Songs like High And Dry by Jamie Cullum
Based on a tempo of (+/- 10%) and a similar genre
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[re:jazz]
All I Need
93 bpm • G min • 03:58 • -14db
37% Popularity • 72% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
37% Popularity • 72% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
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DJ Yoda
Lesson 1956
93 bpm • A min • 04:07 • -13.64db
7% Popularity • 74% Danceability • 63% Energy • 6% Liveness
7% Instrumentalness • 73% Positiveness
7% Popularity • 74% Danceability • 63% Energy • 6% Liveness
7% Instrumentalness • 73% Positiveness
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Diana Krall
The Look Of Love
93 bpm • A# Maj • 04:42 • -13.03db
61% Popularity • 58% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 58% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Viktoria Tolstoy
The Book of Love
93 bpm • G# Maj • 03:14 • -12.9db
21% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Kevin Mahogany
How Did She Look?
93 bpm • C min • 04:06 • -17.94db
15% Popularity • 43% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 43% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Jamie Cullum
High And Dry - Remastered
93 bpm • G# Maj • 04:54 • -13.48db
48% Popularity • 52% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
48% Popularity • 52% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Shelby Lynne
Just A Little Lovin'
94 bpm • A# min • 05:19 • -15db
45% Popularity • 80% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
45% Popularity • 80% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
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Bria Skonberg
Sway
94 bpm • A min • 03:15 • -13db
32% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Tiny Little Bigband
I Never Can Say Goodbye
94 bpm • C Maj • 04:13 • -9.84db
33% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Viktoria Tolstoy
Summer Calling
93 bpm • C# min • 05:29 • -11.3db
9% Popularity • 56% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 56% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ruben Hein
Stand Up, Speak Out
94 bpm • C# Maj • 04:04 • -10.7db
9% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Lisa Bassenge
Still Crazy After All These Years
94 bpm • G Maj • 03:37 • -11.47db
46% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
46% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Catherine Russell
Bring It Back
94 bpm • A# Maj • 03:54 • -8.15db
35% Popularity • 78% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 78% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Connie Lansberg
You Hit the Spot
92 bpm • C Maj • 02:14 • -11db
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Steve Tyrell
This Guy's In Love With You
91 bpm • C Maj • 03:43 • -11db
48% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Manhattan Jazz Quartett
Autumn Leaves
91 bpm • A min • 03:58 • -10.38db
39% Popularity • 49% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 49% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Peter Fessler
Feel Like Making Love
91 bpm • D Maj • 04:45 • -13.19db
14% Popularity • 80% Danceability • 45% Energy • 9% Liveness
34% Instrumentalness • 55% Positiveness
14% Popularity • 80% Danceability • 45% Energy • 9% Liveness
34% Instrumentalness • 55% Positiveness
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Corinne Bailey Rae
Trouble Sleeping
91 bpm • F min • 03:28 • -6.91db
55% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Catherine Russell
I Let A Song Go Out Of My Heart
91 bpm • G# Maj • 04:08 • -9.61db
35% Popularity • 65% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 65% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Connie Lansberg
What'll I Do
91 bpm • A# Maj • 04:05 • -14db
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Hailey Tuck
Junk
91 bpm • A# Maj • 02:59 • -13.39db
36% Popularity • 56% Danceability • 17% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
36% Popularity • 56% Danceability • 17% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
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Carol Welsman
Bewitched
95 bpm • D Maj • 03:49 • -16db
38% Popularity • 48% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 48% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Ruben Hein
Lazy Afternoon
95 bpm • F Maj • 04:35 • -14.73db
12% Popularity • 53% Danceability • 37% Energy • 12% Liveness
28% Instrumentalness • 43% Positiveness
12% Popularity • 53% Danceability • 37% Energy • 12% Liveness
28% Instrumentalness • 43% Positiveness
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Nicole Henry
You'd Be so Nice to Come Home To
95 bpm • F# Maj • 02:25 • -6.87db
26% Popularity • 51% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 51% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Jamie Cullum
Can't Feel My Face
