Songs like Himmelblaue Träume: "In Kalifornien liegt eine Stadt" - "Wenn ihr mich erst als Filmstar seht" (Franz, Francois, Francesco, Gritli) by Robert Stolz
Based on a tempo of (+/- 10%) and a similar genre
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Wiener Symphoniker
Frühjahrsparade
121 bpm • C# Maj • 04:13 • -14.35db
2% Popularity • 48% Danceability • 50% Energy • 30% Liveness
87% Instrumentalness • 51% Positiveness
2% Popularity • 48% Danceability • 50% Energy • 30% Liveness
87% Instrumentalness • 51% Positiveness
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Robert Stolz
Im weißen Rössl: Im weißen Rössl
121 bpm • G# Maj • 01:30 • -13.02db
21% Popularity • 41% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 41% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Charlotte Guldberg
Ländler
121 bpm • F Maj • 02:15 • -9.81db
10% Popularity • 32% Danceability • 20% Energy • 6% Liveness
67% Instrumentalness • 19% Positiveness
10% Popularity • 32% Danceability • 20% Energy • 6% Liveness
67% Instrumentalness • 19% Positiveness
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Franz von Suppé
Marsch
121 bpm • G Maj • 02:15 • -11.86db
0% Popularity • 58% Danceability • 52% Energy • 54% Liveness
93% Instrumentalness • 86% Positiveness
0% Popularity • 58% Danceability • 52% Energy • 54% Liveness
93% Instrumentalness • 86% Positiveness
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Michał Kleofas Ogiński
Quadrille No. 1 in F Minor
121 bpm • F min • 01:30 • -14.49db
15% Popularity • 49% Danceability • 26% Energy • 15% Liveness
55% Instrumentalness • 81% Positiveness
15% Popularity • 49% Danceability • 26% Energy • 15% Liveness
55% Instrumentalness • 81% Positiveness
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Vienna Walzer Orchestra
Johann Strauss II: Wien bleibt Wien - Ma...
120 bpm • D Maj • 02:34 • -12.95db
9% Popularity • 53% Danceability • 79% Energy • 89% Liveness
86% Instrumentalness • 71% Positiveness
9% Popularity • 53% Danceability • 79% Energy • 89% Liveness
86% Instrumentalness • 71% Positiveness
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Johannes Kalpers
Das Loreleylied (Ich weiß nicht was sol...
121 bpm • C# Maj • 02:52 • -7.78db
13% Popularity • 36% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 36% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Julius Fučík
Triglav, Op. 72
122 bpm • G Maj • 01:38 • -15.04db
28% Popularity • 48% Danceability • 45% Energy • 30% Liveness
88% Instrumentalness • 78% Positiveness
28% Popularity • 48% Danceability • 45% Energy • 30% Liveness
88% Instrumentalness • 78% Positiveness
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Paul Lincke
Frau Luna: Berliner Luft - Live
122 bpm • D# Maj • 03:48 • -13.42db
9% Popularity • 56% Danceability • 54% Energy • 74% Liveness
97% Instrumentalness • 70% Positiveness
9% Popularity • 56% Danceability • 54% Energy • 74% Liveness
97% Instrumentalness • 70% Positiveness
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Carl Michael Ziehrer
Schönfeld-Marsch, Op. 422
120 bpm • D Maj • 02:54 • -12.32db
14% Popularity • 52% Danceability • 57% Energy • 24% Liveness
86% Instrumentalness • 70% Positiveness
14% Popularity • 52% Danceability • 57% Energy • 24% Liveness
86% Instrumentalness • 70% Positiveness
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Wiener Symphoniker
Radetzky-Marsch
122 bpm • G min • 02:36 • -13.2db
1% Popularity • 73% Danceability • 54% Energy • 16% Liveness
98% Instrumentalness • 75% Positiveness
1% Popularity • 73% Danceability • 54% Energy • 16% Liveness
98% Instrumentalness • 75% Positiveness
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Byron McKay
Step By Step
120 bpm • G Maj • 01:31 • -21.38db
8% Popularity • 72% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
8% Popularity • 72% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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The Strauss
Radetzky Marsch
122 bpm • A Maj • 02:40 • -10.67db
1% Popularity • 73% Danceability • 64% Energy • 9% Liveness
97% Instrumentalness • 73% Positiveness
1% Popularity • 73% Danceability • 64% Energy • 9% Liveness
97% Instrumentalness • 73% Positiveness
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Robert Stolz
Jung san ma! Fesch san ma! (Heurigenmars...
