Songs like High in High School by Madam X
Based on a tempo of (+/- 10%) and a similar genre
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Lillian Axe
She Likes It On Top
130 bpm • F# Maj • 03:56 • -5db
29% Popularity • 53% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 53% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Danger Danger
Monkey Business
130 bpm • G# Maj • 04:20 • -7db
37% Popularity • 64% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 64% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Halford
Locked And Loaded
130 bpm • D Maj • 03:19 • -4.21db
28% Popularity • 58% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 58% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Madam X
High in High School
130 bpm • C# Maj • 03:48 • -10db
30% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Black 'N Blue
Hold On To 18
130 bpm • C# Maj • 04:12 • -2.54db
30% Popularity • 40% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 40% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Wildside
Dance Swing
130 bpm • C# Maj • 04:30 • -6.75db
25% Popularity • 58% Danceability • 90% Energy • 28% Liveness
67% Instrumentalness • 35% Positiveness
25% Popularity • 58% Danceability • 90% Energy • 28% Liveness
67% Instrumentalness • 35% Positiveness
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Shotgun Messiah
Heartbreak Blvd.
130 bpm • D# min • 04:19 • -10.26db
37% Popularity • 62% Danceability • 90% Energy • 19% Liveness
7% Instrumentalness • 80% Positiveness
37% Popularity • 62% Danceability • 90% Energy • 19% Liveness
7% Instrumentalness • 80% Positiveness
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Helix
Let's All Do It Tonight
130 bpm • E Maj • 02:52 • -4.87db
25% Popularity • 58% Danceability • 93% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 58% Danceability • 93% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
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Slaughter
Burnin' Bridges - Remastered
130 bpm • C Maj • 04:06 • -3db
42% Popularity • 57% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 57% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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London
Ride You Through the Night
130 bpm • E min • 04:24 • -12.43db
13% Popularity • 32% Danceability • 72% Energy • 9% Liveness
4% Instrumentalness • 29% Positiveness
13% Popularity • 32% Danceability • 72% Energy • 9% Liveness
4% Instrumentalness • 29% Positiveness
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Black 'N Blue
Hold On To 18
130 bpm • C# Maj • 04:12 • -5db
25% Popularity • 44% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 44% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Madam X
She's Hot Tonight
130 bpm • C# min • 03:26 • -10db
33% Popularity • 64% Danceability • 85% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
33% Popularity • 64% Danceability • 85% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
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Tuff
Good Guys Wear Black
130 bpm • E Maj • 04:17 • -8db
18% Popularity • 55% Danceability • 94% Energy • 9% Liveness
5% Instrumentalness • 69% Positiveness
18% Popularity • 55% Danceability • 94% Energy • 9% Liveness
5% Instrumentalness • 69% Positiveness
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Y&T
In The Name Of Rock
130 bpm • F# min • 05:30 • -3.08db
19% Popularity • 32% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 32% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Vixen
Rev It Up
129 bpm • F min • 05:01 • -10db
29% Popularity • 56% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 56% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Keel
Let's Spend The Night Together
131 bpm • D Maj • 03:41 • -4db
16% Popularity • 45% Danceability • 97% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 45% Danceability • 97% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
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Silent Rage
Rebel With a Cause
131 bpm • A Maj • 03:32 • -9db
21% Popularity • 47% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 47% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Vinnie Vincent Invasion
Heavy Pettin' - Remastered
131 bpm • B min • 04:11 • -6.13db
14% Popularity • 45% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 45% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Demon
Sign of a Madman
131 bpm • A Maj • 04:31 • -3.27db
26% Popularity • 42% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 42% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Princess Pang
Trouble In Paradise
131 bpm • D Maj • 04:32 • -12db
9% Popularity • 49% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 49% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Y&T
Lonely Side Of Town
