Songs like Hinge Boy by Julia Wolf
Based on a tempo of (+/- 10%) and a similar genre
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EMMY
The Saddest Part
164 bpm • C# min • 02:46 • -9.26db
40% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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LØLØ
Convenient
164 bpm • F min • 02:58 • -6.94db
40% Popularity • 71% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 71% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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girli
I Really F**ked It Up
165 bpm • A# min • 02:45 • -6.8db
57% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Julia Wolf
Hinge Boy
164 bpm • C Maj • 03:02 • -7.48db
36% Popularity • 65% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 65% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Yueku
Marathon
165 bpm • C# min • 02:55 • -7.73db
34% Popularity • 63% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 63% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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bodyimage
only1
163 bpm • F# Maj • 02:39 • -8.89db
28% Popularity • 62% Danceability • 65% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
28% Popularity • 62% Danceability • 65% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
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Annika Wells
fckboys
163 bpm • C Maj • 02:43 • -5.58db
27% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Avenue Beat
dtf
166 bpm • A# Maj • 02:48 • -7.39db
22% Popularity • 56% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 56% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Charli Adams
na na na song
166 bpm • E Maj • 03:24 • -7.95db
21% Popularity • 49% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 49% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Good Boy Daisy
It Can't Be That Hard
166 bpm • D min • 03:19 • -7db
36% Popularity • 48% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 48% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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dreamfone
talk to you
162 bpm • C# Maj • 02:51 • -5.79db
30% Popularity • 61% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 61% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Sophie Holohan
Till I Die
162 bpm • G# Maj • 02:06 • -5.82db
32% Popularity • 58% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 58% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Julia Wolf
Villain
161 bpm • D Maj • 02:56 • -7.19db
40% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Carol Ades
Crying During Sex
162 bpm • G Maj • 03:40 • -7.67db
38% Popularity • 46% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
38% Popularity • 46% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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Lilly Hart
Drive Slow
167 bpm • C# Maj • 03:21 • -6.4db
27% Popularity • 55% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 55% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Amelia Moore
over my ex
168 bpm • A# Maj • 02:26 • -6.5db
37% Popularity • 48% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 48% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Keni Titus
Bev Hillz
168 bpm • A# Maj • 03:04 • -6.12db
19% Popularity • 60% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 60% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Ber
Your Internet Sucks
168 bpm • B Maj • 02:49 • -9db
34% Popularity • 68% Danceability • 66% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 68% Danceability • 66% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Sam Short
Masterpiece
160 bpm • E min • 02:15 • -6.66db
50% Popularity • 57% Danceability • 58% Energy • 19% Liveness
2% Instrumentalness • 23% Positiveness
50% Popularity • 57% Danceability • 58% Energy • 19% Liveness
2% Instrumentalness • 23% Positiveness
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Annika Wells
Crying Over You
168 bpm • E Maj • 02:43 • -3.8db
27% Popularity • 62% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 62% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Tatiana Hazel
Out of Reach
168 bpm • D Maj • 03:21 • -7.94db
31% Popularity • 52% Danceability • 47% Energy • 18% Liveness
9% Instrumentalness • 33% Positiveness
31% Popularity • 52% Danceability • 47% Energy • 18% Liveness
9% Instrumentalness • 33% Positiveness
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Reneé Rapp
Moon
168 bpm • C Maj • 02:59 • -6.58db
59% Popularity • 58% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
59% Popularity • 58% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Sarah Barrios
Healing in a Parking Lot
160 bpm • A Maj • 02:49 • -4.31db
33% Popularity • 62% Danceability • 89% Energy • 7% Liveness
9% Instrumentalness • 56% Positiveness
33% Popularity • 62% Danceability • 89% Energy • 7% Liveness
9% Instrumentalness • 56% Positiveness
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Glass Animals
Creatures in Heaven
160 bpm • D Maj • 03:41 • -6.59db
76% Popularity • 51% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
76% Popularity • 51% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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DEZI
Missing You
160 bpm • C Maj • 03:03 • -9.73db
27% Popularity • 49% Danceability • 60% Energy • 54% Liveness
3% Instrumentalness • 66% Positiveness
27% Popularity • 49% Danceability • 60% Energy • 54% Liveness
3% Instrumentalness • 66% Positiveness
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LØLØ
faceplant
160 bpm • G# Maj • 02:41 • -3.19db
53% Popularity • 50% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 50% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Julia Wolf
Burning House
160 bpm • A# min • 02:42 • -7.27db
41% Popularity • 40% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 40% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 44% Positiveness
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Bea Miller
jealous of my friends
159 bpm • D# Maj • 02:44 • -5db
40% Popularity • 60% Danceability • 85% Energy • 56% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 60% Danceability • 85% Energy • 56% Liveness
0% Instrumentalness • 46% Positiveness
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Zola Simone
What It Feels Like
159 bpm • C# min • 03:40 • -3.97db
19% Popularity • 60% Danceability • 87% Energy • 17% Liveness
10% Instrumentalness • 51% Positiveness
19% Popularity • 60% Danceability • 87% Energy • 17% Liveness
10% Instrumentalness • 51% Positiveness
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Maude Latour
Lola
159 bpm • D# Maj • 02:41 • -7.57db
41% Popularity • 59% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 59% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Hannah Hill
National Disaster
159 bpm • A Maj • 02:16 • -11db
33% Popularity • 53% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 53% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Devon Again
still can't dress myself
169 bpm • C Maj • 02:41 • -6.81db
36% Popularity • 31% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 31% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Julia Wolf
In My Room
160 bpm • A Maj • 02:43 • -5.17db
58% Popularity • 36% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
58% Popularity • 36% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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PVRIS
HEADLIGHTS
170 bpm • C# min • 02:58 • -6.42db
41% Popularity • 52% Danceability • 74% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
41% Popularity • 52% Danceability • 74% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
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Laur Elle
August
170 bpm • G min • 02:21 • -12.14db
34% Popularity • 49% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 49% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Peach PRC
Favourite Person
170 bpm • G Maj • 03:41 • -5.36db
42% Popularity • 45% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 45% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Emilee Moore
Crime of the Century
170 bpm • F Maj • 02:49 • -4.72db
19% Popularity • 47% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 47% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Manic.