122 bpm • C Maj • 02:33 • -11.37db
1% Popularity • 62% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
1% Popularity • 62% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Oscar Straus
Bulgaren-marsch
120 bpm • A Maj • 03:11 • -17.49db
9% Popularity • 72% Danceability • 40% Energy • 8% Liveness
92% Instrumentalness • 72% Positiveness
9% Popularity • 72% Danceability • 40% Energy • 8% Liveness
92% Instrumentalness • 72% Positiveness
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Johann Schrammel
Wien bleibt Wien, Marsch
122 bpm • D Maj • 03:24 • -15.59db
20% Popularity • 65% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 86% Positiveness
20% Popularity • 65% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 86% Positiveness
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Rudolf Schock
Der frohliche Wanderer
122 bpm • E Maj • 01:54 • -10db
23% Popularity • 44% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 44% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Paul Lincke
Berliner Luft
122 bpm • D# Maj • 03:29 • -21.16db
17% Popularity • 68% Danceability • 24% Energy • 14% Liveness
98% Instrumentalness • 93% Positiveness
17% Popularity • 68% Danceability • 24% Energy • 14% Liveness
98% Instrumentalness • 93% Positiveness
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Paul Hörbiger
Jünger werd' ma nimmer
119 bpm • C Maj • 03:01 • -8db
9% Popularity • 77% Danceability • 24% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 77% Danceability • 24% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
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Johann Strauss Orchester
Fatinitza Marsch
123 bpm • G Maj • 02:17 • -13db
10% Popularity • 67% Danceability • 43% Energy • 23% Liveness
92% Instrumentalness • 87% Positiveness
10% Popularity • 67% Danceability • 43% Energy • 23% Liveness
92% Instrumentalness • 87% Positiveness
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Eduard Strauss
Die Hochquelle, Op. 114
119 bpm • G# Maj • 04:13 • -18.38db
13% Popularity • 53% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 36% Positiveness
13% Popularity • 53% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 36% Positiveness
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Marinechor der Schwarzmeerflotte
Moskauer Nächte
119 bpm • D min • 02:13 • -16.55db
12% Popularity • 24% Danceability • 27% Energy • 20% Liveness
57% Instrumentalness • 17% Positiveness
12% Popularity • 24% Danceability • 27% Energy • 20% Liveness
57% Instrumentalness • 17% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt II, Das Eifers...
119 bpm • C Maj • 02:30 • -20.32db
10% Popularity • 59% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 59% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 39% Positiveness
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Karl Komzàk, Sr.
Baratarier-Marsch, Op. 47
118 bpm • G Maj • 02:46 • -12.82db
0% Popularity • 60% Danceability • 54% Energy • 41% Liveness
97% Instrumentalness • 82% Positiveness
0% Popularity • 60% Danceability • 54% Energy • 41% Liveness
97% Instrumentalness • 82% Positiveness
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Paul Hörbiger
Der Alte Sünder
119 bpm • D# Maj • 03:17 • -7db
11% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Carl Michael Ziehrer
Die Landstreicher: Overture
124 bpm • D# Maj • 04:55 • -13db
14% Popularity • 40% Danceability • 26% Energy • 11% Liveness
61% Instrumentalness • 22% Positiveness
14% Popularity • 40% Danceability • 26% Energy • 11% Liveness
61% Instrumentalness • 22% Positiveness
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Fischer Choere
Die Loreley - Ich weiss nicht, was soll ...
118 bpm • A# Maj • 03:29 • -18.54db
18% Popularity • 25% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 25% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Richard Tauber
Adieu, mein kleiner Gardeoffizier
118 bpm • D# Maj • 03:02 • -11db
23% Popularity • 69% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 69% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Carl Maria von Weber
Weber: Der Freischütz, Op. 77, J. 277, ...
118 bpm • D Maj • 02:37 • -15.08db
8% Popularity • 50% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 50% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Marika Rökk
In der Nacht ist der Mensch nicht gern a...