129 bpm • E min • 04:46 • -5.33db
23% Popularity • 45% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 45% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Britny Fox
Louder
131 bpm • F min • 03:53 • -10db
24% Popularity • 54% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 54% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Tokyo Blade
Someone To Love
129 bpm • C Maj • 03:42 • -8.86db
21% Popularity • 33% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 33% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Vinnie Vincent Invasion
I Wanna Be Your Victim - Remastered
131 bpm • F# min • 04:34 • -5.44db
14% Popularity • 42% Danceability • 94% Energy • 64% Liveness
1% Instrumentalness • 16% Positiveness
14% Popularity • 42% Danceability • 94% Energy • 64% Liveness
1% Instrumentalness • 16% Positiveness
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Lillian Axe
My Number
129 bpm • F# Maj • 03:32 • -5.02db
22% Popularity • 50% Danceability • 96% Energy • 67% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 50% Danceability • 96% Energy • 67% Liveness
0% Instrumentalness • 30% Positiveness
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Demon
Liar
129 bpm • G Maj • 03:15 • -4.14db
24% Popularity • 34% Danceability • 93% Energy • 89% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 34% Danceability • 93% Energy • 89% Liveness
0% Instrumentalness • 88% Positiveness
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Killer Dwarfs
We Stand Alone
131 bpm • G# Maj • 05:07 • -10.62db
19% Popularity • 52% Danceability • 89% Energy • 9% Liveness
4% Instrumentalness • 76% Positiveness
19% Popularity • 52% Danceability • 89% Energy • 9% Liveness
4% Instrumentalness • 76% Positiveness
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Britny Fox
Gudbuy T' Jane
131 bpm • G# Maj • 04:26 • -3.46db
18% Popularity • 51% Danceability • 93% Energy • 2% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 51% Danceability • 93% Energy • 2% Liveness
0% Instrumentalness • 69% Positiveness
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Tokyo Blade
Warrior Of The Rising Sun
129 bpm • C Maj • 05:26 • -8.69db
24% Popularity • 25% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 25% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Mötley Crüe
Fight for Your Rights
129 bpm • C Maj • 03:49 • -3.4db
35% Popularity • 47% Danceability • 95% Energy • 33% Liveness
1% Instrumentalness • 65% Positiveness
35% Popularity • 47% Danceability • 95% Energy • 33% Liveness
1% Instrumentalness • 65% Positiveness
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Keel
The Right To Rock
131 bpm • D Maj • 03:34 • -5.12db
29% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Dirty Looks
Tokyo
129 bpm • E min • 03:08 • -13.07db
24% Popularity • 50% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 50% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Malice
License to Kill
131 bpm • A# min • 03:57 • -9.85db
22% Popularity • 52% Danceability • 90% Energy • 6% Liveness
49% Instrumentalness • 42% Positiveness
22% Popularity • 52% Danceability • 90% Energy • 6% Liveness
49% Instrumentalness • 42% Positiveness
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King Kobra
Hunger
129 bpm • A Maj • 03:30 • -3.98db
33% Popularity • 41% Danceability • 97% Energy • 89% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 41% Danceability • 97% Energy • 89% Liveness
0% Instrumentalness • 29% Positiveness
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Tuff
Spit Like This
129 bpm • D# min • 03:37 • -8.65db
14% Popularity • 52% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 52% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Dio
Fallen Angels
128 bpm • C Maj • 03:59 • -11.06db
20% Popularity • 50% Danceability • 92% Energy • 40% Liveness
15% Instrumentalness • 71% Positiveness
20% Popularity • 50% Danceability • 92% Energy • 40% Liveness
15% Instrumentalness • 71% Positiveness
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Jetboy
Make Some Noise
132 bpm • G Maj • 03:48 • -3.62db
16% Popularity • 34% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 34% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Keel
I Said The Wrong Thing To The Right Girl
128 bpm • A Maj • 04:20 • -12.99db
20% Popularity • 56% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 56% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Britny Fox
Girlschool
132 bpm • C# Maj • 04:25 • -4.53db
38% Popularity • 46% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 46% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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King Kobra
Second Thoughts
128 bpm • C# min • 03:48 • -3.41db
28% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Madam X
We Want Rock
