Songs like Histoire du Tango (History of the Tango): III. Night club 1960 by Astor Piazzolla
Based on a tempo of (+/- 10%) and a similar genre
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Astor Piazzolla
Fuga y misterio
136 bpm • E min • 07:40 • -18.42db
14% Popularity • 46% Danceability • 18% Energy • 7% Liveness
31% Instrumentalness • 24% Positiveness
14% Popularity • 46% Danceability • 18% Energy • 7% Liveness
31% Instrumentalness • 24% Positiveness
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Gotan Project
Toda Mi Vida
136 bpm • A Maj • 01:14 • -10db
43% Popularity • 65% Danceability • 33% Energy • 9% Liveness
18% Instrumentalness • 73% Positiveness
43% Popularity • 65% Danceability • 33% Energy • 9% Liveness
18% Instrumentalness • 73% Positiveness
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AnÃbal Troilo
Piazzolla & Troilo: Contrabajeando
136 bpm • D min • 03:39 • -26db
11% Popularity • 43% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
11% Popularity • 43% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Juan D'Arienzo
La cumparsita
135 bpm • G min • 03:42 • -11db
45% Popularity • 60% Danceability • 35% Energy • 3% Liveness
39% Instrumentalness • 64% Positiveness
45% Popularity • 60% Danceability • 35% Energy • 3% Liveness
39% Instrumentalness • 64% Positiveness
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Eugen Cicero
Erbarme dich, mein Gott
136 bpm • E min • 05:54 • -12.73db
30% Popularity • 43% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
30% Popularity • 43% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Ricardo Cobo
Primavera portena - Tango (arr. R. Cobo)
137 bpm • E min • 06:02 • -25.99db
21% Popularity • 36% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
21% Popularity • 36% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
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Astor Piazzolla
Zita
137 bpm • A min • 04:30 • -14.95db
29% Popularity • 51% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
29% Popularity • 51% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Ernesto Cordero
Seis Milonga
135 bpm • A min • 05:00 • -17.59db
8% Popularity • 32% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
8% Popularity • 32% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
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Jacques Loussier
Prélude No.1 en ut majeur, BWV 846
138 bpm • C Maj • 05:23 • -17.64db
30% Popularity • 33% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 72% Positiveness
30% Popularity • 33% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 72% Positiveness
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P. Laurenz
Mal De Amores
134 bpm • A min • 02:46 • -17.9db
12% Popularity • 48% Danceability • 11% Energy • 13% Liveness
23% Instrumentalness • 47% Positiveness
12% Popularity • 48% Danceability • 11% Energy • 13% Liveness
23% Instrumentalness • 47% Positiveness
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Vittorio Monti
Budapest - Csà rdà s
138 bpm • D Maj • 04:59 • -11db
24% Popularity • 46% Danceability • 31% Energy • 12% Liveness
16% Instrumentalness • 25% Positiveness
24% Popularity • 46% Danceability • 31% Energy • 12% Liveness
16% Instrumentalness • 25% Positiveness
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Juan D'Arienzo
El choclo
134 bpm • D min • 02:28 • -12db
32% Popularity • 80% Danceability • 41% Energy • 2% Liveness
77% Instrumentalness • 87% Positiveness
32% Popularity • 80% Danceability • 41% Energy • 2% Liveness
77% Instrumentalness • 87% Positiveness
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Craig Einhorn
Milonguea Del Ayer
134 bpm • A Maj • 03:13 • -10db
37% Popularity • 61% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 50% Positiveness
37% Popularity • 61% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 50% Positiveness
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Guillermo de La Roca
Milongueo del Ayer - Milonga
138 bpm • A min • 03:11 • -26.24db
31% Popularity • 40% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
31% Popularity • 40% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Roland Dyens
La javanaise
138 bpm • A Maj • 02:36 • -19db
29% Popularity • 45% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
29% Popularity • 45% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
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Astor Piazzolla
Revirado
138 bpm • G Maj • 03:10 • -8.75db
19% Popularity • 41% Danceability • 47% Energy • 13% Liveness
82% Instrumentalness • 54% Positiveness
19% Popularity • 41% Danceability • 47% Energy • 13% Liveness
82% Instrumentalness • 54% Positiveness
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Aloysio Oliveira
Oliveira / Arr Silvetti : Tico Tico No F...
