Songs like Hoffmanns Erzählungen - Oper in drei Akten, einem Vor- und einem Nachspiel (Gesamtaufnahme in deutscher Sprache), 3. Akt: Nr. 19a Szene: Franz! Hier ist's! He Franz! Mein Freund! by Jacques Offenbach
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
124 bpm • E Maj • 03:04 • -23.49db
30% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
30% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
125 bpm • C Maj • 02:29 • -15.3db
7% Popularity • 43% Danceability • 33% Energy • 58% Liveness
1% Instrumentalness • 64% Positiveness
7% Popularity • 43% Danceability • 33% Energy • 58% Liveness
1% Instrumentalness • 64% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: II. Habanera ...
123 bpm • D Maj • 02:11 • -26.94db
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Slovak Philharmonic
Leise flehen meine Lieder, D. 957
123 bpm • D Maj • 04:12 • -18.32db
26% Popularity • 22% Danceability • 11% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 11% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
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Jacques Offenbach
La Grande-Duchesse de Gérolstein / Act ...
125 bpm • C Maj • 04:52 • -21.5db
2% Popularity • 49% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 49% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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La Sinfónica Clásica
Polka Italienne
126 bpm • D# Maj • 01:39 • -21.78db
24% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
24% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
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Johann Strauss I
Strauss: Radetzky March, Op. 228
122 bpm • A Maj • 02:49 • -19db
31% Popularity • 62% Danceability • 36% Energy • 22% Liveness
70% Instrumentalness • 69% Positiveness
31% Popularity • 62% Danceability • 36% Energy • 22% Liveness
70% Instrumentalness • 69% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 3...
126 bpm • D Maj • 07:06 • -17.59db
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
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Jacques Offenbach
Offenbach: La Belle Hélène, Act 1: Mar...
126 bpm • F Maj • 04:05 • -19db
2% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
127 bpm • D Maj • 06:11 • -16db
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550 - (2n...
121 bpm • G min • 07:07 • -19.67db
42% Popularity • 33% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
42% Popularity • 33% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
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Antonín Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Sergei Rachmaninoff
Variation XVIII: Andante Cantabile
127 bpm • C# Maj • 02:46 • -14.43db
11% Popularity • 32% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 32% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Gustav Holst
Holst: The Planets, Op. 32: IV. Jupiter,...
127 bpm • C min • 04:48 • -12db
37% Popularity • 29% Danceability • 30% Energy • 15% Liveness
81% Instrumentalness • 27% Positiveness
37% Popularity • 29% Danceability • 30% Energy • 15% Liveness
81% Instrumentalness • 27% Positiveness
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Antonín Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Bedřich Smetana
Má vlast, JB 1:112: II. Vltava, "The Mo...
128 bpm • C Maj • 02:57 • -12.12db
23% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
23% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: VI. Danse Boh...
128 bpm • A min • 04:33 • -22.38db
27% Popularity • 42% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
27% Popularity • 42% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
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Franz von Suppé
Leichte Kavallerie: Overture
128 bpm • E Maj • 06:40 • -17db
11% Popularity • 32% Danceability • 30% Energy • 4% Liveness
87% Instrumentalness • 11% Positiveness
11% Popularity • 32% Danceability • 30% Energy • 4% Liveness
87% Instrumentalness • 11% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
128 bpm • G min • 03:28 • -16db
21% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
21% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act II: Barcarol...
129 bpm • D Maj • 03:43 • -22.5db
30% Popularity • 24% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 11 in A Major, K. 331: ...
129 bpm • A Maj • 03:32 • -19.76db
31% Popularity • 60% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 92% Positiveness
31% Popularity • 60% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 92% Positiveness
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Antonín Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Franz von Suppé
Light Cavalry
130 bpm • A Maj • 06:59 • -13db
14% Popularity • 30% Danceability • 27% Energy • 24% Liveness
85% Instrumentalness • 15% Positiveness
14% Popularity • 30% Danceability • 27% Energy • 24% Liveness
85% Instrumentalness • 15% Positiveness
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Ferdinand Hérold
La fille mal gardée (Rev. Lanchbery), A...
130 bpm • G min • 02:11 • -20.98db
21% Popularity • 43% Danceability • 11% Energy • 59% Liveness
87% Instrumentalness • 36% Positiveness
21% Popularity • 43% Danceability • 11% Energy • 59% Liveness
87% Instrumentalness • 36% Positiveness
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Jacques Offenbach
Barcarolle: Belle nuit, ô nuit d’amou...
