Songs like Hindsight by Enrico Pieranunzi
Based on a tempo of (+/- 10%) and a similar genre
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Esbjörn Svensson Trio
'Round Midnight
104 bpm • A# min • 06:13 • -23.34db
26% Popularity • 48% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
26% Popularity • 48% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Espen Eriksen Trio
Perfectly Unhappy
104 bpm • G# Maj • 04:41 • -14.77db
20% Popularity • 70% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
20% Popularity • 70% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
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Filip Ekestubbe Trio
On a Clear Day
104 bpm • G Maj • 06:00 • -11.91db
35% Popularity • 62% Danceability • 40% Energy • 15% Liveness
87% Instrumentalness • 54% Positiveness
35% Popularity • 62% Danceability • 40% Energy • 15% Liveness
87% Instrumentalness • 54% Positiveness
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Fred Nardin Trio
Colours
104 bpm • A# min • 04:05 • -9.89db
34% Popularity • 49% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 59% Positiveness
34% Popularity • 49% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 59% Positiveness
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Russell Malone
Do I Love You
104 bpm • D Maj • 03:16 • -21.12db
34% Popularity • 56% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
34% Popularity • 56% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Alboran Trio
Selon Moi
104 bpm • C Maj • 07:36 • -20.12db
11% Popularity • 39% Danceability • 23% Energy • 11% Liveness
59% Instrumentalness • 17% Positiveness
11% Popularity • 39% Danceability • 23% Energy • 11% Liveness
59% Instrumentalness • 17% Positiveness
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Cyrus Chestnut
Gymnopédie No. 1
104 bpm • G Maj • 06:14 • -21.13db
24% Popularity • 39% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 22% Positiveness
24% Popularity • 39% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 22% Positiveness
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Jonathan Kreisberg
Tenderly
103 bpm • F min • 02:01 • -20.72db
41% Popularity • 40% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
41% Popularity • 40% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
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Triosence
Leave Me Here
104 bpm • A# min • 04:03 • -16.88db
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
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Brad Hatfield
Slinky Swing
103 bpm • C min • 02:12 • -20.53db
42% Popularity • 67% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
42% Popularity • 67% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
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Trio X of Sweden
Sound the Trumpet, Beat the Drum - Welco...
105 bpm • C Maj • 06:23 • -15.05db
23% Popularity • 52% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 59% Positiveness
23% Popularity • 52% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 59% Positiveness
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Eldar Djangirov
Nature Boy
105 bpm • D Maj • 05:29 • -26.29db
34% Popularity • 34% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
34% Popularity • 34% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Trygve Seim
Helsinki Song
105 bpm • A# Maj • 07:54 • -24.22db
24% Popularity • 45% Danceability • 6% Energy • 11% Liveness
46% Instrumentalness • 16% Positiveness
24% Popularity • 45% Danceability • 6% Energy • 11% Liveness
46% Instrumentalness • 16% Positiveness
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Tommy Flanagan
A Blue Time
105 bpm • F Maj • 06:14 • -21.95db
33% Popularity • 55% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
33% Popularity • 55% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Brian Blade & The Fellowship Band
Landmarks
105 bpm • G# Maj • 08:20 • -22.22db
31% Popularity • 38% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
31% Popularity • 38% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
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Art Blakey
Ne Chuchote Pas - BOF "Des Femmes Dispar...