Nothing With You
170 bpm • D Maj • 03:14 • -6.76db
14% Popularity • 46% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 46% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Annie Omalley
skrapbook (title page)
158 bpm • C# Maj • 02:58 • -7.39db
33% Popularity • 52% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 52% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Julia Wolf
High Waist Jeans
170 bpm • B Maj • 02:53 • -7db
36% Popularity • 65% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 65% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Kelsy Karter & The Heroines
Rest In Pieces
158 bpm • G Maj • 02:55 • -4.69db
47% Popularity • 50% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 50% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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OSTON
Molly.
158 bpm • F# Maj • 02:40 • -5.68db
36% Popularity • 45% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 45% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Chrissy
Carsick
158 bpm • C min • 03:07 • -8.23db
32% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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ELIO
Can I Make You Jealous?
170 bpm • F Maj • 02:44 • -6.39db
45% Popularity • 52% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 52% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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The Wldlfe
Both/And
158 bpm • A# Maj • 02:54 • -7.07db
38% Popularity • 53% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 53% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Savannah Sgro
I Can't Be Sad
158 bpm • G# Maj • 02:19 • -5.99db
25% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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WRENN
Maggie Gyllenhaal
158 bpm • D Maj • 02:56 • -4db
26% Popularity • 51% Danceability • 78% Energy • 15% Liveness
7% Instrumentalness • 47% Positiveness
26% Popularity • 51% Danceability • 78% Energy • 15% Liveness
7% Instrumentalness • 47% Positiveness
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Heather Sommer
talking in my sleep
158 bpm • G# Maj • 02:34 • -5.38db
45% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Abby Holliday
Ohio Laundry Room
158 bpm • A Maj • 03:21 • -10.05db
34% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Xana
Yellow
158 bpm • G Maj • 03:41 • -6db
41% Popularity • 51% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 51% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Maude Latour
Too Slow
171 bpm • F# min • 02:04 • -4.76db
56% Popularity • 63% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 63% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Julia Wolf
Hoops
157 bpm • C Maj • 03:19 • -9.18db
43% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jenna Doe
Shapeshift
172 bpm • A Maj • 02:25 • -8db
44% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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PVRIS
LOVE IS A…
172 bpm • C min • 03:41 • -5.69db
46% Popularity • 41% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 41% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Laur Elle
Burning Out
156 bpm • D Maj • 02:42 • -4.85db
29% Popularity • 51% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 51% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Cloudy June
Love the Way It Hurts
156 bpm • C Maj • 02:20 • -7.62db
44% Popularity • 68% Danceability • 62% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 68% Danceability • 62% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
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BETWEEN FRIENDS
Self destruct
173 bpm • D Maj • 02:53 • -4.58db
53% Popularity • 38% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 38% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 42% Positiveness
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Julia Wolf
Sad Too Young
157 bpm • F Maj • 03:47 • -10db
30% Popularity • 43% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 43% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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phem
summer 23
155 bpm • A# Maj • 02:29 • -6.57db
27% Popularity • 52% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 52% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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PVRIS
Oil & Water
173 bpm • F# Maj • 03:29 • -3.49db
23% Popularity • 56% Danceability • 67% Energy • 12% Liveness
16% Instrumentalness • 54% Positiveness
23% Popularity • 56% Danceability • 67% Energy • 12% Liveness
16% Instrumentalness • 54% Positiveness
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Charlotte Lawrence
Cowboys
174 bpm • F# min • 03:58 • -9db
38% Popularity • 36% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 36% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Aimee Vant
Trash
154 bpm • G Maj • 03:07 • -9.7db
16% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Xana
i did this all for you!
