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Hi-Fi
Songs like
Hi-Fi
by
M. Ward
Based on a tempo of (+/- 10%) and a similar genre
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Miracle Fortress
Maybe Lately
130 bpm • D Maj • 03:13 • -6.53db
29% Popularity • 30% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
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Phosphorescent
The Mermaid Parade
130 bpm • F Maj • 04:22 • -10db
24% Popularity • 33% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Widowspeak
Coke Bottle Green
130 bpm • G Maj • 04:04 • -10.02db
19% Popularity • 40% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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M. Ward
Hi-Fi
130 bpm • G Maj • 04:16 • -12.74db
5% Popularity • 53% Danceability • 36% Energy • 8% Liveness
9% Instrumentalness • 26% Positiveness
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Fruit Bats
Born In The '70s
130 bpm • G Maj • 03:08 • -7db
17% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Cotton Jones
Place at The End of the Street
131 bpm • C Maj • 03:10 • -6.28db
16% Popularity • 39% Danceability • 74% Energy • 10% Liveness
29% Instrumentalness • 77% Positiveness
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Bedouine
Nice and Quiet
131 bpm • C Maj • 03:51 • -15db
42% Popularity • 51% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 44% Positiveness
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Phosphorescent
Sun, Arise! (An Invocation, An Introduct...
130 bpm • C Maj • 03:09 • -14db
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
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Kevin Drew
Love vs. Porn
131 bpm • A Maj • 03:56 • -17.03db
14% Popularity • 48% Danceability • 14% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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M. Ward
Magic Trick
130 bpm • C Maj • 01:42 • -7.65db
35% Popularity • 42% Danceability • 79% Energy • 95% Liveness
0% Instrumentalness • 62% Positiveness
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Broken Social Scene
Hug Of Thunder
131 bpm • B Maj • 04:54 • -8.46db
35% Popularity • 70% Danceability • 43% Energy • 16% Liveness
28% Instrumentalness • 49% Positiveness
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Mountain Man
Animal Tracks
131 bpm • E min • 02:10 • -14.15db
24% Popularity • 36% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Cass McCombs
Name Written in Water
131 bpm • C Maj • 02:52 • -14.83db
32% Popularity • 82% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
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The Barr Brothers
Come in the Water
131 bpm • D Maj • 06:48 • -10.79db
32% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
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Plants and Animals
Early In The Morning
131 bpm • A Maj • 02:22 • -16.25db
10% Popularity • 45% Danceability • 25% Energy • 13% Liveness
58% Instrumentalness • 17% Positiveness
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Here We Go Magic
Everything's Big
129 bpm • A Maj • 05:28 • -9.06db
1% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Mikal Cronin
Blue Eyed Girl
132 bpm • A Maj • 02:39 • -15.59db
28% Popularity • 70% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Phosphorescent
Wolves
131 bpm • C# Maj • 06:14 • -11.07db
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Luluc
Small Window
132 bpm • G# Maj • 03:40 • -14.42db
7% Popularity • 53% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Mountain Man
White Heron
128 bpm • G Maj • 02:33 • -17db
3% Popularity • 40% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Breathe Owl Breathe
House of Gold
132 bpm • E Maj • 04:07 • -8.91db
13% Popularity • 70% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 71% Positiveness
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Kurt Vile
Jesus Fever
128 bpm • C min • 03:46 • -6.53db
34% Popularity • 62% Danceability • 87% Energy • 13% Liveness
82% Instrumentalness • 50% Positiveness
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Widowspeak
All Yours
128 bpm • G Maj • 03:42 • -8db
40% Popularity • 59% Danceability • 51% Energy • 19% Liveness
73% Instrumentalness • 51% Positiveness
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Bowerbirds
In the Yard
128 bpm • C Maj • 04:07 • -10.76db
25% Popularity • 55% Danceability • 50% Energy • 9% Liveness
41% Instrumentalness • 25% Positiveness
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Richard Swift
As I Go
132 bpm • A Maj • 03:54 • -10.59db
18% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Shins
Those to Come - 2023 Remaster
127 bpm • D Maj • 04:23 • -16.13db
35% Popularity • 62% Danceability • 30% Energy • 8% Liveness
29% Instrumentalness • 38% Positiveness
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Bonny Doon
Part of Me
133 bpm • D Maj • 04:33 • -16.73db
18% Popularity • 51% Danceability • 14% Energy • 10% Liveness
68% Instrumentalness • 16% Positiveness
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Neko Case
This Tornado Loves You
133 bpm • G Maj • 03:19 • -5db
42% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Andrew Bird
A Nervous Tic Motion of the Head to the ...
