Songs like Hol An Dro by Ganaim
Based on a tempo of (+/- 10%) and a similar genre
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Old Blind Dogs
The Road: Tom Banks' 72nd / Gus Sicard's...
99 bpm • G# Maj • 05:18 • -7.64db
17% Popularity • 21% Danceability • 70% Energy • 15% Liveness
1% Instrumentalness • 36% Positiveness
17% Popularity • 21% Danceability • 70% Energy • 15% Liveness
1% Instrumentalness • 36% Positiveness
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Ganaim
My Fairy Queen
99 bpm • A min • 04:04 • -11.14db
3% Popularity • 60% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
3% Popularity • 60% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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The Paul McKenna Band
Again For Greenland
99 bpm • F Maj • 04:17 • -9.32db
25% Popularity • 37% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 37% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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The Outside Track
Happy Reels
99 bpm • A Maj • 04:31 • -12.87db
19% Popularity • 30% Danceability • 36% Energy • 15% Liveness
4% Instrumentalness • 34% Positiveness
19% Popularity • 30% Danceability • 36% Energy • 15% Liveness
4% Instrumentalness • 34% Positiveness
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Caladh Nua
Song: The Cruel Lowland Maid
98 bpm • F Maj • 03:36 • -12.64db
25% Popularity • 60% Danceability • 44% Energy • 6% Liveness
3% Instrumentalness • 72% Positiveness
25% Popularity • 60% Danceability • 44% Energy • 6% Liveness
3% Instrumentalness • 72% Positiveness
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Julie Fowlis
Fear a’ Bhrochain / Dòmhnall Binn
100 bpm • D# Maj • 05:12 • -7.42db
27% Popularity • 36% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 36% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Susan McKeown
A Mháire Bhruinneall
100 bpm • B min • 02:05 • -11.37db
29% Popularity • 65% Danceability • 56% Energy • 18% Liveness
8% Instrumentalness • 27% Positiveness
29% Popularity • 65% Danceability • 56% Energy • 18% Liveness
8% Instrumentalness • 27% Positiveness
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Ganaim
The Boys Of Bedlam
99 bpm • E min • 05:24 • -7.77db
2% Popularity • 36% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 54% Positiveness
2% Popularity • 36% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 54% Positiveness
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The American Rogues
Winnipeg Forger
100 bpm • D# Maj • 05:33 • -7.24db
16% Popularity • 20% Danceability • 71% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
16% Popularity • 20% Danceability • 71% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
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Hot Griselda
The Broken Doll - Sandpipers
100 bpm • D Maj • 04:25 • -7.94db
21% Popularity • 45% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 45% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Harmony Glen
You and Me and the Devil Makes Three
100 bpm • E min • 04:06 • -7.34db
17% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Gnoss
The Closet Bodhran
100 bpm • A Maj • 04:48 • -12.03db
15% Popularity • 32% Danceability • 61% Energy • 8% Liveness
9% Instrumentalness • 63% Positiveness
15% Popularity • 32% Danceability • 61% Energy • 8% Liveness
9% Instrumentalness • 63% Positiveness
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Pyrolysis
Daylight Is Fading
100 bpm • D min • 01:18 • -10.17db
19% Popularity • 48% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 48% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Ganaim
Hol An Dro
99 bpm • G Maj • 02:20 • -9.58db
2% Popularity • 52% Danceability • 47% Energy • 32% Liveness
6% Instrumentalness • 59% Positiveness
2% Popularity • 52% Danceability • 47% Energy • 32% Liveness
6% Instrumentalness • 59% Positiveness
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Faey
Faey
100 bpm • G Maj • 03:14 • -7.71db
13% Popularity • 70% Danceability • 54% Energy • 78% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 70% Danceability • 54% Energy • 78% Liveness
0% Instrumentalness • 68% Positiveness
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Celtica Pipes Rock!