124 bpm • C Maj • 02:34 • -11db
19% Popularity • 55% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 55% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Carmine Coppola
The Godfather's Tarantella
124 bpm • F min • 03:12 • -12.2db
11% Popularity • 54% Danceability • 50% Energy • 18% Liveness
5% Instrumentalness • 55% Positiveness
11% Popularity • 54% Danceability • 50% Energy • 18% Liveness
5% Instrumentalness • 55% Positiveness
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Colonia Blasochester
Berliner Luft Marsch
118 bpm • F min • 03:41 • -13db
15% Popularity • 63% Danceability • 69% Energy • 14% Liveness
1% Instrumentalness • 95% Positiveness
15% Popularity • 63% Danceability • 69% Energy • 14% Liveness
1% Instrumentalness • 95% Positiveness
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Rudi Schuricke
Florentinische Nächte
118 bpm • A Maj • 03:29 • -11db
27% Popularity • 50% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 50% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Carl Michael Ziehrer
Der Zauber der Montur, Op. 493
124 bpm • D# Maj • 03:17 • -11.83db
3% Popularity • 51% Danceability • 47% Energy • 38% Liveness
90% Instrumentalness • 70% Positiveness
3% Popularity • 51% Danceability • 47% Energy • 38% Liveness
90% Instrumentalness • 70% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Was ...
124 bpm • D Maj • 02:28 • -14db
20% Popularity • 52% Danceability • 53% Energy • 25% Liveness
2% Instrumentalness • 42% Positiveness
20% Popularity • 52% Danceability • 53% Energy • 25% Liveness
2% Instrumentalness • 42% Positiveness
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Julius Fučík
Fucik : Florentiner-Marsch Op.214
125 bpm • F Maj • 05:03 • -15.27db
8% Popularity • 41% Danceability • 41% Energy • 22% Liveness
96% Instrumentalness • 44% Positiveness
8% Popularity • 41% Danceability • 41% Energy • 22% Liveness
96% Instrumentalness • 44% Positiveness
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René Carol
Südliche Nächte
125 bpm • B min • 03:24 • -8db
10% Popularity • 43% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 43% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Émile Waldteufel
Espana, Waltz, Op. 236
118 bpm • F Maj • 06:25 • -14.33db
20% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
20% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
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Johann Strauss Orchester
Persischer Marsch
117 bpm • G min • 02:45 • -12.02db
10% Popularity • 60% Danceability • 33% Energy • 17% Liveness
21% Instrumentalness • 79% Positiveness
10% Popularity • 60% Danceability • 33% Energy • 17% Liveness
21% Instrumentalness • 79% Positiveness
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101 Strings Orchestra
ラデツキー行進曲
117 bpm • D Maj • 02:26 • -11db
24% Popularity • 60% Danceability • 60% Energy • 52% Liveness
79% Instrumentalness • 84% Positiveness
24% Popularity • 60% Danceability • 60% Energy • 52% Liveness
79% Instrumentalness • 84% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
125 bpm • C Maj • 01:58 • -20db
19% Popularity • 38% Danceability • 17% Energy • 14% Liveness
64% Instrumentalness • 45% Positiveness
19% Popularity • 38% Danceability • 17% Energy • 14% Liveness
64% Instrumentalness • 45% Positiveness
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Robert Stolz
Arrivederci, bella Italia (Lied) - 1992 ...
117 bpm • F Maj • 04:00 • -13db
1% Popularity • 40% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
1% Popularity • 40% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Alfred Schieske
My Fair Lady: Ascot Gavotte (Orchester)
117 bpm • G Maj • 03:14 • -16.76db
11% Popularity • 54% Danceability • 16% Energy • 48% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 54% Danceability • 16% Energy • 48% Liveness
0% Instrumentalness • 48% Positiveness
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Rudi Schuricke
Lass uns träumen vom Lago Maggiore
117 bpm • D Maj • 03:36 • -12.5db
14% Popularity • 40% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 40% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Chor der Deutschen Oper Berlin
Faust: Hoch, Ruhm und Ehre
117 bpm • A# Maj • 03:21 • -16db
8% Popularity • 47% Danceability • 34% Energy • 18% Liveness
1% Instrumentalness • 30% Positiveness
8% Popularity • 47% Danceability • 34% Energy • 18% Liveness
1% Instrumentalness • 30% Positiveness
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Percy Faith
The Portuguese Washerwoman
117 bpm • G Maj • 03:01 • -11.78db
17% Popularity • 85% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
17% Popularity • 85% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
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Joseph Strauss
Die Gazelle, Op. 155
126 bpm • D Maj • 03:30 • -13.68db
0% Popularity • 43% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
0% Popularity • 43% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
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Jean Gilbert
Durch Berlin fliesst immer noch die Spre...
