Songs like Hoffmanns Erzählungen - Oper in drei Akten, einem Vor- und einem Nachspiel (Gesamtaufnahme in deutscher Sprache), Vorspiel: Nr. 4 Chor der Studenten: Juvallera! Herr Luther, wir sind da! by Jacques Offenbach
Based on a tempo of (+/- 10%) and a similar genre
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Jacques Offenbach
Offenbach: Les Brigands: Ouverture
112 bpm • E Maj • 03:18 • -18db
7% Popularity • 54% Danceability • 12% Energy • 8% Liveness
30% Instrumentalness • 45% Positiveness
7% Popularity • 54% Danceability • 12% Energy • 8% Liveness
30% Instrumentalness • 45% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Johann Strauss II
Strauss Jr., J.: Frühlingsstimmen, Op. ...
112 bpm • A# Maj • 05:51 • -22.71db
35% Popularity • 29% Danceability • 6% Energy • 34% Liveness
93% Instrumentalness • 35% Positiveness
35% Popularity • 29% Danceability • 6% Energy • 34% Liveness
93% Instrumentalness • 35% Positiveness
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Johann Strauss I
J. Strauss: Radetzky March
112 bpm • A Maj • 02:52 • -17.26db
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
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Luigi Boccherini
String Quintet in E Major, G. 275: III. ...
112 bpm • A Maj • 03:24 • -34db
31% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
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AntonÃn Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
112 bpm • E min • 09:17 • -18.03db
13% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
13% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
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Jacques Offenbach
Offenbach: Die schöne Helena (Gesamt) 1...
112 bpm • F Maj • 03:09 • -16db
7% Popularity • 61% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 61% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Franz von Suppé
Fatinitza: March
111 bpm • G Maj • 02:32 • -11.89db
34% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
34% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
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George Frideric Handel
Music for the Royal Fireworks (Excerpts)...
113 bpm • D Maj • 02:02 • -12.96db
29% Popularity • 58% Danceability • 53% Energy • 14% Liveness
78% Instrumentalness • 80% Positiveness
29% Popularity • 58% Danceability • 53% Energy • 14% Liveness
78% Instrumentalness • 80% Positiveness
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Manuel Rosenthal
Gaite Parisienne (after J. Offenbach): 1...
113 bpm • G Maj • 01:15 • -17db
26% Popularity • 61% Danceability • 33% Energy • 49% Liveness
1% Instrumentalness • 88% Positiveness
26% Popularity • 61% Danceability • 33% Energy • 49% Liveness
1% Instrumentalness • 88% Positiveness
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Léo Delibes
Sylvia: Act I: Valse lente
111 bpm • G# Maj • 04:44 • -30db
20% Popularity • 23% Danceability • 1% Energy • 6% Liveness
9% Instrumentalness • 11% Positiveness
20% Popularity • 23% Danceability • 1% Energy • 6% Liveness
9% Instrumentalness • 11% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Offenbach: La vie parisienne, Act 1: Ouv...
111 bpm • G Maj • 07:47 • -19.9db
10% Popularity • 48% Danceability • 31% Energy • 73% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 48% Danceability • 31% Energy • 73% Liveness
0% Instrumentalness • 24% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
23% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
23% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Manuel Rosenthal
Gaite Parisienne (after J. Offenbach): 2...
113 bpm • D Maj • 04:34 • -29.49db
20% Popularity • 19% Danceability • 2% Energy • 12% Liveness
19% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 2% Energy • 12% Liveness
19% Instrumentalness • 4% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Johann Strauss II
Voices of Spring, Op. 410
110 bpm • A# Maj • 05:53 • -14db
26% Popularity • 35% Danceability • 20% Energy • 27% Liveness
91% Instrumentalness • 43% Positiveness
26% Popularity • 35% Danceability • 20% Energy • 27% Liveness
91% Instrumentalness • 43% Positiveness
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Jacques Offenbach
Gaîté parisienne: Allegro brillante
113 bpm • G Maj • 01:15 • -17.64db
18% Popularity • 66% Danceability • 36% Energy • 6% Liveness
62% Instrumentalness • 96% Positiveness
18% Popularity • 66% Danceability • 36% Energy • 6% Liveness
62% Instrumentalness • 96% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Rodion Shchedrin
Carmen Ballet Suite (after Bizet): IX. T...
115 bpm • F Maj • 02:42 • -12db
34% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
34% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
34% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
34% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
42% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
42% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Léo Delibes
Delibes: Sylvia: Act III. Cortège de Ba...
115 bpm • E Maj • 06:01 • -15db
30% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
30% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Ro...
111 bpm • G Maj • 02:32 • -18.87db
8% Popularity • 68% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 68% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Felix Mendelssohn
Symphony No. 2 in B-Flat Major, Op. 52, ...
