Songs like Himmelblaue Träume: Introduktion auf der Festwiese vor dem Hotel "Zum wilden Mann" (Chor, Jodlerin, Charlie) by Robert Stolz
Based on a tempo of (+/- 10%) and a similar genre
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Carl Michael Ziehrer
Faschingskinder, Op. 382
183 bpm • G Maj • 06:14 • -13.95db
3% Popularity • 20% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
3% Popularity • 20% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Ricci Ferra
Geschichten Aus Dem Wienerwald, Op.325 (...
182 bpm • A# Maj • 03:10 • -15.71db
22% Popularity • 26% Danceability • 22% Energy • 19% Liveness
25% Instrumentalness • 36% Positiveness
22% Popularity • 26% Danceability • 22% Energy • 19% Liveness
25% Instrumentalness • 36% Positiveness
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Joseph Lanner
Die Werber, Op. 103
182 bpm • A Maj • 08:20 • -14.13db
1% Popularity • 26% Danceability • 19% Energy • 22% Liveness
78% Instrumentalness • 28% Positiveness
1% Popularity • 26% Danceability • 19% Energy • 22% Liveness
78% Instrumentalness • 28% Positiveness
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Pyotr Ilyich Tchaikovsky
Casse-Noisette suite, Op. 71a ; TH 35: I...
182 bpm • D Maj • 03:23 • -20.22db
20% Popularity • 19% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
20% Popularity • 19% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
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Axel Tornudd
Kitkat katkat
182 bpm • G Maj • 01:06 • -19.85db
14% Popularity • 38% Danceability • 28% Energy • 63% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 38% Danceability • 28% Energy • 63% Liveness
0% Instrumentalness • 31% Positiveness
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Orquesta De Conciertos Vienesa
Bombones de Viena, Op. 307
185 bpm • F Maj • 08:14 • -10.16db
8% Popularity • 25% Danceability • 33% Energy • 40% Liveness
83% Instrumentalness • 40% Positiveness
8% Popularity • 25% Danceability • 33% Energy • 40% Liveness
83% Instrumentalness • 40% Positiveness
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Carl Michael Ziehrer
Nachtschwärmer, Op. 466
184 bpm • G Maj • 08:59 • -15.11db
4% Popularity • 22% Danceability • 23% Energy • 9% Liveness
76% Instrumentalness • 32% Positiveness
4% Popularity • 22% Danceability • 23% Energy • 9% Liveness
76% Instrumentalness • 32% Positiveness
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Plattlinger Isarspatzen
Sportpalastwalzer (Wiener Praterleben)
185 bpm • F Maj • 02:54 • -13.8db
29% Popularity • 59% Danceability • 35% Energy • 11% Liveness
34% Instrumentalness • 97% Positiveness
29% Popularity • 59% Danceability • 35% Energy • 11% Liveness
34% Instrumentalness • 97% Positiveness
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Joseph Lanner
Die Werber / The Suitors / Les prétenda...
181 bpm • A Maj • 08:20 • -11.36db
1% Popularity • 26% Danceability • 22% Energy • 8% Liveness
68% Instrumentalness • 26% Positiveness
1% Popularity • 26% Danceability • 22% Energy • 8% Liveness
68% Instrumentalness • 26% Positiveness
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Ricci Ferra
Wein, Weib Und Gesang, Walzer Op.333 (Wi...
185 bpm • A# Maj • 03:51 • -14.42db
14% Popularity • 29% Danceability • 25% Energy • 12% Liveness
11% Instrumentalness • 46% Positiveness
14% Popularity • 29% Danceability • 25% Energy • 12% Liveness
11% Instrumentalness • 46% Positiveness
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Johann Strauss I
Sorgenbrecher, Op. 230
181 bpm • G Maj • 06:33 • -18.52db
0% Popularity • 29% Danceability • 13% Energy • 33% Liveness
93% Instrumentalness • 29% Positiveness
0% Popularity • 29% Danceability • 13% Energy • 33% Liveness
93% Instrumentalness • 29% Positiveness
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Orquesta De Conciertos Vienesa
Vino, mujeres y canciones, Op. 333
181 bpm • A# Maj • 05:45 • -10.03db
7% Popularity • 30% Danceability • 31% Energy • 7% Liveness
88% Instrumentalness • 44% Positiveness
7% Popularity • 30% Danceability • 31% Energy • 7% Liveness
88% Instrumentalness • 44% Positiveness
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Carl Michael Ziehrer
Samt und Seide, Op. 515
185 bpm • C Maj • 07:39 • -12.39db
2% Popularity • 21% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
2% Popularity • 21% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
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Alfred Hause
Roses From The South, Waltz op. 388 - Ro...