134 bpm • A min • 02:52 • -16.59db
15% Popularity • 45% Danceability • 43% Energy • 15% Liveness
95% Instrumentalness • 51% Positiveness
15% Popularity • 45% Danceability • 43% Energy • 15% Liveness
95% Instrumentalness • 51% Positiveness
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Hugo DÃaz
Amores De Estudiantes
138 bpm • C Maj • 02:42 • -9db
19% Popularity • 52% Danceability • 41% Energy • 14% Liveness
33% Instrumentalness • 49% Positiveness
19% Popularity • 52% Danceability • 41% Energy • 14% Liveness
33% Instrumentalness • 49% Positiveness
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Christoph Willibald Gluck
Orphée & Eurydice: Mélodie - Arranged ...
133 bpm • D min • 03:43 • -26.96db
33% Popularity • 39% Danceability • 12% Energy • 68% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 39% Danceability • 12% Energy • 68% Liveness
81% Instrumentalness • 4% Positiveness
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Die 12 Cellisten der Berliner Philharmoniker
Lullaby of Birdland
139 bpm • C min • 04:33 • -30.31db
6% Popularity • 29% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
6% Popularity • 29% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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Angèle Dubeau
Yumeji’s Theme
133 bpm • F min • 02:27 • -21.25db
37% Popularity • 28% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
37% Popularity • 28% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
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Astor Piazzolla
The Four Seasons of Buenos Aires: Otoño...
134 bpm • D min • 07:17 • -23.83db
8% Popularity • 32% Danceability • 7% Energy • 12% Liveness
22% Instrumentalness • 14% Positiveness
8% Popularity • 32% Danceability • 7% Energy • 12% Liveness
22% Instrumentalness • 14% Positiveness
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Lupelius Ensemble
Soledad
139 bpm • E min • 08:22 • -12.77db
22% Popularity • 27% Danceability • 16% Energy • 9% Liveness
18% Instrumentalness • 7% Positiveness
22% Popularity • 27% Danceability • 16% Energy • 9% Liveness
18% Instrumentalness • 7% Positiveness
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Manuel de Falla
El Amor Brujo: Danza Ritual del Fuego
133 bpm • E min • 04:14 • -22.91db
25% Popularity • 30% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 11% Positiveness
25% Popularity • 30% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 11% Positiveness
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Emir Kusturica
Life is a Miracle: Ovo je muški svet
133 bpm • D Maj • 04:19 • -17.85db
9% Popularity • 43% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
9% Popularity • 43% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
133 bpm • D min • 02:19 • -26.37db
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
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François Dompierre
Les Beautés Du Diable
132 bpm • E min • 03:15 • -22.52db
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
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Astor Piazzolla
Chant et fugue
134 bpm • C Maj • 06:43 • -12.96db
10% Popularity • 43% Danceability • 26% Energy • 47% Liveness
20% Instrumentalness • 8% Positiveness
10% Popularity • 43% Danceability • 26% Energy • 47% Liveness
20% Instrumentalness • 8% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Richard Rodgers
Rodgers / Transc. Walter: Babes in Arms:...
140 bpm • C min • 06:12 • -20.27db
16% Popularity • 22% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
16% Popularity • 22% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
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Jorge Cardoso
Misionerita - Galopa
140 bpm • A Maj • 02:38 • -20.73db
26% Popularity • 46% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
26% Popularity • 46% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
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Sexteto Mayor
Fuga y Misterio/Tangata
132 bpm • A min • 08:54 • -16.19db
14% Popularity • 39% Danceability • 18% Energy • 74% Liveness
30% Instrumentalness • 22% Positiveness
14% Popularity • 39% Danceability • 18% Energy • 74% Liveness
30% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Adagio in D Minor, BWV 974 (after Alessa...
132 bpm • D min • 04:03 • -27.71db
8% Popularity • 18% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 18% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 10% Positiveness
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Astor Piazzolla
Fuga 9
133 bpm • G min • 03:00 • -9db
9% Popularity • 48% Danceability • 53% Energy • 9% Liveness
10% Instrumentalness • 74% Positiveness
9% Popularity • 48% Danceability • 53% Energy • 9% Liveness
10% Instrumentalness • 74% Positiveness
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Christophe Rousset
Polifemo: Alto giove (Air d'Acio) - Inst...
