66% Instrumentalness • 68% Positiveness
29% Popularity • 46% Danceability • 69% Energy • 11% Liveness
66% Instrumentalness • 68% Positiveness
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Vetusta Morla
La Mosca en Tu Pared
122 bpm • A min • 03:44 • -6.63db
38% Popularity • 57% Danceability • 66% Energy • 15% Liveness
1% Instrumentalness • 27% Positiveness
38% Popularity • 57% Danceability • 66% Energy • 15% Liveness
1% Instrumentalness • 27% Positiveness
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Supersubmarina
De las Dudas Infinitas
128 bpm • B min • 04:46 • -8db
52% Popularity • 35% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
52% Popularity • 35% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Apartamentos Acapulco
Ahora Sé
122 bpm • D Maj • 03:27 • -5db
15% Popularity • 19% Danceability • 88% Energy • 32% Liveness
82% Instrumentalness • 17% Positiveness
15% Popularity • 19% Danceability • 88% Energy • 32% Liveness
82% Instrumentalness • 17% Positiveness
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Christina Rosenvinge
Berta Multiplicada
122 bpm • D Maj • 04:15 • -7.99db
14% Popularity • 59% Danceability • 71% Energy • 10% Liveness
58% Instrumentalness • 54% Positiveness
14% Popularity • 59% Danceability • 71% Energy • 10% Liveness
58% Instrumentalness • 54% Positiveness
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Mucho
Nuevas Ruinas
122 bpm • D Maj • 04:15 • -7.64db
12% Popularity • 62% Danceability • 85% Energy • 27% Liveness
5% Instrumentalness • 50% Positiveness
12% Popularity • 62% Danceability • 85% Energy • 27% Liveness
5% Instrumentalness • 50% Positiveness
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Los Planetas
Señora De Las Alturas
122 bpm • A Maj • 04:55 • -7.17db
26% Popularity • 25% Danceability • 50% Energy • 8% Liveness
11% Instrumentalness • 27% Positiveness
26% Popularity • 25% Danceability • 50% Energy • 8% Liveness
11% Instrumentalness • 27% Positiveness
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Maga
Sal y Otras Historias
128 bpm • F# Maj • 04:50 • -8.28db
25% Popularity • 70% Danceability • 61% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
25% Popularity • 70% Danceability • 61% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
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Angel Stanich
La Historia Es Fácil
128 bpm • G# Maj • 04:26 • -4.54db
23% Popularity • 59% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 59% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Apartamentos Acapulco
Estrella de los Mares
122 bpm • G Maj • 04:16 • -7.39db
15% Popularity • 54% Danceability • 68% Energy • 15% Liveness
39% Instrumentalness • 34% Positiveness
15% Popularity • 54% Danceability • 68% Energy • 15% Liveness
39% Instrumentalness • 34% Positiveness
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Christina Rosenvinge
La Flor Entre la Vía
122 bpm • A Maj • 04:27 • -8.95db
17% Popularity • 72% Danceability • 67% Energy • 10% Liveness
4% Instrumentalness • 88% Positiveness
17% Popularity • 72% Danceability • 67% Energy • 10% Liveness
4% Instrumentalness • 88% Positiveness
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La Estrella de David
Maracaibo
122 bpm • A Maj • 03:23 • -4.14db
10% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Los Planetas
Un Buen Dia
128 bpm • D Maj • 03:51 • -6.07db
50% Popularity • 39% Danceability • 92% Energy • 17% Liveness
74% Instrumentalness • 58% Positiveness
50% Popularity • 39% Danceability • 92% Energy • 17% Liveness
74% Instrumentalness • 58% Positiveness
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Los Enemigos
Antonio
122 bpm • C# Maj • 05:45 • -6db
19% Popularity • 48% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 48% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Secret Society
Parte de Guerra
129 bpm • A min • 04:41 • -10.55db
14% Popularity • 64% Danceability • 44% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
14% Popularity • 64% Danceability • 44% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
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Pablo Und Destruktion
Puro y Ligero
129 bpm • C Maj • 06:07 • -10.75db
12% Popularity • 31% Danceability • 62% Energy • 14% Liveness
80% Instrumentalness • 41% Positiveness
12% Popularity • 31% Danceability • 62% Energy • 14% Liveness
80% Instrumentalness • 41% Positiveness
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Viva Suecia
A Dónde Ir
121 bpm • G# Maj • 04:55 • -4.26db
30% Popularity • 35% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 35% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Vetusta Morla
La Deriva - En Directo
129 bpm • A Maj • 03:56 • -5.46db
31% Popularity • 52% Danceability • 94% Energy • 94% Liveness
4% Instrumentalness • 35% Positiveness
31% Popularity • 52% Danceability • 94% Energy • 94% Liveness
4% Instrumentalness • 35% Positiveness
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Los Planetas
Si Esta Bien
121 bpm • E Maj • 03:23 • -7.29db
36% Popularity • 19% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 19% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Kokoshca
Asia (Canción para Iñaki Ochoa de Olza...