185 bpm • A# Maj • 03:09 • -11.68db
22% Popularity • 26% Danceability • 29% Energy • 6% Liveness
80% Instrumentalness • 60% Positiveness
22% Popularity • 26% Danceability • 29% Energy • 6% Liveness
80% Instrumentalness • 60% Positiveness
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Sinfonieorchester des Tschechischen Rundfunks
Walzer, Op. 307: Wiener Bonbons
185 bpm • F Maj • 03:50 • -24db
25% Popularity • 26% Danceability • 9% Energy • 13% Liveness
80% Instrumentalness • 42% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 13% Liveness
80% Instrumentalness • 42% Positiveness
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Lale Andersen
Wo die Nordseewellen ...
181 bpm • A Maj • 03:04 • -11.78db
30% Popularity • 25% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 25% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess) ...
180 bpm • F Maj • 03:49 • -15.25db
11% Popularity • 39% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 39% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Robert Stolz
Mein Liebeslied muss ein Walzer sein
180 bpm • C Maj • 02:50 • -17.17db
2% Popularity • 22% Danceability • 20% Energy • 33% Liveness
76% Instrumentalness • 34% Positiveness
2% Popularity • 22% Danceability • 20% Energy • 33% Liveness
76% Instrumentalness • 34% Positiveness
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Carl Michael Ziehrer
In lauschiger Nacht, Op. 488
180 bpm • D# Maj • 08:00 • -14.18db
10% Popularity • 30% Danceability • 23% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
10% Popularity • 30% Danceability • 23% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Renate Müller
Ich Bin Ja Heut So Glücklich
187 bpm • B Maj • 02:59 • -10db
12% Popularity • 49% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 49% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Nino Rota
Guerra e pace (Film Music Suite): Valzer
179 bpm • D Maj • 01:38 • -18db
18% Popularity • 24% Danceability • 9% Energy • 14% Liveness
82% Instrumentalness • 38% Positiveness
18% Popularity • 24% Danceability • 9% Energy • 14% Liveness
82% Instrumentalness • 38% Positiveness
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Johann Strauss II
Der Zigeunerbaron, Operetta in 3 Acts: J...
179 bpm • C Maj • 02:01 • -13.49db
19% Popularity • 30% Danceability • 33% Energy • 55% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 30% Danceability • 33% Energy • 55% Liveness
0% Instrumentalness • 47% Positiveness
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Josef Strauss
Aquarellen-Walzer, Op. 258
187 bpm • C Maj • 08:05 • -16.76db
10% Popularity • 23% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
10% Popularity • 23% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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Siegfried Translateur
Wiener Praterleben, Op. 12, "Sportpalast...
179 bpm • D Maj • 07:20 • -13.59db
4% Popularity • 22% Danceability • 35% Energy • 7% Liveness
76% Instrumentalness • 44% Positiveness
4% Popularity • 22% Danceability • 35% Energy • 7% Liveness
76% Instrumentalness • 44% Positiveness
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Joseph Hellmesberger, Jr.
Fur die ganze Welt
179 bpm • G Maj • 08:10 • -19.82db
16% Popularity • 27% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
16% Popularity • 27% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Ricci Ferra
Wiener Blut, Walzer Op.354 (Vienna Blood...
178 bpm • C Maj • 03:48 • -11.63db
19% Popularity • 28% Danceability • 29% Energy • 34% Liveness
88% Instrumentalness • 52% Positiveness
19% Popularity • 28% Danceability • 29% Energy • 34% Liveness
88% Instrumentalness • 52% Positiveness
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Robert Stolz
Grand Valse da "Parata di Primavera": Gr...
