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Hold Out
Songs like
Hold Out
by
Sam Fender
Based on a tempo of (+/- 10%) and a similar genre
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Somebody's Child
We Could Start A War
183 bpm • C# min • 03:37 • -5db
34% Popularity • 26% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Sam Fender
Hold Out
183 bpm • B Maj • 02:43 • -1.61db
45% Popularity • 29% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Love Fame Tragedy
Multiply
184 bpm • F# min • 02:56 • -6.08db
25% Popularity • 44% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The K's
Glass Towns
184 bpm • D Maj • 02:54 • -2.93db
38% Popularity • 35% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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The Reytons
Kids Off The Estate (2017)
181 bpm • B min • 03:32 • -4.36db
47% Popularity • 37% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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The Howl & The Hum
A Hotel Song
180 bpm • C# min • 03:43 • -6.89db
21% Popularity • 47% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Somebody's Child
TV Screens
186 bpm • C Maj • 03:39 • -4.74db
20% Popularity • 37% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Declan McKenna
Daniel, You're Still a Child
186 bpm • C Maj • 03:58 • -2.47db
41% Popularity • 29% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Sam Fender
Howdon Aldi Death Queue
184 bpm • G# Maj • 01:58 • -5.15db
45% Popularity • 37% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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The K's
Got a Feeling
180 bpm • A Maj • 03:08 • -1.92db
37% Popularity • 37% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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The Reytons
Headache
180 bpm • B Maj • 03:52 • -2.82db
40% Popularity • 34% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Fatherson
Charm School
180 bpm • E min • 03:30 • -3db
32% Popularity • 32% Danceability • 81% Energy • 11% Liveness
8% Instrumentalness • 44% Positiveness
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Gang of Youths
the angel of 8th ave.
179 bpm • F# min • 03:59 • -8db
44% Popularity • 40% Danceability • 97% Energy • 13% Liveness
10% Instrumentalness • 60% Positiveness
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easy life
frank
180 bpm • A# Maj • 03:25 • -5.72db
41% Popularity • 42% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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The Lathums
Oh My Love
178 bpm • F# min • 02:22 • -4db
45% Popularity • 40% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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The K's
Aurora
179 bpm • A Maj • 04:00 • -5.99db
39% Popularity • 25% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Fender
Saturday
176 bpm • C# Maj • 03:01 • -3.08db
60% Popularity • 45% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 68% Positiveness
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JAMIE WEBSTER
Going Out
176 bpm • C# Maj • 03:48 • -2.86db
42% Popularity • 47% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Corella
Caught Up
175 bpm • A min • 03:16 • -5db
44% Popularity • 52% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Fatherson
Gratitude
174 bpm • B Maj • 03:37 • -3.77db
15% Popularity • 31% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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KAWALA
Moonlight
174 bpm • D Maj • 04:13 • -10.55db
41% Popularity • 63% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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The K's
Icarus
188 bpm • C Maj • 04:15 • -7.04db
41% Popularity • 27% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Sam Fender
Spice
175 bpm • C# Maj • 02:21 • -3db
58% Popularity • 49% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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The Vaccines
Norgaard
174 bpm • B Maj • 01:38 • -4.72db
58% Popularity • 32% Danceability • 85% Energy • 25% Liveness
2% Instrumentalness • 86% Positiveness
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Corella
Come Around
175 bpm • F# min • 03:14 • -2db
53% Popularity • 37% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Somebody's Child
Toes
174 bpm • C# min • 03:43 • -5db
27% Popularity • 47% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Coronas
Lost in The Thick of It
173 bpm • C Maj • 03:34 • -7.45db
36% Popularity • 41% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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The K's
Sarajevo
176 bpm • F# min • 03:25 • -3.55db
40% Popularity • 46% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Toby Johnson
Rumour of a Good Life
173 bpm • A Maj • 03:33 • -9.47db
31% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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APRE
Your Heart's Like A Jungle
173 bpm • D Maj • 03:14 • -5db
24% Popularity • 45% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Corella
Do You Want It?
174 bpm • F# min • 03:10 • -5db
45% Popularity • 22% Danceability • 85% Energy • 22% Liveness
4% Instrumentalness • 19% Positiveness
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The Lathums
How Beautiful Life Can Be
170 bpm • G Maj • 02:46 • -2.78db
40% Popularity • 43% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Sam Fender
Greasy Spoon
171 bpm • F# Maj • 02:58 • -6db
44% Popularity • 52% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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The K's
Picture
171 bpm • C Maj • 03:16 • -3.56db
39% Popularity • 42% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Royston Club
Mariana
170 bpm • D Maj • 03:10 • -4.96db
44% Popularity • 50% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Holy Holy
Teach Me About Dying
170 bpm • C Maj • 03:25 • -5.38db
44% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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PLANET
Maybe Someday
170 bpm • B Maj • 04:04 • -5.4db
14% Popularity • 23% Danceability • 86% Energy • 25% Liveness
2% Instrumentalness • 36% Positiveness
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The Reytons
Broke Boys Cartel
170 bpm • B min • 02:49 • -4db
48% Popularity • 51% Danceability • 92% Energy • 82% Liveness
0% Instrumentalness • 77% Positiveness
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Sundara Karma
Loveblood
170 bpm • D Maj • 03:48 • -4.22db
32% Popularity • 38% Danceability • 91% Energy • 21% Liveness
3% Instrumentalness • 27% Positiveness
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The K's
TV
170 bpm • C# min • 03:17 • -4.5db
38% Popularity • 39% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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JAMIE WEBSTER
Voice Of The Voiceless
170 bpm • A# Maj • 03:13 • -5.7db
46% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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The Lathums
How Beautiful Life Can Be - Single Versi...
170 bpm • G Maj • 02:30 • -3.29db
44% Popularity • 44% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Jake Bugg
All I Need
170 bpm • F min • 03:36 • -4db
42% Popularity • 50% Danceability • 73% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
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Noah Kahan
Homesick
170 bpm • F# Maj • 03:14 • -6.44db
76% Popularity • 46% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Liam Gallagher
Why Me? Why Not.
170 bpm • A min • 03:38 • -4db
42% Popularity • 31% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The K's
Heart On My Sleeve
170 bpm • E Maj • 02:58 • -4.01db
40% Popularity • 34% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Fender
Dead Boys
168 bpm • C Maj • 03:23 • -3.63db
55% Popularity • 46% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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The Reytons
Cash In Hand & Fake IDs
168 bpm • F# Maj • 03:18 • -4.47db
44% Popularity • 32% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Dylan John Thomas
Nobody Else
200 bpm • F# Maj • 02:48 • -7.07db
42% Popularity • 34% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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JAMIE WEBSTER
Living For Yesterday
167 bpm • C# Maj • 03:36 • -6.36db
40% Popularity • 50% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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The Lathums
This Place O' Yours
168 bpm • A Maj • 03:48 • -7.58db
36% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Love Fame Tragedy
Backflip
166 bpm • C# min • 03:06 • -5db
32% Popularity • 48% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Catfish and the Bottlemen
2all
167 bpm • G min • 03:08 • -4db
54% Popularity • 40% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Vaccines
If You Wanna
165 bpm • D Maj • 02:54 • -3.27db
64% Popularity • 35% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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KAWALA
Never Really Here For Long
166 bpm • G# Maj • 03:26 • -5.53db
30% Popularity • 56% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Room D
Neon Lights
165 bpm • E Maj • 03:48 • -6.58db
23% Popularity • 41% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Sundara Karma
She Said
165 bpm • G Maj • 03:45 • -4db
52% Popularity • 42% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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The K's
Hometown
165 bpm • B Maj • 04:53 • -7.12db
39% Popularity • 34% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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The Magic Gang
Think
164 bpm • A# min • 03:27 • -2db
23% Popularity • 39% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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The Snuts
Gloria
204 bpm • D Maj • 02:32 • -3.52db
52% Popularity • 45% Danceability • 81% Energy • 43% Liveness
5% Instrumentalness • 59% Positiveness
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Sam Fender
Long Way Off
164 bpm • G# min • 03:49 • -4.13db
44% Popularity • 45% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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YourCuzMarcus
Obey
164 bpm • C# Maj • 03:06 • -9.99db
18% Popularity • 39% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Corella
Island
163 bpm • C min • 03:02 • -5db
38% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Everything Everything
Violent Sun
162 bpm • A min • 04:00 • -5db
40% Popularity • 40% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Gazelle
Guilt Trip Gun
161 bpm • D Maj • 03:40 • -6.25db
21% Popularity • 29% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Coronas
Find The Water
162 bpm • D Maj • 03:29 • -5.62db
27% Popularity • 39% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sam Fender
Will We Talk?
