Songs like Himmelblaue Träume: Dialog by Robert Stolz
Based on a tempo of (+/- 10%) and a similar genre
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Gioachino Rossini
Il Barbiere di Siviglia: Overture
92 bpm • E Maj • 07:04 • -17.74db
8% Popularity • 35% Danceability • 18% Energy • 21% Liveness
69% Instrumentalness • 35% Positiveness
8% Popularity • 35% Danceability • 18% Energy • 21% Liveness
69% Instrumentalness • 35% Positiveness
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Jacques Offenbach
La vie parisienne, Cancan
92 bpm • G Maj • 02:29 • -15db
38% Popularity • 64% Danceability • 60% Energy • 14% Liveness
78% Instrumentalness • 71% Positiveness
38% Popularity • 64% Danceability • 60% Energy • 14% Liveness
78% Instrumentalness • 71% Positiveness
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Chor der Deutschen Oper Berlin
Lohengrin: Treulich geführt
92 bpm • A# Maj • 04:25 • -19db
9% Popularity • 21% Danceability • 16% Energy • 9% Liveness
56% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 16% Energy • 9% Liveness
56% Instrumentalness • 8% Positiveness
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Günter Kallmann Chor
Elisabeth-Serenade
92 bpm • F# Maj • 02:42 • -12db
29% Popularity • 36% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 36% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Carl Zeller
Der Vogelhändler · Operette in 3 Akten...
92 bpm • C Maj • 05:26 • -18.06db
7% Popularity • 53% Danceability • 24% Energy • 64% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 53% Danceability • 24% Energy • 64% Liveness
0% Instrumentalness • 44% Positiveness
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Karl Komzák
Bad'ner Mad'in Waltz
92 bpm • D Maj • 06:22 • -14.35db
11% Popularity • 32% Danceability • 20% Energy • 26% Liveness
57% Instrumentalness • 36% Positiveness
11% Popularity • 32% Danceability • 20% Energy • 26% Liveness
57% Instrumentalness • 36% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 1...
92 bpm • F Maj • 03:53 • -23.52db
14% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Der Montanara Chor
Die Loreley
91 bpm • F Maj • 03:10 • -9.98db
13% Popularity • 23% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 23% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Johann Strauss II
Figaro-Polka, Op. 320
93 bpm • F Maj • 03:28 • -14.18db
2% Popularity • 66% Danceability • 46% Energy • 36% Liveness
92% Instrumentalness • 74% Positiveness
2% Popularity • 66% Danceability • 46% Energy • 36% Liveness
92% Instrumentalness • 74% Positiveness
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Robert Stolz
Walzer
93 bpm • D Maj • 05:26 • -14db
1% Popularity • 23% Danceability • 30% Energy • 15% Liveness
91% Instrumentalness • 20% Positiveness
1% Popularity • 23% Danceability • 30% Energy • 15% Liveness
91% Instrumentalness • 20% Positiveness
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Carl Zeller
Der Vogelhändler · Operette in 3 Akten...
93 bpm • G Maj • 05:46 • -17.65db
9% Popularity • 40% Danceability • 22% Energy • 66% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 40% Danceability • 22% Energy • 66% Liveness
0% Instrumentalness • 49% Positiveness
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Serge Baudo
Tableau 4
91 bpm • E min • 01:08 • -12db
13% Popularity • 38% Danceability • 38% Energy • 49% Liveness
81% Instrumentalness • 42% Positiveness
13% Popularity • 38% Danceability • 38% Energy • 49% Liveness
81% Instrumentalness • 42% Positiveness
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Carl Michael Ziehrer
Fächer - polonaise Op. 525 - Arr. Max S...
93 bpm • D Maj • 03:16 • -12.9db
13% Popularity • 58% Danceability • 27% Energy • 14% Liveness
92% Instrumentalness • 58% Positiveness
13% Popularity • 58% Danceability • 27% Energy • 14% Liveness
92% Instrumentalness • 58% Positiveness
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Giuseppe Verdi
Aida, Act II: Chorus. Gloria all'Egitto
93 bpm • D# Maj • 03:26 • -21db
22% Popularity • 27% Danceability • 12% Energy • 47% Liveness
78% Instrumentalness • 19% Positiveness
22% Popularity • 27% Danceability • 12% Energy • 47% Liveness
78% Instrumentalness • 19% Positiveness
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Mantovani Orchestra
I Feel Pretty (Westside Story)
93 bpm • E Maj • 02:08 • -37.64db
8% Popularity • 28% Danceability • 1% Energy • 16% Liveness
12% Instrumentalness • 25% Positiveness
8% Popularity • 28% Danceability • 1% Energy • 16% Liveness
12% Instrumentalness • 25% Positiveness
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Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
91 bpm • C min • 03:41 • -13.05db
10% Popularity • 25% Danceability • 45% Energy • 95% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 25% Danceability • 45% Energy • 95% Liveness
0% Instrumentalness • 37% Positiveness
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Carl Zeller
Der Vogelhändler · Operette in 3 Akten...