179 bpm • D# Maj • 01:56 • -15.32db
3% Popularity • 38% Danceability • 23% Energy • 12% Liveness
84% Instrumentalness • 38% Positiveness
3% Popularity • 38% Danceability • 23% Energy • 12% Liveness
84% Instrumentalness • 38% Positiveness
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Joseph Lanner
Die Kosenden, Op. 128
177 bpm • A# Maj • 06:04 • -16.25db
1% Popularity • 28% Danceability • 23% Energy • 9% Liveness
85% Instrumentalness • 33% Positiveness
1% Popularity • 28% Danceability • 23% Energy • 9% Liveness
85% Instrumentalness • 33% Positiveness
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Helmut Zacharias
Wine, Women and Song, Op. 333
177 bpm • A# Maj • 03:39 • -5.08db
17% Popularity • 31% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
17% Popularity • 31% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
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Stolz
Wo die Zitronen blühn
189 bpm • G Maj • 07:06 • -16.48db
1% Popularity • 17% Danceability • 20% Energy • 10% Liveness
69% Instrumentalness • 16% Positiveness
1% Popularity • 17% Danceability • 20% Energy • 10% Liveness
69% Instrumentalness • 16% Positiveness
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Orquesta De Conciertos Vienesa
Rosas del sur, Op. 388
189 bpm • F Maj • 09:55 • -10.03db
13% Popularity • 25% Danceability • 37% Energy • 41% Liveness
94% Instrumentalness • 37% Positiveness
13% Popularity • 25% Danceability • 37% Energy • 41% Liveness
94% Instrumentalness • 37% Positiveness
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Josef Strauss
Die Zeisserln, Walzer, Op. 114
176 bpm • A# Maj • 09:17 • -19db
11% Popularity • 35% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
11% Popularity • 35% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
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Johann Strauss II
Gunstwerber, Op. 4
176 bpm • C Maj • 06:16 • -16.41db
0% Popularity • 30% Danceability • 18% Energy • 41% Liveness
84% Instrumentalness • 41% Positiveness
0% Popularity • 30% Danceability • 18% Energy • 41% Liveness
84% Instrumentalness • 41% Positiveness
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Joseph Lanner
Die Schönbrunner / The Schönbrunners /...
177 bpm • F Maj • 07:19 • -12.73db
1% Popularity • 29% Danceability • 23% Energy • 15% Liveness
86% Instrumentalness • 32% Positiveness
1% Popularity • 29% Danceability • 23% Energy • 15% Liveness
86% Instrumentalness • 32% Positiveness
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Julius Fučík
Lebensmärchen, Op. 253 (Version for Orc...
176 bpm • G Maj • 08:16 • -21.36db
10% Popularity • 22% Danceability • 6% Energy • 7% Liveness
59% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 6% Energy • 7% Liveness
59% Instrumentalness • 8% Positiveness
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Ronald Binge
Faire Frou-Frou
175 bpm • G Maj • 02:23 • -25.89db
17% Popularity • 44% Danceability • 17% Energy • 14% Liveness
82% Instrumentalness • 84% Positiveness
17% Popularity • 44% Danceability • 17% Energy • 14% Liveness
82% Instrumentalness • 84% Positiveness
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Carl Michael Ziehrer
Hereinspaziert!, Op. 518
174 bpm • G Maj • 07:21 • -14.61db
0% Popularity • 20% Danceability • 25% Energy • 6% Liveness
88% Instrumentalness • 43% Positiveness
0% Popularity • 20% Danceability • 25% Energy • 6% Liveness
88% Instrumentalness • 43% Positiveness
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Lys Assia
O mein Papa (Alternative Take)
174 bpm • E Maj • 03:06 • -9db
12% Popularity • 39% Danceability • 30% Energy • 38% Liveness
3% Instrumentalness • 44% Positiveness
12% Popularity • 39% Danceability • 30% Energy • 38% Liveness
3% Instrumentalness • 44% Positiveness
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Johann Strauss II
Wiener Blut (operetta): Stoß an!
175 bpm • D# Maj • 01:21 • -13.75db
24% Popularity • 30% Danceability • 37% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 30% Danceability • 37% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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Émile Waldteufel
Jeu d'Esprit, Polka, Op. 196
174 bpm • D Maj • 03:37 • -14.26db
13% Popularity • 47% Danceability • 37% Energy • 6% Liveness
88% Instrumentalness • 68% Positiveness
13% Popularity • 47% Danceability • 37% Energy • 6% Liveness
88% Instrumentalness • 68% Positiveness
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Robert Stolz
Himmelblaue Träume: Himmelblaue Träume
173 bpm • G# Maj • 03:27 • -15.06db
0% Popularity • 26% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 26% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Josef Strauss
Die Tanzerin, Polka francaise, Op. 227
173 bpm • D# Maj • 03:34 • -15.03db
19% Popularity • 44% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 60% Positiveness
19% Popularity • 44% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 60% Positiveness
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Karl Komzàk, Jr.