154 bpm • A Maj • 02:43 • -7.48db
47% Popularity • 57% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 57% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Annika Wells
Stay High
154 bpm • F Maj • 03:25 • -6db
30% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Bailey Baum
Novo
154 bpm • A min • 02:31 • -6.99db
22% Popularity • 60% Danceability • 90% Energy • 6% Liveness
1% Instrumentalness • 27% Positiveness
22% Popularity • 60% Danceability • 90% Energy • 6% Liveness
1% Instrumentalness • 27% Positiveness
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Gatlin
When You’re Breaking My Heart
175 bpm • A# Maj • 03:04 • -6.33db
38% Popularity • 50% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 50% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Ally Nicholas
Warning Signs
176 bpm • F# min • 02:47 • -6.66db
33% Popularity • 48% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 48% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Aimee Vant
Airbnb
154 bpm • C# Maj • 03:16 • -5.75db
20% Popularity • 63% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 63% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Chloe Lilac
only love song
176 bpm • C Maj • 04:36 • -6.76db
14% Popularity • 44% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 44% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Amelia Moore
vinegar
175 bpm • D# Maj • 03:16 • -8.24db
32% Popularity • 39% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 39% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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MERÅŒN
Sweet Nothings
176 bpm • G# min • 02:15 • -6.47db
34% Popularity • 63% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 63% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Honey Revenge
Distracted
176 bpm • A Maj • 03:20 • -3.72db
46% Popularity • 43% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 43% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Sophie Truax
Toothpick
152 bpm • D# Maj • 02:38 • -6.04db
33% Popularity • 54% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 54% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Gatlin
Whenever He Asks
177 bpm • A min • 02:38 • -8.64db
39% Popularity • 54% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 54% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Isabel Wood
Boy
152 bpm • G Maj • 02:51 • -4.33db
31% Popularity • 62% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 62% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Julia Wolf
Hydra (Stripped)
152 bpm • F# Maj • 02:31 • -7.15db
18% Popularity • 53% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 53% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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bodyimage
Hate That I Miss You
152 bpm • D Maj • 02:44 • -5db
34% Popularity • 49% Danceability • 80% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
34% Popularity • 49% Danceability • 80% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
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Lilyisthatyou
Party 22
152 bpm • E min • 01:49 • -4.99db
44% Popularity • 65% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 65% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Heather Sommer
ONE SIZE FITS ALL
152 bpm • G# Maj • 03:31 • -6.85db
16% Popularity • 68% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 68% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Jade LeMac
Car Accident
152 bpm • C min • 03:33 • -4.16db
43% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Jamisen
temporary tattoos
178 bpm • D# Maj • 02:45 • -8.32db
15% Popularity • 49% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 49% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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ROREY
Sit w It
178 bpm • C Maj • 02:56 • -8.8db
16% Popularity • 61% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 61% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Abby Holliday
Eggshells
151 bpm • C min • 03:15 • -7db
29% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Devon Again
deep
151 bpm • F Maj • 04:01 • -5.64db
44% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Heather Sommer
it's a part of human nature
152 bpm • B Maj • 02:24 • -9.87db
37% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Kayla DiVenere
Jumping the Gun
151 bpm • D Maj • 02:16 • -7.27db
32% Popularity • 68% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 68% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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bodyimage
By My Own Hands
151 bpm • F# min • 03:14 • -4.88db
22% Popularity • 46% Danceability • 83% Energy • 24% Liveness
1% Instrumentalness • 22% Positiveness
22% Popularity • 46% Danceability • 83% Energy • 24% Liveness
1% Instrumentalness • 22% Positiveness
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Xana
Homewrecking Era
151 bpm • C min • 03:22 • -5.14db
49% Popularity • 43% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 43% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Tristan
Keep That to Yourself
151 bpm • F Maj • 04:15 • -8.25db
46% Popularity • 34% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 34% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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The Wldlfe
Perform Your Life
150 bpm • A Maj • 03:30 • -6db
27% Popularity • 56% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 56% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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OSTON
Wtf u want.
150 bpm • D Maj • 02:07 • -6.77db
44% Popularity • 55% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 55% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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girli
Inner Child
150 bpm • A min • 02:54 • -6.53db
39% Popularity • 64% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 64% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Heather Sommer
wanted
150 bpm • D min • 02:25 • -4.48db
39% Popularity • 61% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 61% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Véyah
Better Than the Boys
150 bpm • A min • 02:34 • -4.05db
52% Popularity • 71% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
52% Popularity • 71% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Taylor Felt
Days Like This
150 bpm • C# min • 02:49 • -6.68db
33% Popularity • 78% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 78% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Blusher
Softly Spoken
150 bpm • G Maj • 02:41 • -4.93db
33% Popularity • 69% Danceability • 75% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 69% Danceability • 75% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
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Julia Wolf
Falling In Love
150 bpm • C# Maj • 02:47 • -8.76db
30% Popularity • 69% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 69% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Laur Elle
Hate That You Love Me
150 bpm • D Maj • 03:13 • -7.03db
35% Popularity • 77% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 77% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