133 bpm • D min • 04:59 • -10.05db
43% Popularity • 51% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 26% Positiveness
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Cass McCombs
Morning Star
127 bpm • G Maj • 03:56 • -13.37db
30% Popularity • 62% Danceability • 40% Energy • 9% Liveness
67% Instrumentalness • 78% Positiveness
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Beachwood Sparks
Water From The Well
127 bpm • F# Maj • 03:41 • -11.11db
9% Popularity • 47% Danceability • 40% Energy • 9% Liveness
16% Instrumentalness • 31% Positiveness
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Mountain Man
Sewee Sewee
133 bpm • A min • 02:11 • -16db
5% Popularity • 34% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Hand Habits
placeholder
134 bpm • F# min • 03:50 • -9.37db
34% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Great Lake Swimmers
Everything Is Moving So Fast
134 bpm • E Maj • 04:19 • -14db
41% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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M. Ward
Outta My Head
126 bpm • C Maj • 02:52 • -9.28db
4% Popularity • 54% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Jonathan Wilson
Can We Really Party Today?
126 bpm • G Maj • 06:40 • -11.63db
29% Popularity • 39% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Conor Oberst
Cape Canaveral
126 bpm • A Maj • 04:04 • -10.18db
40% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Felice Brothers
Wonderful Life
134 bpm • C Maj • 04:02 • -11.29db
27% Popularity • 53% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Staples
Hold Onto Something
126 bpm • A Maj • 03:09 • -11.79db
46% Popularity • 72% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Great Lake Swimmers
Swimming Away
126 bpm • A Maj • 03:08 • -8.97db
42% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Blake Mills
History of My Life
134 bpm • F Maj • 03:54 • -11.67db
20% Popularity • 52% Danceability • 44% Energy • 61% Liveness
1% Instrumentalness • 38% Positiveness
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M. Ward
Vincent O'Brien
126 bpm • D Maj • 02:38 • -7.1db
11% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Woods
Time Fading Lines
126 bpm • C Maj • 03:39 • -5.98db
11% Popularity • 43% Danceability • 61% Energy • 71% Liveness
0% Instrumentalness • 26% Positiveness
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The Felice Brothers
Katie Dear
126 bpm • E Maj • 03:58 • -13.47db
3% Popularity • 50% Danceability • 19% Energy • 10% Liveness
25% Instrumentalness • 19% Positiveness
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Smog
Drinking At The Dam
126 bpm • F# Maj • 04:07 • -15db
40% Popularity • 65% Danceability • 18% Energy • 11% Liveness
48% Instrumentalness • 21% Positiveness
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Your Friend
Tame One
135 bpm • D Maj • 04:54 • -7.81db
15% Popularity • 30% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Rogue Wave
Kicking The Heart Out
125 bpm • F# min • 04:15 • -10.14db
25% Popularity • 59% Danceability • 32% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
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M. Ward
Stars Of Leo
126 bpm • E Maj • 03:18 • -8.44db
2% Popularity • 52% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Woods
Rain On
126 bpm • G Maj • 03:27 • -8.01db
19% Popularity • 60% Danceability • 82% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
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Here We Go Magic
Ordinary Feeling
135 bpm • F# min • 05:32 • -14.99db
17% Popularity • 53% Danceability • 28% Energy • 15% Liveness
48% Instrumentalness • 39% Positiveness
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Cotton Jones
By Morning Light
125 bpm • F Maj • 05:12 • -8.34db
30% Popularity • 73% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Cass McCombs
You Saved My Life
135 bpm • G Maj • 05:24 • -9db
11% Popularity • 24% Danceability • 44% Energy • 18% Liveness
8% Instrumentalness • 33% Positiveness
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Clap Your Hands Say Yeah
Details of the War
125 bpm • C Maj • 03:30 • -6.32db
30% Popularity • 28% Danceability • 68% Energy • 61% Liveness
2% Instrumentalness • 14% Positiveness
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M. Ward
Fool Says
125 bpm • F Maj • 01:49 • -9.23db
2% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Jenny Lewis
The Big Guns