Münchner Kindl, Op. 286
172 bpm • C Maj • 06:41 • -14.04db
2% Popularity • 21% Danceability • 28% Energy • 18% Liveness
91% Instrumentalness • 25% Positiveness
2% Popularity • 21% Danceability • 28% Energy • 18% Liveness
91% Instrumentalness • 25% Positiveness
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Lys Assia
Schweden-Mädel
173 bpm • F# Maj • 02:44 • -7db
16% Popularity • 64% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 64% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Gunther Emmerlich
Im tiefen Keller sitz ich hier
172 bpm • D Maj • 02:45 • -6.02db
11% Popularity • 16% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 16% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Johann Strauss II
Klänge aus der Raimundzeit, Op. 479
175 bpm • C Maj • 07:07 • -16.01db
0% Popularity • 21% Danceability • 10% Energy • 29% Liveness
79% Instrumentalness • 16% Positiveness
0% Popularity • 21% Danceability • 10% Energy • 29% Liveness
79% Instrumentalness • 16% Positiveness
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Richard Tauber
Ich kuesse Ihre Hand, Madame
171 bpm • D# Maj • 02:43 • -13db
18% Popularity • 38% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 38% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Richard Heuberger
Im chambre séparée
171 bpm • D Maj • 04:03 • -20.04db
15% Popularity • 20% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Bela Keler
Am schönen Rhein gedenk' ich dein!, Op....
171 bpm • A Maj • 07:19 • -13.57db
3% Popularity • 23% Danceability • 24% Energy • 33% Liveness
87% Instrumentalness • 36% Positiveness
3% Popularity • 23% Danceability • 24% Energy • 33% Liveness
87% Instrumentalness • 36% Positiveness
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Johann Baptist Strauss II
Emperor Waltz
171 bpm • C Maj • 04:19 • -15.19db
8% Popularity • 24% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
8% Popularity • 24% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Friedrich Silcher
Es loscht das Meer die Sonne aus
170 bpm • G Maj • 03:54 • -28.26db
13% Popularity • 10% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 10% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Robert Stolz
Wien wird bei Nacht erst schön
170 bpm • G# Maj • 04:29 • -16.57db
14% Popularity • 18% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
14% Popularity • 18% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Comedian Harmonists
In einem kühlen Grunde
170 bpm • A# Maj • 02:57 • -13.28db
16% Popularity • 28% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 28% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
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Eduard Künneke
Ich bin nur ein armer Wandergesell
170 bpm • C Maj • 03:27 • -17db
11% Popularity • 23% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Heuberger
Walzer
171 bpm • D Maj • 07:20 • -15db
0% Popularity • 18% Danceability • 20% Energy • 20% Liveness
81% Instrumentalness • 18% Positiveness
0% Popularity • 18% Danceability • 20% Energy • 20% Liveness
81% Instrumentalness • 18% Positiveness
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Mazowsze
Do slubu Marysiu
169 bpm • C Maj • 01:48 • -15.84db
9% Popularity • 43% Danceability • 20% Energy • 62% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 43% Danceability • 20% Energy • 62% Liveness
0% Instrumentalness • 40% Positiveness
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Lys Assia
Oh mein Papa
168 bpm • E Maj • 02:48 • -5db
22% Popularity • 36% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 36% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Robert Stolz
Frühling in Wien (Das ist der Frühling...
168 bpm • C Maj • 03:50 • -16.94db
0% Popularity • 40% Danceability • 9% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 40% Danceability • 9% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
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Hans Christian Lumbye
Dagmar Polka (1866)
168 bpm • A Maj • 02:21 • -17.55db
24% Popularity • 28% Danceability • 18% Energy • 22% Liveness
89% Instrumentalness • 53% Positiveness
24% Popularity • 28% Danceability • 18% Energy • 22% Liveness
89% Instrumentalness • 53% Positiveness
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Norbert Schultze
All meine Jugenjahre - Ach, ich hab' in ...
