Songs like Hired Touch - Live by Cobblestone Jazz
Based on a tempo of (+/- 10%) and a similar genre
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Malin Genie
Drain
130 bpm • A Maj • 06:08 • -11db
11% Popularity • 79% Danceability • 56% Energy • 11% Liveness
80% Instrumentalness • 63% Positiveness
11% Popularity • 79% Danceability • 56% Energy • 11% Liveness
80% Instrumentalness • 63% Positiveness
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Beyun
The Rains Will Pass
130 bpm • F# Maj • 05:58 • -9.47db
14% Popularity • 80% Danceability • 88% Energy • 10% Liveness
86% Instrumentalness • 66% Positiveness
14% Popularity • 80% Danceability • 88% Energy • 10% Liveness
86% Instrumentalness • 66% Positiveness
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Adiel
Cavallina
130 bpm • G Maj • 07:37 • -12.8db
21% Popularity • 80% Danceability • 56% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
21% Popularity • 80% Danceability • 56% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Substance
Immersion
130 bpm • E min • 09:25 • -14.46db
10% Popularity • 85% Danceability • 41% Energy • 12% Liveness
92% Instrumentalness • 53% Positiveness
10% Popularity • 85% Danceability • 41% Energy • 12% Liveness
92% Instrumentalness • 53% Positiveness
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Claro Intelecto
Peace of Mind (Electrosoul)
130 bpm • G# Maj • 06:12 • -8db
32% Popularity • 74% Danceability • 92% Energy • 17% Liveness
88% Instrumentalness • 3% Positiveness
32% Popularity • 74% Danceability • 92% Energy • 17% Liveness
88% Instrumentalness • 3% Positiveness
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Cobblestone Jazz
Hired Touch
130 bpm • C# Maj • 07:08 • -16db
16% Popularity • 89% Danceability • 42% Energy • 12% Liveness
65% Instrumentalness • 38% Positiveness
16% Popularity • 89% Danceability • 42% Energy • 12% Liveness
65% Instrumentalness • 38% Positiveness
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Bambounou
Cascade
130 bpm • C# Maj • 06:55 • -10.8db
11% Popularity • 80% Danceability • 87% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
11% Popularity • 80% Danceability • 87% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
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Nathan Melja
Synesthesia - Pariah Remix
130 bpm • A# min • 07:27 • -11db
25% Popularity • 70% Danceability • 60% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
25% Popularity • 70% Danceability • 60% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
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Wata Igarashi
Pronom
130 bpm • G# min • 07:22 • -13.88db
19% Popularity • 80% Danceability • 73% Energy • 21% Liveness
95% Instrumentalness • 4% Positiveness
19% Popularity • 80% Danceability • 73% Energy • 21% Liveness
95% Instrumentalness • 4% Positiveness
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Carl Finlow
Reprise
130 bpm • C# Maj • 05:43 • -11db
13% Popularity • 76% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
13% Popularity • 76% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Cassegrain
High and Low
130 bpm • B Maj • 10:22 • -12.04db
16% Popularity • 61% Danceability • 65% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
16% Popularity • 61% Danceability • 65% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Cobblestone Jazz
Sun Child
130 bpm • F# Maj • 07:39 • -9db
12% Popularity • 68% Danceability • 80% Energy • 12% Liveness
87% Instrumentalness • 52% Positiveness
12% Popularity • 68% Danceability • 80% Energy • 12% Liveness
87% Instrumentalness • 52% Positiveness
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Monolake
Reminiscence
130 bpm • G Maj • 09:00 • -12.53db
28% Popularity • 72% Danceability • 68% Energy • 36% Liveness
88% Instrumentalness • 73% Positiveness
28% Popularity • 72% Danceability • 68% Energy • 36% Liveness
88% Instrumentalness • 73% Positiveness
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Tin Man
Viscocity Acid
130 bpm • F# Maj • 08:07 • -12.59db
8% Popularity • 56% Danceability • 59% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