141 bpm • D# min • 04:28 • -25db
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Mariano Mores
Taquito Militar
141 bpm • A min • 02:31 • -10db
24% Popularity • 50% Danceability • 59% Energy • 14% Liveness
84% Instrumentalness • 50% Positiveness
24% Popularity • 50% Danceability • 59% Energy • 14% Liveness
84% Instrumentalness • 50% Positiveness
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Fazıl Say
Paganini-Jazz for Piano (Arr. for Jazz Q...
131 bpm • A min • 08:10 • -17.74db
38% Popularity • 47% Danceability • 18% Energy • 8% Liveness
16% Instrumentalness • 15% Positiveness
38% Popularity • 47% Danceability • 18% Energy • 8% Liveness
16% Instrumentalness • 15% Positiveness
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Roland Dyens
Tango en Skai
131 bpm • A min • 02:39 • -22.32db
14% Popularity • 57% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 34% Positiveness
14% Popularity • 57% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Concierto para piano en Fa menor BMW 105...
131 bpm • G# Maj • 02:52 • -27.76db
13% Popularity • 43% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 40% Positiveness
13% Popularity • 43% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 40% Positiveness
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Astor Piazzolla
Michelangelo 70
141 bpm • G Maj • 03:21 • -19.41db
8% Popularity • 58% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
8% Popularity • 58% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Sexteto Mayor
Libertango
141 bpm • D min • 03:03 • -14db
25% Popularity • 45% Danceability • 30% Energy • 69% Liveness
24% Instrumentalness • 56% Positiveness
25% Popularity • 45% Danceability • 30% Energy • 69% Liveness
24% Instrumentalness • 56% Positiveness
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Leonard Bernstein
Bernstein: Candide, Act 1: "Glitter and ...
141 bpm • F min • 04:13 • -18.34db
8% Popularity • 28% Danceability • 10% Energy • 13% Liveness
66% Instrumentalness • 7% Positiveness
8% Popularity • 28% Danceability • 10% Energy • 13% Liveness
66% Instrumentalness • 7% Positiveness
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Julio Cesár Oliva
Suite Montebello: I. Una flor en la lagu...
131 bpm • A min • 03:53 • -18.76db
15% Popularity • 43% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
15% Popularity • 43% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
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Georg Philipp Telemann
Suite, TWV 55:B8: Scaramouche - Arranged...
142 bpm • D min • 02:18 • -9db
22% Popularity • 38% Danceability • 57% Energy • 6% Liveness
21% Instrumentalness • 75% Positiveness
22% Popularity • 38% Danceability • 57% Energy • 6% Liveness
21% Instrumentalness • 75% Positiveness
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Hugo DÃaz
Guitarra Mia
130 bpm • A min • 04:29 • -8db
27% Popularity • 56% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 30% Positiveness
27% Popularity • 56% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 30% Positiveness
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Astor Piazzolla
Libertango
139 bpm • A min • 02:46 • -12.46db
49% Popularity • 60% Danceability • 49% Energy • 6% Liveness
65% Instrumentalness • 54% Positiveness
49% Popularity • 60% Danceability • 49% Energy • 6% Liveness
65% Instrumentalness • 54% Positiveness
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Sexteto Mayor
Melancolico Buenos Aires
131 bpm • D min • 03:58 • -15db
10% Popularity • 42% Danceability • 31% Energy • 69% Liveness
19% Instrumentalness • 38% Positiveness
10% Popularity • 42% Danceability • 31% Energy • 69% Liveness
19% Instrumentalness • 38% Positiveness
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Sirba Octet
Katioucha / Otchi Tchornye - Medley
142 bpm • B min • 04:55 • -17db
20% Popularity • 26% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
20% Popularity • 26% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Victor Villadangos
Calambre (arr. V. Villadangos)
142 bpm • E min • 02:13 • -19db
19% Popularity • 54% Danceability • 11% Energy • 16% Liveness
63% Instrumentalness • 56% Positiveness
19% Popularity • 54% Danceability • 11% Energy • 16% Liveness
63% Instrumentalness • 56% Positiveness
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Claude Bolling
Veloce, Pt. 1
130 bpm • F min • 01:36 • -15.74db
29% Popularity • 54% Danceability • 32% Energy • 15% Liveness
94% Instrumentalness • 67% Positiveness
29% Popularity • 54% Danceability • 32% Energy • 15% Liveness
94% Instrumentalness • 67% Positiveness
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Enrique Granados
Apariciones: Valses Romanticos: Sensitiv...