93 bpm • A# Maj • 03:00 • -18.89db
7% Popularity • 22% Danceability • 18% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 22% Danceability • 18% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Carl Millöcker
Dunkelrote Rosen
93 bpm • A Maj • 02:39 • -15.81db
17% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Robert Stolz
Das ist der Frühling in Wien
93 bpm • C Maj • 03:00 • -12.25db
0% Popularity • 49% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 49% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Joseph Schmidt
Ein Lied Geht Um die Welt
91 bpm • D# Maj • 02:40 • -8db
20% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Vienna Walzer Orchestra
Mit Extrapost Polka schnell, Op. 259
93 bpm • D Maj • 01:58 • -14.13db
9% Popularity • 49% Danceability • 53% Energy • 70% Liveness
90% Instrumentalness • 87% Positiveness
9% Popularity • 49% Danceability • 53% Energy • 70% Liveness
90% Instrumentalness • 87% Positiveness
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Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
93 bpm • D Maj • 03:43 • -13.26db
9% Popularity • 26% Danceability • 28% Energy • 60% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 26% Danceability • 28% Energy • 60% Liveness
0% Instrumentalness • 25% Positiveness
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Paul Lincke
Lincke: Frau Luna: "Schlösser, die im M...
93 bpm • D# Maj • 03:31 • -17.24db
10% Popularity • 32% Danceability • 15% Energy • 34% Liveness
29% Instrumentalness • 12% Positiveness
10% Popularity • 32% Danceability • 15% Energy • 34% Liveness
29% Instrumentalness • 12% Positiveness
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Albert Lortzing
Lortzing: Zar und Zimmermann, Act III: '...
91 bpm • D# Maj • 02:22 • -18db
15% Popularity • 44% Danceability • 13% Energy • 10% Liveness
15% Instrumentalness • 38% Positiveness
15% Popularity • 44% Danceability • 13% Energy • 10% Liveness
15% Instrumentalness • 38% Positiveness
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Juventino Rosas
Ãœber den Wellen
91 bpm • G Maj • 06:01 • -14.15db
1% Popularity • 21% Danceability • 22% Energy • 15% Liveness
92% Instrumentalness • 27% Positiveness
1% Popularity • 21% Danceability • 22% Energy • 15% Liveness
92% Instrumentalness • 27% Positiveness
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Various Artists
Je Vous En Prie
93 bpm • F Maj • 04:00 • -10.82db
10% Popularity • 54% Danceability • 33% Energy • 10% Liveness
78% Instrumentalness • 60% Positiveness
10% Popularity • 54% Danceability • 33% Energy • 10% Liveness
78% Instrumentalness • 60% Positiveness
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Giuseppe Verdi
Nabucco, Act 3: Va, pensiero, sull'ali d...
94 bpm • F# Maj • 03:24 • -19.47db
17% Popularity • 14% Danceability • 5% Energy • 9% Liveness
37% Instrumentalness • 10% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 9% Liveness
37% Instrumentalness • 10% Positiveness
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Eduard Strauss
Eisblume, Polka mazur, Op. 55
94 bpm • C min • 04:42 • -20db
10% Popularity • 32% Danceability • 4% Energy • 22% Liveness
92% Instrumentalness • 18% Positiveness
10% Popularity • 32% Danceability • 4% Energy • 22% Liveness
92% Instrumentalness • 18% Positiveness
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Chor der Deutschen Oper Berlin
Madame Butterfly: Coro a bocca chiusa
94 bpm • A# Maj • 02:22 • -36.58db
33% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
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Josef Strauss
Feuerfest, Op. 269
94 bpm • D Maj • 02:52 • -10.8db
13% Popularity • 64% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 79% Positiveness
13% Popularity • 64% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 79% Positiveness
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Ricci Ferra
And Der Schönen Blauen Donau, Op.314 (T...