8% Popularity • 56% Danceability • 59% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Peverelist
Slice of Life
130 bpm • A# min • 04:58 • -10.28db
16% Popularity • 79% Danceability • 99% Energy • 6% Liveness
93% Instrumentalness • 18% Positiveness
16% Popularity • 79% Danceability • 99% Energy • 6% Liveness
93% Instrumentalness • 18% Positiveness
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Martyn
Jah Bedouin
130 bpm • C# Maj • 07:36 • -8db
11% Popularity • 74% Danceability • 95% Energy • 48% Liveness
89% Instrumentalness • 43% Positiveness
11% Popularity • 74% Danceability • 95% Energy • 48% Liveness
89% Instrumentalness • 43% Positiveness
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Jump Source
Fabric Of Trust
130 bpm • G# Maj • 06:59 • -13db
13% Popularity • 79% Danceability • 60% Energy • 10% Liveness
84% Instrumentalness • 63% Positiveness
13% Popularity • 79% Danceability • 60% Energy • 10% Liveness
84% Instrumentalness • 63% Positiveness
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Cobblestone Jazz
Children
130 bpm • B min • 06:09 • -15.76db
5% Popularity • 80% Danceability • 43% Energy • 8% Liveness
91% Instrumentalness • 33% Positiveness
5% Popularity • 80% Danceability • 43% Energy • 8% Liveness
91% Instrumentalness • 33% Positiveness
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Juan Atkins
Transport - Carl Craig Remix - DJ Deep &...
130 bpm • G Maj • 07:50 • -11.28db
16% Popularity • 69% Danceability • 80% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
16% Popularity • 69% Danceability • 80% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Varhat
Chhulub - Mixed - Cabanne Remix
130 bpm • F# Maj • 01:28 • -11.34db
23% Popularity • 80% Danceability • 92% Energy • 12% Liveness
96% Instrumentalness • 66% Positiveness
23% Popularity • 80% Danceability • 92% Energy • 12% Liveness
96% Instrumentalness • 66% Positiveness
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DJ Normal 4
Return Of The Hooligans
130 bpm • C# Maj • 09:55 • -12db
19% Popularity • 79% Danceability • 72% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
19% Popularity • 79% Danceability • 72% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
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Martyn
Is This Insanity? - Ben Klock Mix
130 bpm • G Maj • 06:36 • -7.19db
17% Popularity • 79% Danceability • 57% Energy • 11% Liveness
64% Instrumentalness • 7% Positiveness
17% Popularity • 79% Danceability • 57% Energy • 11% Liveness
64% Instrumentalness • 7% Positiveness
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Human Space Machine
Cycle
130 bpm • G Maj • 07:12 • -9.5db
16% Popularity • 62% Danceability • 67% Energy • 14% Liveness
91% Instrumentalness • 11% Positiveness
16% Popularity • 62% Danceability • 67% Energy • 14% Liveness
91% Instrumentalness • 11% Positiveness
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Cobblestone Jazz
Lime In Da Coconut
130 bpm • G# min • 09:23 • -11.62db
10% Popularity • 81% Danceability • 70% Energy • 11% Liveness
86% Instrumentalness • 86% Positiveness
10% Popularity • 81% Danceability • 70% Energy • 11% Liveness
86% Instrumentalness • 86% Positiveness
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Kink
Five - Josh Wink Remix
130 bpm • C# Maj • 08:00 • -12.5db
14% Popularity • 77% Danceability • 68% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
14% Popularity • 77% Danceability • 68% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Youandewan
Dolphin Splash Keyboards
130 bpm • D Maj • 07:18 • -12.87db
24% Popularity • 76% Danceability • 72% Energy • 28% Liveness
43% Instrumentalness • 48% Positiveness
24% Popularity • 76% Danceability • 72% Energy • 28% Liveness
43% Instrumentalness • 48% Positiveness
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MOY
Wisdom Track
130 bpm • E min • 06:05 • -7.2db
22% Popularity • 79% Danceability • 64% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
22% Popularity • 79% Danceability • 64% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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Martyn
Miniluv - Original Mix