116 bpm • C Maj • 03:00 • -16.92db
12% Popularity • 51% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 51% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Grosses Frankfurter Opern-Orchester
Carmen - Torerolied - Auf in den Kampf, ...
117 bpm • C# Maj • 04:17 • -14.36db
9% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Robert Stolz
Auch du wirst mich einmal betrügen
116 bpm • B Maj • 02:21 • -12.6db
1% Popularity • 74% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 74% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Paul Hörbiger
Das muss ein Stück vom Himmel sein
126 bpm • F Maj • 03:24 • -6db
11% Popularity • 42% Danceability • 42% Energy • 5% Liveness
5% Instrumentalness • 42% Positiveness
11% Popularity • 42% Danceability • 42% Energy • 5% Liveness
5% Instrumentalness • 42% Positiveness
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Zentrales Orchester des MDI
Marsch des York'schen Corps
116 bpm • D# Maj • 02:25 • -12db
13% Popularity • 66% Danceability • 60% Energy • 14% Liveness
83% Instrumentalness • 89% Positiveness
13% Popularity • 66% Danceability • 60% Energy • 14% Liveness
83% Instrumentalness • 89% Positiveness
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Karl Komzàk, Sr.
Erzherzog Albrecht-Marsch, Op. 136
116 bpm • A Maj • 02:40 • -11.09db
13% Popularity • 50% Danceability • 46% Energy • 38% Liveness
89% Instrumentalness • 62% Positiveness
13% Popularity • 50% Danceability • 46% Energy • 38% Liveness
89% Instrumentalness • 62% Positiveness
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Joseph Strauss
Die Libelle, Op. 204
116 bpm • D Maj • 03:11 • -16.4db
0% Popularity • 33% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
0% Popularity • 33% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Julius Fučík
Die lustigen Dorfschmiede, Op. 218
126 bpm • C Maj • 02:37 • -18.58db
17% Popularity • 57% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 49% Positiveness
17% Popularity • 57% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 49% Positiveness
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Ricci Ferra
Radetzky-Marschpolka, Op.228 (Radetzky M...
116 bpm • A Maj • 02:13 • -11.53db
18% Popularity • 77% Danceability • 65% Energy • 14% Liveness
91% Instrumentalness • 96% Positiveness
18% Popularity • 77% Danceability • 65% Energy • 14% Liveness
91% Instrumentalness • 96% Positiveness
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Willy Schneider
Man müsste nochmal zwanzig sein
116 bpm • C# Maj • 04:19 • -7.33db
8% Popularity • 46% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 46% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Santec Music Orchestra
Optimisten Polka
126 bpm • C Maj • 03:01 • -14.73db
12% Popularity • 51% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 57% Positiveness
12% Popularity • 51% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 57% Positiveness
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Wiener Symphoniker
Gruß aus Wien
126 bpm • F min • 03:17 • -15.13db
2% Popularity • 35% Danceability • 51% Energy • 20% Liveness
80% Instrumentalness • 47% Positiveness
2% Popularity • 35% Danceability • 51% Energy • 20% Liveness
80% Instrumentalness • 47% Positiveness
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Joseph Hellmesberger, Jr.
