Songs like Historia di Jephte: "Plorate, filii Israel" by Giacomo Carissimi
Based on a tempo of (+/- 10%) and a similar genre
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Claude Debussy
3 Chansons de Charles d'Orleans: Trois C...
89 bpm • B Maj • 02:17 • -31db
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Johannes Brahms
Fünf Gesänge, Op. 104: II. Nachtwache ...
89 bpm • D# Maj • 01:24 • -23db
12% Popularity • 15% Danceability • 10% Energy • 7% Liveness
4% Instrumentalness • 8% Positiveness
12% Popularity • 15% Danceability • 10% Energy • 7% Liveness
4% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
Lamento D'Arianna: I. Lasciatemi Morire
89 bpm • A Maj • 01:50 • -23db
11% Popularity • 16% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Carissimi
Exulta, gaude, filia Sion
89 bpm • F Maj • 03:54 • -21.39db
19% Popularity • 29% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 29% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: III. Quomodo sed...
89 bpm • F# min • 01:11 • -17.64db
22% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
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Cristobal de Morales
Kyrie: III. Kyrie
88 bpm • G# Maj • 01:10 • -17.3db
20% Popularity • 13% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 11% Positiveness
20% Popularity • 13% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 11% Positiveness
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Johann Michael Bach
Halt, was du hast
88 bpm • E min • 05:26 • -21db
17% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Pierre Sandrin
Doulce mémoire
88 bpm • C# min • 02:49 • -22db
7% Popularity • 14% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
7% Popularity • 14% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
Il secondo libro de madrigali a cinque v...
89 bpm • D# min • 04:25 • -25.81db
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Herr, wenn ich nur dich hab, BuxWV 38
88 bpm • G Maj • 03:40 • -22db
10% Popularity • 25% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 25% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Giacomo Carissimi
Historia di Jephte: "Plorate, filii Isra...
89 bpm • F# Maj • 03:49 • -22db
5% Popularity • 11% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
5% Popularity • 11% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Cristobal de Morales
Introitus: I. Requiem aeternam
88 bpm • G# Maj • 02:43 • -21.3db
14% Popularity • 12% Danceability • 9% Energy • 10% Liveness
27% Instrumentalness • 5% Positiveness
14% Popularity • 12% Danceability • 9% Energy • 10% Liveness
27% Instrumentalness • 5% Positiveness
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Niccolò Jommelli
Requiem in D Minor, K. 626 (Paris 1804 V...
88 bpm • E min • 02:37 • -33db
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: I. (b) Ch�...
88 bpm • F min • 01:14 • -21.05db
20% Popularity • 32% Danceability • 10% Energy • 19% Liveness
41% Instrumentalness • 25% Positiveness
20% Popularity • 32% Danceability • 10% Energy • 19% Liveness
41% Instrumentalness • 25% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Ben...
91 bpm • C# min • 01:09 • -21db
26% Popularity • 19% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 19% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Antonio Vivaldi
Kyrie, RV 587: Kyrie eleison
91 bpm • F# min • 02:07 • -19.62db
22% Popularity • 20% Danceability • 16% Energy • 14% Liveness
5% Instrumentalness • 22% Positiveness
22% Popularity • 20% Danceability • 16% Energy • 14% Liveness
5% Instrumentalness • 22% Positiveness
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Giacomo Carissimi
Arion Romanus: XXVII. Si deus pro nobis
87 bpm • A# Maj • 04:47 • -13.12db
0% Popularity • 30% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 30% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626, Act II: Wayward...
91 bpm • E Maj • 01:21 • -12.98db
10% Popularity • 26% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 26% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
87 bpm • A Maj • 01:46 • -23.83db
14% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Giulio Caccini
Amarilli mia bella
91 bpm • E Maj • 02:44 • -25.77db
12% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, favola in musica, S...
91 bpm • A# min • 05:53 • -25.78db
14% Popularity • 28% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 28% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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George Frideric Handel
Nisi Dominus, HWV 238: Cum dederit
92 bpm • B Maj • 01:26 • -25.81db
13% Popularity • 31% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 31% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Carissimi
Jephte - Incipite in tympanis (Filia)
87 bpm • B Maj • 01:11 • -24.02db
1% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
1% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Marc-Antoine Charpentier
Messe de Minuit, H. 9: Kyrie
86 bpm • C min • 03:46 • -17.27db
9% Popularity • 23% Danceability • 22% Energy • 40% Liveness
1% Instrumentalness • 16% Positiveness
9% Popularity • 23% Danceability • 22% Energy • 40% Liveness
1% Instrumentalness • 16% Positiveness
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Anónimo
Pasión: Fodérunt Manus Meas. Tenor S...
92 bpm • D Maj • 03:02 • -15.14db
10% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Giulio Caccini
Euridice: Sinfonia
87 bpm • G Maj • 01:18 • -21.94db
24% Popularity • 48% Danceability • 14% Energy • 9% Liveness
11% Instrumentalness • 26% Positiveness
24% Popularity • 48% Danceability • 14% Energy • 9% Liveness
11% Instrumentalness • 26% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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George Frideric Handel
The Ways of Zion Do Mourn "Funeral Anthe...
92 bpm • F# min • 06:20 • -19.53db
9% Popularity • 11% Danceability • 12% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
9% Popularity • 11% Danceability • 12% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
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Giacomo Carissimi
Jonas: Peccavimus, Domine (Chorus)
92 bpm • F# Maj • 02:20 • -17.81db
1% Popularity • 19% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 19% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Jacques Arcadelt
Il bianco e dolce cigno
86 bpm • E Maj • 02:59 • -24.42db
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Ich lasse dich nicht, du segnest mich de...
92 bpm • E min • 04:21 • -32.55db
21% Popularity • 20% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 20% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Henri Desmarets
Te Deum "de Lyon": XI. Te ergo quæsumus...
92 bpm • G min • 02:03 • -20.18db
10% Popularity • 14% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
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Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 25, Qui ...
86 bpm • E min • 03:24 • -22db
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: Te deum laudamus
92 bpm • A# Maj • 03:57 • -12.92db
10% Popularity • 21% Danceability • 40% Energy • 18% Liveness
92% Instrumentalness • 37% Positiveness
10% Popularity • 21% Danceability • 40% Energy • 18% Liveness
92% Instrumentalness • 37% Positiveness
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Giacomo Carissimi
Jonas (Jonah): Peccavimus (Chorus)
87 bpm • G Maj • 03:19 • -17.58db
1% Popularity • 12% Danceability • 17% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
1% Popularity • 12% Danceability • 17% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: VIIc. Ad f...
86 bpm • B min • 01:03 • -26.16db
21% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: VIII. Aria "De to...
92 bpm • A# min • 02:57 • -31.08db
10% Popularity • 24% Danceability • 1% Energy • 13% Liveness
1% Instrumentalness • 12% Positiveness
10% Popularity • 24% Danceability • 1% Energy • 13% Liveness
1% Instrumentalness • 12% Positiveness
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Luigi Rossi
Un allato messagier
92 bpm • D min • 10:16 • -16db
9% Popularity • 35% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 35% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Ich lasse dich nicht, BWV Anh. 159
86 bpm • E min • 04:46 • -22db
10% Popularity • 20% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 20% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Orquesta de Cámara de Berlín
La Pasión según San Mateo, BWV 244: No...
92 bpm • B min • 07:16 • -16.84db
10% Popularity • 13% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 13% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Girolamo Frescobaldi
Begli occhi io non prouo, F7.18
93 bpm • G min • 02:45 • -21db
7% Popularity • 35% Danceability • 8% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 35% Danceability • 8% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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George Frideric Handel
Ode for the Birthday of Queen Anne, HWV ...
86 bpm • C# min • 04:58 • -20.38db
9% Popularity • 18% Danceability • 7% Energy • 12% Liveness
18% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 7% Energy • 12% Liveness
18% Instrumentalness • 9% Positiveness
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16th century
Já nao podeis ser contentes
93 bpm • D min • 01:00 • -23.16db
10% Popularity • 35% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 35% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: X. Dignare...
85 bpm • G Maj • 01:51 • -26.15db
8% Popularity • 31% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 31% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Lobet den Herrn, alle Heiden, BWV 230
93 bpm • B Maj • 06:18 • -21.54db
23% Popularity • 22% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 22% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Giacomo Carissimi
Carissimi: Judicium extremum : "Tunc, ho...
93 bpm • C Maj • 08:06 • -24db
2% Popularity • 30% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 30% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Ihr lieben Christen, freut euch nun, Bux...
85 bpm • D Maj • 00:59 • -22db
20% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
20% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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George Frideric Handel
Handel: Aminta e Fillide, HWV 83: "È un...
85 bpm • F# min • 03:05 • -19.58db
10% Popularity • 37% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 37% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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William Byrd
Byrd: Ye Sacred Muses
85 bpm • B Maj • 03:34 • -26.75db
3% Popularity • 11% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 8% Positiveness
3% Popularity • 11% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 8% Positiveness
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The Choir of Magdalen College, Oxford
I will exalt Thee
93 bpm • A min • 03:31 • -25.61db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Claude Debussy
Dieu, qu'il l'a fait bon regarder
85 bpm • G# min • 02:15 • -36db
13% Popularity • 9% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Isabella Colbran
Gia la notte s'avvicina
85 bpm • D Maj • 01:41 • -18.5db
12% Popularity • 35% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 35% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Claudio Monteverdi
Romanesca: Ohime, dov'e il mio ben, dov'...
85 bpm • G Maj • 02:04 • -21db
21% Popularity • 16% Danceability • 5% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 5% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Herr, wenn ich nur dich habe, SWV 280
85 bpm • A min • 03:27 • -18db
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus, LWV 77 No. 15: VIII...
94 bpm • A# Maj • 02:21 • -8.29db
13% Popularity • 25% Danceability • 57% Energy • 20% Liveness
7% Instrumentalness • 66% Positiveness
13% Popularity • 25% Danceability • 57% Energy • 20% Liveness
7% Instrumentalness • 66% Positiveness
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Georg Philipp Telemann
Ich fahre auf zu meinem Vater, TWV 1:825...
94 bpm • E Maj • 03:54 • -14.37db
20% Popularity • 34% Danceability • 31% Energy • 28% Liveness
12% Instrumentalness • 50% Positiveness
20% Popularity • 34% Danceability • 31% Energy • 28% Liveness
12% Instrumentalness • 50% Positiveness
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Antonio Caldara
Stabat Mater: VI. Fac me tecum
84 bpm • A min • 01:01 • -19.28db
39% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
39% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Giacomo Carissimi
Jephte - Fugite, cedite impii (Basso sol...
84 bpm • F# Maj • 00:52 • -25.48db
1% Popularity • 37% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 37% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Claudio Monteverdi
Quarto libro de madrigali: Io me son gio...
85 bpm • A# Maj • 02:14 • -23.78db
14% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad genua: ...
94 bpm • F min • 01:15 • -25.85db
29% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
29% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
► Preview
Simone Kermes
Rodelinda, HWV 19: Act I - "Ombre, piant...
84 bpm • E min • 02:24 • -22.49db
11% Popularity • 21% Danceability • 5% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 5% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
► Preview
Antonio Sartorio
Sartorio: L'Orfeo, Act 3: "Orfeo tu dorm...
84 bpm • B Maj • 02:14 • -16.61db
14% Popularity • 31% Danceability • 13% Energy • 8% Liveness
4% Instrumentalness • 14% Positiveness
14% Popularity • 31% Danceability • 13% Energy • 8% Liveness
4% Instrumentalness • 14% Positiveness
► Preview
Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
84 bpm • B min • 06:28 • -22.04db
9% Popularity • 28% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 10% Positiveness
9% Popularity • 28% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 10% Positiveness
► Preview
Giacomo Carissimi
Carissimi: Jephte: "Cum vocasset in proe...
94 bpm • C Maj • 04:42 • -23db
3% Popularity • 32% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
3% Popularity • 32% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IIId. Ad m...
84 bpm • F# min • 01:31 • -24.34db
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Andreas Scharmann
Gedenke, Herr, wie es uns gehet
84 bpm • E min • 05:20 • -19.3db
5% Popularity • 17% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 5% Positiveness
5% Popularity • 17% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 5% Positiveness
► Preview
Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: I. K...
94 bpm • C Maj • 04:44 • -19.22db
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
William Byrd
Byrd: Mass for Five Voices - 01. Kyrie
84 bpm • C# Maj • 01:35 • -24db
24% Popularity • 17% Danceability • 16% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 16% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
► Preview
Giacomo Carissimi
Historia di Jephte: No. 1 & 2 "Cum vocas...