130 bpm • A# min • 06:50 • -8.94db
17% Popularity • 81% Danceability • 79% Energy • 92% Liveness
88% Instrumentalness • 32% Positiveness
17% Popularity • 81% Danceability • 79% Energy • 92% Liveness
88% Instrumentalness • 32% Positiveness
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Shed
Flat Axe
130 bpm • C# min • 07:23 • -10.38db
10% Popularity • 78% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 29% Positiveness
10% Popularity • 78% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 29% Positiveness
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Cobblestone Jazz
Hired Touch - Live
130 bpm • A# min • 06:25 • -12.46db
4% Popularity • 79% Danceability • 58% Energy • 13% Liveness
91% Instrumentalness • 48% Positiveness
4% Popularity • 79% Danceability • 58% Energy • 13% Liveness
91% Instrumentalness • 48% Positiveness
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Claro Intelecto
Hunter Rocket to the Sky
130 bpm • C# Maj • 05:00 • -14.25db
10% Popularity • 70% Danceability • 41% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
10% Popularity • 70% Danceability • 41% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Sedef Adasi
Mermaids On Acid
130 bpm • G Maj • 04:21 • -10.72db
31% Popularity • 79% Danceability • 80% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
31% Popularity • 79% Danceability • 80% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
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Jump Source
Slip
130 bpm • B min • 07:48 • -15.87db
17% Popularity • 79% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
17% Popularity • 79% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Mr. Ho
Hustler's Billiard
130 bpm • E min • 05:11 • -12.25db
21% Popularity • 79% Danceability • 84% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
21% Popularity • 79% Danceability • 84% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Derek Carr
Grace
130 bpm • C# Maj • 07:21 • -11.22db
10% Popularity • 80% Danceability • 66% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
10% Popularity • 80% Danceability • 66% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
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Cobblestone Jazz
Lime In Da Coconut - Live
130 bpm • G# min • 08:29 • -10.44db
4% Popularity • 78% Danceability • 82% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
4% Popularity • 78% Danceability • 82% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
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Nathan Melja
Synesthesia
130 bpm • A# min • 06:00 • -10.02db
19% Popularity • 69% Danceability • 61% Energy • 21% Liveness
79% Instrumentalness • 31% Positiveness
19% Popularity • 69% Danceability • 61% Energy • 21% Liveness
79% Instrumentalness • 31% Positiveness
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Substance
Libration
130 bpm • E min • 09:15 • -14.33db
16% Popularity • 66% Danceability • 52% Energy • 13% Liveness
93% Instrumentalness • 29% Positiveness
16% Popularity • 66% Danceability • 52% Energy • 13% Liveness
93% Instrumentalness • 29% Positiveness
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Malin Genie
Mastodon
130 bpm • B min • 06:50 • -10.7db
18% Popularity • 76% Danceability • 87% Energy • 9% Liveness
86% Instrumentalness • 33% Positiveness
18% Popularity • 76% Danceability • 87% Energy • 9% Liveness
86% Instrumentalness • 33% Positiveness
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Sedef Adasi
Anonymous Force
130 bpm • C# Maj • 04:12 • -9.43db
26% Popularity • 76% Danceability • 70% Energy • 15% Liveness
76% Instrumentalness • 22% Positiveness
26% Popularity • 76% Danceability • 70% Energy • 15% Liveness
76% Instrumentalness • 22% Positiveness
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Boof
Backlash
130 bpm • F# min • 06:01 • -9.12db
7% Popularity • 73% Danceability • 85% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
7% Popularity • 73% Danceability • 85% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Cobblestone Jazz
23 Seconds - Live
130 bpm • C# min • 07:23 • -10.63db
4% Popularity • 77% Danceability • 82% Energy • 8% Liveness
