Songs like High Five by Sigrid
Based on a tempo of (+/- 10%) and a similar genre
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Amanda Tenfjord
Die Together
150 bpm • F Maj • 02:53 • -8.37db
34% Popularity • 48% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 48% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Baby Queen
Colours Of You
150 bpm • F min • 04:15 • -7.88db
39% Popularity • 49% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 49% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Bow Anderson
20s
150 bpm • D Maj • 03:04 • -6.72db
58% Popularity • 63% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 63% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Sigrid
High Five - Hazers Remix
150 bpm • C# Maj • 03:50 • -6.07db
14% Popularity • 60% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 60% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Hildur
Picture Perfect
150 bpm • E min • 03:37 • -9.43db
24% Popularity • 56% Danceability • 47% Energy • 23% Liveness
1% Instrumentalness • 12% Positiveness
24% Popularity • 56% Danceability • 47% Energy • 23% Liveness
1% Instrumentalness • 12% Positiveness
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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FLETCHER
If You're Gonna Lie
150 bpm • G# Maj • 03:23 • -5.88db
52% Popularity • 67% Danceability • 76% Energy • 50% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 67% Danceability • 76% Energy • 50% Liveness
0% Instrumentalness • 47% Positiveness
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Miley Cyrus
Slide Away
148 bpm • F Maj • 03:53 • -6.67db
68% Popularity • 53% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
68% Popularity • 53% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Taylor Swift
the last great american dynasty
148 bpm • G Maj • 03:50 • -8.51db
75% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
75% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Sigrid
Don't Kill My Vibe
150 bpm • A# Maj • 03:04 • -4.84db
52% Popularity • 54% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 54% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Niall Horan
Black And White
148 bpm • D Maj • 03:13 • -6.02db
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Noah Cyrus
Make Me (Cry)
153 bpm • C Maj • 04:02 • -7.29db
64% Popularity • 59% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
64% Popularity • 59% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Dua Lipa
Physical
147 bpm • C Maj • 03:13 • -3.76db
74% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
74% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Grace Davies
used to you
154 bpm • C# Maj • 03:28 • -7.94db
45% Popularity • 39% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 39% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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SKAAR
Turn of the Tide
146 bpm • F Maj • 03:17 • -5.31db
33% Popularity • 67% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 67% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
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Sigrid
Blue
147 bpm • D Maj • 03:27 • -10.67db
23% Popularity • 61% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 61% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Montaigne
Don't Break Me
146 bpm • F min • 03:00 • -5.14db
34% Popularity • 52% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 52% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Sval
Breathe Easy
145 bpm • C# Maj • 03:12 • -9.28db
25% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Mimi Webb
Halfway
145 bpm • C# min • 03:17 • -3.5db
46% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Cornelia Jakobs
Hanging On
145 bpm • C# Maj • 03:53 • -10.74db
21% Popularity • 41% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 41% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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SKAAR
24
155 bpm • F min • 02:37 • -6db
20% Popularity • 59% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 59% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Sigrid
Mine Right Now - Acoustic
155 bpm • E Maj • 02:45 • -9.51db
29% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Smith & Thell
Year of the Young
145 bpm • G min • 02:44 • -6.68db
49% Popularity • 61% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 61% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Lizzo
2 Be Loved (Am I Ready)
156 bpm • G Maj • 03:07 • -4.11db
69% Popularity • 72% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
69% Popularity • 72% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Felicity
Pilot with a Fear of Heights
156 bpm • F Maj • 03:19 • -7db
35% Popularity • 53% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 53% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Cornelia Jakobs
Late Night Stories
156 bpm • B min • 04:27 • -6.32db
24% Popularity • 26% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 26% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Mimi Webb
Freezing
156 bpm • E Maj • 02:56 • -4.95db
55% Popularity • 59% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 59% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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SKAAR
Higher Ground
144 bpm • G min • 03:08 • -7.2db
36% Popularity • 57% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 57% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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BANNERS
Got It In You
144 bpm • G Maj • 03:41 • -9.16db
51% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Seinabo Sey
Shores
144 bpm • F Maj • 04:41 • -6.62db
45% Popularity • 43% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 43% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Amanda Tenfjord
First Impression
144 bpm • G# Maj • 03:01 • -9db
0% Popularity • 64% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 64% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Olivia Rodrigo