143 bpm • C min • 01:40 • -33db
44% Popularity • 37% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 31% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 31% Positiveness
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Astor Piazzolla
MarÃa de Buenos Aires, Pt. 1: Fuga y Mi...
140 bpm • A min • 03:21 • -14.09db
10% Popularity • 46% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 46% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Göran Söllscher
4 Estaciones Portenas (pour guitare): N�...
129 bpm • E min • 03:52 • -26.9db
36% Popularity • 36% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
36% Popularity • 36% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Roland Dyens
Tango En Skai
129 bpm • A min • 02:59 • -19.26db
10% Popularity • 53% Danceability • 30% Energy • 69% Liveness
84% Instrumentalness • 54% Positiveness
10% Popularity • 53% Danceability • 30% Energy • 69% Liveness
84% Instrumentalness • 54% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.7 Allegro
144 bpm • A min • 01:35 • -16db
32% Popularity • 19% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
32% Popularity • 19% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
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Claude Bolling
Veloce, Pt. 2
129 bpm • G# Maj • 02:04 • -16.57db
25% Popularity • 47% Danceability • 34% Energy • 22% Liveness
89% Instrumentalness • 34% Positiveness
25% Popularity • 47% Danceability • 34% Energy • 22% Liveness
89% Instrumentalness • 34% Positiveness
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Nino Rota
Rota / Arr. Capelletti: La Dolce Vita Su...
129 bpm • C Maj • 04:31 • -22.8db
8% Popularity • 42% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
8% Popularity • 42% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Astor Piazzolla
Escolaso
140 bpm • F min • 04:31 • -10.02db
11% Popularity • 63% Danceability • 54% Energy • 7% Liveness
73% Instrumentalness • 38% Positiveness
11% Popularity • 63% Danceability • 54% Energy • 7% Liveness
73% Instrumentalness • 38% Positiveness
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Jacques Loussier Trio
Goldberg Variations: Aria (1)
128 bpm • G Maj • 02:28 • -20db
35% Popularity • 42% Danceability • 20% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
35% Popularity • 42% Danceability • 20% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
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Alberto Iglesias
Uno es dueño de su silencio
145 bpm • A min • 01:34 • -17.84db
10% Popularity • 36% Danceability • 30% Energy • 26% Liveness
7% Instrumentalness • 36% Positiveness
10% Popularity • 36% Danceability • 30% Energy • 26% Liveness
7% Instrumentalness • 36% Positiveness
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Shin-ichi Fukuda
Aubade
145 bpm • F Maj • 01:33 • -24.34db
8% Popularity • 32% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 32% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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AgustÃn Barrios Mangoré
Barrios Mangoré: La Catedral: III. Alle...
128 bpm • B min • 03:01 • -22.47db
20% Popularity • 22% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 67% Positiveness
20% Popularity • 22% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 67% Positiveness
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Daniel Binelli
Double Concerto for Bandoneon & Guitar: ...