105 bpm • C min • 01:25 • -16.72db
38% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Helge Lien Trio
Krystall Revisited
103 bpm • C# Maj • 06:27 • -18db
8% Popularity • 37% Danceability • 35% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
8% Popularity • 37% Danceability • 35% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Henrik Gunde
Blame It on My Youth
106 bpm • F min • 08:06 • -22db
46% Popularity • 36% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 14% Positiveness
46% Popularity • 36% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 14% Positiveness
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Trio X of Sweden
Atonement
106 bpm • G# Maj • 04:02 • -20.31db
32% Popularity • 58% Danceability • 8% Energy • 11% Liveness
54% Instrumentalness • 7% Positiveness
32% Popularity • 58% Danceability • 8% Energy • 11% Liveness
54% Instrumentalness • 7% Positiveness
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Branford Marsalis Quartet
Dinner for One Please, James
102 bpm • G# Maj • 08:02 • -16.99db
23% Popularity • 45% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 14% Positiveness
23% Popularity • 45% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 14% Positiveness
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Esbjörn Svensson Trio
Believe, Beleft, Below
102 bpm • A# Maj • 04:51 • -21.2db
42% Popularity • 65% Danceability • 5% Energy • 9% Liveness
78% Instrumentalness • 14% Positiveness
42% Popularity • 65% Danceability • 5% Energy • 9% Liveness
78% Instrumentalness • 14% Positiveness
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Jacob Karlzon
Bubbles
102 bpm • A# min • 05:06 • -24.55db
35% Popularity • 57% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
35% Popularity • 57% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
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Joran Cariou Trio
Way-Out
102 bpm • G# Maj • 06:28 • -17.76db
11% Popularity • 40% Danceability • 31% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
11% Popularity • 40% Danceability • 31% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Yuri Honing Acoustic Quartet
After All
106 bpm • A Maj • 05:22 • -13.8db
20% Popularity • 43% Danceability • 22% Energy • 10% Liveness
71% Instrumentalness • 18% Positiveness
20% Popularity • 43% Danceability • 22% Energy • 10% Liveness
71% Instrumentalness • 18% Positiveness
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Trio X of Sweden
Vid Frösö kyrka
102 bpm • A# min • 04:57 • -18.99db
42% Popularity • 54% Danceability • 11% Energy • 10% Liveness
65% Instrumentalness • 16% Positiveness
42% Popularity • 54% Danceability • 11% Energy • 10% Liveness
65% Instrumentalness • 16% Positiveness
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Shai Maestro
Hank and Charlie
102 bpm • D Maj • 04:41 • -28.37db
17% Popularity • 35% Danceability • 6% Energy • 26% Liveness
76% Instrumentalness • 10% Positiveness
17% Popularity • 35% Danceability • 6% Energy • 26% Liveness
76% Instrumentalness • 10% Positiveness
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Bobo Stenson Trio
Wedding Song From Poniky
102 bpm • A# Maj • 07:26 • -25.95db
18% Popularity • 43% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
18% Popularity • 43% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Tingvall Trio
In Memory
102 bpm • F Maj • 05:18 • -19db
35% Popularity • 42% Danceability • 11% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
35% Popularity • 42% Danceability • 11% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
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Trygve Seim
Birthday Song
106 bpm • D# Maj • 05:58 • -19.86db
31% Popularity • 34% Danceability • 6% Energy • 11% Liveness
35% Instrumentalness • 9% Positiveness
31% Popularity • 34% Danceability • 6% Energy • 11% Liveness
35% Instrumentalness • 9% Positiveness
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Rembrandt Frerichs Trio
Mélodie Antique
106 bpm • B min • 03:49 • -24.97db
18% Popularity • 40% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 55% Positiveness
18% Popularity • 40% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 55% Positiveness
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John Engels
The Peacocks - Single Edit
102 bpm • A# min • 03:09 • -16.72db
45% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Charles Lloyd
Ballad Of The Sad Young Men
107 bpm • C Maj • 06:17 • -17.76db
26% Popularity • 47% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
26% Popularity • 47% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Benny Green
Summer Nights
107 bpm • A min • 05:00 • -32.69db
31% Popularity • 47% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
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Ali Ryerson
Zingaro
107 bpm • B min • 06:57 • -18.14db
11% Popularity • 60% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
11% Popularity • 60% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Jason Moran
Body And Soul
101 bpm • C# Maj • 03:46 • -22.15db
35% Popularity • 43% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
35% Popularity • 43% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Avishai Cohen
Life And Death
107 bpm • A min • 09:18 • -22db
40% Popularity • 37% Danceability • 7% Energy • 29% Liveness
11% Instrumentalness • 13% Positiveness
40% Popularity • 37% Danceability • 7% Energy • 29% Liveness
11% Instrumentalness • 13% Positiveness
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Sonny Knight
