Songs like Holding The Man by Nick Ward
Based on a tempo of (+/- 10%) and a similar genre
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Julius Black
Dopamine
140 bpm • C# min • 03:40 • -9.97db
25% Popularity • 61% Danceability • 38% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 61% Danceability • 38% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Bestfriend
Hannah in the City
140 bpm • C# min • 03:48 • -6.52db
20% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Theo Bleak
You're Not Even Really Here
140 bpm • G min • 03:54 • -9.9db
9% Popularity • 61% Danceability • 53% Energy • 48% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 61% Danceability • 53% Energy • 48% Liveness
0% Instrumentalness • 43% Positiveness
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Ryan Woods
Sorry / happysad
140 bpm • F# min • 06:01 • -7.45db
18% Popularity • 63% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 63% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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carly and martina
shut up!
140 bpm • C# min • 04:31 • -7.33db
29% Popularity • 71% Danceability • 53% Energy • 10% Liveness
81% Instrumentalness • 56% Positiveness
29% Popularity • 71% Danceability • 53% Energy • 10% Liveness
81% Instrumentalness • 56% Positiveness
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Lilacs.
Lately I've Been Sad
140 bpm • A Maj • 03:02 • -15.93db
32% Popularity • 74% Danceability • 35% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 74% Danceability • 35% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
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BabyJake
Glue
140 bpm • G Maj • 02:53 • -11.92db
28% Popularity • 58% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 27% Positiveness
28% Popularity • 58% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 27% Positiveness
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Chris Lanzon
Always Forever
140 bpm • E Maj • 02:34 • -13.43db
25% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Beulahbelle
Being You
140 bpm • A# Maj • 02:35 • -12.93db
22% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ryan Woods
Pillow
140 bpm • G Maj • 02:53 • -5db
28% Popularity • 62% Danceability • 78% Energy • 18% Liveness
9% Instrumentalness • 40% Positiveness
28% Popularity • 62% Danceability • 78% Energy • 18% Liveness
9% Instrumentalness • 40% Positiveness
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Mike Kota
Wasted Time
140 bpm • E Maj • 03:42 • -13.02db
27% Popularity • 56% Danceability • 37% Energy • 91% Liveness
27% Instrumentalness • 16% Positiveness
27% Popularity • 56% Danceability • 37% Energy • 91% Liveness
27% Instrumentalness • 16% Positiveness
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Josie Man
Little Space for Me
140 bpm • A Maj • 02:39 • -11.36db
10% Popularity • 68% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 68% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Nick Ward
Holding The Man
140 bpm • B Maj • 03:03 • -10.44db
17% Popularity • 70% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 70% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
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Haiva Ru
Wildflowers
140 bpm • B Maj • 03:34 • -10.84db
29% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Magnolias
Goodnight, I'm going to sleep
140 bpm • G Maj • 04:17 • -8.76db
17% Popularity • 46% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 46% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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young friend
crying all the time
140 bpm • D Maj • 02:25 • -10db
16% Popularity • 74% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 74% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Philip Brooks
red dress
141 bpm • C Maj • 02:42 • -15.32db
25% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Colouring
Down To Earth
141 bpm • G Maj • 03:09 • -9.03db
28% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Del Water Gap
I Hope You Understand
141 bpm • E Maj • 03:09 • -6.27db
35% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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spookyghostboy
blank slate
139 bpm • D# Maj • 04:49 • -8.41db
16% Popularity • 54% Danceability • 59% Energy • 37% Liveness
32% Instrumentalness • 26% Positiveness
16% Popularity • 54% Danceability • 59% Energy • 37% Liveness
32% Instrumentalness • 26% Positiveness
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ROLE MODEL
masturbation song
142 bpm • E min • 03:14 • -14.05db
36% Popularity • 31% Danceability • 26% Energy • 11% Liveness
19% Instrumentalness • 36% Positiveness
36% Popularity • 31% Danceability • 26% Energy • 11% Liveness
19% Instrumentalness • 36% Positiveness
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Holly Humberstone
London Is Lonely - Edit
142 bpm • A# Maj • 03:27 • -7db
26% Popularity • 44% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 44% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Sfven
sipping on tea
138 bpm • A min • 02:41 • -7.42db