132 bpm • G Maj • 03:04 • -10.26db
28% Popularity • 57% Danceability • 70% Energy • 8% Liveness
5% Instrumentalness • 64% Positiveness
28% Popularity • 57% Danceability • 70% Energy • 8% Liveness
5% Instrumentalness • 64% Positiveness
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Tuff
Ain't Worth a Dime
132 bpm • G# Maj • 03:03 • -6.51db
21% Popularity • 45% Danceability • 80% Energy • 7% Liveness
57% Instrumentalness • 66% Positiveness
21% Popularity • 45% Danceability • 80% Energy • 7% Liveness
57% Instrumentalness • 66% Positiveness
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Wildside
So Far Away*
128 bpm • A# min • 04:15 • -9.37db
37% Popularity • 54% Danceability • 82% Energy • 18% Liveness
22% Instrumentalness • 59% Positiveness
37% Popularity • 54% Danceability • 82% Energy • 18% Liveness
22% Instrumentalness • 59% Positiveness
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Quiet Riot
Let's Get Crazy
128 bpm • D Maj • 04:08 • -6.16db
31% Popularity • 44% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 44% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Britny Fox
Girlschool
132 bpm • C# Maj • 04:01 • -5db
15% Popularity • 54% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 54% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Keel
United Nations
132 bpm • A Maj • 04:05 • -12.28db
26% Popularity • 48% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 48% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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ICON
Peace & Love
128 bpm • C Maj • 01:19 • -10.87db
27% Popularity • 42% Danceability • 89% Energy • 26% Liveness
90% Instrumentalness • 52% Positiveness
27% Popularity • 42% Danceability • 89% Energy • 26% Liveness
90% Instrumentalness • 52% Positiveness
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Q5
Lonely Lady
132 bpm • E min • 04:03 • -6.79db
23% Popularity • 50% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 50% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Demon
The Spell
132 bpm • D min • 03:41 • -2.9db
24% Popularity • 50% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 50% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Quiet Riot
Sign of the Times
128 bpm • E Maj • 05:03 • -12db
31% Popularity • 51% Danceability • 74% Energy • 52% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 51% Danceability • 74% Energy • 52% Liveness
0% Instrumentalness • 44% Positiveness
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Britny Fox
Hair Of The Dog
128 bpm • D# Maj • 04:17 • -12.04db
29% Popularity • 72% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 72% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Keel
Cherry Lane
132 bpm • A Maj • 03:25 • -13.66db
19% Popularity • 53% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 53% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Steeler
No Way Out
127 bpm • C# min • 05:18 • -12.56db
17% Popularity • 53% Danceability • 73% Energy • 64% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 53% Danceability • 73% Energy • 64% Liveness
0% Instrumentalness • 57% Positiveness
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Babylon A.D.
The Kid Goes Wild
133 bpm • F# min • 04:49 • -12.34db
26% Popularity • 51% Danceability • 89% Energy • 56% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 51% Danceability • 89% Energy • 56% Liveness
0% Instrumentalness • 38% Positiveness
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Black 'N Blue
Chains Around Heaven
133 bpm • G min • 04:00 • -2.9db
19% Popularity • 47% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 47% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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The Rods
Waiting for Tomorrow
127 bpm • B min • 03:58 • -8.06db
16% Popularity • 50% Danceability • 90% Energy • 18% Liveness
85% Instrumentalness • 52% Positiveness
16% Popularity • 50% Danceability • 90% Energy • 18% Liveness
85% Instrumentalness • 52% Positiveness
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Dirty Looks
Can't Take My Eyes off of You
133 bpm • D# min • 03:21 • -14.35db
29% Popularity • 52% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 72% Positiveness
29% Popularity • 52% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 72% Positiveness
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Ozzy Osbourne
Fool Like You
127 bpm • G# Maj • 05:19 • -6.24db
38% Popularity • 57% Danceability • 90% Energy • 32% Liveness
7% Instrumentalness • 49% Positiveness
38% Popularity • 57% Danceability • 90% Energy • 32% Liveness
7% Instrumentalness • 49% Positiveness
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ICON
Rock 'N' Roll Maniac
133 bpm • D# min • 04:00 • -11.02db