91 bpm • C Maj • 02:53 • -12.74db
37% Popularity • 83% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 83% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Dakota Staton
Say It Ain't So, Joe
91 bpm • A# min • 02:16 • -10.44db
38% Popularity • 67% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 67% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Lauren Henderson
Dindi
96 bpm • C Maj • 03:43 • -15db
33% Popularity • 73% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
33% Popularity • 73% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
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Caity Gyorgy
Undefined
96 bpm • E min • 05:35 • -15.58db
15% Popularity • 46% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 46% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Room Eleven
Flavour
90 bpm • C Maj • 03:41 • -10.53db
19% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Nicole Henry
Almost Like Being in Love
90 bpm • F min • 04:13 • -8.77db
32% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Madeleine Peyroux
A Little Bit
96 bpm • C Maj • 04:01 • -10.79db
28% Popularity • 70% Danceability • 43% Energy • 13% Liveness
4% Instrumentalness • 28% Positiveness
28% Popularity • 70% Danceability • 43% Energy • 13% Liveness
4% Instrumentalness • 28% Positiveness
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Jamie Cullum
Frontin' - Live At The BBC / 2004
96 bpm • C Maj • 03:59 • -8.49db
36% Popularity • 55% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 55% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Fay Claassen
One Trick Pony
96 bpm • G Maj • 03:35 • -9.88db
14% Popularity • 70% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 70% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Lorrèn
Who Do You Think You Are
96 bpm • B min • 03:44 • -7db
37% Popularity • 73% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 73% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Steve Tyrell
Close to You - 2018 Remaster
90 bpm • C# Maj • 03:43 • -8.9db
35% Popularity • 41% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
35% Popularity • 41% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Flora MartÃnez
Take My Breath Away
96 bpm • C# Maj • 03:30 • -13.9db
58% Popularity • 85% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 85% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Gare Du Nord
Ride On
90 bpm • D Maj • 03:46 • -9db
27% Popularity • 77% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 77% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Jamie Cullum
Twentysomething
91 bpm • G Maj • 03:40 • -8.56db
40% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Shelby Lynne
Dreamsome
90 bpm • C Maj • 04:13 • -15.28db
37% Popularity • 82% Danceability • 33% Energy • 11% Liveness
39% Instrumentalness • 64% Positiveness
37% Popularity • 82% Danceability • 33% Energy • 11% Liveness
39% Instrumentalness • 64% Positiveness
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Karrin Allyson
All You Need to Say (Never Say Yes)
96 bpm • F Maj • 04:22 • -13db
21% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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TICO DE MORAES
She's Awesome
90 bpm • F Maj • 04:40 • -11db
19% Popularity • 72% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 43% Positiveness
19% Popularity • 72% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 43% Positiveness
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Kat Edmonson
Lovefool
96 bpm • G# Maj • 04:03 • -11db
29% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Cooltrane Quartet
Oh! Darling
96 bpm • G Maj • 03:59 • -12.47db
32% Popularity • 66% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 66% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Jamie Cullum
Uptown Funk
90 bpm • A# Maj • 03:42 • -12.75db
39% Popularity • 78% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 78% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Povo
Perfect Day
96 bpm • F min • 03:38 • -10.44db
32% Popularity • 55% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 55% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Shirley Horn
Yesterday
97 bpm • F Maj • 04:12 • -16db
29% Popularity • 44% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 44% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Heather Rigdon
Gravity For Grace
97 bpm • G# min • 03:56 • -13.25db
49% Popularity • 43% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 43% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Peter Malick Group
New York City
89 bpm • G Maj • 05:06 • -7.67db
36% Popularity • 69% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 69% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Selah Sue
So This Is Love
97 bpm • G# Maj • 03:20 • -9db
37% Popularity • 67% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 67% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Jamie Cullum
