Songs like Hold My Girl (Acoustic Version) by George Ezra
Based on a tempo of (+/- 10%) and a similar genre
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Erik Nordblad
Cold Water
122 bpm • D Maj • 03:21 • -16.27db
23% Popularity • 76% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 76% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Roo Panes
Land Of The Living
122 bpm • F Maj • 04:24 • -8.8db
47% Popularity • 51% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 51% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Sons Of The East
Come Away
122 bpm • C Maj • 04:20 • -8.39db
57% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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George Ezra
Hold My Girl
122 bpm • A# Maj • 03:31 • -6.37db
72% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
72% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jess Glynne
All I Am - Acoustic
122 bpm • C Maj • 03:44 • -7.58db
44% Popularity • 70% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 70% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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KAWALA
Roads
122 bpm • E Maj • 04:04 • -10.57db
28% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sigala
Came Here for Love - Acoustic
123 bpm • F Maj • 03:36 • -7.1db
49% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Calum Scott
Rhythm Inside - Recorded At Spotify Stud...
123 bpm • F Maj • 03:46 • -7db
35% Popularity • 54% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 54% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Sons Of The East
Fast and Slow
122 bpm • E min • 04:09 • -10.62db
47% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Rose Cousins
I Would Die 4 U
121 bpm • A min • 03:00 • -11.46db
52% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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George Ezra
Hold My Girl (Acoustic Version)
122 bpm • A# Maj • 03:31 • -7.43db
56% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Rhys Lewis
End Like This
123 bpm • G# min • 03:21 • -5.94db
40% Popularity • 75% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 75% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Garrett Kato
Holding on to You
121 bpm • C# Maj • 03:33 • -9.91db
37% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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lovelytheband
broken - acoustic
123 bpm • D Maj • 03:22 • -10.43db
51% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Femke
Wounded
123 bpm • B Maj • 03:02 • -10db
37% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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George Ezra
Listen to the Man
121 bpm • A Maj • 03:03 • -5.94db
59% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Run River North
Mr. Brightside
123 bpm • D Maj • 04:32 • -12db
54% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
54% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Garrett Kato
Where the Vampires Hide
121 bpm • F# Maj • 02:29 • -12.2db
41% Popularity • 67% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 67% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Harrison Storm
Change It All
121 bpm • A# Maj • 04:07 • -13db
55% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
55% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Xavier Rudd
Walk Away
121 bpm • B Maj • 03:55 • -9.24db
34% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Calum Scott
Rhythm Inside - Acoustic
120 bpm • D min • 03:32 • -5db
50% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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George Ezra
Pretty Shining People - HONNE Remix
123 bpm • C# Maj • 04:29 • -4.98db
26% Popularity • 42% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 42% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Wild Rivers
Heart Attack
120 bpm • F Maj • 04:20 • -13.54db
58% Popularity • 67% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
58% Popularity • 67% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Sons Of The East
My Repair
124 bpm • D Maj • 03:05 • -8.28db
59% Popularity • 57% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 57% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Cobi
Don't You Cry For Me - Acoustic
120 bpm • A min • 04:35 • -8db
42% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Xavier Rudd
Follow The Sun
124 bpm • C Maj • 04:16 • -10.76db
72% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
72% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Winson
Oscillate
120 bpm • D# min • 02:44 • -8.68db
42% Popularity • 74% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
42% Popularity • 74% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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George Ezra
Budapest - Live from Spotify Stockholm
121 bpm • E Maj • 03:29 • -10db
46% Popularity • 68% Danceability • 29% Energy • 71% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 68% Danceability • 29% Energy • 71% Liveness
0% Instrumentalness • 50% Positiveness
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Angus & Julia Stone
Youngblood
124 bpm • G min • 03:52 • -8.6db
44% Popularity • 66% Danceability • 67% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
44% Popularity • 66% Danceability • 67% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
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Smith & Thell
Forgive Me Friend - Acoustic Version
120 bpm • B Maj • 03:48 • -9.43db
46% Popularity • 63% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 63% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Sons Of The East
Nothing Comes Easy
120 bpm • C Maj • 03:55 • -9.31db
38% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Bear's Den
Crow
120 bpm • A Maj • 04:56 • -9.08db
44% Popularity • 52% Danceability • 37% Energy • 5% Liveness
70% Instrumentalness • 14% Positiveness
44% Popularity • 52% Danceability • 37% Energy • 5% Liveness
70% Instrumentalness • 14% Positiveness
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John Mayer
Love on the Weekend
120 bpm • G Maj • 03:32 • -7.88db
66% Popularity • 72% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 72% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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George Ezra
Hold My Girl - Demo Version
124 bpm • B Maj • 03:19 • -7.16db
20% Popularity • 79% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 79% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Reggii
Silence
124 bpm • G min • 02:54 • -12.43db
48% Popularity • 74% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 74% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Lewis Watson
little light (acoustic version)
120 bpm • G Maj • 04:16 • -8.14db
34% Popularity • 67% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 67% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
63% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Toby Johnson
One Mississippi
120 bpm • E Maj • 03:41 • -11.15db
29% Popularity • 71% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 71% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Shawn Mendes
Use Somebody - Recorded at Spotify Studi...