The Rockin´ Irish Duelt
98 bpm • G Maj • 03:16 • -6.29db
9% Popularity • 18% Danceability • 73% Energy • 14% Liveness
65% Instrumentalness • 44% Positiveness
9% Popularity • 18% Danceability • 73% Energy • 14% Liveness
65% Instrumentalness • 44% Positiveness
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Austral
Edgy in Zurich
100 bpm • A min • 03:51 • -5.8db
13% Popularity • 31% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
13% Popularity • 31% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Solas
Aililiu Na Gamhna
98 bpm • E min • 03:36 • -6.96db
21% Popularity • 55% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 55% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Battlefield Band
The Devil's Courtship / An Dro
97 bpm • D min • 03:47 • -15.07db
29% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Ganaim
Hills Of Connemara
98 bpm • E Maj • 03:15 • -5.84db
3% Popularity • 67% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
3% Popularity • 67% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Barleyjuice
The Postman Always Jigs Twice
97 bpm • G Maj • 03:23 • -3.95db
12% Popularity • 48% Danceability • 93% Energy • 5% Liveness
71% Instrumentalness • 99% Positiveness
12% Popularity • 48% Danceability • 93% Energy • 5% Liveness
71% Instrumentalness • 99% Positiveness
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Calum Stewart
Randolph's Leap -, Pt. 1
97 bpm • B min • 03:39 • -6.44db
26% Popularity • 41% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 41% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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SeeD
The Hall of the Goblin Queen
101 bpm • E min • 04:16 • -9.72db
8% Popularity • 55% Danceability • 36% Energy • 67% Liveness
54% Instrumentalness • 56% Positiveness
8% Popularity • 55% Danceability • 36% Energy • 67% Liveness
54% Instrumentalness • 56% Positiveness
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Lisa Theriot
Afterword: The Keys Of Canterbury
97 bpm • G# Maj • 02:57 • -11.98db
10% Popularity • 71% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 71% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Scythian
Men of the North
101 bpm • B min • 04:33 • -6.91db
28% Popularity • 41% Danceability • 63% Energy • 15% Liveness
28% Instrumentalness • 34% Positiveness
28% Popularity • 41% Danceability • 63% Energy • 15% Liveness
28% Instrumentalness • 34% Positiveness
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Ganaim
Mairi's Wedding
97 bpm • G Maj • 04:08 • -8db
20% Popularity • 32% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 32% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Janice Martinez
Hexentanz
97 bpm • B Maj • 04:25 • -13.22db
19% Popularity • 48% Danceability • 57% Energy • 16% Liveness
7% Instrumentalness • 96% Positiveness
19% Popularity • 48% Danceability • 57% Energy • 16% Liveness
7% Instrumentalness • 96% Positiveness
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Trolska Polska
Eufori
101 bpm • A Maj • 04:37 • -6.18db
14% Popularity • 54% Danceability • 54% Energy • 8% Liveness
6% Instrumentalness • 35% Positiveness
14% Popularity • 54% Danceability • 54% Energy • 8% Liveness
6% Instrumentalness • 35% Positiveness
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Hanneke Cassel
Raise Your Glass / DFC
101 bpm • G Maj • 04:33 • -7.81db
12% Popularity • 39% Danceability • 59% Energy • 15% Liveness
3% Instrumentalness • 77% Positiveness
12% Popularity • 39% Danceability • 59% Energy • 15% Liveness
3% Instrumentalness • 77% Positiveness
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Archie Fisher
The Trooper and the Maid
97 bpm • A min • 01:53 • -9.04db
30% Popularity • 63% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 63% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Kennedy's Kitchen
Headford Junction and Fisherman's Island
96 bpm • D Maj • 04:13 • -12.67db
19% Popularity • 35% Danceability • 62% Energy • 98% Liveness
62% Instrumentalness • 93% Positiveness
19% Popularity • 35% Danceability • 62% Energy • 98% Liveness
62% Instrumentalness • 93% Positiveness
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Ganaim
Mary Mac
101 bpm • B Maj • 03:00 • -13.71db
1% Popularity • 58% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
1% Popularity • 58% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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DÃ imh
12th of June
102 bpm • D# Maj • 04:04 • -8db
10% Popularity • 17% Danceability • 65% Energy • 18% Liveness
96% Instrumentalness • 75% Positiveness
10% Popularity • 17% Danceability • 65% Energy • 18% Liveness
96% Instrumentalness • 75% Positiveness
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Charley Foskett
Rusty Blade
102 bpm • G Maj • 04:30 • -11.65db
11% Popularity • 76% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 76% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Die Irrlichter
Mittsommerreigen
96 bpm • C Maj • 03:22 • -7.45db
13% Popularity • 19% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
13% Popularity • 19% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Young Dubliners
Abhainn Mor
96 bpm • D Maj • 03:58 • -5.23db
39% Popularity • 39% Danceability • 84% Energy • 12% Liveness
44% Instrumentalness • 41% Positiveness
39% Popularity • 39% Danceability • 84% Energy • 12% Liveness
44% Instrumentalness • 41% Positiveness
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Lily Honigberg
Lost on Land
96 bpm • G min • 04:02 • -8.23db
23% Popularity • 43% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 43% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Ganaim
As I Roved Out