82% Instrumentalness • 71% Positiveness
4% Popularity • 77% Danceability • 82% Energy • 8% Liveness
82% Instrumentalness • 71% Positiveness
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Answer Code Request
Calm Down
130 bpm • D Maj • 05:54 • -9.34db
26% Popularity • 65% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 70% Positiveness
26% Popularity • 65% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 70% Positiveness
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Carl Craig
At Les
130 bpm • C# Maj • 06:09 • -14db
28% Popularity • 56% Danceability • 45% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
28% Popularity • 56% Danceability • 45% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
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Gen Ludd
Bloods Avalanche
130 bpm • C min • 06:51 • -9.13db
11% Popularity • 86% Danceability • 78% Energy • 13% Liveness
80% Instrumentalness • 41% Positiveness
11% Popularity • 86% Danceability • 78% Energy • 13% Liveness
80% Instrumentalness • 41% Positiveness
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Mathew Jonson
Decompression
130 bpm • F min • 10:54 • -17.59db
11% Popularity • 80% Danceability • 42% Energy • 17% Liveness
71% Instrumentalness • 55% Positiveness
11% Popularity • 80% Danceability • 42% Energy • 17% Liveness
71% Instrumentalness • 55% Positiveness
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Acid Jesus
Hibernation Drive
130 bpm • C# min • 06:17 • -12.59db
9% Popularity • 76% Danceability • 52% Energy • 7% Liveness
3% Instrumentalness • 83% Positiveness
9% Popularity • 76% Danceability • 52% Energy • 7% Liveness
3% Instrumentalness • 83% Positiveness
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Cobblestone Jazz
23 Seconds
130 bpm • C# Maj • 06:10 • -13db
8% Popularity • 77% Danceability • 58% Energy • 12% Liveness
88% Instrumentalness • 71% Positiveness
8% Popularity • 77% Danceability • 58% Energy • 12% Liveness
88% Instrumentalness • 71% Positiveness
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Terry Lee Brown, Jr.
Terry's House
130 bpm • G Maj • 06:49 • -11.74db
14% Popularity • 75% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
14% Popularity • 75% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Salz
1000B
130 bpm • F# Maj • 07:46 • -12.06db
13% Popularity • 82% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 54% Positiveness
13% Popularity • 82% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 54% Positiveness
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Baby Ford
Westway
130 bpm • D Maj • 08:23 • -17.78db
12% Popularity • 80% Danceability • 37% Energy • 9% Liveness
96% Instrumentalness • 47% Positiveness
12% Popularity • 80% Danceability • 37% Energy • 9% Liveness
96% Instrumentalness • 47% Positiveness
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Juan Atkins
Footprints
130 bpm • A Maj • 07:24 • -15.83db
12% Popularity • 90% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
12% Popularity • 90% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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Derrick May
A Rest / Beyond Kaos
130 bpm • G# min • 01:31 • -12.85db
34% Popularity • 69% Danceability • 50% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 69% Danceability • 50% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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Cobblestone Jazz
Cromagnon Man
130 bpm • G min • 05:02 • -8.96db
5% Popularity • 86% Danceability • 46% Energy • 6% Liveness
73% Instrumentalness • 69% Positiveness
5% Popularity • 86% Danceability • 46% Energy • 6% Liveness
73% Instrumentalness • 69% Positiveness
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Fantastic Man
I Don't Wanna Wait
130 bpm • A# min • 08:20 • -11.49db
11% Popularity • 80% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
11% Popularity • 80% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Mathew Jonson
Typerope - Original Mix
130 bpm • C# Maj • 08:10 • -10.96db
27% Popularity • 80% Danceability • 96% Energy • 11% Liveness
94% Instrumentalness • 87% Positiveness
