Songs like Hoffmanns Erzählungen - Oper in drei Akten, einem Vor- und einem Nachspiel (Gesamtaufnahme in deutscher Sprache), 3. Akt: Nr. 22 Terzett: Du wirst nicht mehr singen? by Jacques Offenbach
Based on a tempo of (+/- 10%) and a similar genre
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Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
44% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
44% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann - Highlights (1989...
82 bpm • B Maj • 02:56 • -17.73db
0% Popularity • 19% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
0% Popularity • 19% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Camille Saint-Saëns
Henry VIII: Danse de la gypsy
82 bpm • D min • 02:12 • -25db
34% Popularity • 41% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
34% Popularity • 41% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sanctus
82 bpm • D Maj • 01:38 • -17db
50% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
50% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
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Chicago Symphony Orchestra
M. Glinka: Overture To Opera "Ruslan and...
82 bpm • A Maj • 05:16 • -24.88db
18% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
18% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
27% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
27% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
39% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Anton Arensky
Egipetskiye nochi (Egyptian Nights), Op....
82 bpm • C min • 03:45 • -33.15db
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: III. Al...
83 bpm • A Maj • 04:41 • -14db
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • G min • 02:53 • -21.77db
53% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
53% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
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Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
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Jacques Offenbach
The Can Can
82 bpm • D Maj • 01:49 • -15db
35% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
35% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Slovak Radio Symphony Orchestra
Gold Und Silber (Gold And Silver), Op. 7...
81 bpm • C Maj • 08:42 • -22.44db
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
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Ludwig van Beethoven
Egmont Overture, Op. 84 - Remastered
83 bpm • F min • 08:35 • -16.16db
40% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
40% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
37% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
81 bpm • E min • 03:41 • -13db
32% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
32% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
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Jacques Offenbach
La vie parisienne: Galop
81 bpm • B Maj • 01:11 • -24.97db
3% Popularity • 48% Danceability • 21% Energy • 34% Liveness
41% Instrumentalness • 97% Positiveness
3% Popularity • 48% Danceability • 21% Energy • 34% Liveness
41% Instrumentalness • 97% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
38% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
38% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
53% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
53% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
81 bpm • F Maj • 03:10 • -19.56db
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
52% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: La Belle Hélène, Act 1: Dia...
83 bpm • G# Maj • 02:28 • -29.78db
6% Popularity • 54% Danceability • 3% Energy • 53% Liveness
0% Instrumentalness • 42% Positiveness
6% Popularity • 54% Danceability • 3% Energy • 53% Liveness
0% Instrumentalness • 42% Positiveness
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Johann Strauss II
On the Beautiful Blue Danube - Waltz Op....
81 bpm • D Maj • 09:34 • -24.92db
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
43% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
17% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620: Overtu...
80 bpm • D# Maj • 07:33 • -21db
33% Popularity • 22% Danceability • 9% Energy • 19% Liveness
88% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 9% Energy • 19% Liveness
88% Instrumentalness • 8% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Fi...
81 bpm • G min • 02:02 • -18db
7% Popularity • 48% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 48% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
36% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
36% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
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Léo Delibes
Lakmé / Act I: Viens, Mallika, ... Dôm...
80 bpm • B Maj • 06:43 • -20.36db
34% Popularity • 24% Danceability • 14% Energy • 89% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 24% Danceability • 14% Energy • 89% Liveness
0% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
The Abduction from the Seraglio, K. 384,...
80 bpm • C Maj • 01:24 • -9.32db
26% Popularity • 40% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 40% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
22% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
22% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Les Sylphides: 3. Valse
84 bpm • G Maj • 02:25 • -15db
19% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
19% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
52% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
52% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
20% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
47% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
47% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffman, Act 3: ...
81 bpm • A# Maj • 03:36 • -21.81db
4% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Chor der Staatsoper Wien
Giacomo Puccini: Madame Butterfly - Summ...
85 bpm • A# Maj • 02:35 • -31db
33% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
33% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 2 ...
85 bpm • F# Maj • 02:30 • -15.6db
54% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
54% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:43 • -17.55db
41% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Orphée aux enfers: Overture (Arr. C. Bi...
81 bpm • G Maj • 08:53 • -19db
18% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
18% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
34% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Slovak State Philharmonic Orchestra, Kosice
Les Contes D'hoffmann (The Tales Of Hoff...
79 bpm • D Maj • 02:10 • -19db
36% Popularity • 18% Danceability • 10% Energy • 8% Liveness
84% Instrumentalness • 18% Positiveness
36% Popularity • 18% Danceability • 10% Energy • 8% Liveness
84% Instrumentalness • 18% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 7 in A Major, Op...
86 bpm • A min • 03:57 • -19db
30% Popularity • 20% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Johann Strauss II
Der Zigeunerbaron, Act 3: Entr'acte
86 bpm • G Maj • 01:29 • -26db
31% Popularity • 24% Danceability • 5% Energy • 47% Liveness
78% Instrumentalness • 25% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 47% Liveness
78% Instrumentalness • 25% Positiveness
► Preview
Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
84 bpm • D Maj • 03:36 • -24.06db
21% Popularity • 14% Danceability • 8% Energy • 39% Liveness
37% Instrumentalness • 13% Positiveness
21% Popularity • 14% Danceability • 8% Energy • 39% Liveness
37% Instrumentalness • 13% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Rimsky-Korsakov: The Tale of Tsar Saltan...