97 bpm • B min • 03:56 • -10.85db
2% Popularity • 58% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 58% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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John Doyle
Captain Glenn
102 bpm • A# Maj • 05:14 • -8.17db
9% Popularity • 57% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 57% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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House of Hamill
The Sneezing Loon
102 bpm • D Maj • 06:08 • -6.54db
23% Popularity • 40% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 40% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Rum Ragged
Thomas Trim
96 bpm • F Maj • 03:12 • -10.94db
23% Popularity • 63% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 63% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Trolska Polska
Tumult
102 bpm • E min • 02:56 • -7.07db
16% Popularity • 58% Danceability • 52% Energy • 13% Liveness
8% Instrumentalness • 83% Positiveness
16% Popularity • 58% Danceability • 52% Energy • 13% Liveness
8% Instrumentalness • 83% Positiveness
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Stamp'n Go Shanty
Rising Mandoline
96 bpm • G Maj • 01:55 • -5.49db
39% Popularity • 51% Danceability • 78% Energy • 19% Liveness
86% Instrumentalness • 63% Positiveness
39% Popularity • 51% Danceability • 78% Energy • 19% Liveness
86% Instrumentalness • 63% Positiveness
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Ganaim
Johnny's Wedding/Tam Lin
102 bpm • D min • 03:17 • -8.9db
6% Popularity • 56% Danceability • 78% Energy • 8% Liveness
88% Instrumentalness • 88% Positiveness
6% Popularity • 56% Danceability • 78% Energy • 8% Liveness
88% Instrumentalness • 88% Positiveness
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Réalta
Skidoo
102 bpm • B min • 04:05 • -9.19db
11% Popularity • 58% Danceability • 55% Energy • 9% Liveness
14% Instrumentalness • 95% Positiveness
11% Popularity • 58% Danceability • 55% Energy • 9% Liveness
14% Instrumentalness • 95% Positiveness
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Calum Stewart
The Seven Men of Glen Moriston
102 bpm • G Maj • 02:51 • -6.37db
27% Popularity • 36% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 36% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Gothard Sisters
The Sailor and the Mermaid
102 bpm • G# Maj • 04:10 • -9.8db
22% Popularity • 39% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 39% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Finvarra
Kelpie / The Cliffs of Moher
96 bpm • A min • 03:33 • -7db
13% Popularity • 46% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 46% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Dervish
Bold Doherty
96 bpm • A# min • 04:30 • -5.84db
13% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Ganaim
Are You Sleeping, Maggie?
102 bpm • G Maj • 06:02 • -9.76db
2% Popularity • 30% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 30% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Siobhan Miller
Banks of Newfoundland
103 bpm • D Maj • 03:59 • -10db
34% Popularity • 41% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 41% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Battlefield Band
Whaur Will We Gang? / March Of The Ceili...
95 bpm • D Maj • 03:21 • -12db
26% Popularity • 48% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 48% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Julie Fowlis
Òganaich Uir a Rinn M' Fhà gail
103 bpm • B Maj • 02:40 • -8.32db
37% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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House Devils, The
Naomi Wise
103 bpm • E min • 04:41 • -9db
26% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Leslie Fish
Mount Tam (Anima Urbis)
103 bpm • G min • 03:32 • -6.28db
16% Popularity • 67% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 67% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Skipinnish
MÃ ili Dhonn
95 bpm • D Maj • 03:21 • -9db
28% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Ian Fontova
Woods of Anam
95 bpm • B min • 02:03 • -12.12db
19% Popularity • 47% Danceability • 51% Energy • 15% Liveness
19% Instrumentalness • 17% Positiveness
19% Popularity • 47% Danceability • 51% Energy • 15% Liveness
19% Instrumentalness • 17% Positiveness
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Lucy Ward
The Baffled Knight
103 bpm • C Maj • 02:31 • -7.53db
24% Popularity • 65% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 65% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Duncan Chisholm
The Desert Road
95 bpm • B Maj • 02:19 • -6.01db
21% Popularity • 66% Danceability • 64% Energy • 10% Liveness
39% Instrumentalness • 59% Positiveness
21% Popularity • 66% Danceability • 64% Energy • 10% Liveness
39% Instrumentalness • 59% Positiveness
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The Paul McKenna Band
The Mermaid
103 bpm • A Maj • 04:05 • -9.28db
26% Popularity • 26% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 26% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Battlefield Band
The Yew Tree
95 bpm • E min • 04:04 • -11db
20% Popularity • 36% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 36% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Hollywood Film Music Orchestra
Irish Evolution
95 bpm • C Maj • 02:09 • -8.69db
2% Popularity • 44% Danceability • 60% Energy • 5% Liveness
50% Instrumentalness • 22% Positiveness
2% Popularity • 44% Danceability • 60% Energy • 5% Liveness
50% Instrumentalness • 22% Positiveness
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KasÃr
Jig Gan Ainm / Rose in the Heather / The...