drivers license
144 bpm • A# Maj • 04:02 • -8.81db
85% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
85% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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LOVA
Lonely Ones
144 bpm • D Maj • 03:07 • -7db
56% Popularity • 64% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
56% Popularity • 64% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Dean Lewis
Waves
157 bpm • B min • 04:00 • -7.19db
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Sam Ryder
More
157 bpm • D Maj • 03:48 • -2.78db
47% Popularity • 26% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 26% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Holly Humberstone
London Is Lonely
143 bpm • A# Maj • 03:54 • -7.22db
49% Popularity • 48% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 48% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Troye Sivan
Easy
143 bpm • G# Maj • 03:33 • -7.09db
60% Popularity • 58% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 58% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Smith & Thell
Telephone Wires
142 bpm • G# Maj • 03:40 • -10.36db
24% Popularity • 50% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 50% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Ruelle
Where We Come Alive
142 bpm • C Maj • 03:32 • -5.18db
46% Popularity • 20% Danceability • 61% Energy • 9% Liveness
6% Instrumentalness • 15% Positiveness
46% Popularity • 20% Danceability • 61% Energy • 9% Liveness
6% Instrumentalness • 15% Positiveness
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Tom Grennan
This is the Place
142 bpm • C Maj • 03:05 • -4.94db
45% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Script
Run Through Walls
159 bpm • D Maj • 03:26 • -3.64db
51% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
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Holly Humberstone
Scarlett
143 bpm • D Maj • 03:16 • -9db
56% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Sigrid
Mine Right Now
159 bpm • C Maj • 03:23 • -5.86db
40% Popularity • 52% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 52% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Smith & Thell
Hotel Walls
142 bpm • B Maj • 03:26 • -8.25db
48% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Tom Walker
Not Giving In
160 bpm • D min • 03:48 • -7.17db
45% Popularity • 47% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 47% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Tom Grennan
All These Nights
160 bpm • A Maj • 02:34 • -2.48db
48% Popularity • 48% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 48% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Tate McRae
she's all i wanna be
160 bpm • D min • 03:27 • -5.32db
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Holly Humberstone
Friendly Fire
160 bpm • A# Maj • 03:42 • -10.64db
38% Popularity • 48% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 48% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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LOVA
Dance For The Hell Of It
160 bpm • G# Maj • 03:15 • -4.5db
42% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Taylor Swift
Wildest Dreams (Taylor's Version)
140 bpm • G# Maj • 03:40 • -7.42db
80% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
80% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Miley Cyrus
Malibu
140 bpm • G# Maj • 03:51 • -6.41db
73% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
73% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Freya Ridings
You Mean The World To Me
161 bpm • D# Maj • 03:12 • -7.36db
42% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Amanda Tenfjord
As If
140 bpm • F# min • 02:35 • -7.17db
1% Popularity • 72% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 72% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Harry Styles
Golden
140 bpm • E min • 03:28 • -5.26db
77% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
77% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Ruben
Burn Down This Room
139 bpm • D# Maj • 03:31 • -6.36db
42% Popularity • 39% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 39% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
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Sam Fender
Seventeen Going Under
162 bpm • C# Maj • 04:57 • -4.79db
70% Popularity • 48% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
70% Popularity • 48% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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MILCK
Quiet
140 bpm • C Maj • 03:22 • -7.56db
37% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Cornelia Jakobs
Weight of the World
139 bpm • C Maj • 04:19 • -11db
30% Popularity • 33% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 33% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Maria Petra
lonely
139 bpm • C# Maj • 02:51 • -14.96db
49% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
49% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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WILD
Throw Me in the Water
138 bpm • C Maj • 03:39 • -7.47db
41% Popularity • 57% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 57% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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iris
hanging around you/crackers
138 bpm • G# Maj • 02:47 • -9.81db
11% Popularity • 60% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 60% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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GRACEY
What A Waste
138 bpm • D Maj • 03:13 • -5.27db
37% Popularity • 77% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 77% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Sigrid
Grow - up close
138 bpm • E Maj • 04:03 • -10.55db
18% Popularity • 35% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 35% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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SKAAR