129 bpm • F Maj • 03:59 • -8.84db
21% Popularity • 61% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
21% Popularity • 61% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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León Benavente
Ayer salí
129 bpm • E min • 05:15 • -4.89db
34% Popularity • 63% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 63% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Trepàt
Torturas en los Bares
129 bpm • B Maj • 04:57 • -7.61db
20% Popularity • 68% Danceability • 74% Energy • 33% Liveness
1% Instrumentalness • 25% Positiveness
20% Popularity • 68% Danceability • 74% Energy • 33% Liveness
1% Instrumentalness • 25% Positiveness
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Viva Suecia
A Dónde Ir
121 bpm • G# Maj • 04:06 • -3.25db
53% Popularity • 34% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 34% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Grupo de expertos Solynieve
Reggae-Búho
129 bpm • A min • 04:04 • -5.92db
15% Popularity • 43% Danceability • 75% Energy • 8% Liveness
6% Instrumentalness • 54% Positiveness
15% Popularity • 43% Danceability • 75% Energy • 8% Liveness
6% Instrumentalness • 54% Positiveness
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Sidonie
Por Ti
121 bpm • E Maj • 03:26 • -7db
37% Popularity • 64% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 64% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Abraham Boba
Cosas que duelen
121 bpm • C Maj • 03:42 • -15db
10% Popularity • 58% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 71% Positiveness
10% Popularity • 58% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 71% Positiveness
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León Benavente
Ánimo, Valiente
129 bpm • A# Maj • 03:44 • -4.64db
39% Popularity • 51% Danceability • 87% Energy • 9% Liveness
70% Instrumentalness • 67% Positiveness
39% Popularity • 51% Danceability • 87% Energy • 9% Liveness
70% Instrumentalness • 67% Positiveness
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Christina Rosenvinge
Tu boca
130 bpm • C Maj • 03:29 • -4.9db
25% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Jero Romero
Las leves
130 bpm • B Maj • 02:37 • -6db
21% Popularity • 76% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 76% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Modelo de Respuesta Polar
Momentos similares
130 bpm • F# Maj • 04:07 • -6.37db
13% Popularity • 55% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 55% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Niño de Elche
Mercados
130 bpm • G Maj • 03:44 • -7.57db
10% Popularity • 55% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
10% Popularity • 55% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Maga
Agosto Esquimal
130 bpm • G Maj • 04:01 • -5db
25% Popularity • 56% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 56% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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León Benavente
Estado Provisional
121 bpm • F# min • 03:37 • -4.29db
35% Popularity • 48% Danceability • 87% Energy • 16% Liveness
73% Instrumentalness • 58% Positiveness
35% Popularity • 48% Danceability • 87% Energy • 16% Liveness
73% Instrumentalness • 58% Positiveness
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Kokoshca
Regresando a la Ciudad
130 bpm • D Maj • 04:03 • -6.8db
22% Popularity • 54% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 54% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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The New Raemon
Oh, Rompehielos
130 bpm • F# min • 02:40 • -10db
16% Popularity • 64% Danceability • 47% Energy • 10% Liveness
56% Instrumentalness • 49% Positiveness
16% Popularity • 64% Danceability • 47% Energy • 10% Liveness
56% Instrumentalness • 49% Positiveness
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Francisco Nixon
Erasmus Borrachas
130 bpm • D Maj • 02:53 • -5db
19% Popularity • 44% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 44% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Supersubmarina
Viento de Cara
130 bpm • A Maj • 04:17 • -4.83db
58% Popularity • 52% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 52% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Corizonas
Todo Va Bien
130 bpm • G Maj • 04:26 • -4db
16% Popularity • 50% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 50% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Lagartija Nick
Buenos días Hiroshima
130 bpm • E min • 06:21 • -6.87db
13% Popularity • 60% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 60% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Love of Lesbian
Noches Reversibles
130 bpm • C Maj • 04:52 • -6db
42% Popularity • 61% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 61% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Vetusta Morla
La Vieja Escuela
130 bpm • F Maj • 04:13 • -7db
40% Popularity • 53% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 53% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Second
Lo Único
130 bpm • C Maj • 04:41 • -4.16db
16% Popularity • 47% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 47% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Deluxe
Extraña Habitación
120 bpm • C# Maj • 04:01 • -5.95db
16% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Modelo de Respuesta Polar
Sábados
120 bpm • B min • 02:31 • -4.26db
10% Popularity • 56% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 56% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Lagartija Nick
Agonía, Agonía
120 bpm • C Maj • 02:52 • -8db
12% Popularity • 52% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 52% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness