Songs like Holding My Own Hand by Avery Lynch
Based on a tempo of (+/- 10%) and a similar genre
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Avery Lynch
Holding My Own Hand
158 bpm • D# Maj • 03:36 • -7db
31% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Alexander 23
How Much Longer?
158 bpm • C# Maj • 04:03 • -8.5db
55% Popularity • 46% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 46% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Thomas Day
Come Home
158 bpm • E Maj • 03:18 • -6.98db
44% Popularity • 53% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 53% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Charlie Oriain
Grow Out Of It
159 bpm • A Maj • 02:31 • -14.97db
24% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Luz
sustain
160 bpm • D Maj • 03:24 • -8.9db
30% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Devon Gabriella
easy
155 bpm • B Maj • 02:44 • -13.08db
33% Popularity • 65% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 65% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Savanna Leigh
hope ur doing good
155 bpm • A Maj • 03:25 • -11.41db
11% Popularity • 31% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 31% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ber
Halfway
155 bpm • C Maj • 03:02 • -12db
23% Popularity • 58% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 58% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Sabrina Sterling
World's Biggest Hypocrite
162 bpm • A# Maj • 02:21 • -10.81db
30% Popularity • 54% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Chelsea Cutler
Hold Me While It’s Ending
162 bpm • G Maj • 02:54 • -7.69db
51% Popularity • 47% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
51% Popularity • 47% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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BLÜ EYES
getting older
154 bpm • D Maj • 02:46 • -8.24db
36% Popularity • 57% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 57% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
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Jade LeMac
Let Me
154 bpm • C# min • 03:23 • -7db
39% Popularity • 49% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 49% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Hanniou
too good to be true
154 bpm • C# Maj • 03:04 • -11db
39% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Avery Lynch
you're just a guy
162 bpm • D# Maj • 03:50 • -12.33db
49% Popularity • 43% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 43% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Ryan Nealon
Not Coming Home
163 bpm • E Maj • 03:34 • -8.03db
25% Popularity • 42% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 42% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Mercer Henderson
Sidelines
154 bpm • G# Maj • 02:50 • -15.77db
26% Popularity • 52% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 52% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Charlie Oriain
False Hope
163 bpm • C# min • 02:24 • -14.75db
36% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Brynn Cartelli
Secondhand Smoke
163 bpm • G# Maj • 04:03 • -6.23db
37% Popularity • 45% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 45% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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ROSIE
Someone You Once Had
153 bpm • C# Maj • 03:12 • -6.15db
44% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Clinton Kane
I WISH I COULD HATE YOU FOR BREAKING ME ...
164 bpm • B Maj • 02:14 • -3.17db
49% Popularity • 39% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 39% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lily Kincade
At My Funeral
166 bpm • F# Maj • 02:49 • -10db
21% Popularity • 48% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 48% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Anson Seabra
Past Tense
152 bpm • D Maj • 03:30 • -8.7db
42% Popularity • 52% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 52% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Charlie Oriain
Write off
151 bpm • B Maj • 02:49 • -12.81db
26% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Beth McCarthy
She Gets the Flowers
151 bpm • D Maj • 03:39 • -7.06db
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Tristan
Keep That to Yourself
151 bpm • F Maj • 04:15 • -8.25db
46% Popularity • 34% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 34% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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ROSIE
Lose Me Too
150 bpm • D Maj • 03:24 • -8.49db
42% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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BLÜ EYES
you'd never know
150 bpm • G# Maj • 03:05 • -9.7db
55% Popularity • 63% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
55% Popularity • 63% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Devon Gabriella
The Way That I See You
150 bpm • C# Maj • 02:43 • -7.17db
30% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Charlie Oriain
Wish I Could
150 bpm • C Maj • 02:40 • -12.67db
22% Popularity • 51% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 51% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Luz
counting houses
150 bpm • A# Maj • 03:20 • -12.09db
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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NERIAH
Love Me Like That
150 bpm • D Maj • 02:19 • -6.42db
46% Popularity • 61% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 61% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Taylor Thomas
Save a Little Space
150 bpm • G# Maj • 04:02 • -9.91db
19% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sadie Jean
Simple Like 17
150 bpm • C Maj • 03:19 • -9.14db
50% Popularity • 60% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 60% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Sam MacPherson
How Do You Dress for the Rain?
150 bpm • A# Maj • 02:40 • -12db
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Devon Gabriella
how could you?
150 bpm • G Maj • 02:40 • -9.74db
35% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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Sydney Rose
Pretty Words
150 bpm • B Maj • 03:37 • -13.02db
23% Popularity • 31% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 31% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Rachel Grae
Love Me Like The First Time
167 bpm • D Maj • 03:17 • -8.54db
54% Popularity • 49% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 49% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Ashley Kutcher
Love You From a Distance
149 bpm • E Maj • 03:24 • -8.65db
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Avery Lynch
useless information
168 bpm • E Maj • 03:13 • -14.72db
41% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Sabrina Sterling
Ride Or Die
168 bpm • B Maj • 03:19 • -11.6db
29% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Devon Gabriella
older
150 bpm • A Maj • 02:37 • -14.57db
37% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Sydney Rose
Less than Lovers
149 bpm • G# Maj • 04:14 • -12.03db
21% Popularity • 39% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 39% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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BLÜ EYES
never got better
168 bpm • C Maj • 02:58 • -8db
34% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Taylor Bickett
you're not a bad person
148 bpm • E Maj • 02:32 • -5.17db
36% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Lily Williams
What If I Still Miss You?
148 bpm • F Maj • 03:20 • -8.46db
25% Popularity • 55% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 55% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Kays
Bored
148 bpm • A# Maj • 02:46 • -7.33db
41% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Avery Lynch
Love of My Life
169 bpm • B Maj • 03:52 • -11.37db
41% Popularity • 30% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 30% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Sydney Rose
Filing Our Papers
149 bpm • C Maj • 01:31 • -17.05db
29% Popularity • 45% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 45% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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BLÜ EYES
healing hurts
148 bpm • G# Maj • 02:56 • -7db
49% Popularity • 45% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 45% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Stephen Dawes
Never Get Over You
169 bpm • G# Maj • 02:50 • -7.44db
46% Popularity • 32% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 32% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sabrina Sterling
Love Me That Way
170 bpm • D Maj • 02:44 • -9.34db
38% Popularity • 53% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 53% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Madeline The Person
Before It Gets Bad
147 bpm • A# Maj • 03:15 • -8.31db
27% Popularity • 45% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 45% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Ashley Kutcher
Die In Your Arms
146 bpm • C Maj • 03:47 • -7.65db
41% Popularity • 36% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 36% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Aria Rayes
Disarray
146 bpm • D Maj • 02:57 • -13.69db
9% Popularity • 40% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 40% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Sofia Gomez
159 Days
146 bpm • E Maj • 03:16 • -8.79db
41% Popularity • 42% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 42% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Catie Turner
Love on the Moon
146 bpm • D# min • 02:36 • -11.17db
30% Popularity • 47% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 47% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Sabrina Sterling
Get A Grip
147 bpm • B min • 03:18 • -8.17db
28% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Rachel Grae
Love I've Been Jealous Of
146 bpm • G Maj • 02:49 • -7.58db
59% Popularity • 42% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 42% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Jade LeMac
Car Accident - Chill Version
146 bpm • D Maj • 03:39 • -5db
28% Popularity • 55% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 55% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
32% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Annika Bennett
over
146 bpm • C# Maj • 02:14 • -9.63db
28% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Taylor Bickett
embarrassing
146 bpm • C Maj • 02:36 • -11.6db
30% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Kenzie Cait
the worst part
146 bpm • C min • 03:42 • -6.37db
35% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Hanniou
heartbeats duet
171 bpm • A min • 02:31 • -11.41db
54% Popularity • 29% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
54% Popularity • 29% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Emily James
Call Me on Your Way Home
146 bpm • C Maj • 03:25 • -10db
31% Popularity • 74% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 74% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Zevia
something i can't do
146 bpm • A min • 02:44 • -12.58db
36% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Sydney Rose
Cool Girl
