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Hjalmar's Axe
Songs like
Hjalmar's Axe
by
Marcin Przybyłowicz
Based on a tempo of (+/- 10%) and a similar genre
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Jan Valta
Arena
120 bpm • C# Maj • 01:11 • -18db
13% Popularity • 70% Danceability • 96% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Pawel Blaszczak
Last Battle
120 bpm • E min • 01:14 • -8db
34% Popularity • 53% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
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Krzysztof Wierzynkiewicz
Vergen By Night
120 bpm • D min • 05:16 • -16db
38% Popularity • 34% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Midnight Syndicate
Deep Trouble
120 bpm • F Maj • 01:48 • -16.48db
34% Popularity • 52% Danceability • 45% Energy • 10% Liveness
98% Instrumentalness • 53% Positiveness
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Marcin Przybyłowicz
Evil's Soft First Touches
120 bpm • A# Maj • 02:48 • -13.29db
36% Popularity • 47% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 3% Positiveness
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EA Games Soundtrack
To Kill An Ogre
120 bpm • B min • 03:09 • -12db
31% Popularity • 73% Danceability • 45% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
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Jan Valta
Fist Fight
120 bpm • B min • 02:45 • -14db
22% Popularity • 68% Danceability • 60% Energy • 11% Liveness
98% Instrumentalness • 66% Positiveness
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Borislav Slavov
Welcome to Fort Joy
120 bpm • B min • 02:03 • -18db
43% Popularity • 71% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
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Krzysztof Wierzynkiewicz
The End Is Never The Same
120 bpm • D min • 03:16 • -11.54db
22% Popularity • 46% Danceability • 54% Energy • 28% Liveness
93% Instrumentalness • 19% Positiveness
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Percival Schuttenbach
The Musty Scent Of Fresh Pâté
120 bpm • A# Maj • 02:20 • -9.15db
44% Popularity • 74% Danceability • 69% Energy • 7% Liveness
20% Instrumentalness • 69% Positiveness
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Marcin Przybyłowicz
The Temple Of Lilvani
120 bpm • D# Maj • 02:21 • -13.73db
34% Popularity • 38% Danceability • 51% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
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EA Games Soundtrack
Ruins of Ostagar
120 bpm • A Maj • 01:18 • -15db
26% Popularity • 28% Danceability • 39% Energy • 26% Liveness
97% Instrumentalness • 32% Positiveness
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Travis Savoie
Dream Pastries (Coven Theme)
120 bpm • C min • 03:00 • -15.87db
22% Popularity • 44% Danceability • 38% Energy • 19% Liveness
91% Instrumentalness • 21% Positiveness
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Will Savino
In the Warmth of the Fire
120 bpm • E min • 04:07 • -18.67db
26% Popularity • 29% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 8% Positiveness
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Adam Skorupa
The Assassin Looms
120 bpm • D Maj • 01:04 • -12db
33% Popularity • 62% Danceability • 88% Energy • 19% Liveness
89% Instrumentalness • 32% Positiveness
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Jeremy Soule
Bloodlust
120 bpm • D# min • 01:06 • -24db
44% Popularity • 50% Danceability • 13% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
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Marcin Przybyłowicz
Child Of The Elder Blood
120 bpm • C min • 01:15 • -10.32db
40% Popularity • 34% Danceability • 70% Energy • 8% Liveness
13% Instrumentalness • 13% Positiveness
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EA Games Soundtrack
Challenge an Arch Demon
120 bpm • F# Maj • 03:12 • -11db
24% Popularity • 46% Danceability • 58% Energy • 22% Liveness
89% Instrumentalness • 21% Positiveness
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Pawel Blaszczak
Evening In The Tavern
120 bpm • B min • 00:57 • -13.4db
47% Popularity • 84% Danceability • 45% Energy • 13% Liveness
96% Instrumentalness • 97% Positiveness
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Borislav Slavov
Old Time Battles - Bard Version
120 bpm • G min • 02:04 • -13.77db
47% Popularity • 77% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 54% Positiveness
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Midnight Syndicate
Skirmish
120 bpm • D min • 04:30 • -17db
36% Popularity • 54% Danceability • 31% Energy • 12% Liveness
78% Instrumentalness • 66% Positiveness
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Sonya Belousova
Today Isn't Your Day Is It
120 bpm • F# Maj • 01:38 • -9.23db
24% Popularity • 30% Danceability • 96% Energy • 6% Liveness
81% Instrumentalness • 3% Positiveness
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Critical Role
The Cinder King
120 bpm • A# Maj • 03:44 • -11.59db
32% Popularity • 61% Danceability • 69% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Kevin Riepl
Sadistic Fury
120 bpm • C min • 02:34 • -16db
23% Popularity • 50% Danceability • 37% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Marcin Przybyłowicz
Hjalmar's Axe
120 bpm • G min • 00:56 • -10.62db
38% Popularity • 54% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Valkyrion
Ancestral Lands
120 bpm • D min • 02:15 • -16.16db
0% Popularity • 35% Danceability • 23% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Arnaud Roy
Terra Amata
120 bpm • G# Maj • 04:45 • -17.89db
38% Popularity • 60% Danceability • 16% Energy • 14% Liveness
87% Instrumentalness • 10% Positiveness
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Pawel Blaszczak
Mighty
120 bpm • E min • 01:10 • -8.24db
29% Popularity • 57% Danceability • 90% Energy • 12% Liveness
92% Instrumentalness • 58% Positiveness
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Jan Valta
Brotherhood of Bravery
120 bpm • F Maj • 01:12 • -8.49db
28% Popularity • 39% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
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Krzysztof Wierzynkiewicz
An Army Lying In Wait
120 bpm • A Maj • 03:53 • -16.76db
23% Popularity • 18% Danceability • 36% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Two Worlds II
Play with me, my fellow!
