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Hold On
Songs like
Hold On
by
George Alice
Based on a tempo of (+/- 10%) and a similar genre
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George Alice
Hold On
150 bpm • A Maj • 03:15 • -10.48db
33% Popularity • 43% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Tyne-James Organ
Better Than This
150 bpm • B Maj • 03:48 • -5.44db
27% Popularity • 52% Danceability • 86% Energy • 14% Liveness
19% Instrumentalness • 52% Positiveness
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Middle Kids
Cellophane (Brain)
150 bpm • C Maj • 03:30 • -6.6db
33% Popularity • 54% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Gretta Ray
Readymade
150 bpm • C min • 03:41 • -8.46db
14% Popularity • 39% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Odette
I Miss You, I’m Sorry
149 bpm • B Maj • 03:16 • -5.78db
21% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Little Green
iridescent ghosts
149 bpm • E Maj • 03:26 • -11.13db
14% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Triple One
COME OVER
152 bpm • G Maj • 03:50 • -5db
28% Popularity • 57% Danceability • 71% Energy • 56% Liveness
0% Instrumentalness • 47% Positiveness
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Yorke
next life
148 bpm • C# Maj • 03:01 • -7.06db
14% Popularity • 59% Danceability • 58% Energy • 54% Liveness
1% Instrumentalness • 58% Positiveness
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BEKA
Don't Call Me A Friend
152 bpm • C# min • 02:36 • -5db
30% Popularity • 60% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Gretta Ray
The Deepest Sighs, the Frankest Shadows ...
152 bpm • C# Maj • 05:14 • -10.65db
30% Popularity • 49% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Aodhan
Empty Spaces
152 bpm • G# Maj • 03:47 • -5.37db
24% Popularity • 50% Danceability • 78% Energy • 11% Liveness
17% Instrumentalness • 44% Positiveness
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Sycco
Jinx
147 bpm • G# Maj • 02:46 • -4.96db
27% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Vera Blue
Red Rose
148 bpm • A Maj • 03:49 • -9.67db
15% Popularity • 29% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Tyne-James Organ
Overtime
154 bpm • F Maj • 03:25 • -6.29db
14% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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SLUMBERJACK
Better Off
146 bpm • B min • 02:53 • -6.8db
19% Popularity • 68% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Ruby Fields
Song About A Boy
154 bpm • F Maj • 03:49 • -4.57db
32% Popularity • 41% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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JOY.
Depends On
154 bpm • E Maj • 03:06 • -8.86db
23% Popularity • 43% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
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MAY-A
Amiinmyhead?
146 bpm • C Maj • 03:01 • -4.25db
20% Popularity • 59% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Thomas Headon
Nobody Has To Know
154 bpm • A Maj • 03:06 • -4.23db
34% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Yorke
i’ll keep driving
146 bpm • D Maj • 03:42 • -7.65db
20% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Vera Blue
Alright Now
154 bpm • F# min • 03:32 • -8db
30% Popularity • 66% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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flowerkid
vodka orange juice
146 bpm • D Maj • 03:59 • -8.24db
16% Popularity • 46% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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BROODS
Like A Woman
154 bpm • F# Maj • 03:10 • -11.89db
23% Popularity • 25% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 16% Positiveness
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Tyne-James Organ
Honey
155 bpm • C# Maj • 03:49 • -4.56db
18% Popularity • 56% Danceability • 86% Energy • 13% Liveness
3% Instrumentalness • 43% Positiveness
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Forest Claudette
Gone Without a Trace
145 bpm • B Maj • 03:02 • -4.14db
26% Popularity • 75% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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HANNI
See Through
145 bpm • G Maj • 03:14 • -6.62db
20% Popularity • 55% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Mitch Santiago
How I See You
145 bpm • E Maj • 03:49 • -6.66db
23% Popularity • 46% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Azure Ryder
Oh What A Relief
155 bpm • A min • 03:21 • -7.82db
33% Popularity • 63% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Xavier Dunn
Margot Robbie
156 bpm • C# Maj • 02:56 • -5.4db
31% Popularity • 47% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Sycco
Germs
145 bpm • F# min • 03:51 • -5.95db
32% Popularity • 66% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Charlie Collins
Just My Luck
156 bpm • G Maj • 02:23 • -4.48db