104 bpm • D Maj • 04:03 • -12.31db
25% Popularity • 39% Danceability • 57% Energy • 9% Liveness
48% Instrumentalness • 96% Positiveness
25% Popularity • 39% Danceability • 57% Energy • 9% Liveness
48% Instrumentalness • 96% Positiveness
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Mairi Macinnes
Kin (CÃ irdeas)
95 bpm • B Maj • 05:34 • -11.6db
14% Popularity • 45% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 45% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Moira Craig
The Twa Magicians
104 bpm • F# min • 02:44 • -13.94db
10% Popularity • 63% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 63% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Ganaim
Lukey's Boat
104 bpm • G Maj • 05:05 • -10.18db
2% Popularity • 31% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
2% Popularity • 31% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Bube Dame König
Nun will der Lenz uns grüssen
104 bpm • A# Maj • 02:17 • -6.62db
11% Popularity • 58% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 58% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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West Of Eden
Read All About It
104 bpm • G# Maj • 03:11 • -8.36db
16% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Janice Martinez
Tanzen Auf Meinem Grab
104 bpm • G# min • 03:30 • -11.63db
20% Popularity • 46% Danceability • 52% Energy • 7% Liveness
2% Instrumentalness • 86% Positiveness
20% Popularity • 46% Danceability • 52% Energy • 7% Liveness
2% Instrumentalness • 86% Positiveness
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Socks in the Frying Pan
The King's Shilling
94 bpm • E Maj • 04:16 • -10.87db
18% Popularity • 66% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 66% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Griogair
Siubhal a' Choire
104 bpm • D Maj • 03:44 • -9.84db
16% Popularity • 38% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 38% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Ganaim
Viva Galicia
104 bpm • A min • 03:42 • -10.5db
7% Popularity • 30% Danceability • 42% Energy • 8% Liveness
45% Instrumentalness • 20% Positiveness
7% Popularity • 30% Danceability • 42% Energy • 8% Liveness
45% Instrumentalness • 20% Positiveness
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Old Blind Dogs
The Battle Of Harlaw
104 bpm • G Maj • 05:09 • -16db
23% Popularity • 49% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 49% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Karan Casey
The False Lady
104 bpm • B min • 04:48 • -11.85db
21% Popularity • 64% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 64% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Pyrolysis
Witch Hunt
94 bpm • G Maj • 03:51 • -11.05db
10% Popularity • 38% Danceability • 46% Energy • 16% Liveness
17% Instrumentalness • 27% Positiveness
10% Popularity • 38% Danceability • 46% Energy • 16% Liveness
17% Instrumentalness • 27% Positiveness
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Andy M. Stewart and Manus Lunny
The Haughs Of Cromdale
94 bpm • D min • 03:42 • -14db
12% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Ten Strings and a Goat Skin
The Night They Moved the House
105 bpm • G Maj • 03:38 • -9.35db
38% Popularity • 67% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 67% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Julie Fowlis
Thèid Mi Do Loch Àlainn
105 bpm • F# min • 04:05 • -8.56db
22% Popularity • 37% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 37% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Old Blind Dogs
The Trooper and the Maid or the Trumpet ...