129 bpm • D Maj • 03:58 • -21.53db
20% Popularity • 28% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 28% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
119 bpm • A# Maj • 02:50 • -20db
40% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Wagner
Tannhauser, Act II: Einzug der Gaste auf...
130 bpm • B Maj • 06:38 • -19.62db
20% Popularity • 28% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
20% Popularity • 28% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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Johann Strauss I
Strauss Party
118 bpm • G Maj • 03:25 • -5.91db
23% Popularity • 43% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 43% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Emmanuel Chabrier
España: Espana
117 bpm • F Maj • 06:44 • -16db
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
48% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
48% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
132 bpm • F Maj • 05:53 • -23.97db
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620 / Act 2: "Pa-Pa-...
117 bpm • G Maj • 02:25 • -17.01db
28% Popularity • 55% Danceability • 29% Energy • 21% Liveness
7% Instrumentalness • 64% Positiveness
28% Popularity • 55% Danceability • 29% Energy • 21% Liveness
7% Instrumentalness • 64% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 12. Fos...
116 bpm • D# Maj • 01:19 • -16db
37% Popularity • 57% Danceability • 29% Energy • 28% Liveness
12% Instrumentalness • 68% Positiveness
37% Popularity • 57% Danceability • 29% Energy • 28% Liveness
12% Instrumentalness • 68% Positiveness
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Bedřich Smetana
Má Vlast, JB1:112: 2. Vltava - Excerpt
116 bpm • C Maj • 03:49 • -18.2db
26% Popularity • 23% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
26% Popularity • 23% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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John Keating/London Symphony Orchestra
Brahms Symphony No. 3 - 3rd Movement
116 bpm • C min • 04:58 • -18.84db
14% Popularity • 19% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
► Preview
Jacques Offenbach
Jacques Offenbach: Les contes d'Hoffmann...
132 bpm • D Maj • 03:35 • -33db
22% Popularity • 22% Danceability • 1% Energy • 29% Liveness
41% Instrumentalness • 10% Positiveness
22% Popularity • 22% Danceability • 1% Energy • 29% Liveness
41% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
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Camille Saint-Saëns
Danse macabre in G Minor, Op. 40
116 bpm • G min • 07:12 • -20.42db
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
► Preview
Léo Delibes
Delibes: Sylvia: Act III. Cortège de Ba...
115 bpm • E Maj • 06:01 • -15db
31% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
31% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
► Preview
Frédéric Chopin
Les Sylphides: 8. Valse
116 bpm • G# Maj • 05:43 • -14db
18% Popularity • 35% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 24% Positiveness
18% Popularity • 35% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 24% Positiveness
► Preview
Antonín Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 7 i...
134 bpm • C min • 03:38 • -14db
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
132 bpm • A min • 02:45 • -17.24db
6% Popularity • 45% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
6% Popularity • 45% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Dmitri Shostakovich
The Gadfly Suite, Op. 97a: No. 8 Romance
133 bpm • C# Maj • 06:28 • -20.3db
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
The Carnival of the Animals, R. 125: VII...
134 bpm • A min • 02:24 • -17.17db
22% Popularity • 27% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 18% Positiveness
22% Popularity • 27% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 18% Positiveness
► Preview
Giacomo Puccini
Puccini: Turandot, Act 3: "Nessun dorma"...
134 bpm • D Maj • 03:26 • -12db
25% Popularity • 22% Danceability • 38% Energy • 32% Liveness
36% Instrumentalness • 10% Positiveness
25% Popularity • 22% Danceability • 38% Energy • 32% Liveness
36% Instrumentalness • 10% Positiveness
► Preview
London Festival Orchestra
Carmen, Opera Suite No. 1: III. Intermez...
134 bpm • D# Maj • 02:40 • -24db
33% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
33% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto I Scene...
134 bpm • D Maj • 02:40 • -20.56db
31% Popularity • 45% Danceability • 11% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 45% Danceability • 11% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Jacques Offenbach
Offenbach: Les Contes d'Hoffman, Act 1: ...