27% Popularity • 80% Danceability • 96% Energy • 11% Liveness
94% Instrumentalness • 87% Positiveness
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Maurizio
Eleye
131 bpm • C# Maj • 06:10 • -17.12db
16% Popularity • 74% Danceability • 39% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
16% Popularity • 74% Danceability • 39% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Octave One
Eniac
131 bpm • D# min • 05:42 • -11.01db
12% Popularity • 78% Danceability • 80% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
12% Popularity • 78% Danceability • 80% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
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Drexciya
Water Walker
131 bpm • C# min • 03:39 • -10db
21% Popularity • 59% Danceability • 85% Energy • 17% Liveness
87% Instrumentalness • 66% Positiveness
21% Popularity • 59% Danceability • 85% Energy • 17% Liveness
87% Instrumentalness • 66% Positiveness
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Cobblestone Jazz
Chance Dub
130 bpm • A min • 07:41 • -11.31db
10% Popularity • 80% Danceability • 70% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
10% Popularity • 80% Danceability • 70% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
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Aril Brikha
Sweet Lullaby
131 bpm • C# min • 05:47 • -12.62db
10% Popularity • 80% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
10% Popularity • 80% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
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Planetary Assault Systems
The Return
131 bpm • G Maj • 06:55 • -12.96db
16% Popularity • 58% Danceability • 76% Energy • 8% Liveness
80% Instrumentalness • 11% Positiveness
16% Popularity • 58% Danceability • 76% Energy • 8% Liveness
80% Instrumentalness • 11% Positiveness
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Juan Atkins
The Mission
131 bpm • A min • 06:34 • -18db
16% Popularity • 72% Danceability • 51% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
16% Popularity • 72% Danceability • 51% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
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Buttechno
Dubber Funk
129 bpm • G Maj • 04:52 • -11.87db
18% Popularity • 91% Danceability • 43% Energy • 9% Liveness
66% Instrumentalness • 57% Positiveness
18% Popularity • 91% Danceability • 43% Energy • 9% Liveness
66% Instrumentalness • 57% Positiveness
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MMM (Errorsmith & Fiedel)
Donna
131 bpm • G Maj • 05:54 • -8db
16% Popularity • 78% Danceability • 76% Energy • 9% Liveness
24% Instrumentalness • 76% Positiveness
16% Popularity • 78% Danceability • 76% Energy • 9% Liveness
24% Instrumentalness • 76% Positiveness
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Cobblestone Jazz
Chance
130 bpm • E min • 07:58 • -11db
15% Popularity • 80% Danceability • 66% Energy • 14% Liveness
91% Instrumentalness • 96% Positiveness
15% Popularity • 80% Danceability • 66% Energy • 14% Liveness
91% Instrumentalness • 96% Positiveness
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Wax
10001a
129 bpm • C# Maj • 07:59 • -18.06db
10% Popularity • 54% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
10% Popularity • 54% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Posthuman
The Depth
129 bpm • C# Maj • 07:27 • -13db
16% Popularity • 80% Danceability • 66% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
16% Popularity • 80% Danceability • 66% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Peach
Silky
131 bpm • A min • 07:11 • -11.35db
16% Popularity • 78% Danceability • 85% Energy • 15% Liveness
85% Instrumentalness • 52% Positiveness
16% Popularity • 78% Danceability • 85% Energy • 15% Liveness
85% Instrumentalness • 52% Positiveness
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Sergie Rezza
Monte
129 bpm • G Maj • 05:14 • -11db
19% Popularity • 79% Danceability • 86% Energy • 17% Liveness
93% Instrumentalness • 19% Positiveness
19% Popularity • 79% Danceability • 86% Energy • 17% Liveness
93% Instrumentalness • 19% Positiveness