Billie's Bounce
107 bpm • A# Maj • 02:41 • -14db
32% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
32% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
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Eric Legnini Trio
Trastevere
101 bpm • C Maj • 02:27 • -16.47db
45% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
45% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
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Art Hirahara
Ascent
101 bpm • D min • 04:10 • -23.37db
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Steve Kuhn
Wisteria
101 bpm • A# Maj • 05:47 • -26.79db
43% Popularity • 38% Danceability • 4% Energy • 13% Liveness
46% Instrumentalness • 16% Positiveness
43% Popularity • 38% Danceability • 4% Energy • 13% Liveness
46% Instrumentalness • 16% Positiveness
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Armel Dupas Trio
Follow the Light
107 bpm • D Maj • 05:03 • -20.25db
23% Popularity • 52% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
23% Popularity • 52% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Emil Brandqvist
I Miss You
107 bpm • G min • 04:18 • -17.22db
42% Popularity • 45% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 10% Positiveness
42% Popularity • 45% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 10% Positiveness
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Enrico Intra
Come rose dai muri
101 bpm • F min • 05:22 • -26.69db
2% Popularity • 18% Danceability • 28% Energy • 68% Liveness
87% Instrumentalness • 11% Positiveness
2% Popularity • 18% Danceability • 28% Energy • 68% Liveness
87% Instrumentalness • 11% Positiveness
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Marcus Roberts
The Man I Love
107 bpm • G# Maj • 05:41 • -24.48db
31% Popularity • 52% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 12% Positiveness
31% Popularity • 52% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 12% Positiveness
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Emil Brandqvist Trio
Lullaby in Green
107 bpm • C min • 04:46 • -22.52db
37% Popularity • 36% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 15% Positiveness
37% Popularity • 36% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 15% Positiveness
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Steve Kuhn
Pastorale
101 bpm • F Maj • 06:15 • -25.1db
28% Popularity • 49% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
28% Popularity • 49% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Xavier Davis
Old Folks
108 bpm • F Maj • 08:02 • -16.58db
32% Popularity • 46% Danceability • 22% Energy • 19% Liveness
80% Instrumentalness • 13% Positiveness
32% Popularity • 46% Danceability • 22% Energy • 19% Liveness
80% Instrumentalness • 13% Positiveness
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Tord Gustavsen Trio
Curves
101 bpm • A Maj • 06:19 • -28.95db
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Massimo Faraò Trio
Air on the G String / Orchestral Suite N...
108 bpm • D Maj • 03:42 • -18.81db
20% Popularity • 63% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
20% Popularity • 63% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
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Enrico Pieranunzi
Pavane
100 bpm • C min • 03:50 • -21db
9% Popularity • 41% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
9% Popularity • 41% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Daniel GarcÃa Trio
Spring of Life
100 bpm • C# Maj • 03:35 • -19db
40% Popularity • 58% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 28% Positiveness
40% Popularity • 58% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 28% Positiveness
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Steve Kuhn
I Loves You Porgy
108 bpm • E Maj • 06:45 • -20db
9% Popularity • 47% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
9% Popularity • 47% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Charles Lloyd
Georgia
108 bpm • C min • 06:37 • -16.95db
17% Popularity • 54% Danceability • 18% Energy • 14% Liveness
72% Instrumentalness • 26% Positiveness
17% Popularity • 54% Danceability • 18% Energy • 14% Liveness
72% Instrumentalness • 26% Positiveness
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Carla Bley
Útviklingssang
108 bpm • D Maj • 07:55 • -20db
32% Popularity • 41% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
32% Popularity • 41% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Branford Marsalis Quartet
Cianna
100 bpm • D# Maj • 07:32 • -9.44db
25% Popularity • 56% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 47% Positiveness
25% Popularity • 56% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 47% Positiveness
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Tom Harrell
I nodi e il pettine
108 bpm • D min • 05:49 • -13db
31% Popularity • 60% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
31% Popularity • 60% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Omer Klein
Azure
109 bpm • D Maj • 04:38 • -27.81db
14% Popularity • 45% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
14% Popularity • 45% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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André Ceccarelli
Balkis
100 bpm • F# Maj • 02:29 • -15.56db
48% Popularity • 35% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
48% Popularity • 35% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
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Eyolf Dale
How could it be?