22% Popularity • 43% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 43% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Madam X
Good With Figures
127 bpm • B Maj • 03:54 • -9.2db
25% Popularity • 61% Danceability • 84% Energy • 8% Liveness
8% Instrumentalness • 62% Positiveness
25% Popularity • 61% Danceability • 84% Energy • 8% Liveness
8% Instrumentalness • 62% Positiveness
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Killer Dwarfs
Not Foolin'
127 bpm • E Maj • 03:51 • -6.56db
15% Popularity • 46% Danceability • 92% Energy • 19% Liveness
47% Instrumentalness • 61% Positiveness
15% Popularity • 46% Danceability • 92% Energy • 19% Liveness
47% Instrumentalness • 61% Positiveness
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Kingdom Come
Stargazer
127 bpm • G min • 05:13 • -12db
37% Popularity • 40% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 40% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Dirty Looks
It's a Bitch
133 bpm • C Maj • 03:57 • -12.16db
13% Popularity • 59% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 59% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Keel
Electric Love
133 bpm • E Maj • 04:05 • -4.83db
12% Popularity • 36% Danceability • 93% Energy • 41% Liveness
83% Instrumentalness • 29% Positiveness
12% Popularity • 36% Danceability • 93% Energy • 41% Liveness
83% Instrumentalness • 29% Positiveness
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ICON
On Your Feet
133 bpm • A Maj • 03:23 • -12.12db
29% Popularity • 43% Danceability • 75% Energy • 6% Liveness
1% Instrumentalness • 50% Positiveness
29% Popularity • 43% Danceability • 75% Energy • 6% Liveness
1% Instrumentalness • 50% Positiveness
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Quiet Riot
Bad Boy
133 bpm • E min • 04:20 • -12.87db
22% Popularity • 47% Danceability • 75% Energy • 93% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 47% Danceability • 75% Energy • 93% Liveness
0% Instrumentalness • 48% Positiveness
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Black 'N Blue
Rockin' On Heaven's Door
126 bpm • G# Maj • 03:30 • -4db
14% Popularity • 52% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 52% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Helix
Dirty Dog
134 bpm • B min • 03:35 • -4.95db
18% Popularity • 50% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 50% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Ozzy Osbourne
Rock 'n' Roll Rebel
126 bpm • D Maj • 05:28 • -5db
43% Popularity • 43% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 43% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Stone Fury
Break Down The Wall
134 bpm • A min • 04:10 • -6db
35% Popularity • 41% Danceability • 94% Energy • 8% Liveness
21% Instrumentalness • 60% Positiveness
35% Popularity • 41% Danceability • 94% Energy • 8% Liveness
21% Instrumentalness • 60% Positiveness
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ICON
A Far Cry
134 bpm • E min • 04:19 • -9db
19% Popularity • 49% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 49% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Ace Frehley
Hide Your Heart
126 bpm • A# min • 04:32 • -6db
30% Popularity • 53% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 53% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Warrior
Fighting for the Earth
126 bpm • A Maj • 05:24 • -9.41db
24% Popularity • 40% Danceability • 87% Energy • 5% Liveness
1% Instrumentalness • 30% Positiveness
24% Popularity • 40% Danceability • 87% Energy • 5% Liveness
1% Instrumentalness • 30% Positiveness
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Dirty Looks
It's Not the Way You Rock
126 bpm • A# Maj • 03:47 • -11.68db
27% Popularity • 63% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 63% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Dio
Hungry For Heaven
134 bpm • F Maj • 04:08 • -9.1db
44% Popularity • 38% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 38% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Steeler
Backseat Driver
134 bpm • F# min • 03:24 • -12db
14% Popularity • 29% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 29% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Sleeze Beez
Stranger Than Paradise
126 bpm • A Maj • 04:04 • -5.42db
34% Popularity • 51% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 51% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Fifth Angel
Time Will Tell
134 bpm • C# Maj • 04:23 • -10db
20% Popularity • 56% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 56% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Don Dokken
When Some Nights
126 bpm • D min • 04:29 • -9db
27% Popularity • 62% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 62% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Killer Dwarfs
Last Laugh
134 bpm • E Maj • 03:33 • -7db