19% Popularity • 55% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Dulcie
tell ur friends
144 bpm • G# Maj • 02:41 • -5.06db
27% Popularity • 59% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Mitch Santiago
Seeing Straight
144 bpm • G min • 04:38 • -6.12db
31% Popularity • 49% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Vera Blue
Wherever We Go
156 bpm • E Maj • 03:19 • -7.99db
25% Popularity • 70% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Eliott
Tell Me
144 bpm • A# Maj • 02:55 • -9.33db
23% Popularity • 44% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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RARIA
Dude
144 bpm • A Maj • 02:40 • -7.33db
19% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Hope D
Happy Hangover
144 bpm • B Maj • 03:38 • -5.45db
25% Popularity • 67% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Holly Humberstone
Scarlett
143 bpm • D Maj • 03:16 • -9db
57% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Thelma Plum
The Brown Snake
143 bpm • C# Maj • 03:15 • -8db
37% Popularity • 70% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Lucy Blue
Pilot
158 bpm • C Maj • 03:08 • -12.91db
22% Popularity • 35% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
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Maddy Jane
It's a Lot
158 bpm • E Maj • 03:54 • -5.98db
18% Popularity • 49% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Eves Karydas
Get Me So High
142 bpm • C# min • 02:55 • -5.25db
25% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Alice Ivy
I'll Find It
158 bpm • D min • 03:57 • -4.82db
11% Popularity • 51% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Holly Humberstone
London Is Lonely
143 bpm • A# Maj • 03:54 • -7.22db
49% Popularity • 48% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Thelma Plum
Backseat of My Mind
143 bpm • D Maj • 04:24 • -7.09db
42% Popularity • 56% Danceability • 85% Energy • 20% Liveness
15% Instrumentalness • 62% Positiveness
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Tyne-James Organ
The Fire
158 bpm • C# Maj • 03:05 • -5.39db
16% Popularity • 52% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Dulcie
Nothing Left
158 bpm • C# Maj • 03:03 • -6.61db
12% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Vera Blue
Mermaid Avenue
142 bpm • A# Maj • 03:09 • -8db
28% Popularity • 56% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Amy Shark
Amy Shark
142 bpm • C Maj • 03:07 • -11.39db
34% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Holly Humberstone
London Is Lonely - Edit
142 bpm • A# Maj • 03:27 • -7db
26% Popularity • 44% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Gretta Ray
Bigger Than Me
160 bpm • G Maj • 03:41 • -6.58db
26% Popularity • 62% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Thelma Plum
Backseat of My Mind - Radio Edit
143 bpm • D Maj • 03:30 • -7.19db
34% Popularity • 60% Danceability • 84% Energy • 23% Liveness
4% Instrumentalness • 70% Positiveness
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CXLOE
Cheating on Myself
160 bpm • B Maj • 02:53 • -5.5db
34% Popularity • 50% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Vallis Alps
Set It Off, Set It Right
160 bpm • F Maj • 03:39 • -4.88db
24% Popularity • 59% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Telenova
Stained Glass Love
160 bpm • G min • 05:54 • -5.86db
23% Popularity • 50% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Holly Humberstone
Friendly Fire
160 bpm • A# Maj • 03:42 • -10.64db
39% Popularity • 48% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Greta Stanley
Lakes
160 bpm • D# Maj • 03:42 • -11.32db
35% Popularity • 34% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jack Gray
One Step Back
140 bpm • E Maj • 03:34 • -6.21db
32% Popularity • 55% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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CXLOE
Soft Rock
160 bpm • A Maj • 02:31 • -6.87db
20% Popularity • 45% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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KIAN
All Of Me
140 bpm • E Maj • 03:29 • -6.27db
23% Popularity • 58% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Cat & Calmell
Cry
140 bpm • C Maj • 03:09 • -6.53db
29% Popularity • 60% Danceability • 74% Energy • 53% Liveness
0% Instrumentalness • 54% Positiveness
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Tyne-James Organ
Not Ready For Love
140 bpm • C# min • 03:16 • -3db
32% Popularity • 49% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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Robbie Miller
Catch Me
140 bpm • D Maj • 02:57 • -10.85db
27% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Boo Seeka
Tripwire
140 bpm • E min • 02:54 • -6.52db
26% Popularity • 46% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Eves Karydas
Cardboard Box
140 bpm • G# Maj • 03:11 • -9.22db
