Songs like Hitchhiker's Lullaby by Red Wanting Blue
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Duhon
They Don't Make 'em...
139 bpm • D Maj • 03:48 • -11db
33% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Northcote
Leaving Wyoming
139 bpm • D# Maj • 03:57 • -6.92db
16% Popularity • 44% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 44% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Shiflett
Fool's Gold
139 bpm • G Maj • 03:11 • -7.25db
10% Popularity • 36% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 36% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Edwin McCain
Romeo and Juliet
139 bpm • G Maj • 07:34 • -6.98db
18% Popularity • 40% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 40% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Lucero
For the Lonely Ones
139 bpm • G Maj • 02:53 • -9.43db
26% Popularity • 26% Danceability • 81% Energy • 13% Liveness
53% Instrumentalness • 28% Positiveness
26% Popularity • 26% Danceability • 81% Energy • 13% Liveness
53% Instrumentalness • 28% Positiveness
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Stephen Kellogg and The Sixers
Satisfied Man
139 bpm • C Maj • 03:48 • -11.78db
20% Popularity • 65% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 65% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Red Wanting Blue
Hitchhiker's Lullaby
139 bpm • C Maj • 04:11 • -7.09db
16% Popularity • 29% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 29% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Green River Ordinance
Dancing Shoes
138 bpm • G Maj • 03:52 • -7.46db
45% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Evan Bartels
Tattoo
138 bpm • E Maj • 04:44 • -10.01db
11% Popularity • 55% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
11% Popularity • 55% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Allen, Mack, Myers, & Moore
Looking for a Lover
138 bpm • F# Maj • 04:22 • -6.37db
12% Popularity • 60% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 60% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Slowcoaster
Darkest of Discos
138 bpm • C Maj • 02:33 • -7.36db
33% Popularity • 60% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 60% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Nathan Colberg
Bourbon Melody
140 bpm • B min • 03:49 • -8.95db
31% Popularity • 61% Danceability • 47% Energy • 11% Liveness
3% Instrumentalness • 51% Positiveness
31% Popularity • 61% Danceability • 47% Energy • 11% Liveness
3% Instrumentalness • 51% Positiveness
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Red Wanting Blue
Ballad Of Nobodies
138 bpm • E Maj • 04:28 • -7.52db
9% Popularity • 63% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 63% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Alternate Routes
One Dance Left
140 bpm • C Maj • 03:32 • -7.32db
16% Popularity • 62% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 62% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Seven Mary Three
Hammer & a Stone
138 bpm • C Maj • 04:43 • -12.99db
20% Popularity • 32% Danceability • 29% Energy • 69% Liveness
57% Instrumentalness • 22% Positiveness
20% Popularity • 32% Danceability • 29% Energy • 69% Liveness
57% Instrumentalness • 22% Positiveness
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David Ramirez
Good Heart
138 bpm • C Maj • 03:19 • -7.98db
30% Popularity • 49% Danceability • 51% Energy • 6% Liveness
1% Instrumentalness • 56% Positiveness
30% Popularity • 49% Danceability • 51% Energy • 6% Liveness
1% Instrumentalness • 56% Positiveness
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Jim Cuddy
Clearer View
138 bpm • F Maj • 03:50 • -4.35db
9% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Mulligan Brothers
Wait for Me
138 bpm • F# min • 05:06 • -8.19db
9% Popularity • 49% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 49% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Red Wanting Blue
Ulysses
138 bpm • C Maj • 03:27 • -7.5db
14% Popularity • 47% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 47% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Will Hoge
Someone Else's Baby
140 bpm • A Maj • 04:33 • -4.95db
13% Popularity • 58% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 58% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Edwin McCain
Let It Slide
140 bpm • G Maj • 03:21 • -4.16db
11% Popularity • 62% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 62% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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The Alternate Routes
Desdemona
138 bpm • G Maj • 05:54 • -11.44db
29% Popularity • 66% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 66% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Stephen Kellogg and The Sixers
Glassjaw Boxer
138 bpm • E Maj • 03:44 • -5.77db
22% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Ruston Kelly
Son Of A Highway Daughter
137 bpm • D Maj • 03:36 • -6.48db
25% Popularity • 40% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 40% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Red Wanting Blue
Cocaine
140 bpm • A# min • 03:55 • -4.72db
13% Popularity • 48% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 48% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Will Hoge
Better off Now (That You're Gone)
140 bpm • C Maj • 02:58 • -3.64db
17% Popularity • 44% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 44% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Peter Bradley Adams
Lorraine
141 bpm • E Maj • 04:33 • -9.27db
32% Popularity • 61% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
32% Popularity • 61% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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The Alternate Routes
Nobody Else
141 bpm • G Maj • 03:01 • -8.56db
11% Popularity • 47% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 47% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Rob Baird
Burning Blue
137 bpm • D Maj • 04:12 • -6.37db
11% Popularity • 44% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 44% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Jackopierce
Please Come to Boston
142 bpm • F Maj • 05:46 • -9.29db
11% Popularity • 39% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 39% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Chris Shiflett
Liar's Word
142 bpm • G Maj • 02:55 • -7.62db
17% Popularity • 35% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 35% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Lone Bellow
Long Way to Go
136 bpm • A Maj • 03:32 • -8.46db
12% Popularity • 61% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 61% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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American Aquarium
The World Is On Fire
136 bpm • E Maj • 05:25 • -7.46db
19% Popularity • 50% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 50% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Allen, Mack, Myers, & Moore
Night Like This
142 bpm • F# Maj • 03:49 • -7.12db
11% Popularity • 51% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 51% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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David Ramirez
That Ain't Love
136 bpm • G Maj • 03:20 • -7.63db
22% Popularity • 58% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 58% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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The Roosevelts & James Mason
California
142 bpm • E Maj • 03:21 • -5.83db
23% Popularity • 59% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 59% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Tonic
Mr. Golden Deal (Acoustic 2016)
136 bpm • B Maj • 04:55 • -11.84db
17% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Verve Pipe
Love Will Find You Again
142 bpm • C Maj • 04:19 • -6.86db
9% Popularity • 56% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 56% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Jared & The Mill
Ghosts
142 bpm • D min • 03:35 • -7.43db
20% Popularity • 56% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 56% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Evan Bartels
The Fine Things
136 bpm • D Maj • 05:05 • -9.46db
10% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Vegabonds
Everything I Need
142 bpm • G Maj • 05:28 • -4.97db
14% Popularity • 46% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 46% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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The Lone Bellow
The Restless
142 bpm • C Maj • 03:19 • -7.68db
26% Popularity • 50% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 50% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Ryan Kinder
Fortunate Son
142 bpm • G Maj • 04:00 • -9.38db
16% Popularity • 56% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 56% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Culwell
Can You Hear Me
136 bpm • F# Maj • 04:48 • -6.46db
7% Popularity • 40% Danceability • 70% Energy • 21% Liveness
3% Instrumentalness • 33% Positiveness
7% Popularity • 40% Danceability • 70% Energy • 21% Liveness
3% Instrumentalness • 33% Positiveness
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Tabitha's Secret
Forever December ( 1995 Version )
136 bpm • C Maj • 04:31 • -8.02db
24% Popularity • 46% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 46% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Stephen Kellogg and The Sixers
4th of July
136 bpm • D Maj • 05:03 • -7.43db
27% Popularity • 58% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 58% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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The Vegabonds
Generation of Happiness
136 bpm • E min • 03:55 • -6.22db
9% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Quiet Hollers
Their Dark Robes
135 bpm • D# Maj • 04:21 • -6.9db
17% Popularity • 37% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
17% Popularity • 37% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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The Alternate Routes
Sun so High
143 bpm • B Maj • 03:16 • -7.39db
18% Popularity • 49% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 49% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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NEWSKI
Only Macaulay Culkin Can Save Us Now
135 bpm • G# Maj • 03:09 • -7.78db
9% Popularity • 55% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 55% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Tabitha's Secret
11 Blue Monday (2:49)
135 bpm • F Maj • 02:51 • -7.71db
11% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Red Wanting Blue
Glass House
135 bpm • D Maj • 02:48 • -8.91db
12% Popularity • 57% Danceability • 54% Energy • 18% Liveness
1% Instrumentalness • 31% Positiveness
12% Popularity • 57% Danceability • 54% Energy • 18% Liveness
1% Instrumentalness • 31% Positiveness
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Butch Walker
Closest Thing to You I'm Gonna Find
134 bpm • G Maj • 03:56 • -7.57db
17% Popularity • 42% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 42% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Will Hoge
This Grand Charade
144 bpm • E Maj • 03:43 • -11.81db
9% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Stephen Kellogg and The Sixers
Cabin In the Woods
144 bpm • E Maj • 03:47 • -7.07db
19% Popularity • 58% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 58% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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The Sweet Remains
Breakup Breakdown
144 bpm • G# Maj • 03:35 • -11.53db
10% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Tabitha's Secret
Unkind
134 bpm • A Maj • 03:30 • -8.53db
27% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Desure
Stranded Son
134 bpm • F Maj • 04:42 • -5.26db
9% Popularity • 41% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 41% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Amos Lee
Chill In The Air
134 bpm • F# Maj • 04:27 • -10db
42% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Yesterday's Wine
Seven Oceans
134 bpm • G Maj • 03:24 • -8.23db
22% Popularity • 68% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 68% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Stephen Kellogg and The Sixers
Sweet Sophia
134 bpm • D Maj • 03:11 • -9db
28% Popularity • 60% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 60% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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The Mallett Brothers Band
Late Night in Austin
134 bpm • D Maj • 04:35 • -7.42db
13% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Tabitha's Secret
3 Here Comes Horses (4:21)
144 bpm • C Maj • 04:23 • -9.06db
18% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Blues Traveler
Hearts Are Still Awake
145 bpm • G# Maj • 03:44 • -5.48db
11% Popularity • 47% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 47% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Amos Lee
Louisville
133 bpm • A# Maj • 03:34 • -7.73db
24% Popularity • 66% Danceability • 78% Energy • 31% Liveness
1% Instrumentalness • 78% Positiveness
24% Popularity • 66% Danceability • 78% Energy • 31% Liveness
1% Instrumentalness • 78% Positiveness
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Red Wanting Blue
My Name Is Death
145 bpm • C Maj • 03:35 • -12.6db
34% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Parsonsfield
Light of the City
145 bpm • A Maj • 04:09 • -9.49db
20% Popularity • 73% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 73% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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The Mallett Brothers Band
Somethin' to Lean On
133 bpm • A Maj • 04:26 • -9.8db
8% Popularity • 58% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 58% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Tabitha's Secret
Dear Joan
145 bpm • F Maj • 04:53 • -15db
24% Popularity • 40% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 40% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Brian Dunne
We Don't Talk About It
145 bpm • G# Maj • 04:57 • -13.78db
8% Popularity • 48% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 48% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Grady Spencer & the Work
Things to Do
133 bpm • B Maj • 03:48 • -9.77db
10% Popularity • 54% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
10% Popularity • 54% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Red Wanting Blue
The World Is Over
133 bpm • G Maj • 03:18 • -4.83db
13% Popularity • 42% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 42% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Town Meeting
New Hampshire
133 bpm • A Maj • 03:05 • -5.06db
19% Popularity • 41% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 41% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Glorietta
Golden Lonesome (OurVinyl Sessions)
133 bpm • A Maj • 03:06 • -11db
31% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Tabitha's Secret
6 Tired (3:56)
133 bpm • F Maj • 03:58 • -7.23db
22% Popularity • 63% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 63% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Stephen Kellogg and The Sixers
Start The Day Early
146 bpm • C Maj • 03:41 • -4.05db
31% Popularity • 64% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 64% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Jim Cuddy
Hands on the Glass
146 bpm • E min • 04:40 • -5.19db
9% Popularity • 56% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 56% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Red Wanting Blue
Hope On A Rope
146 bpm • A Maj • 04:56 • -5.39db
12% Popularity • 48% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 48% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Them Coulee Boys
Sunset Sermons
132 bpm • G Maj • 06:10 • -9.5db
12% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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The Wilderness
Dancing in the Dive Bars
132 bpm • D Maj • 04:27 • -5.8db
24% Popularity • 56% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 56% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Blue Water Highway
Oh Seraphim!
132 bpm • C# Maj • 03:57 • -6.78db
10% Popularity • 53% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 53% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Carbon Leaf
Let Your Troubles Roll By
147 bpm • A Maj • 05:26 • -7.15db
32% Popularity • 51% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 51% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Tabitha's Secret
1 And Around (3:41)
132 bpm • A Maj • 03:42 • -8.47db
25% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Red Wanting Blue
Tearing Down Stars
146 bpm • D Maj • 04:02 • -5.19db
10% Popularity • 48% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 48% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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The Lone Bellow
Feather
131 bpm • B Maj • 03:43 • -5.26db
19% Popularity • 50% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 50% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Stephen Kellogg and The Sixers
Shady Esperanto And The Young Hearts
131 bpm • G# Maj • 03:02 • -6.79db
22% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Blue Water Highway
Hanging On
147 bpm • D# Maj • 04:40 • -9db
12% Popularity • 48% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 48% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Them Coulee Boys
Midnight Manifestos
131 bpm • D# Maj • 03:56 • -7db
22% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Noah Guthrie
Razor Blade
131 bpm • C Maj • 03:34 • -7.36db
12% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Carolina Story
We Were Young Once Too
131 bpm • A# Maj • 04:03 • -9.88db
9% Popularity • 51% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 51% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Paul McDonald
New Lovers
148 bpm • B Maj • 04:09 • -9db
28% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Shiflett
I'm Still Drunk
148 bpm • E min • 03:01 • -7.35db
19% Popularity • 50% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 50% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Jackopierce
Please Come to Boston
130 bpm • F Maj • 05:47 • -15.43db
30% Popularity • 56% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 56% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Red Wanting Blue
Your Alibi - Live
148 bpm • F Maj • 06:37 • -4.91db
10% Popularity • 22% Danceability • 86% Energy • 73% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 22% Danceability • 86% Energy • 73% Liveness
0% Instrumentalness • 38% Positiveness
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Tabitha's Secret
5 Forever December (4:47)
130 bpm • C Maj • 04:49 • -7.63db
14% Popularity • 44% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 44% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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The Vegabonds
Oh My Lord
130 bpm • C Maj • 03:01 • -3.73db
23% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Barenaked Ladies
Navigate - acoustic
130 bpm • A Maj • 03:58 • -13.21db
8% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Blues Traveler
I Can Still Feel You
130 bpm • F Maj • 04:12 • -4.97db
24% Popularity • 54% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 54% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