125 bpm • D Maj • 02:34 • -7.03db
18% Popularity • 52% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Carl Broemel
Carried Away
125 bpm • C Maj • 04:03 • -11.29db
24% Popularity • 60% Danceability • 35% Energy • 11% Liveness
35% Instrumentalness • 27% Positiveness
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Andrew Bird
The Giant Of Illinois
136 bpm • D Maj • 04:44 • -8.89db
21% Popularity • 37% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Cass McCombs
County Line
125 bpm • D Maj • 05:37 • -13.4db
31% Popularity • 58% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Laura Veirs
Drink Deep
124 bpm • G# Maj • 04:36 • -9db
19% Popularity • 44% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Great Lake Swimmers
Various Stages
136 bpm • G Maj • 04:11 • -12db
2% Popularity • 55% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 52% Positiveness
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The National
So Far Around the Bend
124 bpm • C Maj • 03:42 • -6.25db
34% Popularity • 52% Danceability • 78% Energy • 9% Liveness
34% Instrumentalness • 55% Positiveness
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Bry Webb
Someplace I'm Supposed To Be
136 bpm • F# min • 03:17 • -13.51db
20% Popularity • 58% Danceability • 40% Energy • 8% Liveness
42% Instrumentalness • 95% Positiveness
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Andrew Bird
Fiery Crash
136 bpm • A Maj • 04:12 • -8db
7% Popularity • 60% Danceability • 92% Energy • 13% Liveness
37% Instrumentalness • 42% Positiveness
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Jenny Lewis
The Voyager
136 bpm • G Maj • 03:30 • -7db
31% Popularity • 35% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
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Broken Social Scene
Lover's Spit
124 bpm • C Maj • 07:34 • -11.05db
26% Popularity • 38% Danceability • 42% Energy • 10% Liveness
63% Instrumentalness • 5% Positiveness
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Richard Swift
Losing Sleep
137 bpm • G Maj • 04:30 • -9.88db
9% Popularity • 46% Danceability • 46% Energy • 66% Liveness
6% Instrumentalness • 34% Positiveness
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Luna
The Owl & the Pussycat
123 bpm • C Maj • 03:49 • -15.41db
24% Popularity • 65% Danceability • 35% Energy • 13% Liveness
82% Instrumentalness • 55% Positiveness
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Mark Kozelek
Mariette
137 bpm • F# Maj • 03:01 • -10.04db
29% Popularity • 66% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
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M. Ward
Half Moon
124 bpm • C Maj • 02:51 • -17.63db
16% Popularity • 70% Danceability • 26% Energy • 11% Liveness
71% Instrumentalness • 56% Positiveness
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Fruit Bats
Slipping Through The Sensors
123 bpm • C Maj • 04:52 • -9.43db
18% Popularity • 58% Danceability • 46% Energy • 18% Liveness
50% Instrumentalness • 34% Positiveness
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Great Lake Swimmers
I Will Never See the Sun
137 bpm • A Maj • 03:35 • -8.4db
16% Popularity • 42% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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The Felice Brothers
The Big Surprise
123 bpm • D Maj • 04:22 • -18db
4% Popularity • 52% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 5% Positiveness
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Thao & Mirah
Folks
138 bpm • C Maj • 02:53 • -8.87db
21% Popularity • 55% Danceability • 48% Energy • 12% Liveness
22% Instrumentalness • 47% Positiveness
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Cotton Jones
Soft Mountain Shake
123 bpm • C Maj • 01:56 • -9.7db
30% Popularity • 46% Danceability • 50% Energy • 8% Liveness
94% Instrumentalness • 38% Positiveness
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M. Ward
Transfiguration #1
123 bpm • G Maj • 02:41 • -13.52db
4% Popularity • 44% Danceability • 34% Energy • 8% Liveness
69% Instrumentalness • 62% Positiveness
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Tapes 'n Tapes
Omaha
138 bpm • G Maj • 03:32 • -13.72db
30% Popularity • 70% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 30% Positiveness
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Great Lake Swimmers
The Great Exhale
123 bpm • G Maj • 04:38 • -7.75db
8% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Mutual Benefit