109 bpm • G min • 05:56 • -27.77db
29% Popularity • 21% Danceability • 3% Energy • 26% Liveness
95% Instrumentalness • 10% Positiveness
29% Popularity • 21% Danceability • 3% Energy • 26% Liveness
95% Instrumentalness • 10% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Ave Maria
109 bpm • E Maj • 03:49 • -23.34db
26% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
26% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VII. Dance 2
109 bpm • A Maj • 02:15 • -19db
36% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
36% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
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Frédéric Chopin
Les Sylphides: 8. Valse
116 bpm • G# Maj • 05:43 • -14db
17% Popularity • 35% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 24% Positiveness
17% Popularity • 35% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 24% Positiveness
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CHA Medical Center
Orchestral Suite No.2 in B minor, BWV106...
116 bpm • B min • 01:29 • -18.34db
44% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
44% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Glou, gl...
114 bpm • F Maj • 01:19 • -27db
28% Popularity • 45% Danceability • 12% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
28% Popularity • 45% Danceability • 12% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Danse macabre in G Minor, Op. 40
116 bpm • G min • 07:12 • -20.42db
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
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Bedřich Smetana
Má Vlast, JB1:112: 2. Vltava - Excerpt
116 bpm • C Maj • 03:49 • -18.2db
26% Popularity • 23% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
26% Popularity • 23% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
39% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
39% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
114 bpm • D Maj • 04:10 • -22.91db
12% Popularity • 17% Danceability • 8% Energy • 36% Liveness
10% Instrumentalness • 12% Positiveness
12% Popularity • 17% Danceability • 8% Energy • 36% Liveness
10% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620 / Act 2: "Pa-Pa-...
117 bpm • G Maj • 02:25 • -17.01db
28% Popularity • 55% Danceability • 29% Energy • 21% Liveness
7% Instrumentalness • 64% Positiveness
28% Popularity • 55% Danceability • 29% Energy • 21% Liveness
7% Instrumentalness • 64% Positiveness
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George Frideric Handel
Music for the Royal Fireworks, HWV 351: ...
107 bpm • C# Maj • 02:07 • -13.49db
30% Popularity • 38% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 64% Positiveness
30% Popularity • 38% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 64% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
36% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Emmanuel Chabrier
España: Espana
117 bpm • F Maj • 06:44 • -16db
16% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
16% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F majo...
107 bpm • F Maj • 05:22 • -24db
39% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
39% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
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Jacques Offenbach
Hoffmanns Erzählungen: Prologue: Aus de...
114 bpm • F Maj • 01:27 • -17.02db
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
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Mikhail Ippolitov-Ivanov
Procession of the Sardar from Caucasian ...
107 bpm • E Maj • 03:39 • -14db
13% Popularity • 32% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 32% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
46% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
46% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
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Johann Strauss I
Strauss Party
118 bpm • G Maj • 03:25 • -5.91db
23% Popularity • 43% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 43% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Glou, gl...
114 bpm • C Maj • 01:03 • -26.08db
11% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
119 bpm • A# Maj • 02:50 • -20db
39% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
105 bpm • E Maj • 03:19 • -16.03db
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: II. Les Drago...
120 bpm • G Maj • 01:37 • -32.29db
29% Popularity • 62% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
29% Popularity • 62% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
► Preview
Jacques Offenbach
Offenbach: Orphée aux enfers, Act 2: Fi...
108 bpm • A Maj • 02:36 • -19db
9% Popularity • 50% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 50% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Robert Schumann
Five Pieces In Folk-style, Op.102: I. Va...
104 bpm • F Maj • 03:18 • -25.66db
33% Popularity • 38% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
33% Popularity • 38% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550 - (2n...
121 bpm • G min • 07:07 • -19.67db
41% Popularity • 33% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
41% Popularity • 33% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Johann Strauss I
Strauss: Radetzky March, Op. 228
122 bpm • A Maj • 02:49 • -19db
31% Popularity • 62% Danceability • 36% Energy • 22% Liveness
70% Instrumentalness • 69% Positiveness
31% Popularity • 62% Danceability • 36% Energy • 22% Liveness
70% Instrumentalness • 69% Positiveness
► Preview
Alexander Borodin
Polovtsian Dances From "Prince Igor"
103 bpm • D Maj • 11:30 • -21.85db
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
► Preview
Jacques Offenbach
Offenbach: La Grande-Duchesse de Gérols...
107 bpm • D Maj • 01:42 • -19.06db
4% Popularity • 64% Danceability • 30% Energy • 17% Liveness
19% Instrumentalness • 96% Positiveness
4% Popularity • 64% Danceability • 30% Energy • 17% Liveness
19% Instrumentalness • 96% Positiveness
► Preview
Camille Saint-Saëns
Introduction et Rondo capriccioso, Op. 2...
103 bpm • A min • 08:56 • -23db
29% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
29% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
► Preview
Johann Strauss II
Strauss Jr., J.: Künstlerleben, Op. 316
103 bpm • C Maj • 08:03 • -17.16db
19% Popularity • 32% Danceability • 11% Energy • 7% Liveness
91% Instrumentalness • 27% Positiveness
19% Popularity • 32% Danceability • 11% Energy • 7% Liveness
91% Instrumentalness • 27% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Emil Nikolaus von Reznicek
Donna Diana: Overture
102 bpm • A Maj • 05:49 • -12.24db
10% Popularity • 46% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
10% Popularity • 46% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Piano Concerto No. 3 in D M...
103 bpm • D min • 02:52 • -23.34db
33% Popularity • 27% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
33% Popularity • 27% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
► Preview
Jacques Offenbach
La Périchole - operetta / Act 1: O mon ...
107 bpm • C# Maj • 07:05 • -17.16db
1% Popularity • 40% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 40% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Johann Strauss I
Radetzky-March, Op. 228
102 bpm • A Maj • 03:06 • -17.36db
29% Popularity • 63% Danceability • 32% Energy • 24% Liveness
93% Instrumentalness • 58% Positiveness
29% Popularity • 63% Danceability • 32% Energy • 24% Liveness
93% Instrumentalness • 58% Positiveness
► Preview
Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
103 bpm • A# Maj • 06:01 • -25.75db
35% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
35% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
► Preview
Hector Berlioz
La damnation de Faust, Op. 24, H. 111 / ...
102 bpm • A min • 04:24 • -11db
22% Popularity • 48% Danceability • 43% Energy • 17% Liveness
92% Instrumentalness • 56% Positiveness
22% Popularity • 48% Danceability • 43% Energy • 17% Liveness
92% Instrumentalness • 56% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
102 bpm • A# Maj • 04:04 • -29db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Co...
106 bpm • C Maj • 02:24 • -22.18db
10% Popularity • 53% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 53% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: II. Habanera ...
123 bpm • D Maj • 02:11 • -26.94db
48% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Johann Sebastian Bach
Prelude & Fugue in C Major (Well-Tempere...
102 bpm • C Maj • 01:26 • -29.53db
38% Popularity • 29% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
38% Popularity • 29% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 14. Fin...
102 bpm • C Maj • 01:53 • -15db
35% Popularity • 60% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 61% Positiveness
35% Popularity • 60% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 61% Positiveness
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George Frideric Handel
Music for the Royal Fireworks: Suite HWV...
102 bpm • C# Maj • 02:15 • -15.52db
42% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
42% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
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Anonymous
Moment Musical in F Minor, Op. 94, No. 3...
101 bpm • F min • 01:42 • -27.23db
39% Popularity • 45% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
39% Popularity • 45% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Jacques Offenbach
Die Insel Tulipatan: "Wär' ich vom män...
105 bpm • E Maj • 03:19 • -8.45db
0% Popularity • 57% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 57% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
36% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
36% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 147: No. 2, ...
101 bpm • C Maj • 05:58 • -17.38db
19% Popularity • 19% Danceability • 17% Energy • 36% Liveness
83% Instrumentalness • 11% Positiveness
19% Popularity • 19% Danceability • 17% Energy • 36% Liveness
83% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
124 bpm • E Maj • 03:04 • -23.49db
29% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. L...
101 bpm • G Maj • 02:49 • -34db
31% Popularity • 15% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
31% Popularity • 15% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Un mari à la porte: Valse Tyrolienne
105 bpm • G Maj • 03:47 • -13db
8% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Johann Strauss I
Radetzky-Bankett-Marsch (fragment)
101 bpm • C Maj • 01:03 • -14.8db
34% Popularity • 50% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 21% Positiveness
34% Popularity • 50% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 21% Positiveness
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Richard Wagner
Die Walküre, WWV 86B - Concert version ...
100 bpm • G Maj • 04:53 • -14.32db
38% Popularity • 29% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
38% Popularity • 29% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
► Preview
Jacques Offenbach
La vie parisienne, Polka
105 bpm • G Maj • 02:27 • -16db
33% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
33% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
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Alexander Glazunov
Vremena Goda (The Seasons), Op. 67: Summ...
100 bpm • D Maj • 01:58 • -24.74db
35% Popularity • 40% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
35% Popularity • 40% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
40% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Émile Waldteufel
Estudiantina, Waltz, Op. 191
99 bpm • D Maj • 06:46 • -15.28db
22% Popularity • 37% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 56% Positiveness
22% Popularity • 37% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 56% Positiveness
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La Sinfónica Clásica
Polka Italienne
126 bpm • D# Maj • 01:39 • -21.78db
25% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
25% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: I. Alborada
127 bpm • A Maj • 01:13 • -16.19db
33% Popularity • 46% Danceability • 34% Energy • 22% Liveness
82% Instrumentalness • 51% Positiveness
33% Popularity • 46% Danceability • 34% Energy • 22% Liveness
82% Instrumentalness • 51% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
41% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
41% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