125 bpm • F Maj • 02:56 • -6.07db
58% Popularity • 37% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 37% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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George Ezra
Sugarcoat
124 bpm • F Maj • 03:22 • -6.75db
45% Popularity • 71% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 71% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Joy Williams
Front Porch
124 bpm • C# Maj • 03:51 • -10.02db
57% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lewis Watson
fly when i fall
120 bpm • G# Maj • 04:10 • -10.29db
20% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Jake Troth
Sunday Smile
125 bpm • B Maj • 03:28 • -6.73db
42% Popularity • 69% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 69% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Blakey
Confidant
119 bpm • A# Maj • 03:35 • -12db
50% Popularity • 54% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 54% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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The Beach
Our Favourite Song
125 bpm • C# Maj • 04:05 • -6.51db
23% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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James TW
When You Love Someone - Acoustic
125 bpm • G Maj • 03:30 • -8.36db
60% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Toby Johnson
Wounds
125 bpm • D# Maj • 05:34 • -12db
21% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sam Fender
Waiting For Love - Recorded At RAK Studi...
125 bpm • F# min • 02:45 • -5.22db
52% Popularity • 33% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 33% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Iron & Wine
Time After Time
125 bpm • C# Maj • 02:50 • -13.3db
66% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
66% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
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Nick Howard
Leaving on a Jet Plane (Acoustic)
119 bpm • B Maj • 03:53 • -9.27db
20% Popularity • 45% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 45% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Niall Horan
Too Much To Ask - Acoustic
125 bpm • C Maj • 03:41 • -7.38db
52% Popularity • 52% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 52% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Wild Rivers
Moving Target
126 bpm • B Maj • 03:32 • -8db
41% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Wrabel
Poetry
126 bpm • G# Maj • 04:09 • -5.52db
44% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Dan Owen
Stay Awake with Me
126 bpm • C Maj • 03:25 • -5db
30% Popularity • 57% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 57% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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James TW
When You Love Someone
126 bpm • G Maj • 03:36 • -6.09db
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Alicia Keys
No One - Acoustic
118 bpm • E Maj • 04:19 • -8db
59% Popularity • 45% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 45% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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George Ezra
The Beautiful Dream
126 bpm • E Maj • 04:29 • -8.47db
43% Popularity • 50% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
43% Popularity • 50% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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James Bay
If You Ever Wanna Be In Love - James Bay...
118 bpm • B Maj • 03:56 • -8.43db
61% Popularity • 68% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 68% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 36% Positiveness
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Rhys Lewis
Reason To Hate You
127 bpm • C# min • 03:58 • -9.78db
32% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Matt Simons
Lose Control - Acoustic Version
127 bpm • F min • 02:37 • -7.86db
42% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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James TW
You & Me
127 bpm • B Maj • 03:51 • -6.33db
65% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
65% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Sons Of The East
Lost Cause
127 bpm • G# Maj • 03:25 • -7.94db
47% Popularity • 60% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 60% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Old Sea Brigade
Caroline - Acoustic
127 bpm • E min • 03:57 • -12db
47% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Juke Ross
Burned By The Love
127 bpm • G# Maj • 03:04 • -11db
34% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Caamp
Strawberries
117 bpm • D# Maj • 03:39 • -19db
60% Popularity • 55% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
60% Popularity • 55% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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The Lumineers
Flowers in Your Hair
127 bpm • G Maj • 01:49 • -10.09db
75% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
75% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Labrinth
Jealous
117 bpm • C# Maj • 04:47 • -8.95db
74% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
74% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Niall Horan
Fool's Gold - Recorded At RAK Studios, L...