120 bpm • E min • 02:03 • -15.16db
35% Popularity • 60% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 35% Positiveness
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Russell Brower
Rise of the Vrykul
120 bpm • B min • 01:22 • -11.65db
29% Popularity • 56% Danceability • 78% Energy • 42% Liveness
67% Instrumentalness • 21% Positiveness
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Sonya Belousova
The Knight Who Was Taught to Save Dragon...
120 bpm • G Maj • 05:05 • -10.18db
33% Popularity • 18% Danceability • 80% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
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Arnaud Roy
Embrace the Agony (Ardent Mages Prologue...
119 bpm • A min • 01:17 • -16.13db
18% Popularity • 36% Danceability • 29% Energy • 15% Liveness
98% Instrumentalness • 35% Positiveness
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Will Savino
Slay the Serpent
121 bpm • D Maj • 01:47 • -12.63db
15% Popularity • 55% Danceability • 85% Energy • 13% Liveness
92% Instrumentalness • 81% Positiveness
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Marcin Przybyłowicz
The Tournament
119 bpm • A# Maj • 01:15 • -10.8db
25% Popularity • 35% Danceability • 46% Energy • 17% Liveness
81% Instrumentalness • 10% Positiveness
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Borislav Slavov
Quest for a Cure
119 bpm • D min • 04:43 • -24.09db
47% Popularity • 24% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Russell Brower
The Gates of Ahn'Qiraj
120 bpm • C Maj • 04:00 • -16.59db
30% Popularity • 17% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
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Chance Thomas
The Entwash Vale
118 bpm • G# min • 03:18 • -23.72db
30% Popularity • 17% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Arnaud Roy
The Sharing (Wild Walkers Prologue)
119 bpm • D Maj • 01:45 • -13.89db
26% Popularity • 52% Danceability • 49% Energy • 21% Liveness
88% Instrumentalness • 68% Positiveness
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ASKII
Feast
122 bpm • D Maj • 03:41 • -12.34db
26% Popularity • 56% Danceability • 68% Energy • 14% Liveness
91% Instrumentalness • 57% Positiveness
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Will Savino
Streets of Iron and Blood
121 bpm • A# min • 03:15 • -10.27db
15% Popularity • 59% Danceability • 87% Energy • 11% Liveness
72% Instrumentalness • 64% Positiveness
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Critical Role
The Grey Hunt
118 bpm • G Maj • 04:22 • -13.15db
31% Popularity • 44% Danceability • 57% Energy • 31% Liveness
74% Instrumentalness • 8% Positiveness
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Drakensang
Ferdok – Die Stadt Am Großen Fluß
122 bpm • C min • 01:21 • -21db
31% Popularity • 31% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Derek Fiechter
The Innkeeper
122 bpm • A min • 03:27 • -14.51db
30% Popularity • 31% Danceability • 23% Energy • 29% Liveness
72% Instrumentalness • 48% Positiveness
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Marcin Przybyłowicz
Emhyr Var Emreis
117 bpm • G Maj • 02:29 • -13.89db
41% Popularity • 17% Danceability • 41% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Russell Shaw
The Lady of Rosewood: Will You Dance
123 bpm • G# Maj • 02:13 • -21db
32% Popularity • 40% Danceability • 22% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
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Rob King
Autumn Is Coming
117 bpm • A min • 03:23 • -16db
30% Popularity • 26% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Olivier Deriviere
The Wrath
117 bpm • G Maj • 02:36 • -13.36db
32% Popularity • 67% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
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Jan Valta
Fill Them Up Once More
117 bpm • F Maj • 02:32 • -14db
25% Popularity • 86% Danceability • 33% Energy • 12% Liveness
19% Instrumentalness • 55% Positiveness
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Borough Bound
Wenjansków Eternal
123 bpm • F# min • 03:04 • -8.93db
25% Popularity • 64% Danceability • 87% Energy • 7% Liveness
98% Instrumentalness • 34% Positiveness
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Marcin Przybyłowicz
Whatsoever A Man Soweth...