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Etapp Kyle
Prizma
129 bpm • E min • 05:12 • -15.52db
10% Popularity • 63% Danceability • 69% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
10% Popularity • 63% Danceability • 69% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Cobblestone Jazz
Change Your Apesuit
130 bpm • C# Maj • 07:43 • -18.19db
10% Popularity • 74% Danceability • 30% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
10% Popularity • 74% Danceability • 30% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Paperclip People
Clear & Present
129 bpm • D# min • 08:03 • -13.23db
9% Popularity • 59% Danceability • 51% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
9% Popularity • 59% Danceability • 51% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
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Reedale Rise
Lucid Flow
129 bpm • G Maj • 06:58 • -10db
7% Popularity • 73% Danceability • 73% Energy • 8% Liveness
86% Instrumentalness • 28% Positiveness
7% Popularity • 73% Danceability • 73% Energy • 8% Liveness
86% Instrumentalness • 28% Positiveness
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ANF
TV Science
131 bpm • A# min • 08:03 • -10.61db
24% Popularity • 48% Danceability • 75% Energy • 52% Liveness
84% Instrumentalness • 31% Positiveness
24% Popularity • 48% Danceability • 75% Energy • 52% Liveness
84% Instrumentalness • 31% Positiveness
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Priori
SCN 3
129 bpm • C# Maj • 09:25 • -9.79db
12% Popularity • 78% Danceability • 82% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
12% Popularity • 78% Danceability • 82% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
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Ryan Elliott
Smith Lake
131 bpm • G Maj • 06:04 • -15db
24% Popularity • 55% Danceability • 72% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
24% Popularity • 55% Danceability • 72% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Cobblestone Jazz
Slap The Back - Live
130 bpm • A# min • 08:17 • -14.63db
3% Popularity • 78% Danceability • 63% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
3% Popularity • 78% Danceability • 63% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Aril Brikha
Berghain
131 bpm • A# min • 07:08 • -10db
24% Popularity • 80% Danceability • 81% Energy • 7% Liveness
93% Instrumentalness • 82% Positiveness
24% Popularity • 80% Danceability • 81% Energy • 7% Liveness
93% Instrumentalness • 82% Positiveness
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Lou Karsh
Ataraxia
129 bpm • E min • 06:48 • -8db
16% Popularity • 62% Danceability • 96% Energy • 7% Liveness
74% Instrumentalness • 72% Positiveness
16% Popularity • 62% Danceability • 96% Energy • 7% Liveness
74% Instrumentalness • 72% Positiveness
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Fantastic Man
Sun Express - Emergency Mix
131 bpm • D Maj • 06:30 • -11.97db
23% Popularity • 67% Danceability • 68% Energy • 5% Liveness
89% Instrumentalness • 14% Positiveness
23% Popularity • 67% Danceability • 68% Energy • 5% Liveness
89% Instrumentalness • 14% Positiveness
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Mathijs Smit
Binary Life - String Version
131 bpm • A Maj • 07:50 • -10.14db
11% Popularity • 75% Danceability • 59% Energy • 9% Liveness
89% Instrumentalness • 39% Positiveness
11% Popularity • 75% Danceability • 59% Energy • 9% Liveness
89% Instrumentalness • 39% Positiveness
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Answer Code Request
Zeitspielraum
129 bpm • G# Maj • 05:42 • -9db
19% Popularity • 80% Danceability • 66% Energy • 19% Liveness
88% Instrumentalness • 17% Positiveness
19% Popularity • 80% Danceability • 66% Energy • 19% Liveness
88% Instrumentalness • 17% Positiveness
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Marcel Fengler
Frantic
129 bpm • G# min • 05:58 • -15.44db
21% Popularity • 73% Danceability • 61% Energy • 11% Liveness
79% Instrumentalness • 24% Positiveness
21% Popularity • 73% Danceability • 61% Energy • 11% Liveness
79% Instrumentalness • 24% Positiveness