9% Popularity • 61% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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edith
Fear
140 bpm • E Maj • 03:08 • -5.48db
21% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Budjerah
Wash My Sorrows Away
140 bpm • B min • 03:49 • -5.91db
28% Popularity • 61% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Amy Shark
You'll Never Meet Anyone Like Me Again
140 bpm • A# Maj • 03:16 • -8.11db
28% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Odette
Do You See Me
162 bpm • F Maj • 04:05 • -6.3db
22% Popularity • 71% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Tyne-James Organ
Sunday Suit
162 bpm • B Maj • 04:07 • -4.96db
37% Popularity • 55% Danceability • 78% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Eves Karydas
Wildest Ones
140 bpm • F# Maj • 04:04 • -10.33db
33% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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edith
Falling Away
162 bpm • C# Maj • 03:39 • -3.55db
19% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Rory Noble
What If I Can't
162 bpm • A Maj • 02:36 • -11.82db
19% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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George Alice
Healed
163 bpm • A# Maj • 03:19 • -7.39db
29% Popularity • 61% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Kita Alexander
Ocean Blue
163 bpm • F# Maj • 03:22 • -4.98db
34% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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GRACEY
What A Waste
138 bpm • D Maj • 03:13 • -5.27db
37% Popularity • 77% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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King Princess
Little Bother
164 bpm • E Maj • 02:41 • -6db
45% Popularity • 44% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Lucy Blue
Postman
164 bpm • F# Maj • 03:14 • -8.17db
12% Popularity • 41% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Vera Blue
Temper
138 bpm • F# min • 03:26 • -5.74db
38% Popularity • 70% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Little Green
lost in limbo
164 bpm • G min • 02:38 • -10.09db
13% Popularity • 53% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Bella Taylor Smith
Look Me In The Eyes
137 bpm • E Maj • 03:16 • -6.74db
27% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Greta Stanley
Red Earth Dirt
164 bpm • E min • 03:50 • -3.74db
15% Popularity • 60% Danceability • 83% Energy • 20% Liveness
16% Instrumentalness • 78% Positiveness
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Dulcie
Sake Of Sound
164 bpm • B min • 02:59 • -7db
9% Popularity • 53% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Amy Shark
Only Wanna Be With You
164 bpm • A Maj • 03:10 • -4db
46% Popularity • 53% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Meg Mac
Lifesaver
137 bpm • C# Maj • 02:36 • -9.9db
18% Popularity • 35% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Rions
Disassociation
137 bpm • E Maj • 04:08 • -5.83db
43% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Sycco
Nicotine
137 bpm • C# min • 03:41 • -5.77db
29% Popularity • 68% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Lucy Blue
First Man On The Moon
137 bpm • A Maj • 03:31 • -11.26db
20% Popularity • 41% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Gretta Ray
Radio Silence
136 bpm • A Maj • 04:18 • -10.12db
32% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Hope D
Doormat
136 bpm • G Maj • 04:19 • -5.98db
17% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Illy
No Feelings
136 bpm • G# min • 03:37 • -9db
21% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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George Alice
Haunted
136 bpm • B Maj • 03:33 • -9.33db
30% Popularity • 57% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Jess Day
Seven
136 bpm • F# min • 03:08 • -3.95db
10% Popularity • 68% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Tyne-James Organ
Stranger
136 bpm • E Maj • 04:19 • -5.18db
19% Popularity • 64% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Gretta Ray
Re: Stacks
136 bpm • F Maj • 04:25 • -16.29db
38% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Thelma Plum
Nick Cave
166 bpm • B Maj • 02:45 • -9db
35% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Ruby Fields
Kitchen
135 bpm • D# Maj • 04:53 • -4.92db
38% Popularity • 43% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Holly Humberstone
Vanilla
166 bpm • C Maj • 03:44 • -6db
38% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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RIIKI REID
Meet U Again
135 bpm • E Maj • 02:35 • -6.58db
15% Popularity • 60% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 54% Positiveness
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pinkiscool
Surface
135 bpm • C Maj • 03:08 • -6.03db
11% Popularity • 61% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Hold On