118 bpm • G min • 02:21 • -18db
35% Popularity • 17% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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EA Games Soundtrack
The Chantry's Hubris
117 bpm • A Maj • 03:16 • -13.15db
25% Popularity • 17% Danceability • 41% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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Jesper Kyd
The Red Moon Inn
123 bpm • D min • 01:59 • -21db
27% Popularity • 73% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
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Arnaud Roy
Skylark
124 bpm • C min • 04:14 • -18.41db
32% Popularity • 28% Danceability • 17% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Stuart Chatwood
Mournweald Encounter
124 bpm • G Maj • 02:25 • -6.37db
38% Popularity • 58% Danceability • 95% Energy • 8% Liveness
84% Instrumentalness • 28% Positiveness
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Daniel Licht
Streets of Karnaca (Suspense)
124 bpm • C# Maj • 02:33 • -22.56db
32% Popularity • 22% Danceability • 17% Energy • 16% Liveness
86% Instrumentalness • 3% Positiveness
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Sonya Belousova
Late Wee Pups Don't Get to Bark
125 bpm • D min • 02:39 • -14.54db
30% Popularity • 19% Danceability • 25% Energy • 7% Liveness
78% Instrumentalness • 7% Positiveness
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Critical Role
Reefs of Darktow
116 bpm • E min • 04:06 • -14.63db
24% Popularity • 40% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Dmitry V. Silantyev
Crusaders' March
125 bpm • A Maj • 01:07 • -14.06db
28% Popularity • 37% Danceability • 46% Energy • 14% Liveness
98% Instrumentalness • 14% Positiveness
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Percival Schuttenbach
Dead Man's Party
125 bpm • C# Maj • 00:48 • -12.51db
38% Popularity • 73% Danceability • 42% Energy • 18% Liveness
98% Instrumentalness • 13% Positiveness
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Pawel Blaszczak
Tavern At The End Of World
125 bpm • E min • 01:25 • -11db
43% Popularity • 61% Danceability • 52% Energy • 12% Liveness
47% Instrumentalness • 71% Positiveness
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Danny Bensi and Saunder Jurriaans
The Emperor's Courtyard
125 bpm • G Maj • 01:38 • -14.48db
25% Popularity • 72% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Bill Brown
Final Crisis
125 bpm • E min • 01:58 • -9db
32% Popularity • 29% Danceability • 76% Energy • 30% Liveness
60% Instrumentalness • 47% Positiveness
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P.T. Adamczyk
Ysgith
125 bpm • F Maj • 02:27 • -28.64db
25% Popularity • 23% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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Jeremy Soule
Blood and Steel
125 bpm • G Maj • 02:10 • -14.59db
43% Popularity • 22% Danceability • 34% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Critical Role
Trouble at the Docks
126 bpm • A min • 03:09 • -14.33db
24% Popularity • 62% Danceability • 66% Energy • 11% Liveness
85% Instrumentalness • 32% Positiveness
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Pawel Blaszczak
The Lesser Of Two Evils
115 bpm • D min • 01:55 • -10.93db
23% Popularity • 48% Danceability • 55% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Sonya Belousova
Bread, Breasts and Beer
115 bpm • G Maj • 01:50 • -15db
26% Popularity • 62% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Will Savino
In Corridors of Yore
114 bpm • C# Maj • 03:20 • -18.65db
17% Popularity • 44% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Jason Hayes
Graveyard
126 bpm • A# min • 01:08 • -17.75db
40% Popularity • 20% Danceability • 19% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Borislav Slavov
Amber Ale
126 bpm • A min • 03:42 • -13db
39% Popularity • 84% Danceability • 37% Energy • 11% Liveness
82% Instrumentalness • 27% Positiveness
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Adam Skorupa
Assassins Of Kings
126 bpm • C Maj • 02:06 • -11db
31% Popularity • 24% Danceability • 60% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Russell Brower
Azsuna
127 bpm • F Maj • 02:40 • -18.02db
27% Popularity • 17% Danceability • 15% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
The Tale of Sensei Ishikawa
127 bpm • G min • 04:36 • -13.44db
30% Popularity • 48% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Jeff van Dyck
The Enemy is Near
113 bpm • E min • 02:35 • -15db
25% Popularity • 45% Danceability • 58% Energy • 12% Liveness
93% Instrumentalness • 39% Positiveness
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Marcin Przybyłowicz
Farewell, Old Friend