Ball Scene
116 bpm • B Maj • 06:41 • -19.41db
12% Popularity • 28% Danceability • 31% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
12% Popularity • 28% Danceability • 31% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
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Rundfunkorchester des Südwestfunks Kaiserslautern
Frau Luna: Folies-Bergère-Marsch
127 bpm • C Maj • 03:09 • -12db
8% Popularity • 44% Danceability • 49% Energy • 22% Liveness
10% Instrumentalness • 84% Positiveness
8% Popularity • 44% Danceability • 49% Energy • 22% Liveness
10% Instrumentalness • 84% Positiveness
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Walter Kollo
Das ist der Fruhling von Berlin
115 bpm • A min • 02:15 • -16db
20% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Joseph Lanner
Neue Wiener Ländler, Op. 1
127 bpm • G Maj • 05:28 • -12.21db
3% Popularity • 50% Danceability • 20% Energy • 33% Liveness
61% Instrumentalness • 45% Positiveness
3% Popularity • 50% Danceability • 20% Energy • 33% Liveness
61% Instrumentalness • 45% Positiveness
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Friedrich Hollaender
Eine Kleine Sehnsucht
115 bpm • G Maj • 04:03 • -19.24db
9% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Werner Hollweg
Horch, was kommt von draußen rein
115 bpm • D Maj • 02:32 • -7.61db
14% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Kurt Pratsch-Kaufmann
Mit 'nem kleenen Stückchen Glück
128 bpm • C Maj • 02:07 • -15.75db
12% Popularity • 74% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 74% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Émile Waldteufel
Dans les bois, Polka-mazurka, Op. 119
115 bpm • D Maj • 03:26 • -20db
15% Popularity • 59% Danceability • 5% Energy • 4% Liveness
90% Instrumentalness • 30% Positiveness
15% Popularity • 59% Danceability • 5% Energy • 4% Liveness
90% Instrumentalness • 30% Positiveness
► Preview
René Carol
Der Südwind Der Weht
128 bpm • G Maj • 03:09 • -12db
11% Popularity • 34% Danceability • 18% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 34% Danceability • 18% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Rudi Schuricke
Frauen und Wein
128 bpm • A# Maj • 02:28 • -9.45db
13% Popularity • 73% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 73% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Josef Strauss
Die Sirene, Polka Mazur, Op. 248
114 bpm • D Maj • 03:21 • -17.93db
10% Popularity • 43% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
10% Popularity • 43% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Julius Fučík
Florentine March Op. 214
114 bpm • F Maj • 05:24 • -14db
8% Popularity • 38% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
8% Popularity • 38% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
► Preview
Chor der Deutschen Oper Berlin
Der Troubadour: Seht, wie die Wolken am ...
129 bpm • G Maj • 02:54 • -17db
8% Popularity • 45% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 45% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Nico Dostal
Dostal: Clivia - Ich bin verliebt
114 bpm • G min • 03:07 • -14.47db
8% Popularity • 29% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 29% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
129 bpm • G# Maj • 03:10 • -15db
9% Popularity • 31% Danceability • 33% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 31% Danceability • 33% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Joseph Lanner
Dornbacher Ländler, Op. 9
129 bpm • A Maj • 06:04 • -14db
3% Popularity • 43% Danceability • 18% Energy • 6% Liveness
93% Instrumentalness • 29% Positiveness
3% Popularity • 43% Danceability • 18% Energy • 6% Liveness
93% Instrumentalness • 29% Positiveness
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Carl Maria von Weber
Jägerchor
114 bpm • D# Maj • 01:30 • -22.97db
15% Popularity • 62% Danceability • 12% Energy • 18% Liveness
93% Instrumentalness • 53% Positiveness
15% Popularity • 62% Danceability • 12% Energy • 18% Liveness
93% Instrumentalness • 53% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 2 for four ...
129 bpm • D Maj • 01:29 • -22.75db
19% Popularity • 49% Danceability • 5% Energy • 34% Liveness
54% Instrumentalness • 43% Positiveness
19% Popularity • 49% Danceability • 5% Energy • 34% Liveness
54% Instrumentalness • 43% Positiveness
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Chor der Deutschen Oper Berlin
Zar & Zimmermann: Greifet an und rührt ...
129 bpm • F Maj • 02:46 • -17db
8% Popularity • 50% Danceability • 40% Energy • 18% Liveness
71% Instrumentalness • 53% Positiveness
8% Popularity • 50% Danceability • 40% Energy • 18% Liveness
71% Instrumentalness • 53% Positiveness
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Der Montanara Chor
Im schönsten Wiesengrunde - Das stille ...