25% Popularity • 49% Danceability • 77% Energy • 17% Liveness
3% Instrumentalness • 65% Positiveness
25% Popularity • 49% Danceability • 77% Energy • 17% Liveness
3% Instrumentalness • 65% Positiveness
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Q5
Ain't No Way to Treat a Lady
134 bpm • D Maj • 02:34 • -6.07db
25% Popularity • 55% Danceability • 90% Energy • 4% Liveness
44% Instrumentalness • 62% Positiveness
25% Popularity • 55% Danceability • 90% Energy • 4% Liveness
44% Instrumentalness • 62% Positiveness
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Helix
Wild In The Streets
134 bpm • E Maj • 03:42 • -8.52db
24% Popularity • 52% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 52% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Jetboy
Stomp It (Down to the Bricks)
134 bpm • F# Maj • 05:12 • -14.24db
24% Popularity • 54% Danceability • 65% Energy • 5% Liveness
10% Instrumentalness • 34% Positiveness
24% Popularity • 54% Danceability • 65% Energy • 5% Liveness
10% Instrumentalness • 34% Positiveness
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Michael Schenker Group
I'm Gonna Make You Mine - 2009 Remaster
134 bpm • D Maj • 04:17 • -8.63db
34% Popularity • 57% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 57% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Picture
Lady Lightning - Remastered
134 bpm • G Maj • 03:53 • -7.27db
30% Popularity • 31% Danceability • 90% Energy • 46% Liveness
9% Instrumentalness • 27% Positiveness
30% Popularity • 31% Danceability • 90% Energy • 46% Liveness
9% Instrumentalness • 27% Positiveness
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Bangalore Choir
Angel in Black
126 bpm • G# Maj • 03:29 • -9.24db
19% Popularity • 46% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 46% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Hericane Alice
Wild Young and Crazy
134 bpm • C# min • 04:16 • -10.26db
21% Popularity • 44% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 44% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 32% Positiveness
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Steeler
Cold Day in Hell
126 bpm • G Maj • 04:17 • -12.1db
23% Popularity • 46% Danceability • 86% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 46% Danceability • 86% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Smashed Gladys
Lick It into Shape
135 bpm • F# min • 03:52 • -7.04db
18% Popularity • 52% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 52% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
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Faster Pussycat
Where There's a Whip There's a Way
125 bpm • A Maj • 06:44 • -6db
31% Popularity • 57% Danceability • 97% Energy • 15% Liveness
20% Instrumentalness • 61% Positiveness
31% Popularity • 57% Danceability • 97% Energy • 15% Liveness
20% Instrumentalness • 61% Positiveness
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220 Volt
The Harder They Come
125 bpm • F Maj • 03:48 • -8.86db
23% Popularity • 58% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 58% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Dirty Looks
Cool from the Wire
125 bpm • F# min • 03:31 • -13.1db
30% Popularity • 64% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 64% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Armored Saint
Last Train Home
135 bpm • C# min • 05:19 • -4.83db
28% Popularity • 43% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 43% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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ICON
World War
125 bpm • F# Maj • 04:31 • -12.01db
21% Popularity • 28% Danceability • 82% Energy • 11% Liveness
7% Instrumentalness • 29% Positiveness
21% Popularity • 28% Danceability • 82% Energy • 11% Liveness
7% Instrumentalness • 29% Positiveness
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Lee Aaron
Got to Be the One
125 bpm • D# min • 05:12 • -8.7db
14% Popularity • 52% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 52% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Keel
Easier Said Than Done
125 bpm • A Maj • 03:24 • -5.03db
14% Popularity • 52% Danceability • 92% Energy • 57% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 52% Danceability • 92% Energy • 57% Liveness
0% Instrumentalness • 76% Positiveness
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220 Volt
Eye to Eye
125 bpm • E min • 03:47 • -9.15db
17% Popularity • 56% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
17% Popularity • 56% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Raven
On and On
135 bpm • A min • 03:53 • -10.11db
25% Popularity • 46% Danceability • 59% Energy • 19% Liveness
5% Instrumentalness • 49% Positiveness
25% Popularity • 46% Danceability • 59% Energy • 19% Liveness
5% Instrumentalness • 49% Positiveness