127 bpm • D min • 02:52 • -16.69db
45% Popularity • 17% Danceability • 20% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Bill Brown
Expedition March
113 bpm • F Maj • 02:04 • -13.88db
39% Popularity • 40% Danceability • 23% Energy • 13% Liveness
94% Instrumentalness • 16% Positiveness
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Breakdown Epiphanies
The Black Iron Pact (Orcs)
128 bpm • C# min • 04:43 • -15.6db
15% Popularity • 51% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 41% Positiveness
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Arnaud Roy
Time of Change (Vaulters Theme)
128 bpm • E min • 03:22 • -17db
31% Popularity • 41% Danceability • 30% Energy • 10% Liveness
59% Instrumentalness • 12% Positiveness
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Pawel Blaszczak
Silver Sword
128 bpm • F min • 01:33 • -19db
33% Popularity • 17% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Roland Rizzo
France (The Medieval Era)
112 bpm • G Maj • 03:13 • -14.68db
34% Popularity • 69% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 73% Positiveness
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P.T. Adamczyk
Lair Of The Beast
112 bpm • E min • 02:32 • -16.58db
26% Popularity • 60% Danceability • 74% Energy • 12% Liveness
86% Instrumentalness • 79% Positiveness
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Midnight Syndicate
Troubled Times
112 bpm • C Maj • 04:37 • -18db
33% Popularity • 23% Danceability • 47% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Chance Thomas
Rivendell
129 bpm • C# min • 02:03 • -15.23db
34% Popularity • 25% Danceability • 28% Energy • 54% Liveness
1% Instrumentalness • 4% Positiveness
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Austin Wintory
No Life Goes Forever Unbroken
112 bpm • D Maj • 02:49 • -12.32db
22% Popularity • 51% Danceability • 26% Energy • 15% Liveness
4% Instrumentalness • 4% Positiveness
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Joris de Man
The Point of the Spear - Part 1 - Mother...
112 bpm • F Maj • 01:44 • -21.24db
32% Popularity • 17% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jeremy Soule
A Chance Meeting
112 bpm • G# Maj • 03:09 • -32.9db
50% Popularity • 39% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
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Marcin Przybyłowicz
In The Giant's Shadow
129 bpm • G Maj • 02:49 • -20db
39% Popularity • 16% Danceability • 13% Energy • 12% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
EA Games Soundtrack
The Dalish Elves' Encampment
111 bpm • B min • 01:18 • -21db
37% Popularity • 22% Danceability • 9% Energy • 16% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Sonya Belousova
Pretty Ballads Hide Bastard Truths
130 bpm • F Maj • 02:19 • -11.37db
27% Popularity • 70% Danceability • 52% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
► Preview
Jason Hayes
Dun Morogh
111 bpm • A# Maj • 07:31 • -19db
42% Popularity • 19% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Joris de Man
City On The Mesa - Part 3 - Onwards to M...
130 bpm • F Maj • 04:07 • -22db
34% Popularity • 42% Danceability • 16% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Adam Skorupa
Arena Of Rage
130 bpm • C min • 01:11 • -9.54db
35% Popularity • 46% Danceability • 84% Energy • 10% Liveness
61% Instrumentalness • 12% Positiveness
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Percival Schuttenbach
Cloak And Dagger
130 bpm • D Maj • 02:46 • -14.43db
47% Popularity • 55% Danceability • 40% Energy • 22% Liveness
88% Instrumentalness • 26% Positiveness
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ASKII
The Feathered Horn - Epic Version
130 bpm • D Maj • 03:16 • -11.78db
21% Popularity • 38% Danceability • 41% Energy • 14% Liveness
4% Instrumentalness • 20% Positiveness
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P.T. Adamczyk
Riches And Glory
130 bpm • D Maj • 03:53 • -14.55db
29% Popularity • 52% Danceability • 70% Energy • 74% Liveness
14% Instrumentalness • 68% Positiveness
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Russell Brower
Tides of War
130 bpm • A min • 03:10 • -7.23db
24% Popularity • 35% Danceability • 47% Energy • 34% Liveness
28% Instrumentalness • 19% Positiveness
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Marcin Przybyłowicz
Mystery Man
130 bpm • A# Maj • 02:40 • -9db
37% Popularity • 24% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Funcom Soundtrack
An Exile Hunted
130 bpm • F# Maj • 01:04 • -21.44db
26% Popularity • 83% Danceability • 34% Energy • 11% Liveness
60% Instrumentalness • 56% Positiveness
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Hjalmar's Axe