What A Difference A Day Made
97 bpm • F Maj • 05:09 • -11.01db
58% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Catherine Russell
I Only Have Eyes For You
89 bpm • F# Maj • 03:43 • -9.66db
45% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Flora MartÃnez
Mrs. Cold
97 bpm • F min • 03:03 • -16db
42% Popularity • 74% Danceability • 34% Energy • 14% Liveness
25% Instrumentalness • 50% Positiveness
42% Popularity • 74% Danceability • 34% Energy • 14% Liveness
25% Instrumentalness • 50% Positiveness
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Nicole Henry
Make It Last
97 bpm • A Maj • 05:16 • -13.07db
44% Popularity • 36% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
44% Popularity • 36% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Carol Welsman
Come Fly with Me
89 bpm • C# min • 03:31 • -12db
25% Popularity • 75% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 75% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Katrine Madsen
You Are So Beautiful to Me
97 bpm • C# Maj • 04:33 • -19.5db
28% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Jamie Cullum
I'm Glad There Is You
97 bpm • E Maj • 04:09 • -14.8db
44% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Madeleine Peyroux
To Love You All Over Again
89 bpm • B Maj • 03:57 • -12db
49% Popularity • 65% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 65% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Kat Edmonson
Just One of Those Things
89 bpm • E min • 02:29 • -7.54db
24% Popularity • 60% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 60% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Ann Hampton Callaway
A Kiss To Build A Dream On
98 bpm • G Maj • 03:05 • -12db
47% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Room Eleven
What Will It Be?
88 bpm • A min • 03:59 • -12db
29% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Cécile McLorin Salvant
Monday
88 bpm • F min • 02:01 • -15.47db
40% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jamie Cullum
Losing You
97 bpm • D# Maj • 03:24 • -15.14db
30% Popularity • 43% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 43% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Madeleine Peyroux
Instead
98 bpm • D# Maj • 05:11 • -13.21db
42% Popularity • 74% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 74% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jamie Lancaster
True
98 bpm • C Maj • 03:43 • -13db
42% Popularity • 65% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
42% Popularity • 65% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Shelby Lynne
I Only Want To Be With You
99 bpm • C Maj • 03:50 • -14db
58% Popularity • 89% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
58% Popularity • 89% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Leo Sidran
The Art of Conversation
98 bpm • F min • 04:26 • -17db
31% Popularity • 68% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
31% Popularity • 68% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
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Hamel
In Between
99 bpm • G# min • 03:21 • -6.99db
24% Popularity • 74% Danceability • 51% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 74% Danceability • 51% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
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Jamie Cullum
Singin' In The Rain
89 bpm • F min • 04:07 • -10db
43% Popularity • 64% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
43% Popularity • 64% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Kat Edmonson
Just Like Heaven
99 bpm • G# Maj • 04:12 • -11.38db
53% Popularity • 72% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 72% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Sachal Vasandani
Love Is a Losing Game
87 bpm • G# Maj • 03:46 • -11.47db
14% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The New Mastersounds
Your Love Is Mine - Radio Edit
99 bpm • D Maj • 04:00 • -7.58db
38% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Flora MartÃnez
The Scientist
99 bpm • A# min • 04:26 • -12db
49% Popularity • 75% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 75% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Shelby Lynne
The Look Of Love
87 bpm • C Maj • 03:21 • -16db
49% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
49% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
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Jamie Cullum
Interlude
99 bpm • F min • 03:27 • -10.32db
16% Popularity • 62% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 62% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Veronica Mortensen
Beyond The Rainbow
87 bpm • A# min • 03:43 • -10.84db
9% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Hailey Tuck
Polkadots & Moonbeams
87 bpm • A# Maj • 05:06 • -11.12db
46% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Madeleine Peyroux