19% Popularity • 65% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 65% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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AYA YVES
Brave
142 bpm • C Maj • 04:17 • -12.19db
15% Popularity • 80% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 80% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Homemade Haircuts
Bermuda
142 bpm • F Maj • 03:51 • -16.05db
10% Popularity • 55% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 55% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Jess Benko
Worst Enemy
142 bpm • F# min • 02:46 • -5.26db
23% Popularity • 56% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 56% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
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Delacey
Boy With The Blues
138 bpm • A Maj • 02:55 • -11.53db
42% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lo Beeston
my love always
138 bpm • E min • 03:05 • -8.18db
37% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Laura Elliott
Caroline
138 bpm • G min • 03:43 • -12.28db
15% Popularity • 56% Danceability • 35% Energy • 13% Liveness
14% Instrumentalness • 21% Positiveness
15% Popularity • 56% Danceability • 35% Energy • 13% Liveness
14% Instrumentalness • 21% Positiveness
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Sfven
talk until we fall asleep
143 bpm • A Maj • 03:05 • -10.12db
13% Popularity • 50% Danceability • 41% Energy • 34% Liveness
55% Instrumentalness • 42% Positiveness
13% Popularity • 50% Danceability • 41% Energy • 34% Liveness
55% Instrumentalness • 42% Positiveness
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Gatlin
Hospital
138 bpm • C Maj • 02:48 • -17.16db
23% Popularity • 60% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 60% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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EUCA
Not Champagne
143 bpm • E Maj • 02:14 • -5.94db
20% Popularity • 55% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 55% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Charli Adams
Superpowers
143 bpm • B Maj • 03:04 • -14.33db
21% Popularity • 54% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 54% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Nick Ward
BLANKET (HOME TO YOU)
137 bpm • F# Maj • 02:45 • -7.3db
8% Popularity • 64% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 64% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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alybob
16
143 bpm • C# Maj • 02:56 • -14.47db
18% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Lilly Carron
ugly cry
143 bpm • F# Maj • 03:24 • -12.41db
12% Popularity • 64% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 64% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Lucy Blue
First Man On The Moon
137 bpm • A Maj • 03:31 • -11.26db
21% Popularity • 41% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 41% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Montaigne
always be you - Nick Ward Remix
136 bpm • A# Maj • 03:11 • -12.15db
3% Popularity • 49% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
3% Popularity • 49% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Claud
This Town
144 bpm • A# Maj • 02:44 • -7.5db
21% Popularity • 63% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 63% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Rachael Jenkins
I Don't Know
144 bpm • D Maj • 03:16 • -14.75db
27% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Aaron Taos
I Must Be In Love
144 bpm • C Maj • 02:46 • -6.39db
34% Popularity • 58% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 58% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Leith
Big Trees
144 bpm • G# Maj • 03:15 • -5.75db
25% Popularity • 58% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 58% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
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Babygirl
I Won't Ever Get Over You
136 bpm • B Maj • 04:42 • -13.11db
16% Popularity • 32% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
16% Popularity • 32% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
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Akurei
SEROTONIN
136 bpm • G Maj • 02:48 • -10.07db
19% Popularity • 69% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 69% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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The Sunshine State
Cliff Drive
145 bpm • C# Maj • 03:12 • -6.46db
29% Popularity • 60% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
29% Popularity • 60% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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E^ST
GET THROUGH
144 bpm • D Maj • 02:47 • -5.46db
10% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Dylan Fraser
Losing Sleep
145 bpm • A Maj • 03:42 • -6db
28% Popularity • 64% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 64% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
35% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
35% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Nick Ward
Aubrey Plaza
145 bpm • A Maj • 03:40 • -12.82db
34% Popularity • 57% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