95 bpm • C Maj • 01:16 • -21.06db
2% Popularity • 35% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 35% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Amy Beach
3 Shakespeare Choruses, Op. 39: No. 3. T...
84 bpm • F Maj • 02:59 • -25.56db
10% Popularity • 21% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 21% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Anónimo
Pasión: Humiliávit. Bajo Solo.
95 bpm • E Maj • 03:00 • -19.69db
12% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
12% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
► Preview
Frank La Rocca
Mass of the Americas: II. Kyrie
95 bpm • E min • 04:15 • -23.63db
6% Popularity • 12% Danceability • 12% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
6% Popularity • 12% Danceability • 12% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Altri canti d'amor
83 bpm • B min • 03:27 • -23.95db
13% Popularity • 16% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Ockeghem: Missa pro Defunctis: I. Requie...
83 bpm • F Maj • 05:37 • -31db
17% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Befiehl dem Engel, dass er komm' in A Mi...
83 bpm • A min • 05:42 • -19.78db
13% Popularity • 16% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
83 bpm • A Maj • 01:25 • -15db
13% Popularity • 26% Danceability • 15% Energy • 14% Liveness
44% Instrumentalness • 17% Positiveness
13% Popularity • 26% Danceability • 15% Energy • 14% Liveness
44% Instrumentalness • 17% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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Antonio Vivaldi
Crucifixus
83 bpm • A min • 04:28 • -30.75db
3% Popularity • 14% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
3% Popularity • 14% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: XIV. Miserere nostri Do...
83 bpm • A# min • 06:14 • -17.79db
14% Popularity • 10% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act II: Ritorne...
83 bpm • C# min • 00:59 • -30.38db
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Barbara Strozzi
"Lagrime mie" (Lamento), Op. 7
83 bpm • D# min • 08:43 • -24db
9% Popularity • 30% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 30% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Giacomo Carissimi
Jephte - Plorate filii Israel (Chorus)
83 bpm • D# min • 04:02 • -24.18db
6% Popularity • 16% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
6% Popularity • 16% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum: IV. Pleni sunt caeli
96 bpm • C# Maj • 02:07 • -12.82db
10% Popularity • 29% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
10% Popularity • 29% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
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Antonio Caldara
Stabat Mater: XI. Christe, cum sit hinc ...
83 bpm • D Maj • 01:36 • -21.7db
27% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Elias, Op. 70, MWV A25: Elijah, Op. 70, ...
83 bpm • D Maj • 02:15 • -26db
11% Popularity • 14% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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William Christie
Purcell : King Arthur : Air
96 bpm • C min • 01:03 • -30db
36% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Barbara Strozzi
Primo libro de' madrigali, Op. 1: Volano...
96 bpm • D min • 04:21 • -17.21db
9% Popularity • 26% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 26% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Giacomo Carissimi
Jonas (Jonah): XVIII. Ionas
96 bpm • A min • 04:59 • -24.03db
1% Popularity • 24% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 24% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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Paul Hindemith
6 Chansons: No. 2. Un cygne
82 bpm • E min • 02:04 • -26db
17% Popularity • 19% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Vespro della beata Vergine (1610): Conce...
82 bpm • G min • 04:53 • -22.01db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: IV. Patrem immensae maj...
96 bpm • G min • 02:01 • -14.84db
18% Popularity • 13% Danceability • 29% Energy • 18% Liveness
77% Instrumentalness • 5% Positiveness
18% Popularity • 13% Danceability • 29% Energy • 18% Liveness
77% Instrumentalness • 5% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: III. "Te aeternum Patre...
97 bpm • C# Maj • 03:59 • -17db
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
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Giacomo Carissimi
Arion Romanus: XV. O Beata virgo
96 bpm • G Maj • 04:07 • -15.59db
0% Popularity • 33% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 33% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Heinrich Schütz
Kyrie eleison, Christe eleison, SWV 458
82 bpm • F# Maj • 09:24 • -24.27db
8% Popularity • 20% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Claudio Monteverdi
Zefiro torna
97 bpm • C# Maj • 06:22 • -18db
11% Popularity • 34% Danceability • 23% Energy • 15% Liveness
32% Instrumentalness • 8% Positiveness
11% Popularity • 34% Danceability • 23% Energy • 15% Liveness
32% Instrumentalness • 8% Positiveness