109 bpm • C Maj • 05:39 • -19.86db
7% Popularity • 40% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
7% Popularity • 40% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Anat Fort Trio
Sun
99 bpm • G# Maj • 02:13 • -28.77db
40% Popularity • 50% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
40% Popularity • 50% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Bobo Stenson Trio
The Red Flower
109 bpm • F min • 06:16 • -27.36db
28% Popularity • 52% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
28% Popularity • 52% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Manu Katché
Senses
109 bpm • A min • 04:13 • -18.2db
31% Popularity • 50% Danceability • 17% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
31% Popularity • 50% Danceability • 17% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Tord Gustavsen Quartet
The Gift
109 bpm • A# min • 06:20 • -29db
33% Popularity • 55% Danceability • 3% Energy • 27% Liveness
37% Instrumentalness • 5% Positiveness
33% Popularity • 55% Danceability • 3% Energy • 27% Liveness
37% Instrumentalness • 5% Positiveness
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Emil Brandqvist
Back on the Ground
99 bpm • F Maj • 05:41 • -17.28db
10% Popularity • 46% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
10% Popularity • 46% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
► Preview
Enrico Pieranunzi
Romance / Hommage à Milhaud
109 bpm • A# Maj • 04:45 • -21db
37% Popularity • 43% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
37% Popularity • 43% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
► Preview
Niclas Knudsen Trio
Waking Dream
99 bpm • D min • 05:02 • -18db
35% Popularity • 57% Danceability • 8% Energy • 12% Liveness
39% Instrumentalness • 17% Positiveness
35% Popularity • 57% Danceability • 8% Energy • 12% Liveness
39% Instrumentalness • 17% Positiveness
► Preview
Jacques Loussier Trio
Gymnopédie No. 1: Var. 1
99 bpm • G Maj • 04:33 • -22db
33% Popularity • 55% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 11% Positiveness
33% Popularity • 55% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 11% Positiveness
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Trio X of Sweden
Air
109 bpm • A# Maj • 05:30 • -18.13db
30% Popularity • 66% Danceability • 11% Energy • 13% Liveness
88% Instrumentalness • 22% Positiveness
30% Popularity • 66% Danceability • 11% Energy • 13% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
John Abercrombie Quartet
Wait Till You See Her
109 bpm • C min • 05:40 • -24.08db
28% Popularity • 29% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
28% Popularity • 29% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
David Halliday
Dreamsville
109 bpm • C Maj • 07:57 • -20.48db
31% Popularity • 46% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
31% Popularity • 46% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
► Preview
Thomas Fonnesbæk
The Accounter
109 bpm • D min • 03:53 • -24.85db
18% Popularity • 53% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
18% Popularity • 53% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
► Preview
Gilad Hekselman
Samba Em Prelùdio
110 bpm • B min • 07:11 • -22.06db
32% Popularity • 52% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 28% Positiveness
32% Popularity • 52% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 28% Positiveness
► Preview
Eldar Djangirov
'Round Midnight
99 bpm • C# Maj • 06:20 • -25.52db
27% Popularity • 40% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 15% Positiveness
27% Popularity • 40% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 15% Positiveness
► Preview
Tord Gustavsen Quartet
Circling
99 bpm • D min • 04:39 • -23.84db
29% Popularity • 53% Danceability • 4% Energy • 17% Liveness
86% Instrumentalness • 14% Positiveness
29% Popularity • 53% Danceability • 4% Energy • 17% Liveness
86% Instrumentalness • 14% Positiveness
► Preview
Enrico Pieranunzi
Come Rose Dai Muri
110 bpm • C# min • 07:02 • -21.84db
15% Popularity • 39% Danceability • 26% Energy • 70% Liveness
90% Instrumentalness • 27% Positiveness
15% Popularity • 39% Danceability • 26% Energy • 70% Liveness
90% Instrumentalness • 27% Positiveness
► Preview
Shai Maestro
In a Sentimental Mood
99 bpm • C Maj • 05:47 • -19db
20% Popularity • 61% Danceability • 25% Energy • 6% Liveness
87% Instrumentalness • 50% Positiveness
20% Popularity • 61% Danceability • 25% Energy • 6% Liveness
87% Instrumentalness • 50% Positiveness
► Preview
Stanley Turrentine
Journey Into The Melody
98 bpm • F Maj • 04:58 • -21db
40% Popularity • 43% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 19% Positiveness
40% Popularity • 43% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 19% Positiveness
► Preview
Cyrus Chestnut
Golliwog's Cakewalk
110 bpm • G min • 05:01 • -18.8db
12% Popularity • 52% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
12% Popularity • 52% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
► Preview
Eddie Daniels
Loves' Journey
110 bpm • G# Maj • 04:58 • -18.77db
14% Popularity • 34% Danceability • 8% Energy • 11% Liveness
72% Instrumentalness • 13% Positiveness
14% Popularity • 34% Danceability • 8% Energy • 11% Liveness
72% Instrumentalness • 13% Positiveness
► Preview
Henrik Gunde
Fanølyng
98 bpm • G min • 05:18 • -19db
35% Popularity • 35% Danceability • 22% Energy • 8% Liveness
47% Instrumentalness • 20% Positiveness
35% Popularity • 35% Danceability • 22% Energy • 8% Liveness
47% Instrumentalness • 20% Positiveness
► Preview
Trio X of Sweden
Moonlight Sonata - Piano Sonata No. 14 O...