94 bpm • D Maj • 03:54 • -14db
28% Popularity • 45% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 39% Positiveness
28% Popularity • 45% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 39% Positiveness
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Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
90 bpm • D Maj • 04:22 • -13.15db
10% Popularity • 25% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 25% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Joseph Lanner
Pesther Walzer, Op. 93
94 bpm • G Maj • 06:40 • -13.04db
1% Popularity • 38% Danceability • 23% Energy • 14% Liveness
85% Instrumentalness • 29% Positiveness
1% Popularity • 38% Danceability • 23% Energy • 14% Liveness
85% Instrumentalness • 29% Positiveness
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Peter Göller
Anatevka (Anatevka)
90 bpm • C Maj • 03:01 • -23.06db
9% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Anneliese Rothenberger
La Le Lu
90 bpm • F Maj • 03:34 • -9db
14% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Der Montanara Chor
Abendglocken
90 bpm • D Maj • 02:34 • -12.52db
8% Popularity • 33% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 33% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
30% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Josef Strauss
Dorfschwalben aus Österreich, Op. 164
94 bpm • D# Maj • 08:28 • -25db
26% Popularity • 23% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 23% Positiveness
26% Popularity • 23% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 23% Positiveness
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WDR Rundfunkorchester Köln
Abends will ich schlafen gehn - aus der ...
90 bpm • D Maj • 02:31 • -18.07db
14% Popularity • 16% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
La traviata / Act III: Parigi, o cara, n...
89 bpm • G# Maj • 04:55 • -20.49db
22% Popularity • 25% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 25% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Joseph Lanner
Pesther Walzer / Pesth Waltz / Valse de ...
95 bpm • G Maj • 06:40 • -10.67db
1% Popularity • 41% Danceability • 25% Energy • 21% Liveness
91% Instrumentalness • 29% Positiveness
1% Popularity • 41% Danceability • 25% Energy • 21% Liveness
91% Instrumentalness • 29% Positiveness
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Emmerich Kálmán
Die Zirkusprinzessin: Die kleinen Mädel...
89 bpm • F Maj • 03:10 • -14.02db
0% Popularity • 45% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 45% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Vienna Walzer Orchestra
Knall und Fall, Polka-schnell, Op. 132
89 bpm • G Maj • 02:26 • -13db
9% Popularity • 57% Danceability • 55% Energy • 80% Liveness
45% Instrumentalness • 47% Positiveness
9% Popularity • 57% Danceability • 55% Energy • 80% Liveness
45% Instrumentalness • 47% Positiveness
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Joseph Schmidt
Es wird im Leben dir mehr genommen als g...
95 bpm • A min • 03:21 • -10.7db
13% Popularity • 28% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 28% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Robert Stolz
Der Favorit, Op. 122: Du sollst der Kais...
89 bpm • A Maj • 02:51 • -10.31db
14% Popularity • 34% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 34% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Giuseppe Verdi
Nabucco: Overture
89 bpm • C Maj • 07:29 • -18db
31% Popularity • 32% Danceability • 14% Energy • 6% Liveness
74% Instrumentalness • 22% Positiveness
31% Popularity • 32% Danceability • 14% Energy • 6% Liveness
74% Instrumentalness • 22% Positiveness
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Ricci Ferra
Frühlingsstimmen-Walzer Op.410 (Voices ...
95 bpm • A# Maj • 03:57 • -12.99db
18% Popularity • 42% Danceability • 26% Energy • 9% Liveness
37% Instrumentalness • 35% Positiveness
18% Popularity • 42% Danceability • 26% Energy • 9% Liveness
37% Instrumentalness • 35% Positiveness
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Frédéric Chopin
Polonaise militaire, Op. 40, No 1
95 bpm • A Maj • 04:29 • -11.47db
14% Popularity • 43% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 50% Positiveness
14% Popularity • 43% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 50% Positiveness
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Carl Michael Ziehrer
Weaner Mad'ln, Op. 388
89 bpm • D Maj • 09:30 • -14.71db
4% Popularity • 20% Danceability • 22% Energy • 34% Liveness
83% Instrumentalness • 21% Positiveness
4% Popularity • 20% Danceability • 22% Energy • 34% Liveness
83% Instrumentalness • 21% Positiveness
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The Manhattan Pops
The Gold and Silver Waltz
95 bpm • C Maj • 02:55 • -12db
9% Popularity • 39% Danceability • 30% Energy • 37% Liveness
86% Instrumentalness • 38% Positiveness
9% Popularity • 39% Danceability • 30% Energy • 37% Liveness
86% Instrumentalness • 38% Positiveness
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Joseph Schmidt
Heut' ist der schönste Tag in meinem Le...