146 bpm • C# Maj • 03:00 • -12.78db
37% Popularity • 55% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 55% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Lily Williams
Learning Curve
172 bpm • C min • 02:41 • -6.78db
29% Popularity • 38% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 38% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Tate McRae
boy x
145 bpm • D# Maj • 03:46 • -8.55db
55% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Caleb Hearn
1000 reasons
172 bpm • B Maj • 02:34 • -11.46db
63% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Zach Hood
not them
172 bpm • C Maj • 03:04 • -6.43db
40% Popularity • 41% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 41% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Sophie Holohan
butterfly effect - demo
145 bpm • F# Maj • 02:11 • -7.49db
45% Popularity • 49% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 49% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Savannah Sgro
I Wanna Love Me
172 bpm • D# Maj • 02:46 • -9.54db
20% Popularity • 33% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 33% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Sody
time again
145 bpm • C Maj • 03:11 • -14.71db
23% Popularity • 38% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 38% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Jenna Raine
Nights Like These
145 bpm • G Maj • 03:17 • -9.4db
29% Popularity • 56% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 56% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 29% Positiveness
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Emily James
Past Tense
145 bpm • C# Maj • 03:23 • -8.15db
34% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Avery Lynch
Sh*t People
172 bpm • C# Maj • 03:16 • -7.16db
27% Popularity • 68% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 68% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Savanna Leigh
i miss you (i still do)
145 bpm • B Maj • 02:53 • -7.85db
35% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Cate
Rocket Science
145 bpm • A# Maj • 03:27 • -8.3db
49% Popularity • 63% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 63% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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Ben Kessler
Everything to Everyone
144 bpm • C min • 02:47 • -9.97db
31% Popularity • 62% Danceability • 49% Energy • 47% Liveness
8% Instrumentalness • 28% Positiveness
31% Popularity • 62% Danceability • 49% Energy • 47% Liveness
8% Instrumentalness • 28% Positiveness
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Charlie Oriain
Sinking Not Swimming
144 bpm • G# Maj • 03:26 • -11.48db
23% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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BLÜ EYES
rest in peace
144 bpm • D Maj • 03:11 • -11db
41% Popularity • 63% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 63% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Avery Lynch
Not Angry
144 bpm • A# Maj • 03:56 • -12.39db
33% Popularity • 46% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 46% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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Lydia Kaseta
Move On
144 bpm • F# Maj • 02:37 • -14.86db
13% Popularity • 61% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 61% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Jenna Raine
Fumbled the Bag
174 bpm • E Maj • 03:09 • -6.84db
45% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ber
Meant To Be
174 bpm • C# Maj • 02:43 • -11db
61% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
61% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Madeline The Person
MEAN! - Remix
174 bpm • G Maj • 02:23 • -9db
57% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Taylor Bickett
i should’ve guessed
143 bpm • E Maj • 04:01 • -7.42db
35% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Avery Lynch
Not Ready Yet
175 bpm • C# Maj • 03:07 • -7.32db
20% Popularity • 48% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 48% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Jake Clark
you dont see it
143 bpm • C# Maj • 03:08 • -16.53db
45% Popularity • 61% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 61% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Suriel Hess
Reasons to Leave
142 bpm • B Maj • 02:45 • -9db
52% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
52% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Luz
counting houses - acoustic
142 bpm • G min • 03:27 • -13.76db
22% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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BLÜ EYES
wish we never happened
142 bpm • A Maj • 03:04 • -7.26db
44% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Paige Fish
Rain
176 bpm • A# Maj • 04:01 • -8.82db
28% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Avery Lynch
Back & Forth
175 bpm • C Maj • 03:30 • -12.93db
22% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Sydney Rose
I Think of How it Ends
142 bpm • B Maj • 04:06 • -14.58db
23% Popularity • 36% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 36% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Suriel Hess
Hair
176 bpm • E Maj • 02:34 • -11.51db
53% Popularity • 49% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 49% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