86 bpm • G Maj • 01:26 • -33db
39% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
39% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
► Preview
Jules Massenet
Thaïs / Acte Deux: Meditation
86 bpm • D Maj • 04:55 • -26.7db
26% Popularity • 11% Danceability • 7% Energy • 30% Liveness
35% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 7% Energy • 30% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
78 bpm • D Maj • 03:22 • -13db
32% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
32% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
► Preview
Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
28% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Jacques Offenbach
Les larmes de Jacqueline
84 bpm • C Maj • 07:05 • -26.4db
14% Popularity • 16% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Franz Liszt
Hungarian Rhapsody, S. 244: No. 2 in C M...
86 bpm • C Maj • 10:46 • -16.72db
6% Popularity • 18% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
6% Popularity • 18% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
► Preview
Franz von Suppé
The Peasant and The Poet
86 bpm • D Maj • 09:06 • -15db
13% Popularity • 24% Danceability • 15% Energy • 6% Liveness
85% Instrumentalness • 13% Positiveness
13% Popularity • 24% Danceability • 15% Energy • 6% Liveness
85% Instrumentalness • 13% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
86 bpm • C min • 03:02 • -17.48db
37% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
37% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Alexander Borodin
Prince Igor: Polovtsian Dances (Remaster...
78 bpm • A Maj • 02:23 • -23.28db
27% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Duos for Two Cellos, Op. 49 No. 1 in C M...
80 bpm • G Maj • 01:47 • -27.58db
24% Popularity • 25% Danceability • 1% Energy • 18% Liveness
84% Instrumentalness • 11% Positiveness
24% Popularity • 25% Danceability • 1% Energy • 18% Liveness
84% Instrumentalness • 11% Positiveness
► Preview
Léo Delibes
Lakmé, Act 1: Dôme épais le jasmin "F...
77 bpm • B Maj • 01:30 • -15.81db
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Giacomo Puccini
La Bohème / Act 2: "Quando m'en vo'" (M...
87 bpm • A Maj • 04:43 • -13.79db
9% Popularity • 13% Danceability • 27% Energy • 32% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 13% Danceability • 27% Energy • 32% Liveness
89% Instrumentalness • 11% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
33% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
33% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
40% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Alexander Borodin
Les danses polovtsiennes (Extraits de l'...
87 bpm • A Maj • 01:25 • -32db
53% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
53% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: Belle nui...
77 bpm • D Maj • 04:51 • -27db
8% Popularity • 25% Danceability • 8% Energy • 78% Liveness
1% Instrumentalness • 8% Positiveness
8% Popularity • 25% Danceability • 8% Energy • 78% Liveness
1% Instrumentalness • 8% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Gioachino Rossini
William Tell: Overture
88 bpm • E Maj • 11:06 • -21.49db
31% Popularity • 18% Danceability • 7% Energy • 27% Liveness
51% Instrumentalness • 9% Positiveness
31% Popularity • 18% Danceability • 7% Energy • 27% Liveness
51% Instrumentalness • 9% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
88 bpm • F Maj • 03:39 • -27.02db
29% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
29% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Offenbach: La Belle Hélène, Act 1: Dia...
84 bpm • C# Maj • 02:44 • -30.54db
7% Popularity • 56% Danceability • 5% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 56% Danceability • 5% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
38% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
38% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Johann Strauss II
Tritsch-Tratsch-Polka, Op. 214 "Triqui T...
88 bpm • A Maj • 04:34 • -12.96db
34% Popularity • 57% Danceability • 58% Energy • 10% Liveness
81% Instrumentalness • 72% Positiveness
34% Popularity • 57% Danceability • 58% Energy • 10% Liveness
81% Instrumentalness • 72% Positiveness
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Léo Delibes
Lakmé / Act 1: "Dôme épais" - Live
77 bpm • B Maj • 05:02 • -20db
32% Popularity • 20% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
23% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Slovak Philharmonic
Romance No. 2 In F Major, Op. 50
88 bpm • F Maj • 09:50 • -23db
37% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
37% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
88 bpm • F Maj • 05:40 • -17.03db
45% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
45% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Ronald Binge
Sailing By
76 bpm • D Maj • 02:37 • -26db
38% Popularity • 16% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
38% Popularity • 16% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Léo Delibes
Coppelia: Act I - Prelude
88 bpm • D Maj • 04:30 • -24db
21% Popularity • 29% Danceability • 5% Energy • 12% Liveness
25% Instrumentalness • 6% Positiveness
21% Popularity • 29% Danceability • 5% Energy • 12% Liveness
25% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
76 bpm • C Maj • 04:31 • -17.38db
43% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
43% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
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Jacques Offenbach
Offenbach: Les Brigands, Act 2: "Soyez p...
85 bpm • D Maj • 02:46 • -14.54db
3% Popularity • 32% Danceability • 21% Energy • 55% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 32% Danceability • 21% Energy • 55% Liveness
0% Instrumentalness • 23% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Mikhail Glinka
Glinka: Overture from Ruslan and Ludmill...
76 bpm • D Maj • 05:50 • -18.41db
26% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
26% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Sonnena...
76 bpm • C Maj • 01:31 • -18db
29% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
29% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