96 bpm • A# Maj • 03:26 • -9.93db
23% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Leo Fall
Walzer
96 bpm • D Maj • 06:21 • -14.78db
0% Popularity • 29% Danceability • 24% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
0% Popularity • 29% Danceability • 24% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
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Orchestre de Volksoper de Vienne
Morgenblätter
96 bpm • F Maj • 03:07 • -12.93db
9% Popularity • 53% Danceability • 29% Energy • 31% Liveness
92% Instrumentalness • 34% Positiveness
9% Popularity • 53% Danceability • 29% Energy • 31% Liveness
92% Instrumentalness • 34% Positiveness
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Robert Stolz
Der Favorit (The Favourite), Act I: Du s...
96 bpm • G Maj • 03:21 • -13.44db
1% Popularity • 29% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
1% Popularity • 29% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Wiener Operettenorchester
Schenkt man sich Rosen in Tirol
88 bpm • A# Maj • 03:15 • -9db
10% Popularity • 27% Danceability • 52% Energy • 15% Liveness
5% Instrumentalness • 21% Positiveness
10% Popularity • 27% Danceability • 52% Energy • 15% Liveness
5% Instrumentalness • 21% Positiveness
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Giuseppe Verdi
Nabucco: Act III - "Va pensiero, sull'al...
96 bpm • C# Maj • 04:23 • -17db
25% Popularity • 17% Danceability • 12% Energy • 29% Liveness
39% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 12% Energy • 29% Liveness
39% Instrumentalness • 4% Positiveness
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Ricci Ferra
Schatzwalzer Op.418 (Treasure Waltz)
96 bpm • C Maj • 03:36 • -14db
9% Popularity • 40% Danceability • 29% Energy • 9% Liveness
39% Instrumentalness • 32% Positiveness
9% Popularity • 40% Danceability • 29% Energy • 9% Liveness
39% Instrumentalness • 32% Positiveness
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James Last
Die Moldau
96 bpm • F min • 04:42 • -14.5db
22% Popularity • 26% Danceability • 27% Energy • 16% Liveness
96% Instrumentalness • 11% Positiveness
22% Popularity • 26% Danceability • 27% Energy • 16% Liveness
96% Instrumentalness • 11% Positiveness
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Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
96 bpm • A# Maj • 02:54 • -14db
11% Popularity • 40% Danceability • 38% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 40% Danceability • 38% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
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Robert Stolz
Im Salzkammergut
96 bpm • C Maj • 05:12 • -12.44db
2% Popularity • 35% Danceability • 27% Energy • 63% Liveness
83% Instrumentalness • 83% Positiveness
2% Popularity • 35% Danceability • 27% Energy • 63% Liveness
83% Instrumentalness • 83% Positiveness
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Friedrich Silcher
Annchen von Tharau
96 bpm • B Maj • 02:30 • -27.53db
14% Popularity • 27% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 27% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Josef Strauss
Helden-Gedichte, Op. 87: Heldengedichte,...
96 bpm • D# Maj • 10:32 • -18.49db
16% Popularity • 40% Danceability • 12% Energy • 17% Liveness
88% Instrumentalness • 26% Positiveness
16% Popularity • 40% Danceability • 12% Energy • 17% Liveness
88% Instrumentalness • 26% Positiveness
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Joseph Lanner
Die Romantiker, Walzer, Op. 167
96 bpm • A Maj • 07:02 • -22.43db
10% Popularity • 25% Danceability • 12% Energy • 69% Liveness
88% Instrumentalness • 23% Positiveness
10% Popularity • 25% Danceability • 12% Energy • 69% Liveness
88% Instrumentalness • 23% Positiveness
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Herbert Brust
Land der dunklen Walder
88 bpm • F Maj • 01:59 • -11.14db
12% Popularity • 21% Danceability • 29% Energy • 13% Liveness
14% Instrumentalness • 25% Positiveness
12% Popularity • 21% Danceability • 29% Energy • 13% Liveness
14% Instrumentalness • 25% Positiveness
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Eduard Strauss
Ohne Bremse, Polka schnell, Op. 238
88 bpm • D Maj • 02:26 • -14.33db
15% Popularity • 54% Danceability • 67% Energy • 87% Liveness
80% Instrumentalness • 78% Positiveness
15% Popularity • 54% Danceability • 67% Energy • 87% Liveness
80% Instrumentalness • 78% Positiveness
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Rex Gildo
In der Straße, mein Schatz, wo du lebst
96 bpm • C Maj • 02:18 • -15db
14% Popularity • 45% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 45% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Robert Stolz
Fräulein, ach Fräulein
87 bpm • C Maj • 02:19 • -13.55db
1% Popularity • 40% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
1% Popularity • 40% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Friedrich Gluck
In einem kuhlen Grunde
97 bpm • A# Maj • 02:07 • -29.96db
16% Popularity • 24% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 24% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Joseph Hellmesberger, Jr.