Lost Dreamers
122 bpm • C Maj • 04:35 • -10.99db
4% Popularity • 47% Danceability • 46% Energy • 11% Liveness
54% Instrumentalness • 50% Positiveness
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Fruit Bats
Rainbow Sign
122 bpm • D Maj • 03:24 • -8.66db
31% Popularity • 74% Danceability • 51% Energy • 11% Liveness
78% Instrumentalness • 53% Positiveness
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Luna
Broken Chair
138 bpm • F Maj • 03:56 • -9.18db
27% Popularity • 39% Danceability • 43% Energy • 20% Liveness
49% Instrumentalness • 25% Positiveness
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M. Ward
To Go Home
138 bpm • D Maj • 03:51 • -7.39db
34% Popularity • 44% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Andrew Bird
tenuousness
122 bpm • C Maj • 03:51 • -11db
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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Stephen Steinbrink
Now You See Everything
122 bpm • A Maj • 02:55 • -9.38db
26% Popularity • 61% Danceability • 66% Energy • 40% Liveness
0% Instrumentalness • 87% Positiveness
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Mutual Benefit
Diamond Day
139 bpm • G Maj • 02:24 • -13.66db
29% Popularity • 31% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 14% Positiveness
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A.A. Bondy
Oh the Vampyre
121 bpm • F Maj • 02:33 • -12.43db
5% Popularity • 52% Danceability • 22% Energy • 7% Liveness
2% Instrumentalness • 32% Positiveness
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Bowerbirds
My Oldest Memory
139 bpm • G Maj • 04:31 • -9db
11% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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M. Ward
Sweethearts On Parade
123 bpm • F Maj • 02:14 • -12.23db
2% Popularity • 45% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Califone
Vampiring Again
121 bpm • C min • 05:04 • -9.72db
13% Popularity • 54% Danceability • 65% Energy • 9% Liveness
4% Instrumentalness • 61% Positiveness
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The Beta Band
Needles In My Eyes
140 bpm • E Maj • 04:32 • -13db
29% Popularity • 47% Danceability • 38% Energy • 37% Liveness
48% Instrumentalness • 21% Positiveness
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Great Lake Swimmers
She Comes To Me In Dreams
121 bpm • E Maj • 04:03 • -7.39db
22% Popularity • 59% Danceability • 68% Energy • 12% Liveness
84% Instrumentalness • 90% Positiveness
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Andrew Bird
Hole In The Ocean Floor
121 bpm • G Maj • 08:16 • -11.43db
4% Popularity • 36% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
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Cotton Jones
Dream on Columbia Street
140 bpm • D Maj • 02:51 • -6.28db
33% Popularity • 46% Danceability • 84% Energy • 13% Liveness
46% Instrumentalness • 72% Positiveness
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M. Ward
Get To The Table On Time
122 bpm • G Maj • 01:30 • -6.63db
1% Popularity • 72% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Jim White
Bluebird
121 bpm • C min • 05:29 • -10.67db
16% Popularity • 36% Danceability • 51% Energy • 33% Liveness
23% Instrumentalness • 51% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
57% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Plants and Animals
A L'Oree Des Bois
140 bpm • D Maj • 04:38 • -12.43db
11% Popularity • 53% Danceability • 52% Energy • 10% Liveness
34% Instrumentalness • 12% Positiveness
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Mason Jennings
The Field
121 bpm • B Maj • 05:37 • -11.53db
14% Popularity • 53% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
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Papercuts
Unavailable
121 bpm • D Maj • 04:22 • -9.03db
24% Popularity • 59% Danceability • 53% Energy • 15% Liveness
3% Instrumentalness • 28% Positiveness
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M. Ward
Post-War
139 bpm • D Maj • 04:55 • -19.34db
39% Popularity • 61% Danceability • 9% Energy • 10% Liveness
85% Instrumentalness • 35% Positiveness
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Cotton Jones
Some Strange Rain
140 bpm • C Maj • 04:02 • -10db
43% Popularity • 54% Danceability • 74% Energy • 13% Liveness
76% Instrumentalness • 74% Positiveness
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Hi-Fi