34% Popularity • 57% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Ivers
Push
145 bpm • B Maj • 03:24 • -8db
29% Popularity • 64% Danceability • 54% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
29% Popularity • 64% Danceability • 54% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
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Julius Black
Together We Go Down In The Dark
135 bpm • F Maj • 02:49 • -10.5db
31% Popularity • 68% Danceability • 43% Energy • 24% Liveness
1% Instrumentalness • 30% Positiveness
31% Popularity • 68% Danceability • 43% Energy • 24% Liveness
1% Instrumentalness • 30% Positiveness
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brodyn
15 Years
135 bpm • G Maj • 04:23 • -11.01db
9% Popularity • 55% Danceability • 50% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
9% Popularity • 55% Danceability • 50% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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Julia Wallace
Warm Light
135 bpm • F# Maj • 02:57 • -14.13db
22% Popularity • 66% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 66% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Winnetka Bowling League
CVS (Acoustic Version)
145 bpm • A# Maj • 03:34 • -11db
22% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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marinelli
Father's Son
135 bpm • F# Maj • 02:37 • -4.01db
9% Popularity • 30% Danceability • 65% Energy • 59% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 30% Danceability • 65% Energy • 59% Liveness
0% Instrumentalness • 42% Positiveness
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flowerkid
vodka orange juice
146 bpm • D Maj • 03:59 • -8.24db
17% Popularity • 46% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 46% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Victoria Bigelow
To Evervone l've Loved Before
146 bpm • D Maj • 04:24 • -12.4db
23% Popularity • 38% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 38% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
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Nick Ward
FUNERAL
146 bpm • E Maj • 03:53 • -7.59db
11% Popularity • 55% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 55% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Comfort Club
i tell my therapist about u
146 bpm • C# min • 02:55 • -9.09db
15% Popularity • 67% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
15% Popularity • 67% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Ayleen Valentine
next life
134 bpm • D# Maj • 02:58 • -7.58db
18% Popularity • 72% Danceability • 48% Energy • 12% Liveness
5% Instrumentalness • 21% Positiveness
18% Popularity • 72% Danceability • 48% Energy • 12% Liveness
5% Instrumentalness • 21% Positiveness
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The Sunshine State
Things Changed
134 bpm • D Maj • 03:05 • -6.01db
13% Popularity • 52% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 52% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Phillip LaRue
Night Swimming
134 bpm • F Maj • 03:16 • -9.33db
22% Popularity • 57% Danceability • 62% Energy • 22% Liveness
35% Instrumentalness • 40% Positiveness
22% Popularity • 57% Danceability • 62% Energy • 22% Liveness
35% Instrumentalness • 40% Positiveness
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Victoria Bigelow
Make Me Blue
146 bpm • C# Maj • 03:08 • -11.49db
27% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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ella jane
Thief
147 bpm • D Maj • 03:26 • -9.97db
25% Popularity • 58% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 58% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Christian Leave
Hard Wad Body
133 bpm • C Maj • 03:26 • -8.53db
32% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Boyish
Congratulations
133 bpm • C# Maj • 02:57 • -8.43db
31% Popularity • 36% Danceability • 82% Energy • 36% Liveness
2% Instrumentalness • 53% Positiveness
31% Popularity • 36% Danceability • 82% Energy • 36% Liveness
2% Instrumentalness • 53% Positiveness
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Collin Selman
bedhead
133 bpm • F min • 02:43 • -9.73db
13% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Abby Bella May
Drive-in Movie
133 bpm • G Maj • 03:17 • -8.46db
8% Popularity • 88% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 88% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Andy Leon
I Dreamt of You Again
147 bpm • B Maj • 02:28 • -15.81db
11% Popularity • 45% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 45% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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SOMOH
I've Been Saying This
133 bpm • D# Maj • 03:38 • -12.43db
29% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Haiva Ru
Flames
133 bpm • B Maj • 04:11 • -9.82db
20% Popularity • 71% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 71% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Oh Wonder
Don't Let The Neighbourhood Hear
148 bpm • A Maj • 04:21 • -7.97db
12% Popularity • 42% Danceability • 57% Energy • 10% Liveness