Kleiner Anzeiger, Galopp, Op. 4
87 bpm • F min • 02:45 • -15.33db
11% Popularity • 42% Danceability • 69% Energy • 74% Liveness
86% Instrumentalness • 66% Positiveness
11% Popularity • 42% Danceability • 69% Energy • 74% Liveness
86% Instrumentalness • 66% Positiveness
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Ricci Ferra
Kaiserwalzer, Op.437 (Emperor Waltz / Va...
97 bpm • C Maj • 04:23 • -15.51db
15% Popularity • 34% Danceability • 22% Energy • 14% Liveness
88% Instrumentalness • 38% Positiveness
15% Popularity • 34% Danceability • 22% Energy • 14% Liveness
88% Instrumentalness • 38% Positiveness
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The Vienna National Opera Orchestra
Merry Widow Waltz
97 bpm • C Maj • 03:16 • -14.55db
9% Popularity • 30% Danceability • 26% Energy • 22% Liveness
94% Instrumentalness • 46% Positiveness
9% Popularity • 30% Danceability • 26% Energy • 22% Liveness
94% Instrumentalness • 46% Positiveness
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Hans Christian Lumbye
Britta Polka (1864)
87 bpm • A Maj • 02:34 • -19.56db
25% Popularity • 39% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 51% Positiveness
25% Popularity • 39% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 51% Positiveness
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Karel Komzák, Jr.
Bad'ner Mad'ln, Walzer, Op. 257
97 bpm • D Maj • 08:16 • -16.44db
9% Popularity • 34% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
9% Popularity • 34% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
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Joseph Lanner
Hofballtänze, Op. 161
97 bpm • E Maj • 06:09 • -17.22db
0% Popularity • 29% Danceability • 23% Energy • 13% Liveness
85% Instrumentalness • 35% Positiveness
0% Popularity • 29% Danceability • 23% Energy • 13% Liveness
85% Instrumentalness • 35% Positiveness
► Preview
Vienna State Opera Orchestra
Hoffmanns Erzählungen: Menuett Barcarol...
87 bpm • D Maj • 02:52 • -24db
13% Popularity • 19% Danceability • 8% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 8% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Arthur Sullivan
Thespis: No. 3 Valse
87 bpm • G Maj • 01:17 • -24.91db
26% Popularity • 52% Danceability • 4% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
26% Popularity • 52% Danceability • 4% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
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Munchener Rundfunkorchester
Zar und Zimmermann: Holzschutanz
87 bpm • D# Maj • 03:34 • -17.89db
11% Popularity • 33% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 29% Positiveness
11% Popularity • 33% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 29% Positiveness
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Robert Stolz
Serenade d'amour
98 bpm • F Maj • 05:13 • -12.59db
0% Popularity • 20% Danceability • 30% Energy • 12% Liveness
67% Instrumentalness • 5% Positiveness
0% Popularity • 20% Danceability • 30% Energy • 12% Liveness
67% Instrumentalness • 5% Positiveness
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Der Montanara Chor
Abendglocken
87 bpm • C# Maj • 02:27 • -14.97db
18% Popularity • 19% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 19% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Mingxin Du
In The Silver Moonshine
87 bpm • G Maj • 05:28 • -19.69db
14% Popularity • 20% Danceability • 10% Energy • 15% Liveness
22% Instrumentalness • 6% Positiveness
14% Popularity • 20% Danceability • 10% Energy • 15% Liveness
22% Instrumentalness • 6% Positiveness
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Joseph Haydn
Kaiserhymne
87 bpm • D# Maj • 01:15 • -6.56db
12% Popularity • 24% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 24% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 85% Positiveness
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Eduard Strauss
Mit Extrapost, Polka schnell, Op. 259
87 bpm • D Maj • 02:03 • -16.35db
17% Popularity • 59% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 74% Positiveness
17% Popularity • 59% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 74% Positiveness
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Johann Strauss II
Wiener Blut
87 bpm • G Maj • 02:54 • -14.81db
8% Popularity • 42% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 42% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Michael William Balfe
The Bohemian Girl - Arr. by Karel Mark C...