128 bpm • F# Maj • 03:24 • -11.99db
57% Popularity • 57% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
57% Popularity • 57% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Old Sea Brigade
Love Brought Weight
117 bpm • G Maj • 03:05 • -16db
65% Popularity • 37% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
65% Popularity • 37% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
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Juke Ross
Burned By The Love (Acoustic)
128 bpm • G# Maj • 03:16 • -15db
20% Popularity • 65% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 65% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Joe Slater
Once
116 bpm • E Maj • 03:33 • -14db
13% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Calum Scott
Not Dark Yet
128 bpm • C Maj • 03:35 • -7.7db
38% Popularity • 59% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 59% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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George Ezra
Budapest
128 bpm • F Maj • 03:20 • -8.3db
83% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
83% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Leon Bridges
River
128 bpm • G# Maj • 04:00 • -10.79db
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Stu Larsen
I Will Be Happy and Hopefully You Will B...
129 bpm • D Maj • 03:20 • -12.11db
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Wildwood Kin
Wake Up Sleeper - Acoustic
115 bpm • C# Maj • 03:35 • -11.69db
35% Popularity • 52% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 52% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Dan Owen
Hand That You Hold
129 bpm • G Maj • 03:17 • -6.44db
37% Popularity • 38% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 38% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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George Ezra
Shotgun
116 bpm • F Maj • 03:21 • -4.73db
78% Popularity • 67% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
78% Popularity • 67% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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The Lumineers
Stubborn Love
115 bpm • C Maj • 04:39 • -11.68db
73% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
73% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
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Sara Bareilles
A Safe Place to Land
130 bpm • A# Maj • 04:29 • -13.26db
52% Popularity • 42% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 42% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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WALK THE MOON
Shut Up and Dance - Live Acoustic - 2015
130 bpm • C Maj • 03:13 • -4.55db
52% Popularity • 82% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 82% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Noah Kahan
Hurt Somebody
115 bpm • C# Maj • 02:47 • -6.49db
74% Popularity • 64% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
74% Popularity • 64% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Harrison Storm
Falling Down
130 bpm • B min • 03:45 • -7.43db
45% Popularity • 38% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 38% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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George Ezra
The Sun Went Down
130 bpm • D Maj • 02:14 • -11.82db
37% Popularity • 74% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
37% Popularity • 74% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Michael Schulte
You Said You'd Grow Old With Me
114 bpm • C Maj • 03:44 • -7.04db
60% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
60% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Julia Michaels
Issues - Acoustic
114 bpm • G# Maj • 02:55 • -6.13db
58% Popularity • 69% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
58% Popularity • 69% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Bear's Den
Conversations With Ghosts
114 bpm • E min • 04:08 • -6db
32% Popularity • 75% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 75% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Sigrid
Dynamite
114 bpm • C# Maj • 03:51 • -11.5db
45% Popularity • 55% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 55% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Hartke
Goodbye Belongs to You
114 bpm • E Maj • 03:33 • -8db
36% Popularity • 61% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
36% Popularity • 61% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Emil Landman
Little Marks
114 bpm • A min • 02:49 • -15.08db
40% Popularity • 66% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 66% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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George Ezra
Shotgun - Acoustic Version
114 bpm • F Maj • 03:22 • -6db
43% Popularity • 62% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 62% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Daniel Pearson
The Open Sea
131 bpm • A Maj • 04:55 • -14.31db
41% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jason Mraz
Let's See What The Night Can Do
114 bpm • G Maj • 04:05 • -7.81db
49% Popularity • 39% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
49% Popularity • 39% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Sons Of The East
On My Way
113 bpm • G Maj • 03:31 • -8db
54% Popularity • 46% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 46% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Jack Johnson
Sunsets For Somebody Else
113 bpm • G Maj • 03:30 • -7.91db
63% Popularity • 70% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 70% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Morningsiders
How Good It Is
113 bpm • C Maj • 03:14 • -6db
54% Popularity • 65% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 65% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