110 bpm • F# min • 05:23 • -15.52db
26% Popularity • 65% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness
26% Popularity • 65% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness
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Niclas Knudsen Trio
Times Revisited
110 bpm • F min • 05:25 • -19db
19% Popularity • 66% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 35% Positiveness
19% Popularity • 66% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 35% Positiveness
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SE-Quartet
Song for Paris
98 bpm • G Maj • 05:12 • -18.28db
34% Popularity • 39% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 15% Positiveness
34% Popularity • 39% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 15% Positiveness
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Brad Mehldau Trio
Where Do You Start
98 bpm • C# Maj • 04:06 • -23db
46% Popularity • 41% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
46% Popularity • 41% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Julian & Roman Wasserfuhr
You Are a Friend of Mine
111 bpm • F min • 03:06 • -17.09db
22% Popularity • 41% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
22% Popularity • 41% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Joel Lyssarides
Procession
111 bpm • F# min • 04:30 • -24.28db
40% Popularity • 38% Danceability • 10% Energy • 10% Liveness
64% Instrumentalness • 11% Positiveness
40% Popularity • 38% Danceability • 10% Energy • 10% Liveness
64% Instrumentalness • 11% Positiveness
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Shahin Novrasli
Cry Of Gulchura
98 bpm • F Maj • 03:54 • -18.93db
26% Popularity • 48% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
26% Popularity • 48% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Charles Lloyd
God Only Knows
111 bpm • D Maj • 03:31 • -16.63db
26% Popularity • 42% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 37% Positiveness
26% Popularity • 42% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 37% Positiveness
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Thierry Maillard
Il canto delle montagne
98 bpm • C Maj • 03:31 • -14.68db
29% Popularity • 35% Danceability • 49% Energy • 9% Liveness
97% Instrumentalness • 26% Positiveness
29% Popularity • 35% Danceability • 49% Energy • 9% Liveness
97% Instrumentalness • 26% Positiveness
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Steve Kuhn
Romance
97 bpm • E Maj • 04:27 • -25.96db
27% Popularity • 39% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
27% Popularity • 39% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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Julia Hülsmann Trio
From Afar
98 bpm • C min • 03:40 • -24.6db
22% Popularity • 33% Danceability • 16% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
22% Popularity • 33% Danceability • 16% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
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Christian McBride Trio
I Have Dreamed
97 bpm • F Maj • 08:27 • -21.2db
37% Popularity • 30% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
37% Popularity • 30% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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The Bad Plus
Variation d'Apollon
97 bpm • C Maj • 04:35 • -12.9db
27% Popularity • 54% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
27% Popularity • 54% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Marc Copland
Rainy Night House
111 bpm • A min • 05:14 • -22.76db
22% Popularity • 40% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
22% Popularity • 40% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
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McCoy Tyner
Autumn Leaves
111 bpm • G min • 06:10 • -17.77db
33% Popularity • 60% Danceability • 25% Energy • 6% Liveness
43% Instrumentalness • 67% Positiveness
33% Popularity • 60% Danceability • 25% Energy • 6% Liveness
43% Instrumentalness • 67% Positiveness
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Kurt Rosenwinkel
'Raindrop' Prélude in D-flat major (Op....
111 bpm • C# min • 05:26 • -10.44db
23% Popularity • 44% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 44% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Gilad Hekselman
Last Train Home
97 bpm • A# Maj • 05:28 • -20db
23% Popularity • 57% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 63% Positiveness
23% Popularity • 57% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 63% Positiveness
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Wynton Kelly
Make The Man Love Me
111 bpm • C Maj • 03:39 • -15db
36% Popularity • 49% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 15% Positiveness
36% Popularity • 49% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 15% Positiveness