129 bpm • F Maj • 03:22 • -25.11db
15% Popularity • 18% Danceability • 7% Energy • 29% Liveness
8% Instrumentalness • 8% Positiveness
15% Popularity • 18% Danceability • 7% Energy • 29% Liveness
8% Instrumentalness • 8% Positiveness
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Willy Schneider
Auf Der Heide Blüh'n Die Letzten Rosen
113 bpm • C# Maj • 04:01 • -10db
13% Popularity • 38% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 38% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
129 bpm • C Maj • 03:16 • -20db
10% Popularity • 50% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 50% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Sylvia Anders
Gestern - Heute, Heute - Morgen (Anatevk...
113 bpm • F min • 03:33 • -15.74db
8% Popularity • 32% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 32% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Hans Christian Lumbye
Columbine Polka-Mazurka (1862)
113 bpm • F Maj • 03:56 • -17.87db
16% Popularity • 36% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 19% Positiveness
16% Popularity • 36% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 19% Positiveness
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Ralph Benatzky
Im weissen Rossl (White Horse Inn): Act ...
129 bpm • C Maj • 01:04 • -8db
18% Popularity • 53% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 53% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Manuel Rosenthal
Gaite Parisienne (after J. Offenbach): 1...
113 bpm • G Maj • 01:15 • -17db
27% Popularity • 61% Danceability • 33% Energy • 49% Liveness
1% Instrumentalness • 88% Positiveness
27% Popularity • 61% Danceability • 33% Energy • 49% Liveness
1% Instrumentalness • 88% Positiveness
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Angela Wiedl
Ach ich hab in meinem Herzen
130 bpm • G Maj • 03:26 • -9.97db
9% Popularity • 24% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 24% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Robert Stolz
Ob blond, ob braun, ich liebe alle Frau'...
130 bpm • G Maj • 02:56 • -12.78db
4% Popularity • 49% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
4% Popularity • 49% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Leroy Anderson
Blue Tango
130 bpm • D Maj • 02:43 • -12.68db
33% Popularity • 48% Danceability • 23% Energy • 13% Liveness
94% Instrumentalness • 51% Positiveness
33% Popularity • 48% Danceability • 23% Energy • 13% Liveness
94% Instrumentalness • 51% Positiveness
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Friedrich Gluck
In einem kuhlen Grunde
112 bpm • A# Maj • 02:42 • -25.72db
13% Popularity • 29% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 29% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
129 bpm • D# Maj • 03:19 • -13.19db
8% Popularity • 39% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 39% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Joseph Hellmesberger, Jr.
Gavotte
130 bpm • A Maj • 05:10 • -25.37db
8% Popularity • 37% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
8% Popularity • 37% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
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Eduard Strauss
Alpine Rose - Polka Op. 127
112 bpm • C Maj • 03:41 • -24db
13% Popularity • 28% Danceability • 2% Energy • 8% Liveness
79% Instrumentalness • 16% Positiveness
13% Popularity • 28% Danceability • 2% Energy • 8% Liveness
79% Instrumentalness • 16% Positiveness
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Chor der Deutschen Oper Berlin
Aida: Gloria all' Egitto ad Iside
112 bpm • D# Maj • 07:28 • -13db
9% Popularity • 32% Danceability • 34% Energy • 10% Liveness
76% Instrumentalness • 27% Positiveness
9% Popularity • 32% Danceability • 34% Energy • 10% Liveness
76% Instrumentalness • 27% Positiveness
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Carl Michael Ziehrer
Fächer-Polonaise, Op. 525
112 bpm • D Maj • 02:12 • -13.4db
1% Popularity • 50% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 74% Positiveness
1% Popularity • 50% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 74% Positiveness
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Vienna Walzer Orchestra
L'Estudiantina, Waltz Op. 191
112 bpm • D Maj • 06:14 • -11.82db
8% Popularity • 47% Danceability • 44% Energy • 15% Liveness
83% Instrumentalness • 64% Positiveness
8% Popularity • 47% Danceability • 44% Energy • 15% Liveness
83% Instrumentalness • 64% Positiveness
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Arthur Sullivan
Trial by Jury: When I good friends was c...
112 bpm • G Maj • 02:53 • -13.19db
10% Popularity • 60% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 60% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 61% Positiveness
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Der Montanara Chor
Wer hat dich, du schöner Wald, aufgebau...
112 bpm • D# Maj • 04:40 • -19.84db
14% Popularity • 21% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
14% Popularity • 21% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Franz von Suppé
Fatinitza: March
111 bpm • G Maj • 02:32 • -11.89db
34% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
34% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