104 bpm • C# min • 03:21 • -17db
15% Popularity • 68% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 68% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Beltaine
Fripouille / The Wandering Pint
105 bpm • F Maj • 04:49 • -6.34db
17% Popularity • 32% Danceability • 89% Energy • 13% Liveness
84% Instrumentalness • 62% Positiveness
17% Popularity • 32% Danceability • 89% Energy • 13% Liveness
84% Instrumentalness • 62% Positiveness
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Duncan Chisholm
The Burial Clouds
93 bpm • F Maj • 03:15 • -9db
20% Popularity • 49% Danceability • 53% Energy • 25% Liveness
86% Instrumentalness • 82% Positiveness
20% Popularity • 49% Danceability • 53% Energy • 25% Liveness
86% Instrumentalness • 82% Positiveness
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Saor Patrol
Badholly
105 bpm • G Maj • 03:57 • -5.21db
10% Popularity • 35% Danceability • 83% Energy • 9% Liveness
85% Instrumentalness • 25% Positiveness
10% Popularity • 35% Danceability • 83% Energy • 9% Liveness
85% Instrumentalness • 25% Positiveness
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The Elders
Road to Ruins
105 bpm • F Maj • 05:44 • -8.88db
19% Popularity • 42% Danceability • 54% Energy • 29% Liveness
86% Instrumentalness • 88% Positiveness
19% Popularity • 42% Danceability • 54% Energy • 29% Liveness
86% Instrumentalness • 88% Positiveness
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Julie Fowlis
An Aghaidh Fà ilte Na Mòr-Thìr
93 bpm • D# Maj • 03:06 • -9.51db
23% Popularity • 38% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 38% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Altan
Maggie’s Pancakes/PÃobaire an Chéide...
105 bpm • B min • 03:35 • -7.78db
29% Popularity • 38% Danceability • 66% Energy • 9% Liveness
4% Instrumentalness • 94% Positiveness
29% Popularity • 38% Danceability • 66% Energy • 9% Liveness
4% Instrumentalness • 94% Positiveness
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Goitse
Tá Sé 'na Lá
105 bpm • D min • 02:33 • -11.46db
9% Popularity • 79% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 91% Positiveness
9% Popularity • 79% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 91% Positiveness
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MPK Christian Celtic Band
Session Tunes
93 bpm • G Maj • 03:34 • -9.9db
12% Popularity • 41% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 41% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Ganaim
Step It Out Mary
93 bpm • E min • 03:36 • -12.4db
2% Popularity • 50% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 50% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Rachel Newton
The Last Minute / The Groupie / Height o...
106 bpm • E min • 03:29 • -11.81db
15% Popularity • 40% Danceability • 40% Energy • 9% Liveness
94% Instrumentalness • 60% Positiveness
15% Popularity • 40% Danceability • 40% Energy • 9% Liveness
94% Instrumentalness • 60% Positiveness
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Old Blind Dogs
The Twa Corbies
106 bpm • E min • 03:34 • -19db
32% Popularity • 46% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
32% Popularity • 46% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Lúnasa
Tribute to Larry
106 bpm • A Maj • 05:39 • -6.88db
12% Popularity • 38% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 38% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Caroline Keane
The Roscommon Reel / The Ballymahon Reel...
106 bpm • D Maj • 03:33 • -8.61db
10% Popularity • 70% Danceability • 57% Energy • 4% Liveness
6% Instrumentalness • 97% Positiveness
10% Popularity • 70% Danceability • 57% Energy • 4% Liveness
6% Instrumentalness • 97% Positiveness
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SeeD
Na Sioga
106 bpm • E min • 03:46 • -10.43db
9% Popularity • 66% Danceability • 56% Energy • 9% Liveness
58% Instrumentalness • 36% Positiveness
9% Popularity • 66% Danceability • 56% Energy • 9% Liveness
58% Instrumentalness • 36% Positiveness
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SYR
Legacy
106 bpm • D min • 04:32 • -4.72db
20% Popularity • 60% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 60% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Traditional
Madame, I'm a Darling
92 bpm • C Maj • 03:09 • -6.79db
28% Popularity • 54% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 90% Positiveness
28% Popularity • 54% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 90% Positiveness
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Rura
A minor emergency
106 bpm • G# Maj • 04:09 • -6.85db
29% Popularity • 23% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 23% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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The O'Neill Brothers
Ryan's Reels
106 bpm • G Maj • 03:44 • -12.75db
20% Popularity • 59% Danceability • 36% Energy • 22% Liveness
94% Instrumentalness • 96% Positiveness
20% Popularity • 59% Danceability • 36% Energy • 22% Liveness
94% Instrumentalness • 96% Positiveness
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Old Blind Dogs
Lord MacDonald's: Lord MacDonald's March...
106 bpm • D Maj • 04:09 • -15.13db
11% Popularity • 32% Danceability • 44% Energy • 37% Liveness
1% Instrumentalness • 56% Positiveness
11% Popularity • 32% Danceability • 44% Energy • 37% Liveness
1% Instrumentalness • 56% Positiveness