36% Instrumentalness • 21% Positiveness
12% Popularity • 42% Danceability • 57% Energy • 10% Liveness
36% Instrumentalness • 21% Positiveness
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gglum
end of my street
133 bpm • F# min • 02:42 • -13.96db
18% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Sorry, Peach
Darling This Isn't
132 bpm • E Maj • 03:13 • -11.77db
20% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Kathleen
Asking the Aspens
132 bpm • D# Maj • 02:49 • -10db
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Sophie Holohan
in loving
149 bpm • E Maj • 01:39 • -13.97db
22% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Odette
I Miss You, I’m Sorry
149 bpm • B Maj • 03:16 • -5.78db
22% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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BEL
mason jar
131 bpm • G# Maj • 03:40 • -7.61db
30% Popularity • 56% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
30% Popularity • 56% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
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Alex Kehm
clone
131 bpm • C# Maj • 03:34 • -13.85db
8% Popularity • 67% Danceability • 29% Energy • 19% Liveness
25% Instrumentalness • 36% Positiveness
8% Popularity • 67% Danceability • 29% Energy • 19% Liveness
25% Instrumentalness • 36% Positiveness
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Lucy Blue
Snow in Tokyo
131 bpm • B Maj • 03:10 • -5.78db
14% Popularity • 48% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 48% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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The Sunshine State
Favorite Person
131 bpm • G# Maj • 02:38 • -8.94db
13% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Julius Black
Mirrors
150 bpm • A# Maj • 03:45 • -12.76db
13% Popularity • 54% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 54% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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renforshort
this is just a story
150 bpm • D Maj • 03:24 • -12.63db
20% Popularity • 36% Danceability • 27% Energy • 79% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 36% Danceability • 27% Energy • 79% Liveness
0% Instrumentalness • 24% Positiveness
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James Quick
Sink
150 bpm • G# Maj • 04:01 • -10.55db
26% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Taylor Swift
Florida!!!
150 bpm • C Maj • 03:35 • -7.1db
0% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Butterknife
infrared
150 bpm • C Maj • 02:52 • -12.62db
15% Popularity • 54% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 54% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Max Leone
Malleable
150 bpm • G# min • 02:48 • -7db
32% Popularity • 69% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
32% Popularity • 69% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Margaux Beylier
Calabasas
150 bpm • A Maj • 03:10 • -8.56db
20% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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ROLE MODEL
gucci chair
150 bpm • C# min • 03:07 • -7.8db
34% Popularity • 37% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
34% Popularity • 37% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Alexander Biggs
Madeleine
130 bpm • G# Maj • 03:00 • -9.89db
27% Popularity • 64% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 64% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Gatlin
Grown
130 bpm • D# Maj • 03:30 • -6.31db
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Frances Grove
Sophie
130 bpm • D Maj • 02:18 • -14.14db
15% Popularity • 65% Danceability • 54% Energy • 8% Liveness
10% Instrumentalness • 43% Positiveness
15% Popularity • 65% Danceability • 54% Energy • 8% Liveness
10% Instrumentalness • 43% Positiveness
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Max Leone
in case (there's a change of heart)
150 bpm • C Maj • 03:53 • -6db
16% Popularity • 31% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 31% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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HANNI
Wired
130 bpm • B min • 03:23 • -14.51db
17% Popularity • 77% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 9% Positiveness
17% Popularity • 77% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 9% Positiveness
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Taylor Swift
I Can Do It With a Broken Heart
130 bpm • C Maj • 03:38 • -8.29db
0% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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milk.
I Hate the Way You're Looking at Me (Lat...
130 bpm • G Maj • 03:29 • -8.19db
31% Popularity • 67% Danceability • 75% Energy • 8% Liveness
32% Instrumentalness • 31% Positiveness
31% Popularity • 67% Danceability • 75% Energy • 8% Liveness
32% Instrumentalness • 31% Positiveness
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Katie Gregson-MacLeod
All the Love
130 bpm • D Maj • 03:46 • -8.68db
21% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Lily Papas
Exile
130 bpm • A Maj • 03:35 • -4.56db
14% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