127 bpm • G Maj • 05:46 • -27.08db
10% Popularity • 29% Danceability • 3% Energy • 7% Liveness
27% Instrumentalness • 11% Positiveness
10% Popularity • 29% Danceability • 3% Energy • 7% Liveness
27% Instrumentalness • 11% Positiveness
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Astor Piazzolla
Primavera Porteña
132 bpm • G min • 05:11 • -8db
22% Popularity • 50% Danceability • 50% Energy • 15% Liveness
27% Instrumentalness • 61% Positiveness
22% Popularity • 50% Danceability • 50% Energy • 15% Liveness
27% Instrumentalness • 61% Positiveness
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Mariano Mores
Tanguera
127 bpm • F min • 01:57 • -12.13db
28% Popularity • 53% Danceability • 38% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
28% Popularity • 53% Danceability • 38% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
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Higinio Ruvalcaba
Chapultepec
127 bpm • G Maj • 03:06 • -7.08db
18% Popularity • 35% Danceability • 44% Energy • 18% Liveness
25% Instrumentalness • 44% Positiveness
18% Popularity • 35% Danceability • 44% Energy • 18% Liveness
25% Instrumentalness • 44% Positiveness
► Preview
Pablo Mainetti
Tangos (Arr. Vidal): DecarÃssimo
127 bpm • C Maj • 02:43 • -15.67db
23% Popularity • 42% Danceability • 22% Energy • 23% Liveness
5% Instrumentalness • 29% Positiveness
23% Popularity • 42% Danceability • 22% Energy • 23% Liveness
5% Instrumentalness • 29% Positiveness
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Heitor Villa-Lobos
Prelude No.1 - MelodÃa lÃrica
127 bpm • E min • 04:52 • -14.83db
39% Popularity • 44% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
39% Popularity • 44% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Alvaro Pierri
Etude no. 1
147 bpm • D min • 02:02 • -19db
13% Popularity • 12% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Astor Piazzolla
Undertango
131 bpm • C min • 04:05 • -6db
27% Popularity • 45% Danceability • 63% Energy • 42% Liveness
22% Instrumentalness • 23% Positiveness
27% Popularity • 45% Danceability • 63% Energy • 42% Liveness
22% Instrumentalness • 23% Positiveness
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Raffaele Calace
Concerto for Mandolin No. 2 in A Minor, ...
148 bpm • A min • 09:53 • -21db
13% Popularity • 27% Danceability • 24% Energy • 11% Liveness
46% Instrumentalness • 22% Positiveness
13% Popularity • 27% Danceability • 24% Energy • 11% Liveness
46% Instrumentalness • 22% Positiveness
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JoaquÃn Rodrigo
Rodrigo: Concierto de Aranjuez: I. Alleg...
125 bpm • G Maj • 06:02 • -17.74db
23% Popularity • 53% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
23% Popularity • 53% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Bach, JS / Arr. Lopes: Two-Part Inventio...
148 bpm • A min • 02:07 • -16.94db
11% Popularity • 46% Danceability • 43% Energy • 20% Liveness
87% Instrumentalness • 16% Positiveness
11% Popularity • 46% Danceability • 43% Energy • 20% Liveness
87% Instrumentalness • 16% Positiveness
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Leopoldo Federico y su Orquesta Tipica
Tango Del Angel
125 bpm • E min • 03:16 • -9db
22% Popularity • 38% Danceability • 49% Energy • 15% Liveness
87% Instrumentalness • 44% Positiveness
22% Popularity • 38% Danceability • 49% Energy • 15% Liveness
87% Instrumentalness • 44% Positiveness
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Mariano Mores
Tanguera
124 bpm • F min • 02:56 • -14.25db
28% Popularity • 51% Danceability • 28% Energy • 25% Liveness
88% Instrumentalness • 31% Positiveness
28% Popularity • 51% Danceability • 28% Energy • 25% Liveness
88% Instrumentalness • 31% Positiveness
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Astor Piazzolla
Amelitango
141 bpm • E min • 03:28 • -13.15db
23% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Jorge Cardoso
Milonga (Cardoso)
124 bpm • D min • 03:54 • -22.1db
12% Popularity • 49% Danceability • 33% Energy • 12% Liveness
88% Instrumentalness • 46% Positiveness
12% Popularity • 49% Danceability • 33% Energy • 12% Liveness
88% Instrumentalness • 46% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: II. Etude
124 bpm • G min • 02:48 • -28.34db
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Ary Barroso
Barroso: Brazil
124 bpm • G Maj • 07:18 • -11db
12% Popularity • 36% Danceability • 56% Energy • 9% Liveness
62% Instrumentalness • 36% Positiveness
12% Popularity • 36% Danceability • 56% Energy • 9% Liveness
62% Instrumentalness • 36% Positiveness
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Jacques Loussier Trio
Prelude No. 1 In C Major
150 bpm • C Maj • 04:48 • -20.34db
31% Popularity • 30% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
31% Popularity • 30% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
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Heitor Villa-Lobos
Suite populaire brésilienne: I. Mazurka...