Higher Ground (Acoustic)
137 bpm • D min • 03:21 • -10.32db
46% Popularity • 58% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 58% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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P!nk
I Am Here
137 bpm • F Maj • 04:06 • -6.06db
60% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Cornelia Jakobs
Rise
137 bpm • C# Maj • 03:43 • -5.47db
36% Popularity • 47% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 47% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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iris
ROBOTLOVER
138 bpm • C# Maj • 03:51 • -11.37db
15% Popularity • 42% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 42% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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Dylan
You're Not Harry Styles
165 bpm • F# Maj • 02:56 • -4.56db
51% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Sigrid
It Gets Dark
165 bpm • F Maj • 03:23 • -6db
38% Popularity • 39% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 39% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Rhys Lewis
Midnight
136 bpm • C# Maj • 03:48 • -6.73db
38% Popularity • 63% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 63% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Grace Carter
Wicked Game
136 bpm • D Maj • 02:50 • -9.7db
56% Popularity • 37% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
56% Popularity • 37% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Holly Humberstone
Vanilla
166 bpm • C Maj • 03:44 • -6db
38% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Tom Walker
The Best Is Yet to Come
166 bpm • A Maj • 02:46 • -8db
59% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Ava Max
Maybe You’re The Problem
166 bpm • A Maj • 03:10 • -3.65db
70% Popularity • 53% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
70% Popularity • 53% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Sigrid
Sucker Punch
166 bpm • G Maj • 03:14 • -4.42db
44% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Nina Nesbitt
Summer Fling
166 bpm • C min • 03:35 • -6db
27% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Grace Davies
Amsterdam
135 bpm • C Maj • 03:28 • -11db
38% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Sigma
Find Me
135 bpm • F min • 03:25 • -4db
46% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Skott
Mermaid
135 bpm • B min • 03:31 • -5.39db
46% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Olivia Rodrigo
good 4 u
167 bpm • A Maj • 02:58 • -5.04db
85% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
85% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Sigrid
Thank Me Later
135 bpm • C# min • 03:30 • -5.83db
38% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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SKAAR
For Andrea
135 bpm • A Maj • 02:38 • -10.82db
34% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Halsey
Finally // beautiful stranger
134 bpm • A min • 03:41 • -5.11db
52% Popularity • 63% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 63% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Big Red Machine
Renegade
168 bpm • C Maj • 04:14 • -8.14db
70% Popularity • 53% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
70% Popularity • 53% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
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sixten
Breathe It In
168 bpm • G Maj • 03:05 • -9db
35% Popularity • 71% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 71% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Lxandra
Dig Deep
134 bpm • G# Maj • 03:26 • -7db
26% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sigrid
Business Dinners
134 bpm • G# Maj • 02:48 • -4.83db
32% Popularity • 64% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 64% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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SKAAR
You
168 bpm • C# Maj • 03:07 • -13.17db
41% Popularity • 34% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 34% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Seinabo Sey
Still
169 bpm • A# Maj • 02:53 • -9.59db
52% Popularity • 40% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 40% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Donna Missal
Hurt By You
134 bpm • B min • 03:50 • -4db
31% Popularity • 55% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 55% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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SOFIA
I Don't Want to Lose a Friend
169 bpm • G Maj • 03:45 • -8.52db
28% Popularity • 36% Danceability • 39% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
28% Popularity • 36% Danceability • 39% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
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Will Ferrell
Husavik (My Hometown)
133 bpm • F# Maj • 03:22 • -8.47db
56% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
56% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ava Max
Sweet but Psycho
133 bpm • C# Maj • 03:07 • -4.72db
81% Popularity • 72% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
81% Popularity • 72% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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King Princess
Holy
170 bpm • A# Maj • 02:54 • -9.48db
53% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Baby Queen
Want Me
170 bpm • F# min • 04:18 • -4.59db
45% Popularity • 57% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 57% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Rhys Lewis
Be Your Man
170 bpm • A min • 04:00 • -8.24db
36% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Smith & Thell
Feathers & Gasoline
170 bpm • F# Maj • 03:57 • -7.96db
39% Popularity • 53% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 53% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