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Cobblestone Jazz
Slap The Back
130 bpm • A# min • 06:59 • -16.05db
9% Popularity • 79% Danceability • 45% Energy • 7% Liveness
88% Instrumentalness • 60% Positiveness
9% Popularity • 79% Danceability • 45% Energy • 7% Liveness
88% Instrumentalness • 60% Positiveness
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Jeigo
We Are Not Nothing
131 bpm • C Maj • 04:03 • -8.34db
29% Popularity • 70% Danceability • 89% Energy • 5% Liveness
88% Instrumentalness • 53% Positiveness
29% Popularity • 70% Danceability • 89% Energy • 5% Liveness
88% Instrumentalness • 53% Positiveness
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Mike Huckaby
The Tresor Track
129 bpm • G Maj • 06:24 • -9.88db
19% Popularity • 73% Danceability • 94% Energy • 9% Liveness
84% Instrumentalness • 40% Positiveness
19% Popularity • 73% Danceability • 94% Energy • 9% Liveness
84% Instrumentalness • 40% Positiveness
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Anthony Rother
Destroy Him My Robots
129 bpm • E min • 04:59 • -5db
24% Popularity • 80% Danceability • 95% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
24% Popularity • 80% Danceability • 95% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
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100Hz
The Field - Original Mix
131 bpm • C Maj • 06:38 • -10.32db
18% Popularity • 70% Danceability • 90% Energy • 7% Liveness
54% Instrumentalness • 67% Positiveness
18% Popularity • 70% Danceability • 90% Energy • 7% Liveness
54% Instrumentalness • 67% Positiveness
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Wax
50005b
131 bpm • G Maj • 07:20 • -11.92db
9% Popularity • 80% Danceability • 62% Energy • 11% Liveness
62% Instrumentalness • 16% Positiveness
9% Popularity • 80% Danceability • 62% Energy • 11% Liveness
62% Instrumentalness • 16% Positiveness
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Cobblestone Jazz
DMT
130 bpm • G Maj • 02:03 • -13.26db
32% Popularity • 73% Danceability • 85% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
32% Popularity • 73% Danceability • 85% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
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e-Dancer
Heavenly - Original Interlude
129 bpm • G# min • 02:05 • -2.92db
24% Popularity • 35% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 35% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Mathew Jonson
Marionette
129 bpm • B Maj • 11:22 • -12.91db
32% Popularity • 60% Danceability • 51% Energy • 10% Liveness
79% Instrumentalness • 58% Positiveness
32% Popularity • 60% Danceability • 51% Energy • 10% Liveness
79% Instrumentalness • 58% Positiveness
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Octave One
Terraforming
129 bpm • B min • 05:14 • -13.45db
20% Popularity • 78% Danceability • 43% Energy • 12% Liveness
82% Instrumentalness • 33% Positiveness
20% Popularity • 78% Danceability • 43% Energy • 12% Liveness
82% Instrumentalness • 33% Positiveness
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Ricardo Villalobos
Que bel epoque 2006
131 bpm • A min • 12:57 • -11.71db
25% Popularity • 79% Danceability • 73% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
25% Popularity • 79% Danceability • 73% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Wax
50005a
131 bpm • G# Maj • 07:36 • -18.23db
15% Popularity • 80% Danceability • 45% Energy • 7% Liveness
46% Instrumentalness • 76% Positiveness
15% Popularity • 80% Danceability • 45% Energy • 7% Liveness
46% Instrumentalness • 76% Positiveness
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Cobblestone Jazz
Saturday Night
130 bpm • C# Maj • 08:39 • -12.73db
6% Popularity • 54% Danceability • 80% Energy • 11% Liveness
83% Instrumentalness • 29% Positiveness
6% Popularity • 54% Danceability • 80% Energy • 11% Liveness
83% Instrumentalness • 29% Positiveness
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e-Dancer
Heavenly - Juan Atkins Mix
129 bpm • C# Maj • 06:11 • -9.52db
8% Popularity • 76% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 76% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