124 bpm • A min • 03:41 • -32.02db
15% Popularity • 35% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
15% Popularity • 35% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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Astor Piazzolla
En 3 X 4
141 bpm • E min • 03:18 • -7.85db
7% Popularity • 49% Danceability • 52% Energy • 8% Liveness
20% Instrumentalness • 58% Positiveness
7% Popularity • 49% Danceability • 52% Energy • 8% Liveness
20% Instrumentalness • 58% Positiveness
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Ruben Gonzalez
Como Siento Yo
124 bpm • E min • 02:41 • -20.28db
30% Popularity • 44% Danceability • 12% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
30% Popularity • 44% Danceability • 12% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
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Eugen Cicero
Solfeggio in C Minor
150 bpm • C min • 05:39 • -13.32db
36% Popularity • 33% Danceability • 61% Energy • 25% Liveness
94% Instrumentalness • 54% Positiveness
36% Popularity • 33% Danceability • 61% Energy • 25% Liveness
94% Instrumentalness • 54% Positiveness
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Ernesto Lecuona
Danzas afrocubanas: 6. La comparsa
150 bpm • F# Maj • 02:05 • -22.08db
17% Popularity • 53% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 62% Positiveness
17% Popularity • 53% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 62% Positiveness
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Fazıl Say
Alla Turca Jazz - Fantasia from Wolfgang...
150 bpm • E min • 01:55 • -22db
30% Popularity • 39% Danceability • 27% Energy • 70% Liveness
93% Instrumentalness • 66% Positiveness
30% Popularity • 39% Danceability • 27% Energy • 70% Liveness
93% Instrumentalness • 66% Positiveness
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JoaquÃn Rodrigo
Concierto de Aranjuez: I. Allegro con sp...
123 bpm • G Maj • 06:09 • -22db
9% Popularity • 56% Danceability • 11% Energy • 13% Liveness
86% Instrumentalness • 35% Positiveness
9% Popularity • 56% Danceability • 11% Energy • 13% Liveness
86% Instrumentalness • 35% Positiveness
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Astor Piazzolla
Mumuki
131 bpm • E min • 09:34 • -21.19db
21% Popularity • 38% Danceability • 8% Energy • 20% Liveness
35% Instrumentalness • 4% Positiveness
21% Popularity • 38% Danceability • 8% Energy • 20% Liveness
35% Instrumentalness • 4% Positiveness
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Nicola Piovani
La notte di San Lorenzo
123 bpm • A min • 08:39 • -18.95db
8% Popularity • 32% Danceability • 3% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 3% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
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Octeto Buenos Aires
Boedo
123 bpm • D Maj • 04:06 • -6.68db
4% Popularity • 46% Danceability • 52% Energy • 32% Liveness
84% Instrumentalness • 54% Positiveness
4% Popularity • 46% Danceability • 52% Energy • 32% Liveness
84% Instrumentalness • 54% Positiveness
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John C. Williams
Asturias
123 bpm • E min • 06:16 • -25db
35% Popularity • 30% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
35% Popularity • 30% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Camerata Romeu
Metro Chabacano
151 bpm • G min • 06:17 • -14.8db
4% Popularity • 60% Danceability • 24% Energy • 9% Liveness
83% Instrumentalness • 53% Positiveness
4% Popularity • 60% Danceability • 24% Energy • 9% Liveness
83% Instrumentalness • 53% Positiveness
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Georges Bizet
Je crois entendre encore - Voice
151 bpm • G min • 03:40 • -16.12db
33% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
33% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Astor Piazzolla
Oblivion
142 bpm • C min • 04:50 • -26.72db
25% Popularity • 14% Danceability • 1% Energy • 12% Liveness
47% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 1% Energy • 12% Liveness
47% Instrumentalness • 4% Positiveness
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Enrique Granados
12 Danzas Españolas, Op. 37: 5. Andaluz...
151 bpm • E min • 03:29 • -20db
20% Popularity • 33% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
20% Popularity • 33% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Carlos Moscardini
Milonga of Confusion
152 bpm • E min • 02:56 • -31.48db
28% Popularity • 27% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 21% Positiveness
28% Popularity • 27% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 21% Positiveness
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Frédéric Chopin
Le Père Lachaise - 24 Preludes, Op. 28:...
152 bpm • E min • 04:36 • -28db
26% Popularity • 21% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
26% Popularity • 21% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Heitor Villa-Lobos
Bachianas Brasileiras No. 5, W389
122 bpm • D min • 04:57 • -26.44db
19% Popularity • 25% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 25% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