169 bpm • B Maj • 03:37 • -15.46db
11% Popularity • 19% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 19% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Josef Strauss
Cupido, Op. 81: Cupido-Polka, Op. 81
167 bpm • F Maj • 03:17 • -16db
9% Popularity • 54% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 58% Positiveness
9% Popularity • 54% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 58% Positiveness
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Alfred Hause
Blumenwalzer
167 bpm • D Maj • 03:42 • -13.96db
24% Popularity • 25% Danceability • 29% Energy • 14% Liveness
11% Instrumentalness • 51% Positiveness
24% Popularity • 25% Danceability • 29% Energy • 14% Liveness
11% Instrumentalness • 51% Positiveness
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Émile Waldteufel
Walzer, Op.138, "Schlittschuhlaufer"
167 bpm • A Maj • 08:34 • -16.06db
8% Popularity • 23% Danceability • 10% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
8% Popularity • 23% Danceability • 10% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
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Robert Stolz
Wenn die kleinen Veilchen blühen - Höh...
168 bpm • C Maj • 04:25 • -15.03db
1% Popularity • 18% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
1% Popularity • 18% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Hans Christian Lumbye
Champagner Galopp
166 bpm • E Maj • 02:17 • -20db
21% Popularity • 47% Danceability • 26% Energy • 26% Liveness
1% Instrumentalness • 55% Positiveness
21% Popularity • 47% Danceability • 26% Energy • 26% Liveness
1% Instrumentalness • 55% Positiveness
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Werner Hollweg
Weißt du, wieviel Sterne stehen?
165 bpm • F# Maj • 02:11 • -9db
19% Popularity • 29% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 29% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Franz Lehár
Der Zarewitsch: Allein! Wieder allein - ...
165 bpm • G Maj • 04:18 • -19db
7% Popularity • 18% Danceability • 18% Energy • 13% Liveness
8% Instrumentalness • 8% Positiveness
7% Popularity • 18% Danceability • 18% Energy • 13% Liveness
8% Instrumentalness • 8% Positiveness
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Joseph Schmidt
Heut' Ist Der Schönste Tag In Meinem Le...
206 bpm • A# Maj • 03:14 • -7db
17% Popularity • 36% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 36% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Josef Strauss
Heiterer Muth, Polka francaise, Op. 281
162 bpm • D Maj • 03:34 • -15.63db
9% Popularity • 58% Danceability • 28% Energy • 9% Liveness
97% Instrumentalness • 71% Positiveness
9% Popularity • 58% Danceability • 28% Energy • 9% Liveness
97% Instrumentalness • 71% Positiveness
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Robert Stolz
Singend, klingend ruft dich das Glück
167 bpm • G Maj • 02:32 • -15db
2% Popularity • 31% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
2% Popularity • 31% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Hans Christian Lumbye
Salut For August Bournonville, Galop (18...
161 bpm • D Maj • 02:00 • -16db
36% Popularity • 31% Danceability • 32% Energy • 17% Liveness
84% Instrumentalness • 77% Positiveness
36% Popularity • 31% Danceability • 32% Energy • 17% Liveness
84% Instrumentalness • 77% Positiveness
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Johann Strauss Orchester
Tritsch-Tratsch-Polka
159 bpm • A Maj • 02:44 • -14db
11% Popularity • 47% Danceability • 37% Energy • 15% Liveness
83% Instrumentalness • 87% Positiveness
11% Popularity • 47% Danceability • 37% Energy • 15% Liveness
83% Instrumentalness • 87% Positiveness
► Preview
Munich Radio Orchestra
Leben heißt genießen
159 bpm • D Maj • 02:18 • -16db
11% Popularity • 43% Danceability • 44% Energy • 9% Liveness
94% Instrumentalness • 63% Positiveness
11% Popularity • 43% Danceability • 44% Energy • 9% Liveness
94% Instrumentalness • 63% Positiveness
► Preview
Wieland Reissmann
Petersburger Marsch
213 bpm • D Maj • 02:25 • -12.64db
10% Popularity • 60% Danceability • 17% Energy • 6% Liveness
29% Instrumentalness • 78% Positiveness
10% Popularity • 60% Danceability • 17% Energy • 6% Liveness
29% Instrumentalness • 78% Positiveness
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Gotthilf Fischer und seine Chöre
Elisabeth Serenade
156 bpm • F# Maj • 02:41 • -9.28db
16% Popularity • 27% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 27% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Robert Stolz
Im weißen Rössl: Im Salzkammergut, da ...
164 bpm • D# Maj • 01:53 • -14.36db
20% Popularity • 50% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 50% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Chor und Orchester des Theaters an der Wien
Hochzeitstanz (Anatevka)
156 bpm • G Maj • 04:04 • -8.78db
7% Popularity • 36% Danceability • 45% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
7% Popularity • 36% Danceability • 45% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