134 bpm • A# Maj • 02:04 • -17.12db
3% Popularity • 40% Danceability • 24% Energy • 59% Liveness
0% Instrumentalness • 29% Positiveness
3% Popularity • 40% Danceability • 24% Energy • 59% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Dmitri Shostakovich
Jazz Suite No. 1: II. Polka
134 bpm • C Maj • 01:35 • -24db
31% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
31% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
► Preview
Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
135 bpm • G min • 03:01 • -17db
36% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
36% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
► Preview
Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
31% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
31% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
► Preview
Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
► Preview
Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
134 bpm • E Maj • 03:07 • -21db
16% Popularity • 40% Danceability • 26% Energy • 69% Liveness
84% Instrumentalness • 72% Positiveness
16% Popularity • 40% Danceability • 26% Energy • 69% Liveness
84% Instrumentalness • 72% Positiveness
► Preview
Eric Coates
By the Sleepy Lagoon
135 bpm • C Maj • 03:57 • -29.36db
19% Popularity • 15% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Joseph Haydn
Trumpet Concerto in E Flat, H.VIIe/1: II...
135 bpm • D# Maj • 04:35 • -16.57db
22% Popularity • 54% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
22% Popularity • 54% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Carl Nielsen
Aladdin, Op. 34, FS 89, CNW 17, Act IV: ...
135 bpm • D min • 02:57 • -25.08db
17% Popularity • 18% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 14% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 14% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: Romance
135 bpm • C# Maj • 04:16 • -15db
24% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Di...
115 bpm • D Maj • 01:03 • -22.73db
5% Popularity • 53% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 53% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
113 bpm • E Maj • 03:07 • -14.42db
50% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
50% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: IV. Chanson d...
113 bpm • F Maj • 02:39 • -18db
35% Popularity • 56% Danceability • 11% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
35% Popularity • 56% Danceability • 11% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
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Manuel Rosenthal
Gaite Parisienne (after J. Offenbach): 2...
113 bpm • D Maj • 04:34 • -29.49db
21% Popularity • 19% Danceability • 2% Energy • 12% Liveness
19% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 2% Energy • 12% Liveness
19% Instrumentalness • 4% Positiveness
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George Frideric Handel
Music for the Royal Fireworks: Suite HWV...
136 bpm • C# Maj • 07:21 • -15.08db
27% Popularity • 40% Danceability • 39% Energy • 20% Liveness
85% Instrumentalness • 34% Positiveness
27% Popularity • 40% Danceability • 39% Energy • 20% Liveness
85% Instrumentalness • 34% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffman, Act 1: ...
114 bpm • A# Maj • 01:44 • -18.86db
2% Popularity • 33% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 33% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Amilcare Ponchielli
La Gioconda, acte 4: La danse des heures
136 bpm • E Maj • 10:16 • -22db
19% Popularity • 34% Danceability • 4% Energy • 6% Liveness
7% Instrumentalness • 16% Positiveness
19% Popularity • 34% Danceability • 4% Energy • 6% Liveness
7% Instrumentalness • 16% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Manuel Rosenthal
Gaite Parisienne (after J. Offenbach): 1...
113 bpm • G Maj • 01:15 • -17db
27% Popularity • 61% Danceability • 33% Energy • 49% Liveness
1% Instrumentalness • 88% Positiveness
27% Popularity • 61% Danceability • 33% Energy • 49% Liveness
1% Instrumentalness • 88% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Addio f...
137 bpm • C# Maj • 02:07 • -13.2db
39% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Hoffmanns Erzählungen: Prologue: Aus de...
114 bpm • F Maj • 01:27 • -17.02db
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
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Vincenzo Bellini
Norma, Акт I, Сцена 1: "Casta Di...
136 bpm • E Maj • 04:40 • -24.53db
30% Popularity • 18% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Johann Strauss I
J. Strauss: Radetzky March
112 bpm • A Maj • 02:52 • -17.26db
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
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Wolfgang Amadeus Mozart
Divertimento in D Major, K. 136, "Salzbu...
137 bpm • D Maj • 04:10 • -21db
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Johann Strauss II
Strauss Jr., J.: Frühlingsstimmen, Op. ...
112 bpm • A# Maj • 05:51 • -22.71db
36% Popularity • 29% Danceability • 6% Energy • 34% Liveness
93% Instrumentalness • 35% Positiveness
36% Popularity • 29% Danceability • 6% Energy • 34% Liveness
93% Instrumentalness • 35% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Glou, gl...
114 bpm • C Maj • 01:03 • -26.08db
11% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Antonín Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
112 bpm • E min • 09:17 • -18.03db
13% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
13% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
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Luigi Boccherini
String Quintet in E Major, G. 275: III. ...
112 bpm • A Maj • 03:24 • -34db
31% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