204 bpm • C# Maj • 02:42 • -0.78db
66% Popularity • 30% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Reytons
Antibiotics
161 bpm • B min • 03:04 • -5.03db
44% Popularity • 50% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Corella
Puppets
161 bpm • C# min • 02:29 • -5.12db
48% Popularity • 45% Danceability • 84% Energy • 8% Liveness
3% Instrumentalness • 64% Positiveness
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Gerry Cinnamon
Ghost
161 bpm • A Maj • 03:27 • -6db
55% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Big Moon
Take A Piece
160 bpm • F Maj • 03:43 • -8.22db
41% Popularity • 59% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Catfish and the Bottlemen
Fluctuate
160 bpm • G# Maj • 03:12 • -4.17db
54% Popularity • 41% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Sam Fender
Better Of Me
164 bpm • G# min • 03:48 • -7.43db
38% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Weston Loney
Rachel
160 bpm • A# Maj • 03:41 • -8.4db
17% Popularity • 44% Danceability • 52% Energy • 21% Liveness
5% Instrumentalness • 45% Positiveness
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Inhaler
We Have To Move On
160 bpm • E min • 04:12 • -5.01db
44% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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The K's
Chancer
160 bpm • A Maj • 03:15 • -6.33db
41% Popularity • 37% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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The Coronas
True Love Waits
160 bpm • G# Maj • 04:29 • -6.97db
26% Popularity • 42% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Covasettes
Top Drawer
160 bpm • C Maj • 03:06 • -5.72db
33% Popularity • 43% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Sam Fender
Dead Boys - Recorded At RAK Studios, Lon...
162 bpm • B Maj • 03:33 • -5.4db
31% Popularity • 45% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Sundara Karma
Olympia
160 bpm • B Maj • 04:11 • -4.55db
35% Popularity • 46% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Inhaler
My Honest Face
160 bpm • F Maj • 04:32 • -4.17db
59% Popularity • 42% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The Clause
Time of Our Lives
159 bpm • G# Maj • 03:09 • -4.19db
36% Popularity • 46% Danceability • 97% Energy • 6% Liveness
8% Instrumentalness • 57% Positiveness
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KAWALA
Angry Man
158 bpm • E Maj • 03:31 • -5.64db
29% Popularity • 58% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Gerry Cinnamon
Where We're Going
158 bpm • A Maj • 04:00 • -7db
60% Popularity • 52% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Sam Fender
Seventeen Going Under - Edit
162 bpm • C# Maj • 03:57 • -4.64db
48% Popularity • 50% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Fatherson
Oh Yes
157 bpm • C Maj • 05:19 • -5.46db
18% Popularity • 21% Danceability • 59% Energy • 14% Liveness
4% Instrumentalness • 10% Positiveness
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The Reytons
Market Street
156 bpm • D Maj • 03:17 • -5.58db
47% Popularity • 48% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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The Clause
Sixteen
157 bpm • G min • 03:13 • -8.66db
38% Popularity • 41% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Corella
Bloom
156 bpm • F min • 02:33 • -5db
57% Popularity • 49% Danceability • 89% Energy • 83% Liveness
0% Instrumentalness • 66% Positiveness
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Lostboy
Fool
156 bpm • A Maj • 02:42 • -8.13db
12% Popularity • 45% Danceability • 68% Energy • 24% Liveness
61% Instrumentalness • 53% Positiveness
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Sam Fender
Seventeen Going Under
162 bpm • C# Maj • 04:57 • -4.79db
70% Popularity • 48% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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Riscas
Talk Your Mind
156 bpm • D Maj • 02:49 • -8.12db
34% Popularity • 53% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 56% Positiveness
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Sam Fender
The Borders - live at Capitol Studios, s...
161 bpm • C# Maj • 05:35 • -3.65db
29% Popularity • 48% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Sam Fender
The Borders
161 bpm • G# Maj • 05:32 • -3.79db
59% Popularity • 48% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Sam Fender
Getting Started
161 bpm • B Maj • 03:09 • -4.49db
61% Popularity • 47% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Fender
Get You Down
158 bpm • D Maj • 04:23 • -4.91db
51% Popularity • 39% Danceability • 97% Energy • 30% Liveness
9% Instrumentalness • 39% Positiveness
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Sam Fender
The Leveller
157 bpm • D Maj • 04:01 • -4.72db
36% Popularity • 47% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Sam Fender
Aye
156 bpm • C# Maj • 03:06 • -4.84db
44% Popularity • 59% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Hold Out