87 bpm • D Maj • 04:54 • -28.82db
14% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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Carl Michael Ziehrer
Nachtschwärmer, Walzer, Op. 466
98 bpm • G Maj • 10:05 • -19.58db
14% Popularity • 26% Danceability • 12% Energy • 6% Liveness
91% Instrumentalness • 14% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 6% Liveness
91% Instrumentalness • 14% Positiveness
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Carl Zeller
Grubenlichter-Walzer
98 bpm • F Maj • 07:40 • -16.57db
10% Popularity • 29% Danceability • 16% Energy • 5% Liveness
93% Instrumentalness • 21% Positiveness
10% Popularity • 29% Danceability • 16% Energy • 5% Liveness
93% Instrumentalness • 21% Positiveness
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Robert Stolz
Ungeküßt sollst du nicht schlafen geh'...
86 bpm • D# Maj • 03:11 • -11.57db
1% Popularity • 33% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
1% Popularity • 33% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess),...
86 bpm • D Maj • 02:40 • -12.52db
20% Popularity • 25% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 25% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Nico Dostal
Sikermä Nico Dostalin operettilauluja P...
86 bpm • F Maj • 07:03 • -13.33db
9% Popularity • 24% Danceability • 33% Energy • 72% Liveness
87% Instrumentalness • 12% Positiveness
9% Popularity • 24% Danceability • 33% Energy • 72% Liveness
87% Instrumentalness • 12% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 2...
86 bpm • G Maj • 03:07 • -35db
17% Popularity • 9% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
17% Popularity • 9% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Carl Michael Ziehrer
Wiener Bürger, Op. 419: Walzer
98 bpm • C Maj • 08:52 • -16.8db
13% Popularity • 34% Danceability • 14% Energy • 29% Liveness
91% Instrumentalness • 39% Positiveness
13% Popularity • 34% Danceability • 14% Energy • 29% Liveness
91% Instrumentalness • 39% Positiveness
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Joseph Hellmesberger, Jr.
Kleiner Anzeiger, Galopp, Op. 4
86 bpm • D# Maj • 02:26 • -16.37db
17% Popularity • 47% Danceability • 58% Energy • 19% Liveness
91% Instrumentalness • 84% Positiveness
17% Popularity • 47% Danceability • 58% Energy • 19% Liveness
91% Instrumentalness • 84% Positiveness
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Robert Stolz
Vor meinem Vaterhaus, Op. 614 (Arr. for ...
86 bpm • D# Maj • 04:45 • -13.5db
0% Popularity • 30% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 30% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Hans Christian Lumbye
Otto Allins Tromme-Polka (1864)
86 bpm • G Maj • 02:15 • -17.55db
22% Popularity • 42% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 58% Positiveness
22% Popularity • 42% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 58% Positiveness
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Chor der Deutschen Oper Berlin
Nabucco: Zieht, Gedanken
99 bpm • C# Maj • 04:08 • -19db
13% Popularity • 19% Danceability • 8% Energy • 17% Liveness
78% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 8% Energy • 17% Liveness
78% Instrumentalness • 12% Positiveness
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Rudolf Schock
La Paloma (Mich rief es an Bord)
86 bpm • D# Maj • 04:38 • -15db
14% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Carl Michael Ziehrer
Hereinspaziert! Walzer, Op. 518
99 bpm • G Maj • 07:44 • -15.34db
13% Popularity • 29% Danceability • 21% Energy • 68% Liveness
93% Instrumentalness • 26% Positiveness
13% Popularity • 29% Danceability • 21% Energy • 68% Liveness
93% Instrumentalness • 26% Positiveness
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Émile Waldteufel
Chantilly, Waltz, Op. 171
99 bpm • A# Maj • 07:53 • -17db
10% Popularity • 37% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 24% Positiveness
10% Popularity • 37% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 24% Positiveness