Smile
87 bpm • B Maj • 03:57 • -15.59db
51% Popularity • 64% Danceability • 20% Energy • 10% Liveness
24% Instrumentalness • 14% Positiveness
51% Popularity • 64% Danceability • 20% Energy • 10% Liveness
24% Instrumentalness • 14% Positiveness
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Kaiak
Take on Me
99 bpm • A# Maj • 04:30 • -19db
43% Popularity • 32% Danceability • 20% Energy • 91% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 32% Danceability • 20% Energy • 91% Liveness
0% Instrumentalness • 14% Positiveness
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Ben Sidran
Don't Cry for No Hipster
100 bpm • F min • 04:57 • -13.06db
9% Popularity • 59% Danceability • 25% Energy • 9% Liveness
4% Instrumentalness • 11% Positiveness
9% Popularity • 59% Danceability • 25% Energy • 9% Liveness
4% Instrumentalness • 11% Positiveness
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Heather Rigdon
Sunday Morning With You
87 bpm • G# Maj • 03:02 • -10.34db
55% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jamie Cullum
Photograph
100 bpm • A# Maj • 05:46 • -8.57db
32% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Michael Franks
If I Could Make September Stay
100 bpm • D min • 05:23 • -12.72db
21% Popularity • 84% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 50% Positiveness
21% Popularity • 84% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 50% Positiveness
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Madeleine Peyroux
The Summer Wind
100 bpm • G# Maj • 03:54 • -14.99db
52% Popularity • 66% Danceability • 22% Energy • 12% Liveness
40% Instrumentalness • 23% Positiveness
52% Popularity • 66% Danceability • 22% Energy • 12% Liveness
40% Instrumentalness • 23% Positiveness
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Stella Starlight Trio
Don't You Want Me
100 bpm • A min • 03:38 • -10db
47% Popularity • 47% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 47% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Catherine Russell
I'm Lazy, That's All
86 bpm • A Maj • 03:06 • -11db
38% Popularity • 68% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 68% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Carla Bruni
Miss You
100 bpm • C Maj • 03:31 • -11.94db
55% Popularity • 73% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
55% Popularity • 73% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
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Kevin Mahogany
(Sittin' On) The Dock of the Bay
101 bpm • C Maj • 05:22 • -10db
11% Popularity • 70% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 70% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 42% Positiveness
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Sinne Eeg
My One and Only Love
102 bpm • F# min • 05:07 • -18.99db
23% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Madeleine Peyroux
The Way You Look Tonight
101 bpm • G# Maj • 03:02 • -12.26db
52% Popularity • 57% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 57% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Chiara Civello
Last Quarter Moon
102 bpm • C Maj • 04:13 • -14db
10% Popularity • 64% Danceability • 19% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
10% Popularity • 64% Danceability • 19% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
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Erin Boheme
What Love Is
102 bpm • F min • 05:00 • -17db
31% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Hailey Tuck
Tell Him No
102 bpm • C min • 03:19 • -10db
53% Popularity • 75% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
53% Popularity • 75% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
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Jamie Cullum
Too Close For Comfort - Remastered
85 bpm • C min • 03:25 • -11.48db
30% Popularity • 55% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 55% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Sinne Eeg
With or Without You
102 bpm • F# Maj • 04:15 • -9.67db
22% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Connie Lansberg
Everything Happens to Me
102 bpm • C Maj • 06:19 • -16.63db
38% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Wouter Hamel
Nothing's Any Good
84 bpm • A# min • 03:47 • -11.41db
8% Popularity • 33% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 33% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Heather Rigdon
To Have & To Hold
103 bpm • A Maj • 03:51 • -10.22db
43% Popularity • 44% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 44% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Wynton Marsalis Septet
I'm Gonna Find Another You
84 bpm • A Maj • 02:44 • -8.28db
52% Popularity • 35% Danceability • 47% Energy • 70% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 35% Danceability • 47% Energy • 70% Liveness
0% Instrumentalness • 32% Positiveness
